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#timeline franziska fan designs*
plounce · 4 years
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my Concepts for aj2
so these are my thoughts and ideas about the game that would follow aa4 in a timeline where we got a coherent apollo trilogy rather than aa5 and aa6. as such, i am discarding aa5 and aa6′s apollo backstories because i find them incoherent as an arc and only slapped onto him for the plots of the games. etc etc. theorizing on squandered potential is me-bait. trucy and klavier get to have THEIR place in the narrative as important characters!! (sorry athena. you will get your own trilogy with good writing and a better design in this timeline too)
this is very stream of consciousness and while i think it’s fairly coherent it is also not chronologically organized as i build on ideas. i am genuinely sorry if the read more doesn’t work on mobile because this thing is stupid long.
containing:
apollo, trucy, and klavier being a firm Trio and getting character development and growing closer :)
themes about found family, letting yourself love/be loved, performance and persona, love giving you strength to do good, you being the one to determine your identity
exploration of the trio’s backstories and the development of their skills
prosecutor franziska chipping away at the corruption within the legal system
klavier being the assistant for a case
kristoph continuing to be a corrupt bastard
buildup to the sibling reveal & canon klapollo in the conclusion of the trilogy
- apollo is the main character
- phoenix is absent for like the entire game besides maybe a couple tiny flashbacks, later revealed to be working with edgeworth on anti-corruption stuff (which is also tied to kristoph & kristoph’s ties within the legal system, “old boys club” etc)
- trucy is assistant for first half of the game
- klavier is assistant for second half of the game. his hair is in a little bun or ponytail :) no drill hair for THIS individual person
- klavier is prosecutor for trucy assistant cases. in the 3rd case klavier was supposed to prosecute against apollo but things keep getting fishier and fishier and things keep reminding them of kristoph. klavier is ordered off the case from on high. mysterious replacement. klavier is too invested in seeing truth & justice come to light so he helps apollo
- franziska prosecutes cases 3 & 4. she has short hair and it’s super sexy and hot.
- kristoph set things up so that klavier is implicated in things. dig into how klavier and apollo feel unable to escape kristoph’s influence - “he’s too foundational”
- 4th case klavier is on trial. oh maybe 3 isn’t about kristoph but it’s just background stuff about the rampup to the 4th case - klavier is put on probation while things are investigated but he doesn’t know WHY, but he’s still committed to his ideals
- trucy is pursuing her magic career, klavier still loves music - has been releasing solo stuff maybe, just some EPs for free/charity, but isn’t touring. focusing on law
- case 4 has a family friend (NOT A WOMAN FOR THE LOVE OF GOD... A MALE DAMSEL PLEASE) get accidentally poisoned through something klavier gave them. that’s the trial itself. kristoph was the source. klavier is arrested. it’s more complicated that this but it gets to this point. day 2 of the trial is when klavier is implicated and he gets yanked into cuffs from the defense bench
- one of case 4′s pillars is a memory from the gavin brothers’ childhood. discuss how kristoph was as a child. klavier has been realizing how... odd certain things were, and trying to pass it off as like “haha yeah kristoph would dissect dead birds and convince our parents that every mess was my fault. i guess that makes sense considering how he ended up haha? I Don’t Feel Strongly About This I Just Think It’s Funny :)”
- apollo’s perceive abilities expanding to be able to perceive general emotional states as well - along with learning to practice more empathy, being considerate. No Klavier And Trucy, You Are Not Fine. this is kind of like athena’s thing actually huh
- trucy, meanwhile, is learning to be more like. emotionally... independent? no. emotionally... self-caring. both independent in that she’s a young adult and also caring in that she is trying not to force herself to take care of everyone all the time and show her less pretty emotions to apollo. take care of herself
- case 1 has to do with something happening at trucy’s show/her career/her school etc. she’s still a real person etc. trucy’s friends mostly being adults, her feeling isolated at school. nah wait this is a slightly absurd world she’s not overly weird for her classmates necessarily. yeah ok it’s about magic
- case 2 has to do with klavier being a rockstar, the pressure of celebrity and public fascination with his persona. stalker fans, music industry, talk shows, etc. someone trying to convince him to come back to music. klavier has to arrest someone he’s fond of again. no big stadium performance in this game
- the trio all dealing with themes of hiding and trying not to feel “bad” emotions: apollo going “im fine” and suppressing his problems & just trying to do his job so he can cope with how overwhelmed & stressed he feels constantly etc etc + trucy hiding the secrets of her magic which is sort of representative of her hiding a lot of her sad/”ugly” feelings because she thinks she needs to because she thinks phoenix depends on her being cheerful all the time + klavier dealing with having a public persona and the pressures of being Himself, trying to be the person others see him as/want him to be, who is klavier when he is not performing? who are all of them when they are not performing? who are they performing for?
