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#this picture is as close to perfect
canisalbus · 6 months
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I thought I might try my hand at moodboards, too :')
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tyttetardis · 3 months
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Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
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blaithnne · 2 months
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Isn’t there something you’re forgetting?
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usernyoom · 2 months
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Max Verstappen models his race suit for the 2024 season. via @.maxverstappen1. edited.
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aroaceleovaldez · 10 days
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finally finished my project of collecting voiceclaims that are as close as i can find for my hcs of the main HoO cast - just for funsies so it's not as perfect as I'd like but whatever, it was a neat exploration and exercise of me trying to think of literally any franchise for voice actors.
Leo got two cause I had trouble of finding good clips for the voiceclaim that's closers to my hcs for him (the second half of his section). Also got to play the fun game of digging through my art for decent doodles of each character.
Also fun fact, I am almost completely unfamiliar with 3 franchises in this video and was just digging for voice clips on youtube. Try to guess which ones.
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rottengurlz · 7 months
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Noelle Andrews (She/Her) ★
She grew up with both her parents in her life, but they were extremely strict and catholic. They controlled every aspect of her life even to what she wore, she wasn’t allowed to wear skirts or dresses. She was only allowed to wear pants or shirts that were “modest”. She still talks to her parents regularly and they call multiple times a day to check up on her, especially since she’s moved out now. 
She’s a closeted lesbian but absolutely no one knows that in her life besides Avery 
One of the first thing she did when she moved out was buy a crop top it was her first act of “rebellion” 
She considers herself agnostic but still pretends around her family and goes to church with her parents every Sunday
She’s trying to convince Avery to be roommates in her apartment together
Her parents are very wealthy and insisted on trying to pay her rent for her, but she refused because she knows it’s just another way, they can control her and her life
She loves to bake her own bread and will make extra loaves to give to her coworkers
She loves baking in general but still hasn’t perfected macarons yet
She dealt with acne A LOT as a teenager but now has her skincare routine perfected. She is constantly trying to introduce Avery to serums but Avery tells her it’s a scam
When she moved out is when he she got her very first job at the bar, she’s currently working at. It absolutely terrified her but she is constantly trying to push herself out of her comfort zone since she’s no longer living under her parent's thumb (as much anyways) and has the ability to actually do things she never could before
She lied and told her parents she’s working as a receptionist somewhere (the vaguer the better) 
She smells like honey and soap 
Her favorite color is burnt orange and pastel pink
She absolutely loves horror movies the first one she ever saw was when she moved out which was the original Friday The 13th
She’s 5’7
She has 2 younger sisters named Dani and Florence
She broke her nose playing volleyball in highschool and it’s permanently crooked now
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icewindandboringhorror · 10 months
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I got these shoes from someone recently but thought they were way too plain looking, so I set out on a quest to customize them with some sharpies and charms and miscellaneous ribbon I had in my craft drawers. Mostly sky themed (clouds, rainbows, rain, stars, etc.) because that's my favorite aesthetic, but I had to include some cat imagery as well, of course lol.
