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#tlou part 2 spoilers
heartpascal · 7 months
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please don’t lose it again
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— joel miller x platonic!f!reader
— summary: the aftermath
— a/n: i’m replaying tlou2 and got to the scene again. this followed. sorry if the flow isn’t great!! im all over the place. please please please heed warnings. love you so much. not the official ending for itdws!
— warnings: major tlou 2 spoilers, major character death, grief, burying a loved one, loss, spoilers for itdws, throwing up / vomiting (referenced, not really explicit), all the stages of grief in like 3 minutes, guilt, blame, being sad, GORE, or descriptions of gore, and dead bodies
— taglist: @rhymingtree @sleepygraves @wnstice (everything) @auggiesolovey @just-kaylaa @evyiione @lemonlaides @faceache111 @randomhoex @canpillowscry @pedropascalsrealgf @star-wars-lover @coolchick333 @soobsdior @rvjaa @sunflowersdrop @definitely-not-a-seagull-i-swear @miss-celestial-being (pedro)
a what if one shot from the if the door wasn’t shut universe!
masterlist (part one , part two , part three , part four , part five )
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The world is full of horrors.
You learned that much a long, long time ago. In your formative years, your youth, when you were actually a child, you had experienced more horrors than you could name. You didn’t have enough hands to count them on. There was loss and there was pain and there was Joel.
There was a brief time, after arriving to Jackson, where you didn’t have Joel. A part of you always knew he would come back. Not for you, that was true, but you had always known that he would be back. That he wasn’t gone in the way so many were. That Tess was. In the very depths of your mind, he lingered. Even if he had left you behind, he was still with you, in the worst of ways.
You have never lived in a world which didn’t have Joel Miller.
He had always seemed untouchable. Unmovable. As if the world could only move around him.
You never thought you would have to live in a world without him.
There was always a certainty that you’d held. Joel would outlive you. He would survive, where you wouldn’t. Despite how you had improved in your skills out in the wild, in the back of your mind, when you saw Joel, you had always believed he would be the one to bury you.
Because even if Joel hadn’t stayed for you, he would surely stay for your death. It was who he was. Always the survivor, always the one to bury the bodies, always the one left.
You had never considered what it would be like to bury Joel.
Even now, as you sit with your hand pressed against the freshly turned earth, frozen at your fingertips, you aren’t sure you really know what it’s like. Because, surely, there’s no way that Joel Miller could be reduced to this. A body in the dirt. A faceless name left upon a headstone, forgotten in a garden of the dead.
He was alive yesterday.
He was alive.
How could they have buried him? You think of the way the dirt has iced over, numbing your fingers. You wonder how much effort had gone into plunging a shovel into the dirt. How much ice had formed on Joel’s skin when they put him in there?
He would be cold, out here. Without the jacket you knew was hung up in his closet. He would be cold.
“C’mon,” Jesse said, faintly. “Put your gloves on.” He tried, crouching beside you, beside Joel, with the very gloves Joel had gotten you held in his hands. Did you thank him, for those? You needed to. You needed to thank him.
You turn your head away from the wooden headstone, the clumsy carving that Joel could’ve done better, the letters spelling his name. If you don’t look, if you turn your face away, or close your eyes, Joel is still out on patrol. He’s wearing his jacket, holding his gun, pressing a warm hand against his hip in his signature pose. He’s not cold.
But when you turn back, it’s still his name. The ground is still frozen, and as much as you press your hand against the dirt, Joel doesn’t reach towards you. Joel doesn’t do anything. Joel stays buried underneath frozen dirt, underneath snow and ice. Joel stays cold.
Jesse’s hand is warm when he grips your own, his stare concerned and helpless. You wonder what would have happened if it had been you on patrol. If you were the one taking Joel and Tommy off duty. You wonder if you could’ve saved him. You pull your hand away.
He follows you when you stand up.
When you look back, Joel’s headstone blends in with the others. There’s nothing remarkable setting it apart, nothing screaming that it was Joel and he had been alive yesterday.
You wonder who the other headstones belong to. You wonder if anybody remembers them. You wonder why nobody is here, visiting. You wonder if Joel’s grave will end up the same way.