- yes i am a “woman” yes i am obsessed with the idea of performance
- trio all dealing with/feeling lonely wrt family: apollo learning more about jove (possibly during the music industry case - someone knew his dad, who refused a big contract), who he was & one of the cases involving someone from his past in the foster system - maybe it’s even clay! - but in general feeling very disconnected from “family” in general esp compared to trucy&klavier’s family troubles being so immediate and raw for them + trucy feeling lonely and kind of abandoned as phoenix is increasingly gone in this game and seeming very distant from her, similar to how zak abandoned her, and also the pains of growing up + klavier’s parents either are dead or are somewhat estranged after he got kristoph imprisoned, klavier feeling very lonely in general after his pursuit of truth&justice has snipped many of his connections from him
- yes i am gay yes i am obsessed with found family
- franziska having a moment of “i get how it is and it sucks” with klavier about Complicated Feelings About Family
- she eventually does realize during case 4 that klavier is guilty but has to hide it in order to push one of kristoph’s allies out into the open. sorry kid uh... what do you like. i will buy you. an ice cream? or something. look do you want a gift card i’ll buy you a gift card
- kristoph’s lawyer shows up near the start of the game to give things to apollo which he is deeply suspicious of but ema tests them and they come up clean. guy shows up here and there throughout the game. maybe tries to bribe apollo or something. apollo gets invited to a Fancy Lunch because he’s the one that bested kristoph gavin and that shows Promise. in a sense. or something. apollo being manipulated by people who refused to hire him when he got kristoph convicted etc
- themes about being young in a world full of secrets and webs of alliance that you feel barred from because you have ideals and won’t compromise them and also either come from nothing or burned all your bridges. just aa protag things <3
- oh maybe there’s a new judge who is also In On Nefarious Plots
- catching these people doesn’t fix everything but - it’s something. they got a couple shitheads
- trucy continues developing her gramarye abilities. more emotional depth. more exploration on complex feelings wrt phoenix and her childhood and her adolescence and how she’s fairly well-adjusted as one can be but also... the shit still hits yk... she’s like 16 years old so she’s maturing
- ema is there. she and apollo get along a bit better. asks after phoenix. provides evidence against klavier, and then evidence for.
- followup on apollo-edgeworth klavier-phoenix parallels - who is the one bringing them further into the light, chaser/chased, the one who wants more/the one who pushes away, etc etc
- follow through on implied gramarye mafia connections
- klavier isn’t super in the first case besides the courtroom and maybe one appearance, but he is like. worried about trucy if there is cause to be worried about her. set up their dynamic beyond trucy just liking the gavinners
- trucy&apollo and klavier&kristoph compares&contrast
- franziska is(/appears to be) very doubting/dismissive of apollo’s belief in klavier bc it’s like... are you pursuing the truth? or trying to shield your friend?
- apollo does end up almost very close believing klavier was in kahoots with kristoph/kristoph’s friends because it just looks. really bad. like it genuinely looks VERY BAD. and he’s like “i have to find truth like prosecutor von karma said”. yknow how with a lot of aa cases it starts out “oh no it looks open and shut” and then is like “NO WAY THEY COULD HAVE DONE IT... BUT HUH”. this one is reverse. and then straightens back out again. dig the hole then climb back out
- yeah the theme is like. “are you trying to find truth or do you want to protect your loved ones. what is your duty as a person, your job or your loved ones.” this carries through on klavier’s thread from aa4 where he has to work against his loved ones. meanwhile apollo, who is a bit more cool-tempered irritable grump, is the one going “oh god, am i biased towards my friends?” so it sort of flips. what kind of stories will you weave to clear your friends of blame? kristoph’s boys club.
- echo back to “evidence is everything” - this line of thinking (in a certain way) is what saves klavier when kristoph is trying to punish him for his betrayal
- since phoenix is away, the gramarye siblings aren’t revealed yet. but more info is dropped to compensate - stuff about jove and apollo’s childhood in the foster system and how that’s shaped him into someone who keeps people at arm’s length to keep himself safe; trucy and apollo getting closer despite that, trucy busting down those barriers because she needs his support and he’s like “oh my god i have to support her.” older sibling stuff.
