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#tis a long one.
poorly-drawn-mdzs · 3 months
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Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.
(Part 1, Part 2, Part 4 (soon))
#poorly drawn mdzs#mdzs#lan wangji#Yungmeng Jiang training arc AU#I wanted to try out a different paneling style for this one - sorry I'm a day late! (there will still be a post tomorrow to keep on track)#The original 3 panel comic idea was fine but the point of this new schedule was to take time to push myself a bit more.#I was taking a look back through some comic artists I felt inspired by#and I really loved how Lynda Barry fills her gutters with patterns and doodles!#Obviously I'm not going as absolutely wild with it as she does but it was a great exercise!#I truly think the gutters are the most important and most overlooked part of any comic. There's lots going on in that space.#It's the same with timeskips. The implied movement between moments that we don't see changes depending on how wide that gap is#You're here for the funny tags so here's some that ties this time talk together:#I think LWJ was thinking about that second note from day 2 but it took him 7 days of hazing to commit it to paper.#I think he sends it a day later and immediately regrets it. Chasing down the messenger and everything.#You know if something actually happened to his brother he would never ever forgive himself for putting the bad vibes out there.#Third time skip was the hardest because there was so many possible flavours of jokes here. Day 8/9 was a personal favourite.#day 14 was also funny (week by week). I think the debate on 'how long does lwj take to catch feelings' is more or less:#'how long does it take for him to arrive at a particular stage of grief and yearning (and awareness of it all)#This is a symphony. There is an act by act structure. Every day he is fighting to keep his old sensibilities. He is losing so badly.#(I'll be returning to the main comic soon but there is more of this AU to come!)
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starry-bi-sky · 3 months
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fast food is the best course of action after causing a scene. ᴘᴀʀᴛ ᴏғ ᴛʜᴇ ᴅᴀɴʏᴀʟ ᴀʟ ɢʜᴜʟ ᴀᴜ
(First Post Here and Second Post Here
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Danny finds Sam easily.
She's right where she said she was over the phone: standing outside on a balcony, in Gotham, at Father's many charity functions. 
("Would you still be willing to fly over to Gotham, Danny?" She asks, her voice ringing clear through the speakers. Danny is already climbing out his window before she even finishes her sentence. He was just about to settle down for the night, his ghosts would know better by now than to disturb him at this time. The Box Ghost not included.)
("Of course." He says, sounding more confident than he feels. Sam was one of his best— closest friends, he would do anything she or Tucker asked. Even if it means stepping foot into his Father's city. He drops down silently, and walks through the house's ghost shield. "Would you like me to bring you anything?")
(Sam sighs through the phone, relief leaking through. "One of the veggie burgers from Nasty Burgers would be great, with their new ecto-fries. Extra salt. I'm sick of all this rich people food.")
(A small smile pulls across Danny's face, tilting at the corner as his living form falls away to his ghost self. "Alright," he says, and kicks himself off the ground, "I'll be there in a few minutes.")
("Thanks, Danny.")
He had the bag of food with him, stored in a container he had to run back to the house to get that would prevent the food from cooling during his flight over. Clutching it in hand, he floats down behind Sam and sheds his invisibility.
Being visible and being invisible always felt different, but in a way Danny can never describe, no matter how many times he tries to think about it. It's like a gut-feeling, a sixth sense, he always knows when he's visible and when he is not.
His ghost form burns away like steel wool being lit, and Danny drops the last foot to the ground silently. In his other hand lies his thermos, but filled with plain ectoplasm — lazarus water. "I have your food." 
(He brought the thermos for himself — his side was still healing from his last fight with Technus. The ghost impaled him with a broken pipe, and Danny returned the favor by wedging his sword into his chest. Technus had been quite offended by him ruining his favorite coat.)
Sam jumps a foot into the air, and her hand slams across her mouth to muffle the shriek she lets out as she whirls around. "Danny!" She hisses, her voice rising in pitch, and her eyes narrow at him into a glare. "Freaking-- Tucker's right, we seriously need to put a bell on you."
"You have been saying that for years," Danny grins, sharp-toothed and jack-knifed, and passes the container over to her. "And yet I've yet to see any kind of bell." He was going to start getting disappointed at this rate.
As Sam takes the container, Danny hops up onto the railing and looks around. He hadn't seen any of Father's other children lurking around the building before he revealed himself, but that doesn't mean they aren't there. He wasn't going to fool himself into thinking that their stealth skills were poor.
He wasn't that arrogant.
...Anymore.
"Oh you will." Sam threatens, unzipping the container and grabbing the takeout bag. "I'll get you a collar and everything, we can start calling you Catwoman." When she pulls out her fries, Danny snaps forward and steals one from the box, ignoring her indignant yell as he pops it into his mouth.
"I spent my own money on these fries, Sam." He sniffs, leaning away from her with a stifled huff of laughter as she swats at him. "So they are technically my fries. And also, Catwoman would be a poor thief if she wore a bell."
Sam grumbles at him, and takes a bite out of a handful of fries. "I'll venmo you money." She says past a mouthful of food, Danny would have been disgusted in the past, when he was still new. But he's gotten used to this... normality. So he makes no reaction to it. "How does three hundred bucks sound?"
Danny immediately frowns.
"Did you have a fight with your parents?" He asks, eyes glancing to the doors. Doors that are covered heavily by curtains and blurred heavily, decadent music passing through in muffled sounds. He shifts himself away from the light. "You only spend that much money when they've pissed you off."
Sam's chewing stops, and her annoyed expression falters into one Danny knows well -- hurt, furrowed brows, a small frown, disappointment -- and she turns her head away from him. She swallows. "Yeah." she says, quiet.
Oh.
Danny knows that tone too.
Guilt settles like a rock in his chest. He leans forward, "Was it about me again?" He wasn't blind to the disdain Sam's parents had for him, far from it. This wasn't the first time Sam had gotten into a fight with them over her friendship with him and Tucker. But especially him. He unsettled people, even after years of observing his age-mates and trying to mimic their behavior, and anyone who knew him in middle school knew it was an act.  
Sam's silence gives him all the confirmation he needs, and the guilt heavies itself with the weight of the sky. Danny's never much cared about others' opinions of him -- he is (was?) an Al Ghul, they never heed to mind what the weight of a simpleton's thoughts.
But.. he cares a little a lot when it hurts his friends like this. He presses his lips together into a thin line, and forces the words out through his teeth. It sounds robotic. Al Ghul's do not apologize. "I... am sorry." But this one does. It doesn’t come easy. 
Sam sighs through her nose, and turns to roll her eyes at him. "Don't apologize on their behalf when you won't even apologize for your own; their assholes." She says, and goes reaching for more fries.
