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#tillie walden
sparklemaia · 5 months
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I've been out with covid for the second time in a month and also it's the end of the term at comic book school and I have so much work to do but! got to hold Walter Walden (between covid bouts) and that was pretty great
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tomoleary · 7 months
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Usagi Yojimbo by Paul Pope, Tillie Walden and Simon Gane
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ech0ech0ech0 · 1 year
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Love / being there
Anna-Marie McLemore, When the Moon Was Ours // @iamnotlanuk @animatedamerican @brinnanza // Alice Oseman, Heartstopper // Marieke Nijkamp, Before I Let Go // Tillie Walden, On A Sunbeam 
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godzilla-reads · 6 months
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✍️ Alone in Space: A Collection by Tillie Walden
Rating: ⭐️⭐️⭐️⭐️/5
This book compiles Tillie Walden’s short comics into a comprehensive collection of the early work which shot her to fame on both sides of the Atlantic. You may remember her from such hits as “On a Sunbeam” and “Spinning” and “Are You Listening?”
After reading the above three graphic novels by Tillie Walden I was hooked on her art style, her storytelling, and her usage of space and color. I was at a comic shop a while back and saw this book and thought, “wow, another Tillie Walden book!”
It was really fun to be able to see her earlier comics and how much she’s grown as an artist. It’s also great to see where she started and what has persisted in her career. I definitely recommend this one! Some of the comics are a hit or a miss, but it’s still a great collection.
My personal favorites were “The Fader” and “I Love This Part”. Also have to say that “What It’s Like to Be Gay in an All-Girls Middle School” was also really good.
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excavatinglizard · 3 months
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✨ Hello all it is that time once again!! ✨
Do you like queer sci-fi and fantasy? Do you see the same books recommended everywhere? After a year I’m back with a collection of strange and sometimes dark books that you may have heard of, but I hope I’ve found a few you haven’t! I’m just chucking these into the void so if you enjoy these recs or have read any, let me know!
Meet Us by the Roaring Sea, Akil Kumarasamy
Honeycomb, Joanne M Harris
Hot Head, Simon Ings
Are You Listening, Tillie Walden
Hell Followed With Us, Andrew Joseph White
Enigma, Peter Milligan and Duncan Fegredo
Ninefox Gambit, Yoon Ha Lee
Salt Slow, Julia Armfield
Never Have I Ever, Isabel Yap
All the Hometowns You Can’t Stay Away From, Izzy Wasserstein
I’ll put the full descriptions below the cut, but as always I’d love to hear if you have any more recommendations!
Meet Us by the Roaring Sea, by Akil Kurasamy
Meet Us by the Roaring Sea by Akil Kumarasamy was one of the strangest books I’ve read this year, but also one of my favourites by far. This is a story within a story, following both the near-future second-person narration of a woman training an AI while grieving her mother, and the lives of a group of Tamil medical students. This is a story about grief and the sensationalization of war and the things we do to live each day—but at its heart, it’s a story about women who love each other in whatever way they can. This book has some of the most gorgeous prose I’ve encountered in a long time, and it’s strange and meandering and contemplative.
Honeycomb, by Joanne M. Harris
Honeycomb by Joanne M. Harris follows the well-trodden path of fairy stories—a child swapped, a woman seeing what she was never meant to and being blinded for it—and slowly expands into an intricate web of stories and characters. Worlds within worlds within stories make up this book, and the illustrations by Charles Vess bring everything to life. The characters in these stories feel ancient in a way I can’t explain, and if you enjoyed the Starless Sea you’ll almost certainly enjoy this.
Are You Listening, by Tillie Walden
Are You listening is a book that I’ve picked up over and over again—it’s a graphic novel which I can finish in one sitting, and each time I have to sit and think and just feel afterwards. This is a story of a girl who’s run away from home, and who encounters another woman heading on her own way. What started as an escape becomes a road trip across Texas full of cats and shifting roads and tiny quiet moments. Strange and dreamlike at times, this book manages to make me cry over each character and their individual stories every time.
Tw for references to SA
Hell Followed With Us
Hell Followed With Us is one of those books that I didn’t realize how hard it was hitting me until I finished and couldn’t function for two hours. This book follows a young man in a world plagued by a disease that makes mindless monsters out of its victims—only he’s been infected by the church he was raised under, and he’s slowly turning into something much worse. Benji tries to escape, but his past isn’t ready to let him go just yet and the infection is only getting worse. The author describes this book as beginning as a ‘fit of rage’, which is truly the only way to describe it. While this is technically a YA book, beware of body horror, transphobia, religious extremism and disease. Somehow this book managed to look inside me and see so many things I’d never been able to put into words, all bundled up in a mass of viscera and grieving boys.