- maybe the trucy case involves like. a mafia guy trying to collect on debts or smth and tries to ruin trucy, and threatens apollo. there’s a hint that is very obvious to the audience but is like “wow apollo he thought you were my brother!” like the mafia guy calls apollo “the other child” and apollo is like “hey, i’m 24!” which is humorous but also the audience is like Oh My God I Know What That Means
- there isn’t a deliberate withholding of information from phoenix - he literally is not there to withhold it. but there is still tension and stakes and weight to their relation - apollo keenly feeling his absence of family and trucy feeling sort of abandoned by phoenix
- phoenix is like “ok trucy you’re almost an adult so i’m trusting you to stay safe and responsible while i’m away. apollo will technically be in charge but i’m still trusting you” and privately to apollo is like “If Anything Bad Happens To Her. Your Head Is On The Line.” so it is just them making it on their own
- klavier drops the line “watching you two is like what kristoph and i should have had” and then there’s a couple “...” dialogue boxes as the audience is like I KNOW WHAT HE MEANS and then apollo is like “... are you for real comparing me to kristoph.” haha funny but also THERE IT IS
- very carefully walked tightrope. acknowledged enough that there is still tension/suspense around it but not too much as to be slightly infuriating
- before the last case trucy gets mad at apollo for something - trucy is allowed by the narrative to be angry for real. stand up for herself. trucy and apollo come back together to defend klavier. they see each other in the detention center when theyre still mad at each other - trucy was visiting klavier (he wasn’t there for the fight). “you made fraulein trucy very mad, hm?” then during the trial trucy busts in dramatically with important help when things look very bad for klavier
- aj3 has emotional revelations/high points of the trio - siblings reveal and klapollo canon. aj2 is a lot of building of these connections and building suspense and tension. more more more of these relationships before they emerge fully formed in aj3
- the last trial echoes the “im the only one who can save prosecutor gavin” or whatever gay thing apollo says in the last trial of aa4 because he literally is. just a lot of hinting and them getting along. case 3 is very important because that’s when it’s just them and it’s “oh! we work well together! we’re complementary!”
- implement the dual investigation mechanic from dgs so it does feel collaborative
- just build on the fact that klavier is the first friendly, helpful, cooperative prosecutor. he wants to help you. make that a very positive, very important feeling while still making it extremely enjoyable
- resolves in “you can have truth AND the ones you love”. or smth like that but more nuanced. it’s very inspirational and sentimental etc
- you get to meet vongole and it’s a Pet The Dog moment for klavier. look! how nice he is. he truly loves this insanely sweet and lovable dog. trucy is enamored with vongole as well. “it’s strange that she was kristoph’s dog, hm? with how affectionate she is.” “well, i guess being owned by kristoph doesn’t means she’s an equally bad dog ... ER i mean--” “hm, you always struck me as a cat person, herr forehead?” “uh - well yeah, you’re right. but... that doesn’t mean i don’t think vongole is a pretty great dog.” IMPLICATIONS. SUBTEXT. TASTE IT IN THE AIR
- oh there’s definitely a moment in case 2 when you get to examine klavier’s apartment and you can look at a couple albums and for a gavinners album apollo is like “ugh” but then you get one of his solo eps and apollo is like “trucy made me listen to this. it... was okay. not as bad as the gavinners stuff. sounds more honest. or something like that.”
- oh also when you examine the guitar klavier offers to teach apollo some basics. hee hee (BUT ALSO... JOVE!!)
- maybe for case 2 The Industry Suits want klavier to stop releasing his eps for free/total charity so it’s a whole coordinated scheme. his manager, a devoted fan who hates to see him going his own way and being happier for it, etc. “we want you to be the person you were. the one we could possess.” be more like gavinners klavier instead of honest relaxed current klavier. be who we want you to be so we can make you dance like a puppet. music industry kristoph parallels.
- “i’m sick and tired of being a plaything for other people!” >:( face moments
- a fan broke into his house and defaced the solo stuff etc. >:( face.
- who determines who “you” are? what role do your loved ones have in your life? those who truly love you can save you and make you better. loving and being loved sincerely and genuinely and truly have positive effects on your life. letting people love you and letting yourself love them is good.
