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#this means nothing to anyone but me

vrisik · 4 months

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love the transgender representation in a linkedin sql tutorial

#this means nothing to anyone but me #but a random video teaching sql having better trans rep than most movies and shows is kinda hilarious

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dreamsofalife · 16 days

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She waltz on my Matilda til I boil my Billy.

#cracker barrel street justice (crack tag)#a song of endless wonder (ic status)#this means nothing to anyone but me

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goodlucks · 3 months

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maybe i always advocate for a team when it comes to game design cause i think i can draw and create some ocs okay but when it comes to writing i know it’s going to come out all deadly premonitions yiikcore mgs4 movie and i’m going to advertise it like “inspired by bayonetta” and it comes out like a dried rotted trout spilt over the highway

#shinespeak #this means nothing to anyone but me

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skywalkervahnya · 2 years

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Alright so this panel:

Young Justice #8

has consumed my mind because Buffy’s (in this case Wendy’s) big subtextual moments especially in the earlier seasons are about coming out. So I decided the best way to figure out what Kon was talking was to find when the issue was published look at the air dates of Buffy to see what episode(s) would match.

This issue is from May of ‘99 which is very exciting because in May of ‘99 the first half of the season 3 finale aired. Why is this significant?

Season three is all about Buffy’s relationship with another slayer named Faith, who is essentially her narrative foil. In the finale (which spoilers for Buffy season three) Buffy and Faith have a big confrontation which ends with Faith in a coma. But the important part of this is that after season 2’s big symbolic coming out storyline, this season was about connecting with someone like you, where once again queer people are replaced with the slayer metaphor. Faith and Buffy were often written with jokes calling them girlfriends, saying they were going out together, being more touchy with each other than with their other friends. It also led to a rather infamous forehead kiss when Faith is first revealed to be a villain. This all basically means that there is a chance that the subtext that Kon was so insistent on is the underlying queer stories in WTWS. And as a person who also watched Buffy and then realized they were queer later in life, it’s pretty funny to look back at those earlier seasons because it’s a very ‘I should have seen this coming’ moment.

#this means nothing to anyone but me #but I don’t care I thought it was neat #conner kent #wendy the werewolf stalker #also I checked to see what was coming on when Tim said he was taping episodes #but Buffy wasn’t airing in august of 99 which implies that Kon missed the second half of the finale which aired in july of 99 #dc #superboy #jay rambles

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knbposting · 18 days

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anyway i was out for a run the other day when i realised that i'm coming to the exact age that i hc kagami is forced into retirement for injury reasons :) that's so funny and quirky because i started writing kagami future verse things when i was like 20 :) haha!

#it's ok he gets married kinda soon #i battled with whether he would and he's so private that i was thinking he might not #but then it's a celebration of love surrounded by the people he loves - he would soooo #this means nothing to anyone but me

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alaynestcnes · 2 months

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people can look down on shippers all they like but i’m having a blast in this bitch. rereading acok is just so much more fun when you’re just stumbling upon jonsa crumbs left and right like i just read “Sansa turned towards the sept. Two stableboys followed, and one of the guards whose watch was ended. Others fell in behind them.” and i’m literally giggling kicking my feet twirling my hair like I just read a makeout scene

#jonsa #to me this reads as foreshadowing sansa as a leader and who will be by her side #two stableboys could kinda be anyone. bran and rickon? sandor and another protector (brienne?) or brienne and pod?#and then jon ofc #and ‘others fell in behind’ is them amassing power / an army together #………or it all means nothing at all 🥴#meta

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moongreenlight · 4 months

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Greek mythology/the Olympians has been my hyperfixation for going on two decades now and I just… Soap as Dionysus.

Always brings a good bottle of wine and a few rooted cuttings of ivy as a housewarming gift. If he’s fixed his attention on you, he’ll also put a few sex toys in the little bag he brings. Puts them right on top for the pleasure of seeing your scramble to try to shove them in a drawer or tuck the whole gift in the closet.

He’s a great time. Has this intoxicating way about him. Like life is a stage and he’s the director. Playful and fun, though a little too enthusiastic at times. Handsy when the two of you hang out. You assume that’s just his nature and excuse it accordingly. Hard not to, gorgeous man that he is. A divine kind of handsome. Like his features are an eons-old amalgamation of all the most beautiful features humans have ever had.

And he gets strangely possessive, even after you’ve been nudging back his wandering hands or putting your hand between his mouth and your neck all night. Borders on vindictive and aggressive if he’s not in the right headspace.

It’s a bit terrifying to see him snapping his teeth in the face of some man at the bar who had only just asked you if you’d wanted a drink. You swear later in the night you see him babbling feverishly to a group of his friends. It sounds like total gibberish, and his friends look even more confused than you feel, but his eyes are wide as saucers and his hands are flying about hazardously. You don’t think much of it after Soap pulls you by the waist to the corner booth and tips a cocktail up to your mouth.

He keeps you out until all hours of the night. Insists on staying jovial. Club-hopping to find the best crowd, best music, best conversation. Keeps you up and active for so long that the confines of reality start to become fuzzy at the edges.

