#thought I'll make this a gif | Explore Tumblr Posts and Blogs

orbmanson7 · 9 months

Text

Let's do a quick analysis of this new short video "The Sides Need a Nice Day" which is clearly meant to be mostly for fun, but there's definitely some hints and easter eggs to pay attention to that I'd like to explore a little further.

I'll address this in three parts in separate posts, the first for Patton and Logan, the next for Virgil and Roman, and the last for Janus and Remus.

Let's start with the first part, about Patton and Logan.

Patton's initial approach, as we can see, was flawed despite his good intentions. He wants to do something nice for Logan, he thinks out ideas based on what he knows Logan enjoys, and he likes to see Logan actually having fun. These are all very emotion-based notions and motivations, which we can expect from Patton. He's inspired by his own emotions in response to seeing the videos online, and takes matters into his own hands to give Logan in particular a special day.

Why Logan? Because Patton's very in tune with emotions and can recognize that Logan has been having a tough time lately. He empathizes with this a lot (considering it's kind of his thing) so he wants to do something that he'd like someone to do for him if he was having a bad day - do something to cheer him up!

This is very sweet and he clearly puts a lot of thought into this idea...but it's not an immediate success because he only really puts the emotional concept and vision into it, and didn't think practically or make his decisions with logic in mind.

Wonder who could have helped with something like that...

First, he approached Logan about making a quick decision, which is not something Logan is ever known to do. Logan resists this right away by questioning him for clarification and is already annoyed to start because Patton is being vague and trying to get Logan to play along without giving consideration to Logan's need to understand a situation and weigh his options before deciding anything. Logan takes no action lightly and always thinks his actions through first, as opposed to Patton, who prefers gut instincts and impulsive action. He doesn't bother to offer Logan the information and time to make a more informed decision, all because he wants to hurry up and get to the fun part!

Patton (like Roman) is someone who is able to envision what he wants, but Logan is someone who actually figures out the steps needed to make that a reality. Without the steps, that vision is but a dream, and without the vision, the steps are just work with no purpose.

These sides need to learn to work together to accomplish goals, not just do things on their own, and this part of the episode gives us a hint towards that notion.

The peculiar way that Patton then explains the situation to Logan is also interesting, as he states that whichever option Logan chooses will be something Patton wants to do, and because Patton wants to do it, Thomas will want to do it, meaning Logan gets to do it, too.

This, by itself, is such an alarming concept to drop into this video, especially with Patton saying it so cheerfully.

In case it's not clear, Patton is implying that he has so much power and sway over Thomas' decision-making process that he can have Thomas do something just because he, Patton, wants to do it. None of the sides should have that level of influence over Thomas, but Patton not only has that power but also knows that he does.

(And to clear up any confusion, this is not the same as Janus saying during his part of the video that he's convinced Thomas to lean into certain thoughts for the day. Patton is suggesting that if he wants something, Thomas will do it, as if it's automatic and doesn't require convincing. That may be Patton oversimplifying it a bit, but it's still indicating his status above others in that sense.)

In this case, he's using it to give Logan a nice day by doing (read: permitting Thomas to do) things he knows Logan would enjoy...but in other context, that's a very dangerous situation, especially since Patton has been shown to make bad or skewed judgement calls in the past due to his biases as well as making some very impulsive, emotionally-driven decisions.

But he recognizes this status that he holds and is attempting to use it for good, so at least there's that?

The next and more obvious part of this section shows that Patton is rushing Logan through the activities chosen, talking over him or cutting him off when Logan questions Patton about this, and Logan grows more annoyed by this as time goes on.

He is not quick to anger, even when he was initially forced into deciding something with very little information, and it takes a few times of being pushed and talked over before he even shows his frustration at all.

It's important to notice this because Logan's anger is not just born of nothing. It's valid because it's a natural reaction to the situation he's in not being properly catered to him.

This is something we see in episodes of the series a lot, and when it comes to the specific moments where Logan has truly gotten angry enough to show it, it's never out of nowhere, even if it may seem that way. If you are properly paying attention, you will see the gradual buildup, where Logan keeps holding himself back, staying calm and collected as long as he can, before the emotion bursts out and he acts rashly (and then regrets it).

Logan's anger has been shown to appear after moments where he is repeatedly cut off, spoken over, and ignored or disregarded completely. Being silenced and skipped over so often, it's a wonder Logan keeps trying at all, but he does. At some point, the last line is crossed, and he explodes with that anger.