- ugh but this kind of contrasts with the “the old boys club is controlling and using/shaping the institution of law to amass wealth and power for themselves while throwing others under the bus.” well actually wait
- lunch with apollo = they don’t actually care about each other, would throw each other under the bus for their own benefit
- contrast between sacrificing the weak to protect the strong and protecting the weak to depower the evil strong
- love and bonds can motivate/enable you to chip away at the system and can help you make a difference. les mis etc etc etc
- the old boys club are all putting up fronts of appearing strong and tough and above everything and in control. real love and friendship let you show vulnerability and weakness and help you & your bond come out stronger for it. (tumblr voice) the mortifying ordeal
- additional stakes of “if you are found aiding this criminal and hiding evidence etc etc we will disbar you” or smth. stakes for sticking with klavier, for winning the trial, for demonstrating care. franziska is kind of like “... apologies. but you had nothing to worry about so don’t worry about it.” 
- klavier and apollo damned by association with kristoph, especially as a kristoph scheme was just found to happen, and it depended on kristoph being in jail, so maybe they were the ones to enable that part of the plan... it’s a long con...
- it feels like there should be another legal reform here to make aa4′s jury implementation but maybe this one is more about how reform is often very gradual and like chipping away at a mountain
- in aj3 the death penalty gets reformed. (tension there about kristoph being on death row and this game piles on a lot more GOD KRISTOPH SUCKS but then it’s like. no. we have to fight for True Justice and the legal system is extremely imperfect (how many of our clients narrowly avoided a wrongful guilty verdict!) so we have to prioritize protection over punishment)
- “it’s like chopping heads off the hydra. it feels like we’ll never actually change anything.” “yes, but hercules didn’t defeat it by himself. he had a partner that burned the stumps after he sliced off the heads. ... one person to hold the sword, one person to hold the torch.” NARUMITSU KLAPOLLO PARALLELS. HI
- okay i had some really good discussions on twitter w @henriettamarias about this and here’s a couple more things
- trucy’s case involves her inheriting the gramarye secrets and the legacy. the weight of tradition and the burden of what has happened in her family. trucy’s estranged grandmother shows up - it’s kind of similar to the feys kind of. the grandmother is a complex maternal figure who doesn’t know trucy and trucy doesn’t know her and it’s sort of the idea of... even if your “new” family is related by blood, you still have to choose them. and trucy’s like !!! because she’s openhearted but the grandmother disappears - doesn’t choose trucy. it’s not a Villainous Action it’s just... it’s complicated. maybe it’s to protect trucy or something. it wasn’t done to hurt trucy is what i’m getting at, but it still hurts
- one of the music industry people in klavier’s case is a gavin uncle/aunt/cousin who is pressuring him to go back to being an Extremely Profitable Rockstar. and klavier has to deal with more disappointment from a family that values extreme success and is sort of cold (this contrasts with the warmth of the WAA found family). they liked klavier when he was very successful and famous on two fronts but now he’s opened the door and invited in shame on their family’s name so everyone’s kind of mad at him. trucy and apollo get to be really defensive of him
- apollo’s case is one i’m still thinking on what it’ll be about because i’m deeply uninterested in his aa5+aa6 backstories but there’s not A Concept to go deeper into like trucy magic and klavier music... it does involve his past from being the foster system. i think maybe there’s a teen who he was kind of the older brother of for a while before the kid got adopted who contacts him for help defending himself.
- while trucy and klavier’s stories are about rejection from their blood family, apollo’s is about warmth with a boy who he met and made a familial bond with
- at the end of this case there’s some piece of evidence that mentions kristoph and this is never resolved within that case but it sort of leads into the next kristoph-focused case
- trucy doesn’t get angry at apollo over being like jealous there’s something else that happens in this case... it doesn’t end super satisfyingly and tidily wrapped up in a neat bow. there are a lot of lingering questions and it makes everyone uneasy
- in case 3 apollo gets injured and is feeling really defensive and kind of scared and trucy is upset with him for putting himself in harm’s way to save her and they have a fight and they’re both kind of hiding their true feelings with anger to cover up how scared they were (gramarye secrets) and it just. boils over. klavier tries to mediate but it’s... a lot. they both say some things they don’t mean. :(
- oh my god. the person who got poisoned in case 4 was apollo’s foster brother from case 3. and it HURTS because we’ve spent a whole case getting to know him and working so hard to save him from a guilty verdict and it’s like :D yay he’s ok! and then he just. dies. and it’s so fucking sad
- he got poisoned because kristoph looked through papers and found that him and apollo were close so he’s like “oh i can use that ^_^” because he’s a bastard. but klavier was the one in constant contact with him recently so it’s like UH OH! UH OH! plus other aa level complications etc
- the tightrope of trucy being mad at apollo and the tragedy of apollo’s foster brother dying is one that will have to be very carefully walked bc we don’t want trucy to look like an asshole because above all she does love apollo
- i guess it’s also apollo pushing her away because I’M FINE. STOP TRYING TO MAKE ME CONFRONT MY TRAUMA. IF I THINK ABOUT MY PROBLEMS I WILL GO INSANE. yeah that works
- OH and also she’s mad at him for not telling them about the lunch with kristoph’s lawyer friends. klavier is kind of mad about that too so apollo is like STOP GANGING UP ON ME
- so the setup of case 4 is: day 1: apollo and klavier investigating, in court klavier is implicated and is put in detention, day 2: apollo investigating by himself and missing his friends :(, franziska being like “where is your sister” and apollo being like “ok first she’s not my sister. second IM FINE I CAN BE ALONE, I CAN’T TRUST ANYBODY ANYWAY” and franziska is like “... yeah being betrayed sucks, i get it, but like. are you sure about that. fine whatever you idiot be a fool”, but then in court trucy busts in at a dramatic moment and narrowly saves klavier from getting a guilty verdict, day 3: trucy and apollo investigating and Saving The Day!!!!!