It's a sign, a signal. A silent word for the conversation to move on, to change. A distraction. Danny grasps it with both hands, and makes an offended noise in the back of his throat. And like he has learned, puts a hand to his chest like a scandalized American southern lady. "I apologize! I apologize plenty."
She snorts. "Only when you think it matters." And pokes him in the ribs sharply with her fry. He withholds a wince and snatches it out of her hands. "You're about as unapologetic as they come, Danny J. Fenton. I've seen you look more sincere when you're trying to drive your sword between Vlad's ribs."
"Stabbing Masters is a very important task for me, Sam." Danny says in only partially faux-seriousness. Masters has yet to realize that Danny had no interest in becoming his son, but he had to (reluctantly) admire his persistence. "Of course I will apply myself to it as best as I can."
He grins triumphantly when Sam laughs, and she reaches over to shove him square in the chest. He barks out a laugh of his own as he grips onto the balcony railing and catches himself at an angle.
"Quit with your method actor talk," Sam retorts, grinning sharply while Danny twists himself back up elegantly. "I know you can talk like a normal person, I've literally seen you do it."
Danny sniffs, and snatches more fries from the carton as revenge. "I'm not entirely sure what you mean, Miss Sam." He says, grin-twisting when Sam rolls her eyes. "My speech has always been this way. This 'normal' you speak of, I do not know it."
She waves her hand dismissively at him. "Yeah, yeah, whatever. But if you keep talking like that, I'm pushing you off the balcony."
"Such violence, Sam."
He gets a laugh again, full of disbelief without any of the annoyance. "I'm gonna be the one that stabs you, oh my god. Pot meet kettle." She looks at him again, smiling.
Danny smiles back, and with a flick of his wrist pulls out a kunai from his sleeve. It was one of the few weapons Mother was able to pass on to him whenever she made her scarce visits. He cherishes it well, along with anything else she was capable of giving him. 
He holds the handle out to her, and watches her face shift from disbelief to shock, then back to disbelief. "Then you're gonna need a weapon to do that." 
"Of course you have a pointy object on you." She mutters, and takes the kunai and puts it in her purse. Danny makes a pleased hum, it resonates low in his core, and drops his hand. "When do you not have a pointy object on you?"
As if to make her point, Danny's hands twist near his side, and he holds his palms up to her, revealing the shobo he had also hidden on him. He gives her a shit-eating grin. "Never." He lowers his hand, and pockets the small weapon once again. 
Sam huffs, "Of course," she repeats, "thanks. I was gonna bring a knife but..."
Danny finishes the sentence for her, kicking his feet idly and knowingly. "The security at the door?" He'd seen them on his flight over the building. It wouldn't do much in the face of the Rogues, but at least they were good at keeping appearances and keeping out the smaller threats.
He rolls his eyes and turns his head away, looking up to the ugly, smog-covered skies. There was no bat signal in the air, and while that was a good thing, Danny almost wished there was. He wanted to see it. "I saw, and I would’ve called Father foolish if he hadn’t hired help. He attracts trouble almost as badly as I do."
"Maybe it's hereditary," Sam jokes, laughing under her breath. With her fries finished, she started on her veggie burger. "At least your dad isn't a vigilante like you are."
Danny smiles wryly. It felt nice to be able to talk more freely about this. That he didn't have to hide the fact that his father was Bruce Wayne, now that Sam knew it from her own accord. Maybe he could have conversations like these more often. Even if it was limited to Bruce Wayne only.
(Even if it felt a little terrifying to know that his father was so close by, close enough that Danny could reach out and touch him. To speak to him. But how would he explain that? And with an audience?)
(He’s wanted to see him since he was a kid, and he still does. It clings onto him like a cough that doesn’t go away after the cold already has, and while it has faded over the years, it clings. His mother’s words still ring in his ears however; it’s not safe. It’s not safe.)
(And isn’t that why he faked his death in the first place? So that his little brother would be safe? Why he gave up the heirship, his home, his Mother, Damian, and his chance to meet his Father? Going to see Father, even now, would be throwing that all away. He has to stay away.)
(Why is Damian with Father if staying with Father was unsafe?) 
He just needed to tell Tucker. Danny wouldn’t keep him out of the loop, he was just as much as his friend as Sam was. His eyes draw towards the door, where the golden glow of lights was still pouring through, where music was playing loudly. "Yeah, fortunately." 
They fall into a comfortable silence after that, and Danny finally cracks open his thermos. The pipe Technus impaled him with was covered in a goo that Danny didn’t recognize, but whatever it was, his injury was taking its time healing. The ectoplasm was speeding it up. 
He isn’t sure what the difference between the ectoplasm that Drs. Fenton collected and Grandfather’s Lazarus pools is, but there’s a difference. He swirls the thermos slowly, watching as the ectoplasm inside twists into a small whirlpool sluggishly. 
When left alone, it thickens into a consistency similar to egg whites, or perhaps a thick smoothie, but reverts back into a water-like substance when moved and swirled. It was strange; unexplainable. He can understand, to an extent, why the Drs. Fenton are so obsessed with studying it and the dimension it comes from. 
Sam watches him idly as he brings the thermos to his lips and drinks from it. The effect is instantaneous, a sense of relief washing over Danny as if someone had put a soothing balm onto an injury. It buzzes down to his fingertips, and when he lowers the thermos, he licks his lips and watches the tips of his fingers burn green like frostbite. 
“Your hair turned white again.” Sam comments, her hand reaching out and touching the hair on the nape of his neck. While it’s not the first time Sam’s touched his hair, it still makes him tense up with her hand so close to his throat. Instinct. dan
He ignores the urge to bat her hand away, humming thoughtfully. “I’ve noticed it does that.” He says, pulling down his bangs to see if they’ve also turned white. No, still black. He lets go. “Let me guess; my eyes are green too?” He lifts the thermos again and peers into the chrome casing. 
Sam nods, “Yep, but it’s only the, uh.” She makes a circle around her eyes with her finger. “The iris part. Everything else is fine.” 
Danny can see that. The faint reflection on the chrome casts back an intense green. He takes another sip. It chills the back of his teeth, and he can feel his canines warp and sharpen. He runs his tongue over them, and swallows. 
Sam is still watching him, her fingers drumming against the balcony railing. “What’s it taste like?” 
“Carbonated.” He says dryly, before taking a large swig. He couldn’t name a specific flavor if he tried, it changed every time he took a sip. The only thing that stayed consistent was that it tasted carbonated. And slightly sweet. When he pulls the thermos away, Danny twists his body towards her and offers it out, wiping his mouth on his sleeve. “Want to try?” 
Her reaction is immediate. Sam’s nose scrunches up and her mouth twists into a smile, and she makes a huffing-laugh sound. “No, thank you.” She pushes it away lightly with her fingers, “I don’t know how to explain to my parents why my hair is white.” 
