So let me get this straight:
Hollow knight is about the journey of a small creature possessing the corpse of a god's discarded child, and the character arc that unfolds as they realize they're more than the path they were set to take, eventually defeating the corruption instead of merely postponing inevitable destruction.
Rain world is about the journeys and experiences of many small creatures sent by a bunch of gossiping computers, and the efforts to help stop the destruction caused by a corrupted god that unfolds over hundreds of years, all to postpone his inevitable death.
Man, video games are fun!
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there’s a thing I think about sometimes when I’m writing that I call ‘the rabies condition’
by which I mean: there are no contraindications to getting the rabies vaccine for post-exposure prophylaxis.
every other vaccine usually has a few contraindications like ‘don’t take this if you’re allergic to it’ or ‘if you’re pregnant discuss the risks and benefits with your doctor’ or ‘don’t give to children below age 6′ or something, but not the rabies vaccine. if you’ve been exposed to rabies, there is literally no medical reason that can justify not getting the rabies vaccine--you can be deadly allergic to literally every single ingredient and the correct decision is still to administer the vaccine, because if you don’t, you’re 100% guaranteed to die of rabies. even the life-threatening allergies are a step up in survival rate (especially since anaphylaxis is something that can be managed, even if there are risks associated with it)
which is to say, the rabies condition: if a character has been ‘exposed to rabies’, aka, in some impending absolute worst-case scenario, like the apocalypse or some death curse or the destruction of their entire city via demons or whatever, then that character has to take action and the consequences and risks no longer matter, because literally any other outcome would be better, and 1% chance of survival is still better than 0%. that doesn’t make those actions necessarily good, the same way that injecting yourself with something you know you’re deadly allergic not a good thing to do, but it’s still better than dying horrifically of rabies. desperate times and desperate measures etc
and then, after your character’s prevented some horrible thing by doing some almost equally bad thing, they should absolutely experience the consequences of those choices.
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I also started One Night, aka the "Jodie Whittaker as a married lesbian" show, and while I get that the show wants me to ship her character with the woman from Wentworth (because idk she's the woman from Wentworth?), I don't see how I am supposed to do that when Jodie's smoking hot wife's fake British accent is THE sexiest thing that has graced my ears in a while like ????
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THOUGHT GAINED: INFERNAL ENGINES
PROBLEM
The world is ending. You know it, your neighbor knows it, the dealer knows it, the jailer knows it, the king and all his men know it. All one has to do is look around to see it— the future is curdling into something pale and incorporeal. The infernal machine that is this stupid world is going to blow, sooner rather than later. So what are you doing? Why are you still here? Why is anyone still here?
SOLUTION
You are doing the only thing worth doing. You are living. *Why,* you ask? Try and remember now. Remember your mother’s hand on your shoulder. Remember the taste of a fresh catch. Remember the times when you were kind to the dogs in the valley and they did not bare their teeth. Remember the weight of a child on your shoulders. Remember the stars throwing their light against the wall of sodium and smog. Remember singing until your throat was raw. Remember crying just as loudly and publicly, and the gentleness with which someone opened your curled fist and pressed a handkerchief into your palm. Crying, laughing, running, eating, screaming, haunting, loving, fighting, fighting, fighting. The fight fuels you, and you fuel the fight. You run yourself ragged just for a chance to keep running. You never stop. You cannot stop. The world depends on it. *You* are the infernal engine. You are the world. And, simply put: you want to live.
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Prompt:
When Jason wakes up in the Pit and finds out about what happened while he was essentially brain dead it’s not Bruce his ire falls upon, but Dick.
Dick, who never accepted him and had to be coerced into spending any amount of time with him but is now regularly seen patrolling with the Replacement. Dick, who had an open ear for everyone but Jason. Dick, who never put in any kind of effort with Jason but has an entire Wikipedia article dedicated to his wholesome bond with the Drake heir.
Dick, who couldn’t even be bothered to attend his funeral but never missed a single of the Replacement’s photography exhibitions.
So when Jason first dons the helmet and begins his stakeout to start planning his big debut he doesn’t only do it in Gotham, he branches out to Blüdhaven.
But when he first get to Blüd it’s to the tail end of Blockbuster having been murdered.
And when he finds Nightwing it’s to the sight of a woman stalking towards where the vigilante is sprawled on a deserted rooftop, unresponsive.
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Refuge
Danny was not retired, technically he came when people needed him, he helped or protected them as the case may be. It just turned out that over the years they stopped needing him.
And that was fine, it meant humanity could take care of itself, it meant they were safe. That was what had to matter, no matter that deep down, the halfa was hurt by the information.
It was harder to accept change when you weren't part of it. Danny was immortal, eternal, and powerful, things that no longer fit the world. Not with all the heroes and wizards running around, not with Amity Park fading away, becoming nothing more than a part of his memories.
He fit in perfectly in the Realms, sure, but he knew that if he stayed there too long he'd stop feeling human, and that was dangerous.
So, no, Danny wasn't retired. But he lived in a simple house in Metropolis, though sometimes he got tired of Superman being able to hear literally everything and moved to his house in Fawcett. He used to switch between the two houses frequently, not that it was difficult since he had figured out how to make portals.
He had a few friends, like the orphan boy who lived at the train station and Conner, a teenager who sometimes just needed a house to stay in when he couldn't stand his father.
Neither Conner nor Billy minded his age, which was comforting, although they both got curious when he visited the other house. Danny didn't know how to explain that Eternity Rock and Superman made him nervous if he stayed too long (he didn't like feeling watched), so he just shrugged and told them he had two houses.
Neither of the kids understood but they accepted it. They both had a habit of calling him "Uncle", Danny thought it was odd, given that his appearance wasn't exactly...adult, but it seemed they were comfortable with that, and he left them alone.
Apparently his house (occupied or not) had become a haven for them. Danny always greeted them with a sandwich, or cookies, even though he felt like a grandmother doing so. He smiled for the first time in years, feeling happy to fit into someone's life.
That's why it was quite disconcerting to find the Justice League outside his door asking him to join them. Danny chuckled internally, because the current heroes actually believed they could force him into something, but he accompanied them anyway.
Superboy and Captain Marvel scowled at the League as soon as they entered the Watchtower, when they were told they were bringing in a "dangerous individual" they didn't expect to see their unofficial uncle.
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