Vaguely, you notice that you’re counting. As you walk, you count the crunch of snow beneath your boots. There are thirty-three steps from Joel’s grave to his door. Thirty-three measly steps between his home, and where his body is buried. Did he know, yesterday, when he was drinking his morning coffee — the coffee you had brought him — that he would spend the rest of time buried thirty-three steps away? Did he have any idea that he would never come home? That he would always be thirty-three steps away?
Tommy is stood in the house when you walk in. His head is bruised, blood still crusted on his skin, and you wonder what happened. You wonder how this could have happened. He doesn’t look like the same man who had once walked on a patrol with you, gun raised, vigilant in every movement. If they let Tommy live, if they let Ellie live, why did they kill Joel? Why did they stop him from coming home?
It’s not long until you realise that you have nobody to ask about Tess. Tommy had long ago told you everything he could remember, most of which was corrected by Joel. Is there anybody left in the world who knew her? Anybody left who would ask about her?
Will it just be you, until your death, who remembers Tess? Who remembers Joel? After you, Tommy and Ellie are gone, who will know him? Who will remember him? Who will put flowers on the grave in which they buried him?
You wonder how long it will be until people wonder about his grave, as you had with the others. How long it will be until he’s forgotten.
What’s going to happen to his pictures? The photographs of Joel and Sarah? Of him and Ellie? Of you and him? Who is going to understand each of these pictures? Who is going to know what was happening in each? How many memories are gone, now that Joel is dead?
“Kid, I…” Tommy trails off, eyebrows furrowed.
Joel is dead.
He’ll never finish the supply of coffee you gave to him. He’ll never complete the guitar he was making for you. He’ll never finish reading your favourite book. He’ll never receive the new mug you’d made for him. He’ll never do anything. Because Joel Miller is dead, and he’s buried thirty-three steps away.
How do you fix that?
How do you tell Joel that you’ll forgive him for ever leaving, that you’ll forgive him for everything, if he just comes back? If this time, he comes back to you. How will he know that things could go back to normal? That you’d— you would do anything. You would bring him all the coffee you found. You would watch every shitty movie he wanted. You would make him every damn mug he asked for. You would forget about him ever leaving at all. You would go back to normal. To before he left, but better.
All he had to do was come back again. That was it.
He just had to prove that it wasn’t him they buried. That the disfigured body they’d brought back to Jackson wasn’t him. That he wasn’t the one who’d had his head caved apart. Joel had proved things that had been far crazier. Surely, for you, he’d be able to prove this.
He would come through the door, all amused grins and warm jacket, and he would walk the thirty-three steps to his grave and tear the headstone with his name on from the ground. He would make fun of Tommy for ever believing it to be him, and he’d make a better gravestone, the name — which wasn’t Joel Miller — carved on neatly, more clearly.
Joel Miller was a survivor. He had to survive.
You aren’t quite sure what you’ll do if he doesn’t.
“I’m sorry.” Tommy says eventually, finally finding his words, and the look on his face reduces your denial to ash. You look at him, trying to find the similarities between him and the mess of the body that had truly been Joel. You find nothing. No resemblance between the body and Tommy. It makes it all the more difficult to believe that he’s dead. You’re not quite sure what Tommy is apologising for. Was it his fault? Did he goad that—that girl into cracking Joel’s skull? Into spilling his blood out of his veins? Into leaving him there like that? Like a body, not a human being?
Jesse says your name, gently, as if your skull would cave if he spoke it any louder. You realise that you’re standing here, in Joel’s house, in the very place that you had drank tea and coffee and whiskey with him, and you have no reason to be here. There’s no Joel to make you a terrible cup of tea, or to play his guitar while you carve at his workshop desk. There’s no Joel, and all of Tommy’s apologies won’t change that.
“I didn’t—” You cut yourself off, finding that you can’t speak any further, lest your throat go dry and your eyes get wet. And really, the words you had gotten out are enough. You didn’t.
You didn’t save him. You didn’t give him that god forsaken mug. You didn’t take him dinner. You didn’t tell him how much you appreciated him. You didn’t tell him that you loved him. You didn’t tell him that he was your dad when nobody else was. You didn’t forgive him.