Right. Danny pulls the thermos away and puts it down beside him, straining his eyes to see if the rest of his hair has changed colors. Even just his first sip would take half an hour to fade back to its normal black, and he was a halfa. He had no idea how long it’d take to fade on Sam, who was human. 
There’s movement from the corner of his eye, and Danny snaps his head towards the source. There’s a figure, small, a boy, trying to hide behind one of the curtains at the door. His form just barely peeking out from the angle Danny was sitting at. He wouldn’t have seen him if the boy hadn’t moved. 
His fingers curl tightly into the railing, and he breathes in sharp. Sam’s smile crumbles away and she turns to see what he’s looking at. “I should go.” He says, and reaches for his thermos. “There’s someone spying on us. Don’t say anything, just look at me.” 
Sam’s expression warps, twists. Her eyes widen, her jaw starts to drop before fixing itself into place, and her shoulders curl up and tense. She forces it all to smooth over, and she leans casually against the railing. There’s a tick in her jaw. “I see.” Her voice comes through teeth. “Do you think they saw you?”
“I am not sure.” Danny says. He keeps an eye on the figure as he twists himself over and grabs the Nasty Burger bag and the container. He tries not to look like he’s rushing. He is. How long has that boy been there? How much did he see? Did he hear anything? 
“Father, fortunately, has privacy films on the glass. Nobody should have seen me unless they’re specifically trying to peep through the door.” He says. The boy seems to realize that Danny was starting to leave. And, his heart beginning to sink, instead of leaving, moves to grab the door handle instead.
No. No, no, no, no, no.
Danny’s breath catches in his throat, he’s hoping that isn’t who he think it is. But how else would he have not noticed an eavesdropper on their conversation unless it was someone who was capable of bypassing those skills? He told himself that he wouldn’t fool himself into thinking that his siblings’ had poor stealth. He got distracted. 
Five years, five years. He refuses to let that go down the drain. He zips up the container and throws his legs over the other side of the railing, his back facing the door. He hears the doorknob click, and without a word to Sam, slips off down the side and down to the ground below.
Just in time. The once muffled music now sounds blaring as the door presumably is thrown open and the pull of invisibility washes over him like a second skin. He doesn't stay to see who it is.
#dpxdc#danny fenton is not the ghost king#dp x dc#dp x dc crossover#dpdc#dpxdc crossover#danyal al ghul au#older brother danny#first danny pov of the au! whoo!#danny's hair turns white if he drinks ectoplasm brrrrr and his eyes turn green. good for him#this sat in my drafts for the last few days until i finally finished it during class#it was a math class and i already knew the material so tis fiiiine. now i just need to finish my CFAU post rewrite :)#ectoplasm tastes like that time i went to go get pepsi from the soda machine and it was all out of the pepsi flavoring so instead i got a#cup full of carbonated liquid. it was disgusting. ectoplasm kinda tastes like that. sometimes.#danny smiles in this more than i thought he would but yk it fits. he IS more smiley around his friends and family.#ectoplasm is a weird non-newtonion fluid and danny is fascinated. its got the consistency of egg whites one minute and then water the next#its a water slime and then suddenly its as brittle as annealed glass. it heats up and rots like milk or it heats up and boils like water#it congeals. it thickens. it boils. it solidifies. it does whatever it wants. it gels and melts into a tar-like substance#how long has damian been standing there? good question. :) i almost had him open the door and make eye contact with damian before falling#backwards. i also almost had it be *bruce* and damian opening the door bc bruce found out that damian pulled a knife on sam and was gonna#have him come apologize. that would be a fun scene. prolonged eye contact prolonged eye contact prolonged eye contact#imagery brrrr. had fun playing with how danny's ghost form works. if anyone has seen a video of steel wool burning thats how i imagine#danny's ghost transformation to be like.#also ayyy balancing danny's dialogue be like “how fancy should he sound and how Normal Teenager Should He Sound”#when sam gets home she catches tucker up to speed about everything including the convos with the waynes she had and they both form the#'“Fuck Them Waynes” squad. Sam has jumped to the entirely wrong conclusion about danny's separation from his family but in her defense.#it is a pretty sound conclusion to jump to considering the lack of context she has from danny's prior home life. which is almost none at al#so to her it looks like danny got abandoned by bruce wayne
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ruporas · 1 year
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bound to want (part two) /// part one rest of pages under READ MORE after ID
[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.
It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."
Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.
A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.
A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.
A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.
A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."
"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.
If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."
Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.
"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."
A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.
The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.
The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.
Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."
With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.
"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.
This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."
The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.
Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."
In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."
The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.
The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...
That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."
The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]
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#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#its done.... after 2 months.... collapses on the ground#theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up#they deserve a little sap too!!! and in the end this is the closest they could get to a first confession#through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their#lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time#vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually#ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security#or at least vash does. or at least just for this one moment#a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood#and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just#naturally in wolfwood to give to those that he love#but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to#enjoy and share their company in this manner. to be a little less restrained and love each other freely#ruporas art
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starflungwaddledee · 2 months
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Hear me out…Meta Knight and Starstruck
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✧˖°.✧ gravity ✧˖°.✧ ɡravɪti (noun) 1. the force that attracts a body towards the centre of the earth or towards any other physical body having mass 2. the degree of intensity of gravity, measured by acceleration 3. extreme importance; seriousness 4. solemnity of manner
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gaysforbyler · 24 days
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When “the week is long” because the Upside Down is forever stuck on the week Will went missing
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rockingtheorange · 3 months
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Henry and his ties: (part 1)
Pink
Affectionate and soft, the adjectives given to the Prince of England's hearts
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Blue and white stripes
Formal, navy is the color of authority and power
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Blue and light blue stripes (Henry focus pls)
Simple but formal, two colors often used for work settings. Light blue adds friendliness
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Grey
Conservative and conformative, add mysteriousness
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Orange Copper
Wealth, copper indicates luxury and sophistication
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Blue and silver stripes
Grace and elegance, Henry needed to be pretty for his date 💕
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Carmine with green stripes
Love, red is associated with passion and sensuality but also prohibition (+ green can indicate outlaw lifestyle)
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Sky blue with thin white stripes
Peace, sky blue symbolizes daydreaming and conveys serenity; white is associated with purity
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Side addition: solid tie is the basic pattern that doesn't add anything to the tie and lets the color speak for itself; polka dot adds playfulness and/or sophistication; stripes mean classic and elegant but can differ from one another (Henry always wears the British type with stripes that run from left shoulder down to the right side)
Here for part 2
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miredball · 3 months
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Some Mikey and Sydney Paper Parallels in Season One of The Bear—a few of notes:
Mikey’s death notice and Sydney’s resume both appear in the pilot episode of the series. Mikey’s appear first, informing us of a loss. The bible verse in context refers to a most faithful servant Daniel who is judged ‘innocent’ by God and freed from a lion’s den. The first line of the verse reads “My God hath sent his angel…”
A scene or two later Sydney appears in the kitchen with a resume in hand, effectively a proof of life.