Enigma, by Peter Milligan
I discovered this comic through a newsletter from Charlie Jane Anders, and then proceeded to absolutely lose my mind over it and have to tell everyone I know about it. Enigma is a story about a man stuck in a dead-end job and a dead-end relationship, who suddenly finds that the characters of his favourite childhood superhero comic have come to life. The art style is gorgeous though it changes throughout the book, and Enigma swerves between a vast and bizarre story of gods in wells and far too many lizards, to incredibly intimate moments and interesting characters. Be prepared for body horror and a constant general sense of unease.
Ninefox Gambit, by Yoon Ha Lee
If last year was giving in to reading Gideon, this was my year of going insane over Ninefox Gambit by Yoon Ha Lee (this is sadly the only space opera on this year’s list). Ninefox Gambit has everything I love in science fiction—casually queer characters, intricate universes, strange definitions of self and TRAUMA. Someone please get these two some therapy. When a major position of power is attacked, Kel Cheris finds herself with a promotion to general and the disgraced strategist who massacred his crew inside her head. The thing that stands out to me about Yoon Ha Lee’s work is his characterizations—even the most minor character has quirks to make them feel like a person, which is only stronger in the main characters.
Salt Slow, by Julia Armfield
Saltslow is the first of three anthologies on this list, and it’s the debut collection by Julia Armfield (who wrote Our Wives Under the Sea. For an idea of what you’re getting into). Following the trend of strange and a little dark this year, a lot of these stories border on horror and explore experiences like losing your ability to sleep, shape shifting through puberty and being a roadie to a band that leaves mass violence in its wake. While Our Wives Under the Sea will definitely stay my favourite Julia Armfield book, Saltslow managed to pack a whole lot into such short stories full of queer women and trans feels.
Never Have I Ever, by Isabel Yap
I picked up Never Have I Ever on a whim and I’m so glad I did, since it definitely ranked in my top anthologies of the year. Never Have I Ever is a collection of short stories, often centered around Filipino and Japanese folk lore (although there is one story about a wizard in San Francisco making a love potion, what of it). This collection ranges from funny to sad and explores Filipino culture, the anti-drug campaigns and the horror that is growing up. Often short stories feel unfinished but every part of this collection felt well thought out and polished, plus the cover is gorgeous.
All the Hometowns you Can’t Stay Away From, by Izzy Wasserstein
The final anthology, All The Hometowns You Can’t Stay Away From is mostly sci-fi with a handful of fantasy-leaning stories, though whatever technology there may be takes a back-seat to the characters who stood out as the heart of each piece. Unplaces, a story set up as a researcher’s notes in the margins of an atlas, desperately trying to make the world a better place in whatever way she can, and Everything the Sea Takes, It Returns—a story about living after the end of the world—were the two that really stuck with me. The writing here is perhaps more straightforward than some other entires on the list, but each story is a perfect little piece of character and emotions which truly make an excellent anthology.
Anyway, that’s this year’s list! Go forth and read more strange queer books, and support your local libraries!
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lilareviewsbooks · 11 months
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Queer Normal-World in SFF Books
Here are five books where being queer is the norm, aka there is no homophobia or transphobia at all! Not all these books are fluffy though -- most of them have heavy conflicts and a bunch of shit going down, but at least no one has a problem with anyone being gay!
These are my favorite kind of books and I have so, so many recommendations, so let me know if you ever want more of these :) And I can also absolutely do only fluffy queer books, too!
The Genesis of Misery, by Neon Yang
Mx. Yang's books are perfect for this type of prompt. The Genesis of Misery is their most recent, and the premise is absolutely killer. It follows Misery Nomaki (she/they), who is haunted by an apparition of an angel. While she is convinced she is mentally ill like her mother, and that her visions are a symptom, people around her seem more and more certain that she is actually some sort of messiah. 
I have my issues with The Genesis of Misery, but it’s a very creative sci-fi that’s worth the read. It includes mecha, interesting depictions of religion, which permeates the entire story, and, of course, excellent queer rep. We have characters who use neo-pronouns, a polyamory situationship and most characters are queer. Not to mention, it’s written by a queer and non-binary author, which is always a plus. It’s part of an on-going series, though, so be prepared to wait a little while for the sequel! 
Plus, The Locked Tomb fans might be interested to know that there’s a very cavalier-necromancer dynamic in this, and that Rebecca Roanhorse (who wrote Black Sun) described it as Joan of Arc meets Gideon The Ninth. 
Yep. You wanna read it, don’t you?
(Also, if for some reason you’re like: “gee, I really wish there was a black-and-white silent movie with a killer score that touched on these same themes”, then you should probably watch The Passion of Joan of Arc (Carl Theodor Dreyer, 1928). It’s not explicitly gay, but it is queer in my heart. And it rocks.)