Sexuality expressed through bodies writing and twisting in drunken dance. Bumping up against one another. Collecting strangers and your own sweat in fat beads on your skin that make you shiver when they get heavy enough to trail down the small of your back.

When the room is spinning enough to make you stumble just a bit and you’re unable to do anything but giggle about it, he’s somehow able to make sneaking off into the family bathroom together seem like a good idea. He seems just as drunk as you are, slinging an arm around your shoulders when you walk. Bellowing a laugh when his hand grazes your tit but making no attempt to pull it away.

It’s less easy to be oblivious when you’re in the bathroom together. The muffled music filtering through the bottom of the door. He’s pressing up against you even though now there’s no crowd to excuse his practically grinding his groin on your hip.

It smells like sweat and generic brand bathroom cleaner. You hum when he staggers to the urinal instead of griping at him about how crass it is to take a piss right in front of you. He props himself up on the wall with one hand and a moment after you hear the teeth of his zipper come undone, he lets out a throaty, satisfied groan.

You busy yourself looking in the mirror. Checking your makeup. Seeing if you look as drunk as you feel. It’s filthy. There’s a web of cracks coming from the bottom left where it looks like someone tried to send their fist through to the wall behind it. It makes you a bit dizzy to look at and you have to bend at the waist to get close enough to see the way your mascara has smudged all around your eyes.

And all of a sudden there’s a burning heat behind you. Sickly, feverish heat pressing straight into the pillows of your ass. Soap’s spidery reflection shows up just over your smile sporting a wicked grin. Teeth and eyes flashing.

You try and swat him away, all too used to his comings-on, but he digs his fingers into the fat of your hips bruisingly hard.

“C’mon, hen. Been driving me mad all night. Relax a bit. Jus’ need this. Need you. Please.”

He has to lay flat over your back to hiss in your ear. Teeth clenched like he really needs to put some effort behind his words to sound polite. Like a petulant child who’d just been reminded by their mother to practice manners.

You were practiced in batting back his advances, but for some reason his grit made you falter. His gaze seemed to be burning a hole through you in the mirror. The idea that something inside him was hitting a roaring boil that he couldn’t stop from flowing over made your brain go foggy. The opposite of sobering. His aberrant need was contagious and catching quick.

He smelled like sweat and cheap cologne and dry, sweet wine and woods. Flirty and masculine and overwhelming. And he’s warm and strong behind you, even if he’s pushing his hard cock into you.

Who were you to deny him the pleasure of snapping his hips into your backside a few times? Letting his fingers impatiently tug at the button of your jeans and hastily tug them down with your underwear until they pooled around your ankles?

It didn’t help that the sound of him sending a glob of spit into his hand made you clench around nothing. A familiar warmth gathering between your thighs that made you shift a bit to chase the momentary relief even a touch of friction could provide.

He couldn’t even afford you the decency of pretending not to see. No. Instead he points a spotlight on you and insists you perform for him again. Nudging your legs apart and pressing his thigh flush against your core while purring the filthiest things in your ear.

“Ken I jus’ needed to wear you down, mm? Thought ‘bout this before we went out. Always did get sloppy when you drink. Jus’ needed a little push. That’s it -Jesus- cunt’s so wet. Gonna take good care of her.”

And the club is so packed full of drunken, dancing bodies that hardly anyone notices the way you two stumble out of the bathroom fifteen minutes later. Even though you’re still fumbling with the button of your jeans with shaking hands.

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vaguely-concerned · 7 months

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Thinking about the symbolic weight of smoking in the TLT universe that comes to the fore in The Unwanted Guest -- the way it moves through from person to person: Pyrrha smoked, and Augustine wanted to impress her in all her stone cold fox MILF James Bond glory (and tbf who wouldn't) so he started too. and even though as far as he knows she's been gone for a myriad and is never coming back, he keeps the habit. Ianthe sees something in the hollowed-out Faberge eggshell of Augustine that resonates with her, all that gilded eloquent emptiness and disdain through the ages, so she picked it up from him to try to emulate it. She picked it up so hard that Palamedes -- the exact spiritual antithesis of the 'smoking! on a space station! what a powermove' ennui Ianthe so admired -- spontaneously unnerded enough to even known how to, simply from a sort of contact contamination of the soul.

G1deon and Augustine sharing a jittery smoke after their near-Harrow experience during soup night, and it's the closest thing to any real sense of brotherhood that remains between them. Pyrrha going ten thousand years dying both literally and for a smoke (and then Camilla sold her fucking cigarettes (for a third of what they were worth, probably Pyrrha's own good, and also more importantly grocery money). what an entirely haunted time to be alive etc.). Augustine and Mercy trading a cigarette back and forth in the middle of their collusion over the love and murder of god.

An act of small and measured self-destruction in the name of something a little bit like connection when you're stuck somewhere in yourself where love itself dares not or cannot tread (ritualized, transmissible)..........