Both Mikey and Sydney leave recipes for Carmy to find. Both of those frames are from the last episode of Season One. Do with that what you will.
The shot of Sydney walking in + the close-up of Carmy’s reaction so purposefully mirrors that flashback of Mikey in the kitchen looking back at Carmy. The latter evokes the idea that this may be Carmy’s last memory of his brother: in the kitchen, a flash of a smile, his back to him. The harsh bright yellow light seems like it might expand any minute and completely envelop this memory until it’s blank and forgotten; maybe this memory is close to fading and the bright light ahead of Mikey has come to take him. Carmy looks a little lost.
Meanwhile, when Sydney walks in the image is clearer—Carmy is clearer and more certain. It is his face that lights up and fills the frame. Set in a kitchen, and met with a similar flash of a smile, here Carmy is seeing a new kind of hope. Sydney returns and brings in the possibility of a future, a salvation from the ruins of his brother and the bones of his life’s work. Again: “My God hath sent his angel…”
As if a little bow to wrap it up, only with Sydney alongside him does Carmy make his and his brother’s dream come to life. The drawing escapes its frame, becomes three-dimensional, it gains a name. The dream becomes real because of Sydney.
P.S. Of course Sydney’s arc and meaning as a character does not revolve around the Berzattos. She has her own histories and pain as seen in these parallels, however thematically she serves as a kind of index to Mikey. Her being new to that kitchen reminds us of what is old, what has passed. Though Mikey kinda lives through her ambition, Sydney lives NOW. She is symbolic of a future. She is *the* future. And because of what she symbolizes, we want Carmy to propel himself forward and join her. Jury’s still out on that.
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amelia-yap · 1 year
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fishy
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firehandlerfred · 8 months
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The villain dying at the end of a show?
Expected
The villain dying at the hands of his surrogate daughter?
Fucked up, exciting, love it
The villain dying at his daughter's hands AFTER PROVING HE WOULDN'T ABANDON HER?
Insane actually, peak fiction
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foxcort · 3 months
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listen its not that tamlin locking feyre in a manor is ‘not a big deal’. its that sjm parallels tamlin and rhysand way too much for rhysand to be a viable, healthy option for feyre.
rhys put a whole city under a lockdown so severe people forgot about its existence (and from what the wiki says, the city was kept hidden for centuries even before, for the safety of its citizens) but tamlin locking feyre in a manor, so she wouldn’t follow him into an unsafe situation was crossing a line?
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itsfairly · 7 months
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Illicit Toasts // 1920s!Nanami Kento x F!Reader
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Summary: The prohibition of alcohol didn't stop people from getting their hands on it. It only made them find places where they could get their fill of giggle water in illicit establishments filled with booze, music, and social life. For Nanami Kento, however, alcohol was merely an excuse to visit this speakeasy. Yet, he did go to that place to get his high on something, someone else.
Word Count: ~5.1k
CW: 1920s AU (focused on the prohibition era), fem!reader, singer!reader, strangers to lovers (kinda), fluff (kinda), pining kento, mentions of alcohol, alternate between 3rd person and 2nd person.
A/N: first, you can find the artist of the fanart here! second, there is no doubt in my man that my man would look amazing in the 1920s aesthetic, look at him. i was thinking about this for a while and the covers from the postmodern jukebox helped. am i thinking about writing more about this AU? maybe, especially if people are into it. 1920s! Nanami Kento, you will always be famous.
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Just what was he doing here? Coming back and pretending it was just for some booze that he could easily stash at home with the promise of some quietness and privacy?
Nanami didn’t know the answer. As he puts his wallet into his coat, he tries to think of one with no avail. He didn’t know why his feet kept walking towards that damned speakeasy as if it were a part of his routine. It felt as if his body got the best of him despite his mind telling him it was a bad idea to come to a place like this as someone of his reputation.
He was wealthy, had a nice job, a status that put him high on everyone’s list on his appearance alone. He felt like he was risking it all by just coming here. Nanami had the means to contact a bootlegger and get that alcohol he used as an excuse to come here. A bar that could get raided at any moment and put him in jail by just being there. It would be his ruin if that were to happen.
No money.
No job.
No status.
But despite it all, he still walked towards that door. Knock. Knock, knock. Knock. Knock. A pattern he memorized the first time he came here when a friend of his implored him to accompany him for a drink. Little did he know back then how much he would play this rhythm against the rusty door with a dimly lit room behind it, full of chatter, drinks, and entertainment for those who were willing to risk it.
Funny thing is that, though Nanami is a heavy drinker, he is a loner at that. Those extravagant parties held by people of his status were too luxurious for his taste, he only attended them to keep his connections intact and for the promise of booze. He much prefers to drink in the comfort of his own home. No superficial conversations. No drunks trying to flirt with him or overstep his boundaries. But to drink for the joy of it rather than to survive the event.
He was about to turn around after questioning why he kept coming here when the door opened, a voice greeting him into the bar. It reeked of the smell of old wood, strong liquor, the dreaded tobacco smoke, and the light colognes and perfumes mixing together as they escaped out the door and into his nostrils. It was a last warning. Though he was still standing at the foot of the door, he could still change his mind and leave to get his fill back home. The unique smell reminded him not only of what awaited him if he entered but also brought a sense of tension. Was all this secrecy and feeling of rebellion against a law that prohibited some fun worth everything he worked so hard for?
But that warning fell on deaf ears. Ears that were busy welcoming the real reason he was coming back in the first place. It was not the alcohol, it was never the reason why his body walked the streets until he reached this door. It wasn’t a taste or a smell. It was a sound and a sight.
It was the pretty singer who held her own against the band and rose above the chatter as more than mere background noise to fill the air.
You.
He still remembers the first time he saw you on that stage. He could barely understand what his friend was talking about when they brought him here. He was busy looking at you and hearing the pretty voice that captured his attention the moment he walked in. You didn’t seem to mind the fact that people were too caught up in their own conversations or the delightful buzz their whiskey and bourbon brought instead of hearing the music. But to him, it was the complete opposite. He couldn’t take his eyes off you, take you off your mind nights after seeing you for the first time. You brought him a high no liquor had brought before and you don’t even speak to him. You were just doing your job, a living by singing in this dimly lit bar full of patrons breaking the law. You were the star of this speakeasy. 
Tonight was no different.