While the resulting behavior may be inappropriate or rude, the feelings motivating that behavior are extremely valid, because he's being pushed to this breaking point by others. Anger serves the purpose of making it known when someone's boundaries have been crossed and when they have been wronged, so it makes sense for Logan to experience it at these times.

So, in this short video, Patton is trying to do something nice for him, and Logan can recognize and appreciate Patton's intention, but the execution is filled with the same mannerisms that build Logan's anger - being cut off, spoken over, ignored. It's not that he doesn't enjoy these activities, either, but he's not being given the chance to enjoy them with the way Patton is presenting them to him. It's a recipe for disaster because Logan's needs and boundaries aren't being respected despite the whole point being to do something nice for him.

This is also a tough situation for someone to oppose, by the way! When someone does something nice for you but you honestly hate it, how do you begin to tell them that? You don't want to hurt their feelings because you know they were trying to be nice and meant no harm, but if you don't speak up about the issues you had with it, your boundaries could wind up violated over and over again and the other party would be none the wiser.

Logan must voice his frustration. He has to explain why he's upset. And, thankfully, in this section of the video, he does!

He starts by stopping Patton directly, hand out and everything. He speaks calmly and clearly, using the same tone he used when speaking to the others during DwIT to get them to chill out and not be so impulsive. Logan is using what he knows to work to make his case here, and he tells Patton that he appreciates what he's trying to do. But then, he raises his voice and informs Patton what's annoying him about it, that he can't enjoy these activities because he's being rushed through them. This is a direct communication of the issue at hand and why it's bothering him.

Patton then pauses, reflects, realizes his mistake and where he had messed up, and then alters his behavior to fix the issue.

It's so simple and succinct that Logan, while still annoyed, seems confused that Patton actually listened to him and by how easy it was to find that resolution.

And I think that's our next piece of foreshadowing, as well.

Logan has been holding back about his genuine anger and frustration over how he's treated by the other sides and Thomas. He feels ignored and only utilized as a tool, as if he were a book rather than a person (or the metaphysical manifestation of one, at least).

These are not feelings that have only sprung up recently, either - this has been happening for a very long time without Logan ever addressing it.

Until he does, the others won't realize the impact their words and actions truly have on him. He needs to speak up and the others need to listen and adjust accordingly.

With the way Patton responded in this part, though, perhaps this shows that they may have an easier, calmer solution in store than one might initially anticipate, but we shall see.

Speaking of foreshadowing, during the times Logan is shown in the library throughout this part, he is reading a book titled A Gentleman in Moscow by Amor Towles. Knowing past easter eggs and hints, it's likely this is not a coincidence.

Having read the book myself, I think it's very possible this is a potential nod to something that may occur soon within Logan's upcoming arc (whenever that may happen), as the book happens to deal a lot with the concept of imprisonment and finding ways to live through adversity.

In the book, the main character is put on house arrest in a bustling hotel in the city, but he's relegated to a cramped attic space and had left all of his books away from home so he cannot access them, because if he dares to leave the hotel, he'll be shot dead. So he stays inside, and he self-reflects because he now has a lot of time to think. He gets to know the people who work and live in the hotel, how their lives are so different than his own had been and continues to be. For quite some time, he feels the true punishment of his stay there, how the whole world outside is moving on so fast, but he is stuck inside, removed from it. He becomes effectively useless, unable to be or do anything for others (outside of giving amazing wine pairings for meals, of course), but he stays true to himself despite it all. He remains his charming and intelligent self, he makes new friends, he finds ways to be happy despite being trapped there.

The most popular quote from the book is one that says, "if a man does not master his circumstances then he is bound to be mastered by them." And while the main character in that story manages to make the best of his life and circumstances, we know that Logan is still struggling with his fate right now, being trapped within Thomas' mind as someone who cannot fully explore his own interests, who has less and less purpose since Thomas left college, and feels less respected and listened to every day.

Logan has to find a way to obtain happiness despite his circumstances, because he can't change his situation, but he can change how he responds to it.

This book may be a clue as to how he finally figures out how to do that.

The outcome of this part of the video with Logan and Patton is a satisfying one. Logan expressed his frustration, Patton listened and was able to correct the issue, and Logan was able to have a nice day after all, which is what Patton had set out to accomplish. There were quite a few bumps along the way, but it was successful in the end!

Now, onto the next part...

#sanders sides #sanders sides analysis #patton sanders #logan sanders #ts spoilers #long post #orbs thought bubbles #I'm posting part one for now and I'll post part two and three later on because i have two jobs back to back today and tomorrow so I'm busy #pfft but i won't make anyone wait for too long i promise

324 notes · View notes

justanotherwriter140 · 1 month

Text

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!