“It’s okay.” Jesse tells you, and he believes it, obvious in his arms as they wrap firmly around you. Obvious in the way he holds your head, in the way he breathes. But it’s not. It’s not okay.
How could it be okay? You want to yell at him. You want to scream at him that Joel is dead, that it’ll never be okay. You want to do something, anything, but there’s nothing you can do. It wouldn’t matter. Joel would still be dead, and still, nothing would be okay. But you can’t do anything. You can’t vocalise a thing, except for what becomes a choked sob as it leaves your throat.
This is the first time that you cry.
And even though Jesse squeezes you tighter, as if he could possibly put your pieces back together, you fall apart. Once it starts, it doesn’t seem to stop.
There’s an acceptance here. Tears wash away any hint of denial, and you’re left with a reality you can’t help but accept. A reality where Joel Miller is dead, and you will never see him again. The arms around you will never be Joel’s. He’ll never teach you to play a new song on the guitar he was making you. He can’t hear the way you cry, even if you scream and yell and call out for him.
For once, you can’t feel him lingering in the back of your head. As if his absence has removed him from you. It feels like losing him all over again.
You didn’t see Tess’s dead body. Now, you’re glad. If there had been anything left of her to see, anyway. But you had seen bodies before. Mostly of Infected. Or of raiders and hunters who were often shot and killed, sometimes when you were the one shooting. Either way, you’re not used to remembering them as being so… still.
When you close your eyes, forcing the tears to fall, you see him. You see the flashes of skull and soggy brain tissue and smears of blood. And he’s still. You think that you’re so used to seeing Infected people that this just… wasn’t natural.
And to think of that body as Joel? It was even more unnatural.
“C’mon,” Jesse urged once more, voice a murmur in your ear as he tightened his arms around you. “Let’s get you home.” He said, moving to leave.
It was wrong. You didn’t want to leave. It was making you feel all wrong, like there was a constant chill sending shivers down your spine. How could he ask you to leave? How could he ask you to leave when Joel had never come home? Who was going to wash Joel’s mug — the one you had made, that he had stolen — of coffee that he’d left on the side? Who was going to make his bed? Who was going to clean the dirty dishes Joel inevitably would’ve left on his dining table?
Joel wasn’t coming home. So who would do it? How could you leave it like this?
“Kiddo,” Tommy sighed, stepping towards you and taking hold of your hands as Jesse dutifully stepped back, expression creased. He looked tired, more than anything. He looked his age. Tommy blinked, looking up towards the ceiling as if holding back tears, and squeezed your hands in his. “Please, don’t… Go home, okay? I’ll send Maria by. And we’ll—we’ll talk later. Alright?”
It was hard to face the fact that Tommy didn’t want you here. It was incomprehensible. How could you be anywhere else but here? How could he want you anywhere else but here?
How could he expect you to go home? To go back and see that stupid mug you’d almost finished? That Joel would never see? All because you had insisted upon it being a surprise. Insisted that he couldn’t see it until you were done. And now he would never see the mug that matched his own, a slightly better looking owl painted upon its side? The size of it just a smidge smaller than Joel’s own?
He had been complaining that you always had to use the shitty old mug with a football logo on the front. You wanted to surprise him with a mug which matched his own. A sign of your bond. A symbol of your trust, your forgiveness.
Things hadn’t been the same since he left you, all that time ago. Both of you had known it. It was almost tangible, every time you saw one another. But you were getting better. You were seeing him at least once every week, which was improvement from the sporadic visits that’d been occurring last year.
You were all he’d had, after he and Ellie had fallen out.
You, perhaps better than anybody, knew that isolation. You knew how cold it could get. You wonder whether or not he would have even been on that patrol, had you not declined his offer of dinner, in favour of working on the mug.
It was a bitter feeling that bloomed as you pulled away from Tommy. An ugly, rearing feeling that was biting at your throat, and the only thing that stopped you from falling to your knees was Jesse. You wanted to be angry at Joel. You wanted to be able to scream and cry at him, to scold him for leaving you once more, even after he had promised he would never do it again.