Your voice stood out from the chatter that filled the room, dripping in a silky passion that lured him into stepping in and taking a seat at the bar. It was obvious you weren’t performing for anyone but yourself. The way you sang each song, each lyric, was intoxicating to Nanami. It was like a spell that drew him in further into this attraction he felt for you. It was always such a raw performance he could only describe as passionate and immersive. He could hear how you felt every emotion from your voice alone. Vulnerable, intense, alluring. To think he could list everything he heard in your voice would be an impossible challenge he would gladly take.
But your looks came along and he knew it was over. Your performance was more than just your voice, but also the way you moved. You were a temptress, sensuality in its purest form. Swaying side to side at the rhythm of the keys and strings, almost as if your hips marked the tempo for everyone to follow. But you were more than that. It wouldn’t be fair to see you as sex-on-a-stick that others had reduced you to. Not when you had this bright and cheerful smile on your face every time he saw you on that stage. Or when you did these little gimmicks with your gloved-covered hands that always captured his attention as you acted the lyrics. One thing was certain: the way you looked and performed told him you were having the time of your life up there.
He could see it in your face alone. Your face, your angel face that told him how much fun you had when singing. It was as if you were one with the music and wanted to keep it that way. Showing each and every emotion of the song as if you wrote it yourself. Dancing and acting as if no one was watching. He admired that. It drew him into you. Authenticity was written all over you, displaying so many parts of you and showing this energy of yours that made you much more complex than anyone in his class.
There was no doubt. You were a performer through and through.
But to him, you were this enchantress. Seduction follows your every move and sound. You looked so confident, so comfortable on that stage surrounded by liquor and smoke that others were so distracted by, missing the real deal. The straight loose dresses you wore with fringes and beads that moved with you, the pearls that added an elegant touch, the gloves that covered your skin, the t-strap shoes that clicked with every step, and that makeup that wrapped everything together.
You looked like a doll, shining in the spotlight and surrounded by this lively and strong aura he couldn’t help but be attracted to. So addicting like the glasses of whiskey he drank, but much sweeter.
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As another number came to a close, you bowed at the audience. Even if you didn’t receive much applause, you didn’t care. You know what comes with being an entertainer at these places: barely any recognition and a lot of cons such as getting arrested for even being here. But you loved it. The ambiance was calm, nothing too crowded or loud to keep the place safe from a police raid; the lights added a sense of secrecy and sensuality that you were all in for, and the best of all, the pay. Jobs like this were hard to come by, those that paid you to do what you liked.
Even if your day job brought you a lot of tension and stress, it was this gig that allowed you to shake those feelings off and let loose. Shine like the way you were supposed to, be treated like a person and not a number or some airhead. Sure, you were often shaken off as part of the background of a rebellious experience that people were quiet about. But it was tit-for-tat—go through hell by day and live the crème de la crème at night. No family to control you, no boss to scold you for no reason, and no judgemental looks for not being a mother or married.
You looked back at your band, clapping at them for their performance so far with a bright smile. You quickly excuse yourself, asking them to play a few songs without you as you go and fetch yourself something to drink. All this smoke made your throat dry, which was a no-no for a performer like you.
Making your way to the bar and asking for a light drink—the bartender’s choice being a bee’s knees—you notice a blond man with his elbow resting on the bar. You looked at him, instantly seeing the signs that he was of a higher class than the usual patrons. Tailor-made suit in a pristine condition fitting him perfectly, the material looking expensive from how soft it looked alone. Handsome face free of facial hair, his skin probably as smooth as one can be, something not many had the privilege of due to tight schedules or lack of resources.
The drink was a dead giveaway. From the looks of it, it seemed to be whiskey neat. Most people opted for the much cheaper beer, not for something like whiskey. Let alone neat and not on the rocks. It told you it was someone who had the privilege of drinking enough to be able to handle the harshness of it and its expensive price. 
Not only that, but the drink seemed unattended as told by the way his hands were further enough from the glass. People normally downed their drinks if they were alone, the lack of another glass near him told you he was probably on his own tonight. But no. He didn’t seem in a rush to drink or be accompanied by someone. He was alone at a bar with a drink he hadn’t sipped from during the alcohol prohibition. What are the odds?
You think of starting a conversation with the man, intrigued about him, when the bartender handed you your drink. You smiled at them, thanking them for their service as you took the glass by their stem and brought it to your lips. Honey, lemon, and most importantly, gin invade your mouth as you taste the forbidden drink. Sure, alcohol isn’t the best thing to drink when performing a set, but it’s not like a sip once in a while hurt. Especially with how hard it is to get these drinks when one doesn’t have the means, working at a speakeasy seemed like a blessing.
Your thoughts are interrupted before you set the glass down, the blond at your side snapping you out of them with his velvet voice. It was a few words, but they were enough to detect a certain elegance that matched his appearance. Modesty and opulence easily summarize your impression of the man before you.
“Your performance was lovely.” He said nonchalantly, turning his body to face you as his hand wrapped around the glass of whiskey. 
It’s not like people didn’t compliment your singing. They did…once they were drunk or when they were seeking attention. But compliments from someone who looked like him? Sure, he sounded casual about it and it almost made you think he was being sarcastic. But when you turn to look at him, ready to give him your usual “you can give it a go if you want” answer, you see that he was being genuine. He was waiting for a response patiently, his thumb caressing the side of his glass. There was something in his expression you couldn’t quite place, it seemed like nerves but there was no reason to feel like such.
You flash him a small smile, nodding your hand towards him. “Thank you, I’m sure it would’ve paired so well with your drink. Shame that it seems unattended.” He looked at you puzzled, looking down at the drink in question before turning back to you. “I was not aware that one could pair alcohol with performances. Especially with everything going on right now.” “Then you’re missing quite the opportunity. Neat whiskey? Jazz and blues pair up well with it, which is our set for tonight. You’re lucky the band is still playing as we speak, you can still enjoy the combination of taste and sound.” You smile, looking back at the band and then back at him.
He wastes no time to take in your silence as an invitation to try the multi-sensorial experience. You see him swirl the liquid in the glass, the piano and trombone standing out from the band of instruments, and then taking a sip as he lets the alcohol wash over his mouth to savor it.
He chuckles, his brows jumping once in delight as turns back to you. You raise your eyebrow, now waiting for his response.
“My first thought when pairing alcohol is usually food. I’m afraid I’ll have to start thinking about what I will be doing when drinking a certain drink.” He says, his eyes showing that delight when he turns to you.
“Hopefully you keep that idea long after you leave this place. It’s quite fun to pair things with others we haven’t thought of before.”
“Really? Is your drink especially paired with your performance tonight?”
You look down at your own drink, taking it into your hand and bringing it to your lips for a small sip. You nod at the taste, the fresh taste of gin swirling on your tongue while the smooth run of the trombone plays in your ears.
“Absolutely.” You say with a small chuckle.