- for franziska in case 4 there’s this tension between her belief that klavier is guilty (because shit looks BAD and also kristoph sort of sent shockwaves through things etc) and franziska being older (she has short hair and it’s hot) and more emotionally mature and being like “baby lawyer. it’s okay to chill. it’s fine. you’ll be okay”. but also being extremely wary and hating the corruption and collusion within the law community because MvF dealt with a lot of that and she will be BETTER than that, she has to work hard to erase the harm that her father did. she’s kind of a superhero in terms of tackling a lot of corrupt-lawyer/cop cases - it’s her specialty now. god she is hot
- aw in case 4 ema is like. kind of reluctant to help implicate klavier. because while she thinks he’s annoying she doesn’t think he’s a bad guy. she feels really conflicted :( like she blusters to cover it up but she does say to apollo at one point “hey... you better do your job right. don’t slack. defend your client.” awww she care him
- kristoph gets brought out from prison as a witness in case 4. this really negatively affects klavier (and apollo too kind of but less so), but the strength of Found Family helps him be strong :) yay
- there’s mention made of kristoph having Secrets, but since apollo doesn’t have a magatama and phoenix isn’t there, the black psyche-locks aren’t explored. it gets revealed in aj3
- apollo does have a conundrum similar to the aa5 stuff where his perceive ability is going haywire at klavier’s entire emotional state because BOY is it screwy (suppressed memories from childhood??) so he just has to rely on plain old logic
- (cw animal death) god what if one of those childhood memories is kristoph poisoning klavier’s pet - experimenting, doing trials. klavier realizes that during the trial. jesus christ. evil bastard kristoph i hate his guts. at least klavier gets to go home and pet vongole so so much
- OH on a happier note we get to meet mikeko... mikeko loves trucy and klavier so much. it’s like a big gooey hint that LOOK APOLLO LOVES THESE PEOPLE - HIS CAT IS PURRING AND CUDDLING ALL OVER THEM :) Express Your Feelings, Apollo
- i think for aj3 it’s apollo & co having their own schemes and plans sort of. bc in this setup, klavier and apollo (and trucy too) are being yanked around by the machinations and plots of the older generation like in aa4. i think in aj3 is when they finally get a leg up and have control over things for once. good for them! good for them
- oh also in aj3, it’s revealed that thalassa has been held hostage by some bad guys, which is why she didn’t come back after some time away to figure herself out to tell them. and then apollo and trucy get to know they’re siblings :)
- okay that’s it. maybe i’ll add more if i think of more. hope u enjoyed :~)
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heck yeah i am now a proud member of the ‘finished the aa trilogy’ club so here’s thoughts on trials and tribulations
- as much as i hate to say it i really just did not like this game as much as justice for all though it’s no fault of the way the cases are put together. most of my nitpickery came down to the characters, as it tends to. rest assured, i did enjoy actually playing the game though!
- the one-off showings this time around was more not to my taste than not, the only one of them i really enjoyed was ron delite and iris a bit towards the end. luke atmey’s design was slick but i wasn’t really a fan of him outside that. what a pleasant surprise to see adrian again though!