#also honestly had NO IDEA that real converse have that star logo on the INSIDE not the outer part??? why the hell would you want it on the#inner portion where nobody can see it?? my entire life I always would have sworn it was on the outer facing portion..#I think these would be perfect IF they were just slightly taller (top part higher above ankles instead of just weird hard material digging#right into your ankle whenever you walk) and if they were actual good platforms. they're so short. It's good that 'chunky' shoes are gettin#more popular as they've always been my favorite Look ever since I had these shoes with roller skates that pop out of thebottom (not heelys.#but like. before those. it was two whole entire roller skate wheels like a normal pair of roller skates) and the bottoms were so tall and#clunky and it made my feet look giant (because it had.. entire wheels in the bottom pockets lol). so#I've alwatys been into the aesthetic but . still I find a lot of the 'brands jumping on trend' are too short of platforms#OR they're plafrorms with a raised back/heel/wedge which to me is not aesthetically good and also makes them exceptionally uncomfortable to#wear compared to just plain completely flat chunky platform bottoms. ANYWAY.. if these shoes had a 3 or 4 inch platform I think they'd be#cooler. however for what they are it's still fine! and I like them more now that they actually have some sort of anything to them and#aren't just plain white. The weird thing is that the material it's made out of (maybe some sort of leather or something) absorbs sharpie?#the color changes over time. You draw a mark and then leave it for a few days and it either fades into being barely there or has changed#colors. so I had to go back in and redo parts. ALSO the shoe chains are so funny because I did NOT have the right tools for them#I don't have the stuff to make bracelets or open and close the little rings. they're held onto the shoe with just safety pins and the actua#little rung things that hold the charms on half of them are like broken or the metal is just jam smushed together bent and warped hhbjhjhb#I actually like the back a lot where there's the irridecent star thing hot glued on there. it's cool and shiny. and the clouds#are sparkly on the main parts of the shoe though I'm not sure how well it shows up in pictures#ANYWAY... shoegs..... If I were rich this is one of the things I would definitely custom order from craftsman#why would I spend like thousands of dollars on plain ass shoes that are just expensive because they're a Luxury Brand when I could literall#like pay people to create me custom shoes to my exact specifications?? I could have like 5 inch flat platform boots with fur andclouds#and cat shaped holes in the bottom with LEDs in them with pom pom and charms and etc. etc. etc. Like as gaudy and excessively over#decorated as I want lol.. AND they could have skates in the bottom somehow!! ghjgbhjb#this on top of all the custom wizard costumes and period clothing I would order.. Like i LOVE customizing things. I love everything in my l#life being as particualr as possible and cultivating every experience I have to meticulously meet my own specific criteria as much#as is possible. If I had the money to I would never buy something from a store again. EVERYTHING I owned from furniture to clothing#would be either made by me - or mostly - comissioned from craftsmen. custom tiles for my floors. custom bed. custom table.#even like. custom toilet. custom sinks. etc. etc. ouGGH... but yeah.. anyway... shoes..
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gaydroidd · 4 months
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i'd trade it all for your sweet embrace 🖤
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icy-book · 9 months
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Henry, Darryl, and Glenn toddler/baby parenting headcanons, brought to you by discussions with my mum, studying attachment in psych currently, and @landrick-lycidas foolishly asking about them.
Henry and Mercedes are definetly on one of the Science-Aware Natural Parenting groups on Facebook. They always had slings ready to carry Lark and Sparrow in, (the twins probably prefered walking and running, so this was for when they got tired and clingy, or when they were babies who couldn't yet walk) and probably ended up amassing a collection, which then became repurposed/given to other parents when the twins were older. Breastfed for as long as possible, and very child led.
Carol and Darryl were much more a set feeding times, bottle-fed only and move Grant onto formula pretty quickly kinda couple. Very American from what I've seen. Grant probably slept in a crib in his own room, and I imagine Carol was a very "Let him cry it out" 90s style of parenting (which had a lot to do with Skinner's operant conditioning stuff!) but I don't think Darryl could bear to hear his son in distress, and would often go comfort him anyway. He probably would have worn those baby carriers if he was as comfortable in himself/his masculinty then as he is at the end of the show. Glenn and Morgan are a very specific kind of parenting I don't know how to describe. They never bought a crib for Nick, and always let him sleep in their bed until he was big enough to need his own. Much like the Oak-Garcias, very child-led but less in a concious, methodical way and more in a punk and/or "we're twenty and don't know what we're doing so lets just try and make our kid as happy as possible" way. Glenn is also definetly a picking up on Nick's alert phases and show reciprocacy kinda guy. In other words: very much a "hey little man" *baby gurgling in response* "hell yeah dude, that sounds wild". Engages a lot with his son's baby babble and treats it like serious conversation, strongly a play/talking kinda dad. Also, picture: Glenn lying on his back with baby Nick resting on his stomach for tummy time. Even then, they were best friends
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wanderingaldecaldo · 3 months
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theokusgallery · 3 months
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Arsenic with these tbh... 👀
Having normal thoughts that normal people have
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lizzybennets · 1 year
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embroidery dump with my some of my personal faves so far 💞
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daughterofhecata · 3 days
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the perfect part about it is: it's all that i've got
a.k.a the Dad!Skinny AU
Zehn Jahre nach seinem Abschluss kehrt Peter nach Rocky Beach zurück um seine Arbeit im neu enstandenen Jugendzentrum anzutreten. Und muss feststellen, dass sein neuer Kollege niemand anders ist als Skinny Norris.
