My life is over
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I absolutely love Urianger's walking-on-water scene, and I think what I love most about it is how much he's trying not to ask for help and what that says about him and where he's at right now.
At first glance it's easy to respond just as Alisaie does, gods above Urianger you have two friends with you who can breathe underwater, just ask, but the thing is he is trying so hard right now not to ask any more of the Warrior of Light than he already has. Look at how different this is from the early game's "Primal needs slaying? Dangerous thing needs doing? The Warrior of Light will do it!" coming from everyone. Urianger in particular is agonizingly aware of how much he has asked of all of his friends but especially Minfilia and the WoL. He knows what they went through to save the First and he knows it was ultimately all because of him that any of the Scions were dragged into this in the first place.
And sure, it's easy to poke fun at him for trying to walk on water rather than learn to swim, as Alphinaud does (and look, the twins have Urianger-roasting privileges, I'm not picking on them), but from another angle, he went and sought the help of the fae again at who knows what cost just to try and get around what I think from his dialogue is a genuine fear of deep water, just so he could handle this himself and not have to lean on his friends any more than he already has. And when it doesn't work, he's obviously embarrassed, not just at the indignity of falling in the water and having to be rescued, but also because he failed at something he's supposed to be good at, magic.
And of course, when Bismarck asks for help with the barnacles, the obvious thing to do is to ask the Warrior of Light and Alisaie. But his pride is still stinging from the previous failure and he just... doesn't want to ask any more of his friends than he has.
If he could, I think it would always be Urianger's instinct to handle everything himself and never involve anyone else, never ask for anything, never be a burden. That might even work if he didn't have an enormous heart that was always trying to help and do the greatest good and save the world--though it still wouldn't be good for him, in the end, because it would just isolate him further. He's still in the process of learning that not only can he not do it all alone, no one wants him to!
(Edited to add: I am still in post-Shadowbringers and haven't played Endwalker yet, so no spoilers please!) Update: I have finished Endwalker, I am FREE.
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Anyone else ever thinking about the constant nightmares Dick was having at the beginning of his solo in the nineties(in which he was Robin again and trying to catch a little boy who’s face he could never make out and was always too late) that culminated in the fear gas induced hallucination issue wherein there’s another faceless young boy who eventually introduces himself as Jason
And the dreams were subsequently never brought up again
The closest we got was the hallucination he had in his secret files where he spent the whole time talking to Robin
Because I am. I am thinking about it a lot
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It's actually so sad that Ashley can't believe for even a second that she's good enough for Andrew to like.
Like she just cannot believe that he would stay with her if he had any other options of any kind at all it's kinda depressing to think about
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There's such an interesting cyber-anthropological phenomenon in feeling a communal pressure to act a certain way, or use the platform a certain way, when joining a new online space. Not in terms of the types of opinions or political views that are deamed acceptable, but in terms of specifics of etiquette and posting formats.
Making a Tumblr post that sounds "like a Twitter user" is met with scorn or derision a lot of the time. And when asking someone why they react like that, typically the answer is some form of "that kind of comedy doesn't work here" or "it doesn't sound right to post like that on this website", which is essentially just "it doesn't fit with the traditions I learned in this specific place".
I will always find the ways social media platforms evolve naturally like societies interesting.
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what i love about mikage is that we are constantly being told that he is an aloof genius who nobody can understand because his mind is simply so much more advanced than everyone else’s, but we also never see him do or say anything actually intelligent, and all we really do see him do is desperately long for affection and companionship and do everything in his power to strive to preserve the genuine human connection he seeks.
with miki we are actually given a reason to believe that he is a child prodigy: he’s good at piano, he’s good at math, he’s knowledgeable about eggs. i’m not saying that’s in any way definitive proof of his “genius” (anthy is also good at piano, utena is also good at math, and knowing the basics of what an egg is isn’t really anything to write home about either) but like. we can believe that he’s smart for a child.
akio positions himself as something of an astronomer, but we are also provided enough evidence into his astronomical insight to realize, before he even admits that he doesn’t really care about stars, that he’s not very knowledgeable about astronomy. and that makes sense for his character too, because why would he care about having knowledge that he cannot use to exploit and dominate others?
but mikage is neither shown to be intelligent nor unintelligent, we are merely told that he is such a genius that it isolates him from his peers, more like a robot than a human. and so it doesn’t actually matter whether or not that’s true, because all that matters is that he’s special in this way, and that conditional power he is afforded through his status as genius is what matters to his role within the narrative.