The Locked Tomb Series, starting with Gideon The Ninth, by Tasmyn Muir
Since I mentioned it, I guess I might as well include The Locked Tomb in here! This is a Tumblr favorite, and with good reason, because The Locked Tomb fucking rocks. It’s hard to pitch it to someone without ruining the whole point of the series, but the first book follows a necromancer, Harrowhark and her sworn swords-woman, her cavalier, the butch-as-hell Gideon, as they’re summoned to the First House to compete to become Lyctors, the companions of God. 
Yeah, I know that’s a lot, and, to be honest, it’s probably not gonna make much sense to you at many points throughout the story, but that’s the point of The Locked Tomb - everything is confusing, and it’s about sapphics in space! 
The thing about this series is they’re the most unique books you’ll ever read. Every volume has a different approach to telling its story. There’s so many mysteries and it’s almost impossible to understand all the intricacies without sitting down and doing some work. The magic system is also the wonkiest, coolest thing - it involves eating people, sometimes, y’know. And, I promise, you’ll love every single second of it. Especially because there’s absolutely no homophobia or transphobia in any of it, and almost every character is queer as fuck - especially after the second book, when gender starts getting a little funky!
Winter’s Orbit, by Everina Maxwell
I love this book so much, and so know that it comes highly, highly recommended! I have a whole five star review on it you can check out here. (Do check trigger warnings, though! You should always, but especially for this one. I didn’t and they really got me!). 
Winter’s Orbit features my absolutely favorite trope - queer arranged marriage. (Nothing better - those three words and you know it’s gonna be a queer normal world, have some politics and probably be really fucking sweet.) This one is probably one of only ones out of this list where the romance is very predominant and serves as an important B plot. It’s also a standalone, but has a companion book in the same universe, called Ocean’s Echo, which rocks, too!
This one follows Jainan, a recent widower who is rushed into an arranged marriage with Prince Kiem in order to keep the alliance between their homelands intact. Together, they must navigate court intrigue I’m trying my best not to spoil and investigate Jainan’s ex-husband’s death, which might not have been an accident, after all...
In this sci-fi fantasy world, being queer is completely normal, and their system when it comes to gender is absolutely fascinating. People will wear little gender signifiers, like a wodden token for female, for instance, so that others know how to refer to them. It’s super cool to see these kind of things incorporated into the world-building, and it’s something you really only get when queer authors are behind the helm.
(Also, this was originally written online, and it was actually picked up and traditionally published! Which is so cool! Queer fics becoming traditionally published books is so rare, it’s so nice to see it actually happen!)
The Teixcalaan Series, starting with A Memory Called Empire, by Arkady Martine
This is another one of my favorites! I read it last year and it blew me away - so much so that I’ve been itching to re-read it ever since I finished the second book.
The Teixcalaan Series is a political sci-fi duology focusing on the themes of language, empire and cultural domination through imperialism. It’s amazing, and I wrote about it in a full-length review, here, if you wanna take a look! 
It follows Mahit Dzamare, from the tiny Lsel Station, who becomes the ambassador to the huge Teixcalaan Empire, whose culture she’s been in love with for ages. The problem? Something happened to the Lsel ambassador, and the Empire’s control over the Station has been growing ever bigger. To make matters worse, Mahit’s imago machine - the cerebral implant full of her predecessors memories and experiences - doesn’t seem to be working properly, leaving her with a ghost of her predecessor inside of her head...
With all the problems the Teixcalaan Empire has, it’s not homophobic or transphobic, which is a plus for us gays who want to read in peace. Mahit has a charged relationship with her cultural liason, Three Seagrass (yes, that’s her name; yes, there’s an in-world explanation; no, I won’t tell you what it is, you’ll have to read it and find out), not to mention all the hijinks she finds out her predecessor was up to. And none of it needs to be justified or explained at all - people are just gay, and that’s fine!
On A Sunbeam, by Tillie Walden
This graphic novel has a stunning art style, and, listen closely sapphics, absolutely no men at all. Yep. Literally there’s only women and non-binary people in this comic! 
And guess what? It’s available to read for free, here. Thank you, Ms. Walden!
Here, romance is also an important plot point. On A Sunbeam follows Mia, who starts working for a crew of repair-people who rebuild broken down structures. In another timeline, we flashback to her experiences at her boarding school, and to her relationship with a new student.
What’s most unique about On A Sunbeam - apart from the fact that there are no men at all - is it’s unique version of outer space. It’s almost historical, with huge sprawling marble structures decaying, surronded by trees. The ships are shaped like huge fish. You can feel the whimsy in your bones from the colors and the art style that Ms. Walden uses, here.
This standalone is definitely worth a read. And if you like it, you should definitely check out the rest of Ms. Walden’s work - it’s all as beautiful as this is, if not more. Her The End of Summer was one of my favorite reads, last year.
