Cristopher’s mom on October 1st 1989:
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you know what hill i'll die on? terzo is not the sluttiest emeritus
I mean sure, he's the most dramatic and the most outspoken about sex, and he gave us Mummy Dust which is its own discussion-- but I sincerely don't see him, in his private life, being so promiscuous. Like out of all of them, I'm the most certain Terzo would be either monogamous or have a few regular partners at most, but I don't think he'd be big on casual flings. Frankly I don't even see him having sex that much at this point, he seems more attached to it as a concept than an actual activity he regularly engages in.
You know who's the inverse of that, though? The one Tobias himself calls a pervert? Secondo. There's your whore. I know he looks big and mean and authoritary but let's be honest, half of Infestissumam is about ritual sex and he's out in Vegas on the regular with more women than he can reliably satisfy. He says it himself that he became Papa because "he likes a sexy beat". THERE'S THE EMERITUS WHORE, AND I'M CERTAIN OF IT
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I don’t know why I bite
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they would make such a fun duo (no caption 👇)
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pairing ten's "will just kind of let himself be used as a vessel for romance if someone makes the first move" trait with his "spent a whole season not catching that his codependence insanity bestie was in love with him" trait means that if martha had made like astrid or christina and confessed/kissed him outright i think they would have entered a 10x more nightmarish toxic relationship where ten would attempt to get on the comphet grind to ignore his ptsd and depression harder and martha would have to speedrun all the highlights of a loveless marriage with a 20th century war veteran that never learned what being aroace is. i think she would have to leave and never talk to him again
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When she was a little Kiko, Lulu loved to put on ribbons and appear before the world to show her precious Slorg! Sadly her owner was such a recluse that nobody noticed much, and over the years she forgot performing for others...
Until recently she found all the ribbons she saved over the years and wanted to have fun again!
(She didn't know which ribbon to wear, so she is wearing them all!)
(Lulu won a trophy!!! She is absolutely delighted and is using it to store her ribbons!)
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Elvis and Gladys Presley. 1956. Photography by Alfred Wertheimer. Taken from book 'Elvis At 21 New York To Memphis' Alfred Wertheimer (2006).
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thinking abt what you said with house viewing Benny as a son and I’m obsessed. Like. The man spent most of his life before the war presumably alone, and then after the bombs fell he was alone again, save for AI he himself devised. Then he decides to pull in some Tribes, and one kid shows promise! So sure, treat him well, train him, groom him to be his protege, then next thing you know UH OH he’s got developing paternal feelings towards this guy. Wanting some semblance of a family when the time has long since passed, yet fostering that feeling all the same seems so accurate for him. Benny meanwhile only views him as a boss, and not a particularly good one at that. makes me wonder how House must’ve felt when he found out about Bennys plans
I view it as House blames only himself for this, cause he kind of does in canon (strap in this is a long one).
When reflecting on the issue of Benny, House chastises himself first and foremost for not acting quickly enough when it comes to priming Benny. He describes Benny as being ambitious, ruthless and capable; compliments coming from a man like House. House has an ego and while he is logical enough to understand there was never any evidence Benny saw him as a father-figure, he lacks the humility to admit he let his own views on his relationship with Benny blind him to the activities happening behind the scenes.
I doubt that House was as aware as he makes out about what Benny was doing, he knew early on but certainly not early enough to stop Benny from hacking and obtaining a securitron along with getting the chip in the first place. I take it he was distracted by all the possibilities he was calculating of Vegas' success and growth with him steering and Benny as the new figure head, not because of any normal affection for Benny but the admiration of his capabilities. It's to be noted that House believed menial incentives (likely caps, booze, basic needs, etc..) were enough to keep Benny tame like the other Chairmen but, as evidenced by the Omertas and Mortimer in the WGS, this is not enough when it comes to more driven Vegas citizens. This implies he still undervalued Benny and created a space in which Benny felt the need to rebel.
House in my eyes is not sentimental in the traditional sense. I can imagine his pride was severely scorned as someone he certainly deemed dumber than him was, albeit only for a little, able to out-gambit him. It would definitely hit home seeing how his brother also betrayed him but I feel like that's why he's so apathetic when he tells the Courier to do as they see fit with Benny. I doubt the way he terrorized his brother brought him any emotional satisfaction other than a "Now who's in charge!" ego boost. Putting that same emotional intensity towards Benny isn't worth it because who does it benefit? Wasted time, wasted planning, and most importantly wasted potential are all he gets from continuing to be hands-on with Benny. I say the closest example is not being able to throw out old toys due to the memories attached but knowing it's necessary as they are broken or just taking up space for new ones, and then asking someone else to do it so you don't need to get caught up in the feelings of throwing something you put so much effort into. It's not Benny House cares about in my mind, not in a way that sounds healthy to any non-emotionally constipated individual, but what he could've represented for him, which is why he so quickly offers the same position to the Courier.