- case 2 made me realize that i’m absolute garbage at trying to juggle the timeline of events in multiple places at once, especially with regards to who is where and what they were doing. in hindsight this is probably the reason i had such issues with rise from the ashes as well. i’m sure some people are better at this than i am so i’m disinclined to say it was an objectively bad case, it did all make sense to me by the end once i’d finished looking through the walkthrough
- recipe for turnabout is probably my least favorite case of the collected 14 in the trilogy. went on for too damn long centered around characters i didn’t give the least bit of a damn about. furio tigre managing to pass himself off as phoenix was more stupid than funny, kudo had me wanting to strangle him at every turn, and viola was more or less a nonentity. i do not and never have cared for maggey’s character type (gumshoe you can do so much better) so i had no real interest in acquitting her. overall the best that came out of it was that it was the game’s peak of maya and phoenix’s constant back and forth gentle roasting of each other and as stated before that’s a highlight of the series for me. so it was bearable but only just.
- can’t decide how i feel about turnabout beginnings. on one hand i appreciate a breather case and the lore that it provided (and seeing a younger edgeworth) but on the other hand, not so into the way mia’s treated. in defense of diego though, he is prodding her to be confident and bold and sure of herself; it’s just his phrasing that i take issue with. edgeworth doesn’t get a pass either but at least he grows out of it.
- there’s a lot to say about bridge to the turnabout but most of it’s related to characters so ill get into that below. in general i certainly think it’s comparable to farewell, my turnabout but i do think it suffers from not being as self-contained. on the other hand, giving us all the dahlia lore and then throwing a lookalike, iris, at us, was a fairly clever way to throw doubt on iris. will it ever be as good as the bit in farewell, my turnabout where you have to defend a man that you know for certain is guilty just to drag the trial out to save someone else? no.
- i was right about morgan making trials and tribulations worse than it had to be but i didn’t think i was going to be right in QUITE that way if you catch my meaning
- still not a huge fan of pearl but i pity her so much. 9-year-olds can’t catch a break in this series huh. 
- in fact i pity maya too, maya does not deserve any of the crap she goes through but she still comes out of it trying to put on a brave face for pearl’s benefit. someone wrap this girl up in a blanket and let her grieve properly please, she clearly needs it.
- godot is a big factor in dragging the trial segments of the game down for me. i’m sure if i was ten years younger i would find his constant spouting of weird coffee metaphors and cryptic bullshit cool and endearing like it was no doubt meant to come off as but i’m with phoenix on this one: his ‘i’m so much smarter than you’ smugness gets on my damn nerves. i do understand and empathize with his motivations in bridge to the turnabout, i think they’re believable, but it doesn’t change the fact that blaming phoenix for mia’s death and for everything that happens to maya, when phoenix could have done literally nothing other than what he did do wrt mia, and straight up almost died for maya just this case (to say nothing of every length he’s gone to for her in previous games), is a huge bitch move!! and i also don’t particularly care for his attitude towards franziska! the one thing about him that i unequivocally did like was the subtle foreshadowing of how he can’t see red on white surfaces, that was pretty well done. otherwise i’ve just got a feeling so Complicated, there’s things i like about him and there’s things i don’t like about him so..... The Jury Is Out.
- i like dahlia quite a lot for reasons i couldn’t exactly place. maybe her being so unapologetically evil was just that entertaining to me, which made thwarting and frustrating her so much more fun. the extent to which she and her actions hurt phoenix was a nice subtlety to try and dig up throughout the game as well.
- and now that i’ve got all the other reasons out of the way....... bridge to the turnabout was my favorite case because edgeworth and franziska were present and i love them and i am a much shallower person than i try to pass myself off as. joking aside it’s always great to see characters you love and getting to spend a little while in edgeworth’s head was a delight, especially his interactions with gumshoe. if this is how aai is the whole game, oh man.
- they really went out of their way to remind everyone that phoenix and edgeworth do care about each other and they didn’t HAVE to but i’m so happy that they did. edgeworth drops his entire life to go and make sure phoenix is okay when he hears that he fell off a bridge and could be dead. edgeworth prioritizes visiting phoenix in the hospital over picking up the case. phoenix’s second, more prominent worry when the earthquake hits on the mountain is if edgeworth is okay. they’re just. constantly thinking of each other. it’s lovely.
- related i like that franziska is also concerned over edgeworth when the earthquake shakes him up even if she does have her own unique way of showing it. this case was really good at showing that she’s brusque, but not heartless. her interactions with pearl and sister bikini were great!
- i know vaguely what phoenix is doing in apollo justice (i.e. being a disbarred bum) but no mention of that was made here so that game’s got some explaining to do! tune in next time!
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