And you know it wasn’t his fault. You know that he wouldn’t have chosen this. You do know that. But who else can you blame? Tommy, who is grieving the same as you? Jesse, who had done nothing but support you since you had known him? Ellie, who had no choice but to helplessly witness his death? And there was the girl, of course, Abby, Tommy had said to Jesse. But she seemed… inconceivable. A figment of imagination. After all, Joel was the strongest person you knew. What could have taken that away? Who?
It’s not fair. None of it is fair.
Abby had taken so much from you, and you know from the state of his body, that she hadn’t done it quickly. You feel sick.
Jesse is rubbing your back as you kneel on the snow, the shock of the cold seeping through your trousers bringing you to reality. You hadn’t even noticed leaving Joel’s house.
In the corner of your eye, you can see all of the flowers that people left for Joel. It doesn’t help. These flowers, too, will be cold. They’ll be cold and they will die and then Joel’s porch and garden will be covered in flowers just as dead as he is.
And all of the notes will be left unread, because Joel Miller is dead, and he is not coming home.
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if the door wasn’t shut taglist: @sleepylunarwolf @am-i-shit-or-am-i-the-shit @mandowhatnow @aphrcdites @doodlebob-mp3 @rrickgrrimes8 @nikt-wazny-y @fallenoutofrose @wrathofcats
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scootkiddo · 1 year
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Henry is a reflection of Joel more than ever. He’s a protecter, a calcified caretaker, the sole embodiment of a man who’ll put the one person he cares about over everything. Henry was willing to indirectly kill who he perceived as a “great man” for the sole benefit of ensuring the good health of his brother. Nothing could substitute the love he had for Sam, and no moral boundary could obstruct the insurmountable desire and determination to cement his well-being. Joel will end up the exact same way for Ellie. Henry’s also a cautionary tale that serves as a warning for the forces he’ll anger, and that what goes around comes around. The past came back to haunt Henry due to the decision he made. To him, the world did revolve around Sam. He did think he was worth everything, and he was willing to sacrifice anything or anyone for him. Joel will end up the exact same way for Ellie. And because of the choice Henry made, one way or another, that retroactively sealed his fate. Joel will end up the exact same way. This iteration of Henry in the show is the epitome of Joel; nearly verbatim. And the series of events that transpired because of the choice he made for the person he cared for forewarns him
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ellies-enrichment · 3 months
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jinxedgods · 7 months
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I love Ellie and Joel so much. you can never squash my hope that had enjoyed the relationship I desperately wanted for them — even if it was for a tragically short time. It was all worth it if for a moment they were safe and happy and loved.
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actual-changeling · 9 months
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-"How big, how blue, how beautiful", Florence + The Machine
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maxbegone · 1 year
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if somehow the lord gave me second chance at that moment, i would do it all over again.
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tlouramblings · 5 months
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TLOU 1x08
I know the episode came out months ago, but I still absolutely hate the whole ‘violent heart’ narrative they are pushing.
To have Ellie’s abuser make the comment that they are “the same” and then have the show runners defend it just sickened me. (Source: The Last Of Us Show podcast)
Yes Ellie is violent. In the games it’s presumed she’s like that from living on the road with Joel for a year. She witnessed him being violent to keep them alive.
Then, with the show, they turned down the violence. So they had to figure out another way to explain why Ellie will be so violent in her part 2 scenes. Instead of maybe saying it’s how she was trained at Fedra, or how post-apocalyptic kids just are, they decided to say she had a violent heart.
It’s just so??? Gross. And icky. Did they have to compare her to a man that assaulted her??
I know what she literally does to him right after that, but I don’t think that means she has a violent heart. I think it was just her fight-or-flight response kicking in. She did it to get him off of her, and then her brain shut off for a minute because she was so terrified. I studied psychology a couple semesters, so I have a bit of knowledge about how the brain can work in traumatic situations. It’s insane the things the brain will do to try and protect itself.
It makes me really nervous how they are going to go forward with that whole storyline in the future seasons.
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softlyspector · 4 months
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unhinged, random messages that i receive
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planet-marz1 · 2 months
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It's happening y'all...
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Being obsessed with fictional men that die gruesome deaths, only to rewrite their canon is my passion. It definitely doesn’t stem from deeply routed abandonment issues. Nope. No sir.
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Been doin some thinking and… GODDAMN I love this trope so much.