The man before you decides to stand up, pushing the stool back as he does. He turns his body to face you completely, a soft and calm expression decorating his face as he looks at you in what could only be curiosity. But this one is different from the curious looks you usually get. It’s not perverse or mere amusement. It’s as if he’s finally living a moment he thought of for a while, a moment he thought would never happen. It’s different and unexpected, sure, but it’s new. His expression almost leaves you breathless, now becoming curious as well.
He extends his hand to you, his eyes never leaving your face as a blink-it-and-you’ll-miss-it smile decorates his. Though others would think his expression is firm and stoic, his eyes tell you otherwise just like his voice does. That velvet voice of his drips from his lips once more.
“Kento Nanami. May I ask for your name, miss?”
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Your name sounds just like the melodies you are so used to singing on the stage. It is a smooth and harmonious sound that goes easy on his ears when you say it. He couldn’t fight the smile on his face for long, showing it for a second as he felt you reach out to his hand and shake it. It was only for a second, but it was enough to know how dangerous you were becoming to him. 
With your hand on his, he turns it around and kisses the back of it like the gentleman he is. It’s soft and gentle, not wanting to come off strong as if you’re only an object to him. You weren’t and he wanted to treat you with the respect you deserved. Nanami’s lips soon leave your gloved-covered hand but his hand still holds you carefully, looking up at you with gentle calm eyes.
“Pleasure to meet you, ma’am.” He says, sure that if he were to say your name it wouldn’t sound so angelic like you say it. He drops your hand near your lap, careful to not be so harsh the moment he lets it go.
Shaking him up like this with only your name? He never planned for you to have this effect on him, let alone this quickly. He never thought he would be drinking next to you, finally having a name for that gorgeous smile that shined on the stage. He didn’t think life would be able to bring you two together even if it was for a few minutes. 
Your voice was as pretty when speaking as it was when singing, the sound of your name sounding like every other night you performed on that stage. He couldn’t help but repeat it out, lucky enough to play it off as if he was just checking if he heard you right. That in itself was an irony considering all the trouble he went through every night he wanted to hear you sing.
And now he was hearing you speak to him.
The band playing as the rest of the speakeasy melted away and it was only you in his view and ears. You were an arm’s away from him and it was a chance he had to take, at least to compliment your performance. Not just of tonight’s but of every night, even if he wasn’t there to hear it. Soon that compliment led to small talk that then led to presenting each other. Now here he was, immersed in the casual conversation between you two.
No stocks, no gossip, no work. Just chit-chat in which he didn’t need alcohol to push through it like he does at big events at work or with people he’s forced to spend time with. It was talking for the pleasure of it. Something an introvert like him found reserved for certain people. But here you were, able to sneak past that detail of his and put him at ease despite all the giddiness he feels inside him from finally being able to speak to you.
You didn’t seem that much different off-stage. You were lively, charming, and able to hold your ground. But you were also much calmer, casual, reserved even; though not to the extent he is. It simply confirmed to him that you were a hundred percent yourself when you were performing, authentic to yourself even if you weren’t showing all parts of yourself. You still had that welcoming energy in and out of the stage.
Your body was facing his just like he was facing yours as you two sat at the bar with your drinks. He was finally taking sips of that ignored whiskey long after he ordered it while you had allowed him to take up your small break. It wasn’t the most interesting conversation in the world, to be frank. But if any of his friends saw him at the moment, they would know Nanami was hanging onto every word you said.
“I’m more of a hermit.” He starts, setting his drink down at the bar. “I do drink with friends and explore these speakeasies, but I much rather enjoy a drink in the comfort of my home.”
“Oh, so you’re able to afford that luxury of owning alcohol?” You smirk at him, tilting your head towards him. You sigh, relaxing your shoulders with your hands on your lap. “Although, I understand. I get overwhelmed in crowded places and would drink privately if I could.”
“Overwhelmed? A singer?” He raises an eyebrow at you. He wasn’t teasing you or being sarcastic by any means. He knows it could come off that way, but he was intrigued. You seemed comfortable when you sang, dancing around as you became one with the music and the world disappeared.
“It’s different!” You laughed softly, bringing your glass to your lips. “I like singing and people don’t really come to these places looking for music. They come for this.” You gestured to the wall stocked with all kinds of liquor, a quantity that could lead everyone working at the establishment to be imprisoned. It’s a wonder the police haven't found this place, neither of you would be here at the moment conversing. “I am just part of the experience but not the main attraction. That lets me act like there’s no one around.”
Nanami nods. Though he completely comes to this bar for the opposite reason, he can see how it is easy for you to shake off the nerves and get behind the microphone. If you were only a prop that added to the illicit and almost seducing ambiance for people to drink in, then you could let loose and not many people would remember it. That and because some drank to the point of blackout.
“I see, not much of a people’s people, are you?”
You shrug your shoulders, pursing your lips. “I like the stage, I like to perform. I don’t mind people, but sometimes it can be too much to have all that…energy at all times.”
Nanami chuckles, knowing that feeling too well. Sure, he wasn’t a performer like you. But he had to deal with numerous people at work, at social events, and in his everyday life. Be polite, never turn down a conversation too quickly, talk about the work he hated, pass time with people who only saw him as a walking wallet or an eye candy, and live up to his status’ expectations…he was much more comfortable with his privacy.
“I understand. Guess it’s part of work, is it not?”
You nod, a sympathetic smile coming to your face as you bring your drink close to your lips. “Part of life to be honest.” But before you take a sip, you knit your eyebrows as you look down at it. You turn your attention back to Nanami, lifting your drink in the air with a much more genuine smile, and say, “Cheers, for being able to hold up for this long.”
He feels the same giddy feeling from earlier creep up to him again, shaking them off as he takes his glass and clinks it with yours gently. He cheered for other things all the time. This shouldn’t be any different just like giving a compliment to a stranger.
Maybe it is because this time is much more genuine than all those times he had to tolerate rather than celebrate.
“Cheers then.” He hums. Pulling the glass back and lightly raising it towards you, he savors the strong earthy notes of his whiskey. He has tasted this flavor before many times, but tonight, the bitterness felt much less overpowering thanks to your presence.
Much to his disappointment, the moment is cut short when your head turns towards the stage. He looks in the same direction, the cello player throwing his head back to signal you that you need to come back for the next set of songs. You sigh, slowly standing up from your seat with the drink still in hand.
“Duty calls.” You hum, looking at Nanami with a gentle smile. “This was fun. Maybe you should start sitting closer to the band rather than being all the way here.”
Nanami knits his brows, confused and intrigued by your insinuations. Before he can ask about what you mean, you quickly jump in to clarify it yourself.
“I get on that stage almost every night, I would be a poor performer if I didn’t recognize my audience.” You take a last sip of your drink, placing it on the bar for the bartender to take it away as you thank them with a smile.