#the unwanted guest #the unwanted guest spoilers #the locked tomb #ianthe tridentarius #augustine the first #pyrrha dve #palamedes sextus #this series is going to make me lose my mind completely one day (affectionate)#the locked tomb meta #the fact that ianthe seems to have had some genuine admiration for augustine makes my head spin. of course though.#of course she sees the person who looks the most like he's successfully made himself impervious to the world #utterly untouchable and impossible to hurt because he isn't even really there #and she believes it! even after seeing the john mercy augustine mess at the end! because it's such a seductive idea #when you've stuck yourself in an inevitable ocean of pain to think you could make yourself numb enough that it doesn't matter #it's the emotional equivalent of 'oh there's water all around? well I just won't breathe in then. easy lmao get on my level'#she holds on to that thing from him even when it's been proved to be both impossible and ultimately untrue even in him #because uh. oh I'm about to be kind of sad for ianthe what the fuck is going on. he might actually have been the closest thing #to parental and especially paternal affection she's ever known. certainly known enough to try to model herself after #IMAGINE how fucked up the nine houses must be when augustine the first registers for anyone as a model of psychological survival #ianthe do you really want to be yourself completely so much that you're willing to be nothing. I mean yeah probably but. oh my god #gaining nothing at the cost of everything

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justanotherwriter140 · 1 month

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Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

#kung fu panda 4 #kung fu panda #dreamworks animation #kfp #kfp 4 #movie review #i'll add the actual picture of the furious five's cameo when i can get ahold of one of decent quality #my time has come #it wasn't THAT bad #i didn't love it #but it is what it is #it's a tentative 6/10 all things considered #free the five #perhaps i treated kfp3 too harshly #don't get me wrong the movie had good qualities and i can tell a lot of work went into it #a lot of missed potential imo #a lot of characters done dirty #i didn't even mention the score but i thought it was just okay #i wasn't wowed #i know close to nothing about composing though so i should probably just not even go there #credits were the best part both cinematically and musically #i feel mean but i'm not going to be dishonest #bc obviously you all simply must know how i feel about the silly panda movie #a more detailed version of the grievances i have w the dragon warrior plot can be found in my og discussion post if anyone's interested #as well as my thoughts on bringing back old villains #might make some edits to this in the future but this is all i have to say for now

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mishapen-dear · 5 months

Text

OH. okay so normally i dont touch discourse with a 20 ft pole, but this has been niggling at my brain tonight and i finally realized why

the people who are mad at qbbh for the memory loss and “dodging consequences” dont understand that he doesnt want to dodge consequences. Like they cant know that, they werent focused on him when he was literally feeding himself to the soul vultures and planning his eventual imprisonment and also. The Many Many Many hints he made towards suicide/sacrifice/Just Fucking Dying.

ccbbh is a subtle roleplayer, he’s been building this shit up for two whole months- it was day FIVE of the eggs going missing that he resolved to do whatever it took (hurting his friends) to get the eggs back. It was day three that he followed in dapper’s footsteps and started feeding himself to the soul vultures (and gaining a Massive headwound beneath his hood in the process- you can only see it if you go on namemc and remove the layers). He’s got impaired judgement. Even the memory issues arent a new thing- i cant remember exactly when they started, but one of the first big moments i remmeber was september 30th where he spent an hour falling into a delusional frenzy searching his base for cameras that he forgot he asked aypierre to plant.

The super murder of purgatory and the memory loss afterwards probably all feels very sudden for people who havent been following his story, but as someone who has been- all of this has been true to character. The only cheap swings he’s made have been combat-based in purgatory, and even the motive for those was built up in rp.

People are calling for consequences, but he has alrwady been experiencing self-inflicted consequences for months. The blue on his usual outfit is blood. This recent memory loss isnt a restart to get away with the atrocities - it is yet another consequence of his egg-protecting complexes and the ways he punishes himself for failing them.

he is NOT a moral character. he’s a demon hiding in plain site. he has eaten people. he has killed people. he understands the cruelty of his actions, and the consequences of them for the loved ones of his victims. but it matters when that harm is being done to his loved ones. he’ll still do it, because he will do anything for the eggs, but it matters, and that means that he has already started the process of self-inflicting those much-demanded consequences

#anyone who isnt a qbbh makn please extend some sympathy for us. our guy is being misunderstood again #so if people seem twitchier than usual that probbaly plays a factor #but if it ever gets annoying be rest assured he is doing his very best to train us in media literacy #and also the block and filter buttons are your friends #and qbbh mains join me in the genuinely freeing revelation that they have just. strawmanned him yet again #i feel like youve gotta be able to understand a character to truly hate them #and no one (not even us oh my fucking god) really understand him #and thus the vitrol means nothing and i am free of all woes #anyway tho genuinely if you want to know more about this cube im willing to talk about him #i have Credentials #one of my posts was dono’d to the cc almost word for word and he called me a know it all #qsmp #qsmp badboyhalo #discourse #<- mentioned #an interestinf discussion could be had too about xyz character Deserving xyz thing #and really people in general Deserving xyz thing #but i think that is a wasp nest i dont know enough about to join swatting #i ngeed. to go to bed

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