1. Character who’s incredibly skilled in something.
2. Something happens to stop/make it harder for them to do said thing.
3. Crisis.
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heartpascal · 1 year
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[SPOILERS FOR TLOU PT2]
so i was listening to "the other side" by ruelle and "wait for it" by leslie odom jr. and had this depressing thought regarding that maybe bonus scene of "if the door wasn't shut" series but like- what if it was reader who abby kills instead of joel? hear me out but- joel killed her father right? and probably made her go through sm pain and grief right? so what if somehow she finds out how much reader means to joel.
"did we ever see it coming?
will we ever let it go?"
and blinded by her need for revenge, she 🏌️ the reader instead, wanting joel to feel the same pain and grief she feels and twists the knife even deeper saying that her death is on him. the reader who didn't even go with them and had no idea what even happened in that hospital and absolutely had no part of it was killed because of him. that her death will be on his conscience. she was just someone who was caught in the crossfire because of her relations with joel and ellie.
"i don't want to lose part of me,
will i recover?"
and joel, ellie, and tommy just watches her get 🏌️ by abby. i'm- IMAGINE THE PAIN TOMMY AND MARIA WILL GO THROUGH 😭😭😭😭 reader whom they basically raised as their own just gets killed just like that 😭 maria gonna lose another child 😭 AND READER'S SHOP IS JUST BURIED IN FLOWERS 😭😭😭
"i don't want to know what it's like to live without you,
don't want to know the other side of a world without you."
what's even more depressing is that she's still young and still had a life ahead of her and it's just cut short because the world is cruel just like that. (especially in the tlou universe cough)
"death doesn't discriminate,
between the sinners and the saints,
it takes and it takes and it takes."
and joel just breaking and wondering why he's still when so many people that he has know and cared and loved has left him (i'm going for the sarah's mom left route and tommy leaving joel to join the fireflies) or died (sarah, tess, bill, frank, sam, henry, and now reader) AND WHAT IF THEY JUST MADE UP TOO?!?! I CAN'T- 😭😭😭
"(and we keep living anyway),
we rise (and we fall),
we fall (and we break),
(and we make our mistakes),
and if there's a reason i'm still alive,
when so many have died."
might go back to this if ive thought of even more but for now i'm ending this here and gonna cry about it 😭😭
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THE LAST OF US PART 2 SPOILERS!
howl you have HURT me with this one. so badly. my heart hurts. i’m gonna add my thoughts hope this is ok <3
FIRST. LETS TALK ABOUT THE SONGS. especially the other side by ruelle?? HELLO??? “i don’t want to leave here without you” …. stop it. i’m in so much pain. “i don’t want to know what it’s like to live without you” SCREAMING. this hurts me so much and it fits for all of the characters AND AND “i don’t want to know who we are without each other” i cant do this today howl i really cant. it’s interchangeable between the scenarios as well i-
“and if there’s a reason i’m still alive when everyone who loves me has died” stop. i’m gonna cry and shout and sob and yell.
lets think about this scenario, shall we?
warning: graphic content, death, weapons, blood, canon-typical, grief, aftermath of r dying. you should know what’s happened if you’ve come past the keep reading thingy. pls read at your own risk <3 its not written as a proper fic/drabble (although there’s an idea) but still, be careful of the content you consume !!!!
lets say that reader and jesse were partnered up to take joel and tommy off of patrol. lets say that reader is fucking terrified when the miller bros don’t show up. lets say that jesse agrees to go and find dina and ellie while reader goes ahead to look for joel and tommy, fearing the worst.
lets say reader hears that gunshot, and rushes in, guns blazing. lets say she shoots owen in the shoulder when she pushes the door open, because he’s the first person she sees. lets say manny takes her down, gets her gun off of her, while joel is yelling as he realises who it is.
lets say joel is yelling, “get your hands off of her” and “don’t you touch her” while the others hold him down, tommy already knocked flat out. lets say abby is stood there, looking between you baring your teeth as you’re held down by manny and joel yelling for you. lets say she’s angry, she’s angrier than she’s ever been. lets say that she looks at you and sees herself, and she looks to joel only to see what he took from her.
lets say reader is looking at joel, at his leg that’s almost beyond saving, lets say reader is praying that jesse, dina and ellie are quick. she’s sure that if they got here soon, the four of you could get the upper hand. joel would be okay, if only the others were quick.
lets say abby looks at joel one more time, and spits “move him”, and she looks to reader while the others pull joel away, while he’s kicking and screaming the whole way.
lets say they pull reader over towards the wall, all looking at abby nervously.
lets say when she swings at reader’s head the first time, she’s still struggling, looking over to joel as one of the group hits him across the head with their gun. lets say the second time, she goes down, and they don’t need to hold reader against the wall anymore.