Nanami feels his heart race. He didn’t know he had come so much to the point that you recognized his face. He thought he would pass unnoticed on each of his visits, becoming a wallflower that no one would interact with but the bartender. Looks like he was wrong. You of all people noticed him.
He takes a quiet deep breath to calm his speeding heart, his face facing you completely. It could be the whiskey talking, the liquid courage guiding this whole interaction that he thought would never happen otherwise, but he decided to take the chance and say.
“I’ll make sure to get the best seat.”
“I’ll make sure to save it for you.” You answered back, a soft chuckle escaping you.
You take a few steps away from your seat, slower than when you were coming from the stage to the bar. You then turn your head to look back at Nanami, hands coming together in front of you.
“You should get gin if you come next week. We’ll play swing and I find the combination quite wonderful.”
Nanami hums, the smallest of smiles escaping his stoic front as he looks at your polite and fairly demure behavior. He notices the ways your eyes grow shy as you wait for his response, understanding that it is an invitation to come next week.
“I’ll get gin then.” He assures you, his heart beating quite hard now despite the tranquil effect whiskey always has on him.
You smile. A bright smile that could have brightened this dim speakeasy on its own. You nod as you add, “Thank you for the chat, Mr. Nanami. Don’t be a stranger, please.”
And with that, you turn back to the band, a light pep on your step as evident by the way your dress’ fringes jump.
Nanami turns back to the bar, looking down at the empty glass before him and then at the glass you were drinking from. He sees the bartender take both away and asks them for another glass of whiskey as jazz begins to play again.
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His feet once more guide him to you, walking through alleyways and empty streets long after the sun had set down with the moon and stars keeping him company. His mind is much quieter this time than the last, now aware that logical questions and should-statements were impractical to ask when it came to this new habit of his.
As he walked on the street that had the downward stairs that guided him to the seemingly unsuspicious door in the neighborhood, he was greeted with the sight of a few police officers who appeared to be heading to the same place as him. They were quite the number and Nanami knew what it meant. The warning that his heart was sending through his veins caused his steps to speed up to the policemen, gulping any sight of uneasiness down before he spoke up.
“Gentlemen, evening.” He bowed his head at them, his tone ever so neutral at this moment as if this were just another negotiation he did every day at work.
The men turn to him, inspecting his appearance before saying a thing. They bow back at Nanami with one of the policemen taking a step forward to him and taking out his badge for him to see.
“Evening, sir. I’ll have to ask you to evacuate the area, we’ve received reports of illicit production and sale of alcohol in this area and we will enforce the law on everyone at the establishment. A law-bidding civilian like yourself should save the trouble of witnessing such enforcement.” He warns, acting all high and mighty with Nanami as if they hadn’t met before.
Nanami takes a step forward to the policeman, digging out his wallet and pulling out a couple of bills that he then keeps in his hand. He smiles politely at the man.
“Officer, I appreciate the warning. I am afraid that there are no such activities in this area. I want to save you the trouble of wasting your time so you can be able to enjoy your evening as well. After all, there is no issue with enjoying yourself, is there not?”
Nanami reaches for the man’s hand, pretending to shake his hand as he places the money in the palm of his hand. To anyone walking by, this is just a citizen thanking and warning the law. To them, it is just business.
The officer smiles at Nanami, hypocrisy slipping through in the smell of cheap beer as he nods. He turns to the rest of the policemen, telling them that they got false input and that they should just head to their usual patrol around the north side of the city. The men bid farewell to Nanami, silently thanking him.
Nanami sighs once they are gone, leaning against the staircase fence. They were the same officers as last week, he isn’t stupid. The condescending tone alone told him that much. He is lucky he has a good job. Otherwise, he would have to buy cheaper alcohol if he kept using his money to bribe the cops away from there.
After a few minutes, Nanami walks down the stairs to the door that would’ve been busted open had it not been for him. Knock. Knock, knock. Knock. Knock. The pattern that is now ingrained in his body makes his heart race in anticipation. He walks in, almost sitting by the bar as he remembers your words from last time when he sees an empty seat for one closer to the band. You weren’t kidding last time…
Nanami walks towards the said seat, still a bit further from the stage since it is set by the wall. But as he sits, he notices there’s a reason why you specifically save this spot. He notices you recognize him, your smile beaming while you’re performing the swing set you mentioned last week. It was a clear and unconstrained view of the singer. No chairs in the way, no paths that others could take that would block the view for either of you, and no light that shone too brightly on either of you that would make it seem as if you were just a flash of light. It truly was the best seat.
But what made it better was the fact that you kept looking at him during your act, catching each other’s eyes without a doubt in mind that it was him you were looking at. No one else.
His heart races, more than it has ever before at this speakeasy. It wasn’t the thrill of drinking his negroni that contained the gin that was so prohibited at the time. It wasn’t bribing the law and breaking it. It wasn’t the girls that looked at him and tried to flirt with him. None of that made his heart race and the drink wasn’t helping ease that feeling down.
As he realizes the reason for his heart practically beating out of his chest that it would have run out of this bar from the sheer force, he looks at you. You, you, and only you as you swirl your pearls around your finger with a soft hum for everyone to hear. Maybe you were just, if not more addicting than the giddy water he drinks.
Nevertheless, there was one important difference. He can quit the booze, but not you.
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poorly-drawn-mdzs · 6 months
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Gearing up for the stat boosts
MDZS Disco Elysium AU Part 3 (Part 1 - Part 2 - Part 4)
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“Knowing what it is to feel loved…”
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pocketramblr · 4 months
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Absolutely love your writing for all the AU/5 headcanons asks. Can I ask: AU where Rei cheats on Endeavor with All Might? It happens after AM's injury, so she doesn't recognize him, and he ofc doesn't know that she's married in the first place, much less to whom
you make this very difficult for me by giving me a window of 6 and half years for them to have an affair and for every single moment of that window, Rei is institutionalized. how am i supposed to get them to meet, much less take their clothes off. ok. think. there are other fic writers who specialize in this kind of thing, surely. what would they do....
1- ok so. The fire alarm at the hospital goes off. Rei doesn't know if it's a drill or not, but she's been there for seven years and generally does not need a lot of support during something like this like other patients do, so the nurses wave her out and she stands around outside a bit waiting for the fire alarm to stop and them to go back in. (It isn't a drill, they wouldn't have evacuated everyone if it was, but Rei is on the other side of the building and facing away from seeing any smoke) (This smoke is from a villain attack that All Might is taking care of, though he's only got seconds left of his power to use that day. he quickly rushes off, deflating and stumbling out on the other side of the hospital. Where Rei is.)