the figure of the genius is not an exceptional figure in and of itself, but only due to how such a title is positioned in relation to others, and the referent (the ontologically meaningless designation of “intelligence”) is actually beside the point. and what’s more, to be afforded that “specialness” is actually harmful, because it insists on isolating you from your peers for completely arbitrary reasons.
genius is not a pre-discursive, discrete quality, but merely another notion used as a tool to isolate, groom, and exploit people from a very young age within a hegemonic capitalist paradigm that values production over the human cost of the labor necessary to produce it, and/or the patriarchal paradigm that values an idealized fantasy of power over the violence necessary to maintain that system.
not that i’m excusing killing one hundred boys or whatever, but is it any wonder he saw no other way to move forward than to burn the entire edifice down?
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I once read a book where a character who had just one of everything - one fork, one plate, etc. - because he considered more than that just pointless stuff he'd eventually have to move told another that she made him want to have two plates, and that might be the most Dick and Donna vibes I've ever gotten out of anything not actually about Dick and Donna.
Well now I'm thinking about Dick buying two mugs and keeping one for himself and giving the other to Donna as a gift, but Dick's mug eventually burns along with the rest of Dick's apartment during the Blockbuster fiasco, so then after Donna dies and there's a funeral reception at her apartment, Dick finds the twin mug in Donna's kitchen, and he takes it up to the roof with him and cries.
Teen Titans/Outsiders Secret Files
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The way Billy acts in the Holloway house mirrors how he acted when he was around Karen in that same season.
We don't ever see teen Billy's real smile, except for when he's on the court.
This smile is relaxed and carefree.
For example, his smiles here are all fake. Forced. There's an overly polite expression he wears, and it's shown in how he talks, too.
In both cases:
his facial expressions are controlled, except they're caused by different things.
he's been put in a position where he has his autonomy stripped from him.
his eyes look like they're screaming for help.
His job and car are two things that grant him what he cannot get at his house (which would be some freedom and control of his environment/himself). Karen takes that away from him, and so does the Mind Flayer. She shows up at his work with her friends and preys on him. He drives to meet her and gets caught in another predator's web.
And after, when he's driving his car, he's no longer behind the wheel. It's his car, and he has to sit there while he's being taken control of.
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I think an underappreciated motive for Bruce / Batman to not murder the Joker after he killed Jason is that it would, in a sense, mean Joker won. Like, yeah the Joker would be dead but he would also be laughing himself silly that he was the one who made the Bat break his code.
Bruce sparing the Joker was not because he didn't love Jason enough to kill him, but because he refused to let the Joker take anything else from him; he took his son, but he would not take his honor, his morality, his code. He would not give Joker the satisfaction.
Yeah! I think, ultimately, DC said it best, -- one death, two deaths, three deaths, -- whatever you pick, everybody loses. It was a no win situation from the start and specifically designed to have no satisfactory ending
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Currently thinking about that throbbing feeling under your skin that you get after the pain from a blow has faded. How long do you think it lasted for Mark after the glass coffin trap where Strahm had punched him in the face? Was that the last part of him to go numb as he descended below in the glass coffin? Was it the last part of his humanity to slip away? The dull throbbing of the last human contact that mattered? Do you think he missed it?
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Imo Jason is “irredeemable” by default because I don’t see what he needs redemption from.
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I wonder what it feels like to have people in your life who actually want you around, lol
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Atla live action 😐
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so one character got to learn how to live again, how to reenter society after traumatizing event that will forever impact his life, got to heal and rebuild his relationship with his family even estranged father, reconnected with his old friends and was able to create reliable support system of people that also grew throughout this healing process and now can understand him more and be there for him, got to graduate and start his own business and now can even give inspirational speeches to help others
and the other one had to leave two closest people to him that were his only support after his family death bc 'friends' he had before weren't type of people worth reconnecting with, move out of his country abandoning everything he knew his whole life just to * checks notes * start a job he didn't really want and the main reason he needed higher pay was to establish financial stability for one of two people who he had to leave and that no longer wanted to be with him
okay yea okay sure both cases are about personal 'growth'
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finally finished flash rebirth vol 4 after a year+ of stalling and…
myeah that shit was scary. like tearing up, heart drop, pit in my stomach-scary
yes even his pathetic ass line. ESPECIALLY his pathetic ass line
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just heard an artist say you shouldnt be following any other artists...so you can stay original....that is a very interesting point of view that i absolutely disagree with
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