“don’t,” reader would say, “please, i-” lets say abby hitting her again would cut anything else off, and some of the group have to rush to the door when it opens, and reader blinks bleary eyes over to see ellie, and almost sighs with relief until she’s taken down.
lets say reader waits, vision swimming, to hear or maybe see jesse and dina come through the doorway, guns blazing. lets say reader tries not to cry when they don’t come.
“stop it! she had nothing to do with this” ellie would say, despite not knowing why the group was here, why they were doing this. “i’ll kill you, i’ll fucking kill you! stop,” she would be begging, pleading, as they hold her head against the floor, lets say she’d try and pull away, try and get to reader as abby would swing again.
lets say joel hears ellie scream as he starts to wake up, his first and only image being reader with her face covered in blood and- they hit him across the head again, and he’s out.
lets say jesse and dina come, and dina almost doesn’t shout for jesse to come down. lets say jesse almost passes out when he pushes the wooden door open. lets say that he shouts, and he’s on his knees beside reader in a second, not touching, hands just hovering, and lets say he doesn’t know what to do. lets say he holds in his tears as he turns to where tommy is blinking into consciousness. lets say he blocks the man’s view of you until he’s pushed aside.
lets not say how joel is unresponsive when he wakes up, even though dina had pulled a sheet to cover the sight in front of him, lets not say that none of them can get him to speak even when they pull him up, on his half-fucked leg, tourniquet wrapped around his thigh from the very group who had-
here’s what we shouldn’t think about this situation!
lets not think about tommy having to go home to maria, to his son, and look her in the face to tell her what happened. lets not think about maria demanding to see reader, demanding for someone to tell her it’s not fucking true.
lets not think about how joel can’t be there when reader is buried, stuck in the infirmary, because he’s alive. he’s alive and reader isn’t. lets not think about that.
lets not think about how jesse would blame himself, would never forgive himself for letting her go searching alone, how he would carry that blame forever.
lets not think about ellie sitting in reader’s shop, looking at the clay reader had set out that morning, ready for when she’d be home later on in the evening. lets not think about all the flowers that would be laying outside of the shop, obscuring ellie’s view out of the windows.
lets not think about tommy leaving maria when she needed him most.
lets not think about ellie and dina going after him.
lets not think about joel, finally being let out of the infirmary, heading back to Rancher Street, not knowing what else to do. lets not think about joel being completely despondent, about him finding the mug that reader had made sat on the counter from the coffee he’d had in it just before he had gone on patrol.
lets not think about joel finding out his whole family has gone to avenge reader, when its his fault she’s gone. lets not think about him limping to the stables, demanding to go after them. lets not think about jesse helping him sneak away.
lets not think actually.
(i could add more to this. expand on other things that could happen in this situation. but. i’m sad. i will if yall want tho >:])
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swallowyourgods · 10 months
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The Last Toast, Anna Akhmatova / The Last of Us
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ellies-enrichment · 6 months
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blonde💅 moment
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moon-ursidae · 7 months
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tlou part ii spoilers
walking through joel’s house will never not make me cry. someone’s living is a reflection of who they are, and all i see when i walk through joel’s house is a domestic family man.
like all of his favorite things are in front of you in the first few rooms you walk into. all the wood carvings, the cowboy hat on the coat hangar, the picture from ellie front and center in the fireplace, the museum pamphlet, all the western art, the pictures of his family.
what really kills me though is all of the things that are unfinished. the dishes left on the table in the kitchen, the bathrooms he was working on, the woodworking stuff upstairs… he had every intention of coming home.
naughty dog count your days goddamn
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actual-changeling · 9 months
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-"I bet on losing dogs", Mitski
I always want you when I'm finally fine.
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