2- Rei is like "huh that guy doesnt seem to be in good shape" and kinda waves attention at him, and a nurse who's passing out water to patients and keeping an eye on the road gives Toshinori some too, getting more concerned when he dazedly answers that he's All Might and coughs up blood, but the nurse figures he's concussed since he smells of smoke and must have been closer to the fight, and is just reeling from being able to see the number one hero in person. Then they get distracted and wave Toshi to wait nearby, where Rei offers to chill his water and asks if he's alright, if he breathed in any smoke.
3- They chat and then go back into the hospital as it's un-evacuated together, Rei hanging out in the lobby where he sits as the hospital staff focus on getting everyone else back to their rooms. It pays to be low priority sometimes. Eventually she tells him her name is Rei and that she's in room K18, if he ever wants to visit or call. She doesn't get to talk to anyone except doctors, family visitors, or other paitients, and most of them don't stay nearly as long as she does. It's been seven years, and she's very lonely. Toshinori is lonely too, and when he's out of time for a day and feeling useless with nothing to do, he likes to talk to a friend.
4- Rei has been in the hospital for eight years when it gets physical. At that point, Toshinori knows a bit about her family. She has kids, mentions visits from a son and daughter, and then quietly mentioned when her son turned seventeen- her daughter's already twenty. She's been there for so much of their lives. He asks if she's married, and she admits she isn't sure how to file for divorce in a hospital like she is, if she even can, if she wants to because she'd lose custody, if it matters when she's not raising them anyway. He doesn't ask much more, knows there is a dead child and a baby she says isn't safe with her there. Toshinori never called Nana 'mom' to her face while she was alive, and had a reason for it, and has a similar reason for not asking more, not asking for the other names when he gets Fuyumi and Natsuo's. Yes, the doctors and nurses all know Rei has a boyfriend who visits. they don't say anything. who would they even tell, anyway. I debated the humor of reusing the bit from candlelight shoto that Toshi and Rei could have a kid with a fire quirk, but yeah here? Rei ain't getting pregnant, absolutely not.
5- When Natsuo turns eighteen, Rei does actually file for divorce, or at least tries to get the ball rolling on that. Toshinori's trusted her that her marriage is over in all but name, but he's more at ease with it ended fully. Fuyumi is crushed but burying it all deep inside. Natsuo is like 'what are you talking about. divorce is the most normal possible outcome here.' But anyway, Rei also begins to bring up being discharged- something she never bothered with earlier, when it seemed like she'd never be able to go home while Shoto was there, and never would want to go back anyway. (Her parents are absolutely not an option either so where would she go once discharged? the hospital was her only security.) Toshinori then tells her at this point about his diagnosis, that he's supposed to be terminal, in a way. He doesn't have a lot of time he can give her. Rei says that's ok, she'll take what she can get. She moves in. Fuyumi still goes out to eat with her once a week, though Rei doesn't say she's moved in with a boyfriend, just says she's in a safe place and it's not Fuyumi's job to worry about it, please, let her do that, relax, be her daughter instead of a mother. Natsuo adds her to his cellphone plan and gets her one. Rei doesn't tell Toshinori her ex's identity. Toshinori doesn't tell her about OfA, though she does know he's mentoring a student for heroics and is very proud of him. (Toshinori is a secretary at Might Tower, he's a great mentor. Oh huh, he got a job position at UA at the same time as All Might, she wonders if they carpool.)
+1- OK THE REVEAL so the reveal is. Toshinori gets home from the SF. And Rei almost knocks him out by the door, eyes wide and panicked, asking if he's ok, if Shoto's ok. Toshinori is like "... young todoroki? yeah he's alright? i know his fight with young bakugo looked bad but- Rei???" And that's when it all clicks for him, he's having dozens of horrible realizations at once, all while Rei weeps over her youngest. Toshinori's been a hero for a very, very long time. He's felt hopeless, before. But even then, he's known what needs to be done, he just isn't able to do it. But now? he's at a complete loss with no idea what he should do.
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etoilesombre · 1 year
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Ever notice how practically none of the pirates in Black Sails seem to actually care about, you know, stealing good shit from merchant ships in order to get rich?
To Flint, piracy is about revenge. It's about being forced out of society and made a villain. "Everyone is a monster to someone. Since you are so convinced that I am yours, I will be it." etc etc
For Vane piracy means freedom, not being beholden to anyone, living as he chooses. And also no goddamn teacups that's gay.
Jack sees piracy as a way to build a name for himself, it's all about legacy.
In conclusion: Anne Bonny is possibly the only proper pirate around this place for real. (And yes, ok, even for her it is more complicated.)
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smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.
#jrwi show#jrwi fanart#jrwi riptide#gillion tidestrider#made this within a short span of wahtever bc i gotta go up to the mountains for my stupid gay job tonight n im trying#nnot to frrRREAAAK THE FUCK OUUTTTTTTi dont wanna work but. get that bread we fuckin shall i guess#ONWARDS TO THE FISH TORMENT!! sometimes flowers feel pain when you trim them before their blossoming. atleast i imagine so#i used to draw gillion with loooong hair tied into a big ol braid. and then it was confirmed that he had short hair when he was little.#AT FIRST I WAS SAD. but then i realized the duality of. when they were little. gill had short hair. edyn had long hair.#AND NOW THEYRE OLDER. and gillion has long hair. and edyn has short hair#both mirroring eachother. looking up to eachother. subconsciously or not. they most certainly care. and most certainly miss eachother.#GILLION ALWAYS LOVED HOW LONG HAIR LOOKs. atleast i imagine so. he hasnt cut it since he left the undersea. sure he wanted to go back home#but even at the very start. he knew he was free in some way now. free to grow out his hair. an adventure would await him before he returns.#he knew it would be a while. so he cant let this go. he cant let this sought-after hair-length get cut away from him again#not yet. not yet. i like to think he loved music too. I SAW SOMETHING INTERESTING A BIT AGO#i see alot of ppl commenting on my baby gill comics like;'i wouldFIGHT this teacher i wanna KILL EM i want them DESTROYED#all very good and nice sentiments! i LOVE the energy here! and it would be nice. to have that catharsis#but the story of young tidestrider is not a story of catharsis. it is a story of agony and being so so small and so special and also so dum#and sucking so bad. and just being a kid and doing the things that a little kid does and so many tired tired people reacting badly to it#youre supposed to be the hero that will save us. our world hangs in the balance and you are the one who tips the scales.#YOU are supposed to SAVE US!! you NEED to SAVE US! CAN YOU PLEASE STOP SQUIRMING IN YOUR STUPID CHAIR!!#you'd think that young tidestrider ought to prevail. and be tucked someplace all safe and sound.#elders gone missing and rotting in a jail. their cultists nowhere around. but theres no happy endings. not here not now.#this tale is all sorrows n woes. you may dream that justice n peace win the day. but thats not how this story goes#BIG ideas for this lil baby gillion series. if anything i make ever gets disproven im killing myself in a well as to poison a water supply
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