In den Nebenrollen: Kelly, Dylan, Skinnys Tochter, Peters Patentochter, diverse OCs und canon Charaktere; Soziale Arbeit, Queerness, soziale Probleme und natürlich die Spannung, die entsteht, wenn man sich zehn Jahre nicht gesehen hat, einander immer noch nicht leiden kann... aber genau das lernen muss. Und dabei vielleicht ungeplant Gefühle entwickelt.
hier auf ao3 // hier auf ff.de
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shadowedvales · 1 month
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jane’s appearance vastly changes after season one. her face, features and overall mannerisms begin majorly altering from what we see in canon, versus my own interpretation of her.
hair. we love the curls. <3 but when her hair first starts growing in, the sensation is so foreign to her, and it resembles something akin to phantom pain. she hates it. the feeling that something is there when it shouldn’t be. her scalp is incredibly sensitive, and in the beginning, she does not take care of it in the way that she should. after the first three months, hopper has to cut a relatively large chunk out of the left side, because she hasn’t been brushing it, or tending to it, and it becomes a matted, strangled mess. then it becomes uneven, which she hates even more, so she asks him to cut the rest off and she basically starts from square one again. overtime she does properly tend to it, but it’s only about five months after the cut from hopper, does she get used to the feeling, and come to appreciate her curls. jane always has curly hair. when it starts growing out more, it becomes wavy rather than ringlets. never once in her life does she pick up a hair straightener. not to even test it out. her hair becomes so important to her, that the thought of something happening to it (ie a hot device burning it all off) really worries her.
scarring. it’s already pretty established on this blog that closing the gate affected jane physically and mentally more than the series portrayed. (meta found here!) those veins that appear on her face whilst closing the gate, also form patterns across her entire body; hands, feet, legs, stomach. although they all do fade overtime, the markings on her left hand, and around her neck never disappear. while she hates them, hates that the upside down has physically scarred her, she never attempts to cover them up.
teeth. between seasons three and four, jane gets braces. like her hair, it takes a long time for her to properly tend to her teeth, brush them regularly and understand they need constant upkeep. in the lab, these things were all done for her, and she became very accustomed to not having to do it herself. her overall hygiene is relatively bad during her time in the cabin. i love millie’s vampire teeth, and keep them canon, but i also imagine her bottom centre teeth to be rather crooked. after her first trip to the dentist, she needs to have three teeth extracted due to them rotting. they’re all in the back though, so the gaps are not very noticeable.
posture. her back is always ridiculously straight, having near perfect posture, especially for a child her age. stemming from the fact that she was given no opportunity to slouch or fully relax while in the lab.
skin. jane is extremely pale. she has a vitamin d deficiency due to her lack of exposure to sunlight, and if she’s in the sun too long without proper protection, she burns incredibly fast. jane also hates make-up. she hates the way it makes her face feel. sometimes she will wear lip gloss; on very special occasions she may wear mascara, but that's the extent of it. the most make-up she ever wore in her life was when she was part of kali's gang. skincare falls under the same category of her hair and teeth: it was done for her in the lab, so she's not used to doing it herself. things like shaving, moisturising and plucking her eyebrows etc do not become of interest to her until her early twenties.
strength / muscle. jane has poor motor function and development as a result of growing up so sheltered to physical activity. her muscle development is very minimal and she has little coordination between her mind and physical movement. ie, hand-ball requires use of both mind and action: when to bounce the ball and an intended destination. she struggles with hand - eye coordination, and it would take her much longer to succeed in any sort of activity such as this given the lack of experience. in terms of fitness, she would be very behind in her age range, and would not be able to run very far before getting tired. she is only successful in this sort of area when she’s running on adrenaline.