As for Benny's view on all of this, it was a long time coming. Benny didn't and doesn't believe House is a completely shitty boss. He admires what he's been shown and admits House knows how to run the strip, but disagrees with the directions. Ideologically, House is an anarcho-capitalist while Benny is just an anarchist. House wants to run the strip to profit, though money is not what he's concerned with being rich with anymore. Benny wants a free state that he wishes to become a place for the people, except for the Chairmen who would be on top (I like to remind people that Benny's motives were selfish but not for personal gain/power as was it for the people he actually saw as family). Benny was never looking for a father but a future. He was not interested in being adopted, or having the chairmen adopted, as bigger names still overshadowed in House's legacy.
Truly, it's easiest to summarize as House feeling strongly and thinking positively enough of Benny to start incorporating him into the future of Vegas (a huge honor actually) while Benny was so disillusioned by House's ego and indifference that he thought the only way Vegas could be the future is with House gone.
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I'm curious. I've seen your art and something that's come to my mind is what actually got you attached with the Subway brothers. Your narrative on their different AU forms is so unique which is what brought me to that question
Alright, rat history time.
So basically back in 2021-2022, I was working on an old OC storyline (about 3 years old by then) and I was in grade 9 so I was like “A new Pokémon game? Pfft, like I care” and just didn’t watch any of the stuff related to PLA when it dropped. I still got recommended Twitter posts about it on Instagram and I ended up seeing this one.
I tried looking up Ingo cause I was like "oh, funky design, looks like a captain or something" but I didn't end up finding anything so I didn't press further. Anyways in March break of 2022, I got bored and decided to put some game streams on in the background while I drew. I saw Alpharad's PLA video and decided to watch it for a bit when I saw Ingo.
I was like "Hey you're the guy from Twitter!" and since I knew his name now, I looked him up and found his Bulbapedia article. I found him much more interesting than the rest of the PLA cast since he had history outside PLA, and I ended up reading up whatever I could find on him. I also by extension discovered Emmet this way, which only served to suck me deeper down the rabbit hole. By the end of March break I had a fan OC and 2 AUs made with more on the way, as well as a YouTube recommended page with nothing but theory videos on Ingo and decade old Submas content.
Around May I decided to decommission my OC storyline for personal reasons, and by this point Submas was starting to occupy more of my creative work anyways. Since I didn't have my storyline to put my energy into, I started funnelling literally any story ideas into Submas. This led to nonstop content for a shockingly long time, and ofc I'm still coming up with stuff now.
Long story short, I got attached to them by accident! It was a "right place, right time" sort of thing since they came in as I was starting to get sluggish with my original content and I ended up being more interested in writing for them.
As for narratives, I am effectively playing dolls with these guys. Usually the kind of stuff that I write for them is meant for OCs, but I dumped the 60+ person cast so I put that energy into them instead.
Most AUs will either have a core theme, an out of pocket idea, or both to make things interesting. Usually I just come up with a dumbass idea like "what if we brought ReBURST back for a rerun" or "what if Emmet signed a contract with an eldritch space spider" or "what if Submas could see into the future" and stuff like that, then it picks up themes as I keep writing. For some silly examples:
Burst is based on Pokémon ReBURST and the idea of human-Pokémon fusion, but there's focus on skill, how characters misperceive it, and resentment as a result. There's also a spotlight on inferiority complexes, bottled up guilt, and blind confidence depending on which main character you look at
Journal is about a diary that helps Ingo to regain his memories, and it focuses on remembrance and regret as a result of him reading it. Spotlight on lacking awareness vs hyper awareness and the monotony of living as people around you leave
Oracle is exactly what it sounds like, with the twins being able to see into the future. It focuses on cooperation and the importance of working together, but also learning how to work alone. The spotlight's on jealousy and gratitude for this one, though the latter greatly outweighs the former in this case
I also just have AUs I made to try deranged shit for funsies, like Sapioflora, Cybernetic/Z-Λ, Team Supernova, and Idol. Those are mostly for exploring goofy ideas that may or may not go anywhere.
Right anyways basically I just saw Submas after watching PLA gameplay and found the twins more interesting to write about than the project I'd exhausted by then. The narratives are like that because the AU ideas I make are actually OC concepts that I modify to fit Pokémon specifically for these two or ideas about the two that I'd like to explore. Hope that answers the question ^^*
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My toxic trait is that I like how my incomplete drawings look better than the finished things
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“Hey, what’s up?” Ashe picked up his phone immediately when Roman’s name had flashed across the screen. He glanced around the room. Roman hadn’t been gone that long. But he didn’t see anything of Roman’s lying around that he’d forgotten.
Instead, when he finished greeting Roman, he got a string of almost incoherent and panicked cursing.