That’s all I’ve got, guys, but lemme know if you want more of these - I have so many, I can definitely recommend you more! Drop me an ask if you have specifications, too - I’m always happy to do some digging :)
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JOMP BPC - November 16th - Graphic Novels
all the graphic novels I've got on my TBR 💕 I might dedicate some time to reading them in the new year
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the-sappho-of-lesbos · 7 months
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Source: Spinning by Tillie Walden
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andothegoblin · 9 months
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Some more things I’ve been reading
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themelodyofspring · 10 months
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JOMP Book Photo Challenge
July 11, 2023 - Non-binary Character
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celestialmega · 1 year
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I love this part by Tillie Walden.
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cytocutie · 9 months
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Architecture and compositions from On a Sunbeam by Tillie Walden. (more of my favorites under the cut!)
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catharsis-in-a-bottle · 5 months
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what does tillie walden do?
i don't know.
i just finished 'are you listening?' and it left me with the same exact unidentifiable shrimp emotion that this beautiful author bestowed upon me with on a sunbeam and the end of summer. i want to curl up in a blanket and cry. i want to draw. i don't even know what this book has done to me. i want to know how tillie walden captures something [this unidentifiable but very present feeling] that no other work of art has captured for me.
are you listening? follows two women through their road trip through western texas, both traumatized and both hurting. one older and more experienced, one freshly eighteen and emotionally raw from years of sexual abuse. the road trip is the story's through line - they find a cat and the landscape begins to shift, becoming more indistinct and unreal as they travel further - but the body of the story is the characters themselves. i think the thing that gets me overall is that the characters don't mark the strangeness of the shifting landscape until well after it begins. even then, it isn't their main focus - they focus on the rawness of their pain and the friendship they find in each other. what does this do? it captures the experience of deep emotional pain, the experience wherein the world doesn't feel real - the world is already warped into darkness in your vision. the true landscape change thus becomes irrelevant to the characters - it's a product of pain. it's just how they see the world. absorption in one's thoughts makes any external weirdness perfectly possible.
to add to all of this, both the characters are gay, a fact that tillie walden so beautifully incorporates into their personalities and experiences. the warping of the world sees strangers - men in particular - become shadows, silhouettes, looming figures defined only by too-large, colorful eyes. (i think this reflects the common queer experience of not knowing who can be trusted with the knowledge of our identities. and personally, i know that when i'm in a shitty mood and am overthinking my own identity, the surrounding world begins to feel like a bunch of untrustworthy strangers.)
the landscape itself also adds to the deep isolation of this graphic novel. yes, the characters are alone on a road trip with only a cat to keep them company, but the surrounding world is also huge and foreign and unreal. they are alone with each other. to me, their own pain and this isolation compound each other; i felt myself slipping further into walden's constructed darkness as i read.
and at the end, there's hope. the world is dark and that darkness is inescapable, and then at the end of it all, the characters continue on with their lives, changed for the better.
IT MAKES ME INSANE.
tillie walden did the same thing with on a sunbeam. a group of space travelers isolated on their ship, exploring strange buildings and ultimately venturing into a strange, unknowable landscape (The Staircase). a group of travelers bonded by pain. a group of queer travelers bonded by their love for one another. a world that is fundamentally built upon queerness - upon lesbians, upon trans people. i think the recipe is ultimately similar to are you listening? pain + isolation + queerness + found family = a reader response of despair, catharsis, hope, tears.
perhaps my own response stems from the fact that on the deepest level, i most relate to the struggles of butch lesbians, if i am being entirely real with myself. what does tillie walden do? she knocks it out of the fucking park and writes a type of very real-feeling queer darkness that caters to me specifically. (chomp chomp.) but apart from my own shrimp emotions, she's also just a really fucking good storyteller. a brilliant artist, a brilliant character creator, a brilliant writer. and her graphic novels are really fucking brilliant books.
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ninasbookshelf · 3 months
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january 2024 reading wrap-up
we made it through the first month of the year! i set a goal to regularly update this blog throughout 2024, and i did pretty well this month. i'm proud of that!
here’s what i finished reading in january:
The Forest Grimm by Kathryn Purdie
How to Murder Your Life by Cat Marnell
Simple Passion by Annie Ernaux
What You Are Looking for Is in the Library by Michiko Aoyama
On A Sunbeam by Tillie Walden
i also kept up with my usual webtoons (you can see my most recent webtoons post here), and i subscribed to a cute new webtoon called Mono and Mochi. i love it!! 💞💞 highly recommend.
how was your first month of 2024?
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fengtianshi · 1 year
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For anyone out there that can make this wish come true:
Piranesi by Susanna Clarke adapted to a graphic novel by Tillie Walden
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