eyes. jane experiences temporary blindness when she returns from the void. this gets better overtime as she comes into the strength of her powers and no longer needs the bath / blindfold / picture of somebody to find them, but sometimes it does still happen. when this does occur, her eyes turn a bright white, losing their pigmentation. her sight always returns within a half hour, but sometimes that sheer white lingers for days. she can see, but her actual hues can take a while to fade back in.
hands. the middle and thumb nail on her right hand became completely rotten from frostbite during her month living in the snow, and they no longer grow. her hand was immobile for a good few weeks, but it did end up healing for the most part, aside from the two nails. and those fingers do cramp up sometimes. she likes to wear nail polish frequently to hide the black rot, but the skin and cuticle always has a blue/black tinge.
jewellery. jane actually wears a decent amount of jewellery! she loves wearing fancy clips and bows in her hair, alongside colourful scrunchies. she always wears a simple silver chain around her neck, with an opal pendant which belonged to terry, gifted to her by andrew. she never takes it off except for when she’s sleeping (as one night she woke up with it all tangled tightly around her neck). she loves wearing multiple bracelets and rings at one time, and has a fancy jewellery box that she thrifted from downtown hawkins which stores her growing collection of accessories. jane does have her ears pierced! it was one of the first things she did when starcourt mall opened— nancy took her to get them done. it’s very rare you’ll find jane without at least three rings on, and a pair of fancy earrings in her ears. even if the situation doesn’t call for fancy jewellery, you can bet she’ll show up in it.
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darkconsumed · 3 months
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@healiotrope gets a plotted season two thing.
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Repressing her memories and feelings was a bad habit. It also served as a means to protect herself from herself. From everything that happened out there and how it followed her in some shape or form. She also did it to protect her family from knowing the truth and the horrendous things she witnessed and partook in out in the wilderness all those months. And in truth, it was her way of denying everything that happened. Denying the horrors of her youth and the pain she had caused.
However it was easier to do that behind closed doors, behind the fortress of her home. Where no one from her past was allowed inside and she didn't have to think about any of them. Well, except for one person, but that was neither here nor there; she would always be an exception. But deep down, below years of concrete to keep thoughts buried, lied one moment in time where she knew that survival hadn't been the reason for what she did. That there was no excuse for why she did it or felt like doing it. The circumstances leading up to it, it might have justified her anger, the rage that boiled up inside her, but what she did to Charlotte Matthews was unfair. Uncalled for and had been taken too far.
Shauna hadn't thought about that night in many years, ashamed of what she had done to her friend. To someone who just wanted to help her and didn't know how to ( none of them knew what to do to comfort someone who had just lost their child, it wasn't their fault. ) It was being back in the other woman's presence that dredged up the memory that replayed in her mind like some sick and twisted snuff film. Though logically it was the cold setting in around them, her knuckles stung from the memory, and she was certain she could smell the heavy coppery scent of blood assaulting her nostrils. And if she closed her eyes for too long, she could see Lottie lying below her and seeing how her face changed to something she didn't recognize.
The moment that triggered this buried memory to crawl out of the grave like some monster? When she saw a flicker of fear in Lottie's eyes and the way muscles constricted below the surface of tan flesh when she confronted her about the goat. Any other time, any other person, and Shauna would have been ecstatic to see it, to know she scared them. Because though she'll never admit to it aloud—to herself or another person—she thrived off instilling fear into another being. It gave her a sense of control that was invisible and unspoken. But this was not the case with Charlotte. No, all she was left with feeling was the guilt and regret of nearly beating the woman to death for something she hadn't caused. Nor would have ever wished to happen to the young mother at the time.
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Charlotte had given them all a therapy treatment and though she had completed hers, she knew there was more to do. So once Bruce was returned to the barn safely and unharmed, she went in search of the other woman. When she found her, her stomach was in knots and a thick sickly lump had formed in her throat as hands grew slick with sweat. You have to do this, she told herself, knowing it was true and that it was long over-do. "Lottie?" Shauna said softly as she raised and waved a hand before clasping it once more. "Um...can we talk? If you're not b-...busy of course. But if you are it's okay I-...I can come back later..."
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aromanticmina · 1 year
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I hate amatonormativity all my homies hate amatonormativity.
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