“Woah, slow down Ro….” Ashe tried, “Okay, okay… Hey, where are you?”
It would be easier to just meet the other man, than try to translate through whatever Roman was freaking out about. After repeating the question, Roman managed to tell him he was on his own front porch because he needed fresh air. It didn’t seem to have worked, though Ashe supposed it was possible that he could have been worse before calling.
“Okay. Come over here? okay? I’ll meet you outside.”
He hung up, searching quickly for his keys, before he slipped on his boots.
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i forgor i was afraid of men harassing me in venues so i need to change but hi
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oh, yeah, another thing i noticed that was odd about s5 in comparison to earlier seasons was how much they relied on like. not the history of the doctor, exactly, but the image of that history. whether from little easter eggs of the first doctor’s picture popping up everywhere to i think the two(?) times in the season we get a montage of past doctors. and i honestly can’t remember anything like that happening earlier (with the exception of the time crash short, which felt more substantial to me and was also like. 7 straight minutes of david tennant being allowed to fangirl.)
and i say ‘the image’ because hell knows the RTD era was pulling from doctor who past left, right, and center, but it rarely felt like a moment of ‘look at this old thing, you remember old thing? old thing was cool and so are we for continuing it.’ and more like ‘here’s a species/character/etc from classic who. and here’s how they’ve changed and fit into the new world we’ve built for the show.’
I guess, the difference here for me is that. i haven’t watched classic who. s5 shows me a slideshow of doctors and to me, those are the guys i once ranked by how sexy i think they are. and not much else. i don’t have an emotional connection to an image. but take, say, school reunion? an episode that was my favorite even back when i was a kid specifically because i adored sarah jane? i had no idea who she was then, i only just figured out a little bit ago which doctor she traveled with, and exclusively all i’ve watched of her is that episode in s2 and the sarah jane adventures. and yet, that episode, without the context there for me, managed to make sense to me. i’m sure it was probably even more impactful to fans of sarah jane from classic who, but it didn’t lose its impact without that knowledge.
so, that’s a shift. i don’t want to say it’s a negative one, exactly, because maybe people who have seen classic who like these references and i’m missing something. but, to me, it feels a little more shallow.
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J.L. Laynesmith taking the 'Buckingham Did It™' route for the murder of the Princes in the Tower AND the rumors of Edward IV's bastardy ... I have to laugh
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I am 100 percent with you on preferring the JP line in that cutscene if only because it does feel more powerful (and his voice is SO soft, which is something that frequently gets completely lost in the dub in general. Mamoru carries a much softer tone overall for Flynn, similar to how Yuri's playfulness and carefree vibe got lost in favor of the dub's aim for a more "cool adult guy").
That said, I was not even aware they left the whistle out!!! I haven't bothered with that sidequest because the outfit is readily available for free as DLC.
While I enjoy having Flynn present in the last battle, I wish they'd just had him look back up at the sky and say that right next to Yuri right before the very end of the cutscene (since imo that'd be the best placement for it). No reason not to stick that back in!!!
But removing the whistle is just an outright crime and I am owed a fee from the people who decided that for the devastation I've been inflicted with.
Big same 🤝
I used to be such a fan of the eng dub but tbh ever since I experienced the original japanese (back when we still called it the PS3 Version lol) I never looked back. The wording is so, so, SO much more layered and leaves little room to misinterpret subtleties and subtext. Like you, I've had many gripes about the localization because sometimes they just plain insert stuff that was never there in the first place - iirc Troy Baker admited that apparently they rushed the dub so hard, sometimes the voice actors themselves were asked to chip in for the translation...he said he loved that (I'll bet), but that might explain why so much of the OG english script was already full of weird phrasings and insertions...add to that the even more sloppy and lazy DE localization and you get only half of the richness of the original japanese.
Also yes Mamo and Tori *are* Flynn and Yuri more than anybody ever could be. Sam and Troy do a good enough job but I agree that Troy may have been directed to play Yuri closer to a traditional "cool bad boy", which is hilarious given how the original Yuri is a twist on that very trope. Unfortunately, Troy gave him this uncharacteristically cold/aggressive edge whenever he talks to Flynn that it makes it sound like he's always annoyed to see him, and it strips their relationship of so much of the softness and playfulness that Tori lends Yuri.
Anyway enough about me ranting because I could go on for about 10 more hours about this issue lmao. Honestly yeah they very well could've rearranged Flynn's cutscene to fit in there at the end, like hell if you can change the entire camera angles of whole scenes you can change that one background, no?? Knowing Tomizawa though that might have been more effort than he was willing to grant this remaster - won't be his last time.
Same for the wolf whistling!! They replaced it with a skit that is just as funny...
....but void of the insane flirting the original had. Idek why they went so far as to change it, it would've been less work to just leave it as it was 😭
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