The thing about TMA is that if I think about Sasha James too much I will cry and if I think about Michael Shelley too much I will cry and if I think about Agnes Montegue too much I will cry and if I think about Jonathan Sims too much I will cry and if I think about Naomi Herne too much I will cry and if I think about Gerry Keay too much I will cry and if I think about Tim Stoker too much I will cry and if I think about Jane Prentiss too much I will cry and if I think about Martin Blackwood too much I will cry and—
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getting into the magnus archives after only seeing fanart is such a rollercoaster 😭 before listening i assumed the archival crew would be a loving and supportive friend group but in reality 1. they hate each other so fucking much 2. a lot of them are dead
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im so obsessed with this moment from we all ignore the pit. not even completely sure it was michael, but he was crying :(
edit: this post is very innaccurate ! sorry ! michael was not in the car in mag 97. it was the vast avatar jan killbride.
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tragic horror is just here's a person. here's why their experiences, identity and flaws construct their own downfall in a permanent, unchangeable way. here's a monster. here's why their experiences, identity and flaws construct their own downfall in a permanent, unchangeable way. here's a person-
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"I thought you might be lost." is one of the most delightfully romantic things Jon ever says to Martin.
It's so devoid of blame, of derision. A truly neutral statement, soft, no touch of sarcasm, no hint of cruelty. A gentle hand reached out to pull him from the depths of the lonely.
Such an unusual phrase for Jon, especially at that time. There's no definitives, it's entirely open to correction, open to being wrong. 'I thought' not I knew. It comes from Jon's perspective, he holds himself out to rejection, something that's hard to do at the best of times.
'you might be lost', not you were, not you are. He respects that this may well have been a conscious choice, that Martin really could have chosen to abandon him, preferring the lonely to the lack of certainty in their relationship. But it retains the softness and love, the worry and care. He was worried that Martin might not be able to find his way back, but not willing to drag him out of a place he might have chosen to be.
And that's not even mentioning the softness with which he says it. In an intense moment of great urgency and importance he's able to drop his fear, stress, and anger, in an attempt to reach the man he loves.
It's such an elegant moment of love; in a second Jon is willing to let go of the gravity of the situation and put all of his being into connecting with Martin, and when it comes down to it, it works.
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I think the reason that Jonmartin works so well as a romantic subplot is because in his heart of hearts Jon is an Austenian main male love interest that falls for the poor poet and probably spends too much time thinking about the intimacy of hand holding and Martin is aware that he's in a horror but DESPERATELY trying to change his genre to romcom as much as he can. They're perfect for each other.
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imagine you're nonbinary and you're being physically puppetted around a stage by a giant spider for act 48,067 of a "comic puppet show" where you're forced to relive your worst nightmare over and over in perpetuity while being constantly shown the cherry picked worst moments you've ever had with everyone you've ever been close to and the announcer for the theater won't even use language that's inclusive of your gender 😭😭😭
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guys guys guys
I have done some personal soul searching and I know why jonathan jarchivist sims made the professional decisions he made when he was a Newly Minted Head Archivist
He tried to apply logic to the managerial decisions of a megalomaniac kind-of-immortal servant of a fear god, who was at the time posing as a Respectable Director of an Academic Institution
like listen. clearly jonah did not give a single flying fuck whether or not the archive was organized. all he wanted was for jon to nom on some statements and get soul-tattooed by nightmare-fuel until he was good and traumatized enough to read like… a couple dozen words that would end the world.
But jon doesn’t know that! So he’s a researcher at this academic institution, and he receives a promotion out of nowhere into a completely different department. Obviously, he thinks, elias knows what he’s doing - he wouldn’t be in charge if he didn’t.
So now jon’s trying to reverse engineer the logic, because there must be logic and he’s not going to question the head of the institute. Like, you look at me and tell me you think S1 jonathan sims, wearing his armor of Prickly Academic, is going to admit that he has no idea what he’s doing to the person who has just promoted him. Definitely not.
So why, jonathan sims asks himself, would elias bouchard promote someone from the research department into this position? Obviously he feels that, along with reorganizing the archive, it’s necessary to go back and research all the statements down there!
And then jon poked that theory a bit by asking for tim and sasha to be transferred with him, and elias gave him the green light! So now you’ve got three researchers, and elias throws in one librarian assistant (who has a lot of experience, but not the background needed to guide the whole team), and so jon assumes that the job of the archive is proportionate: 3/4 research, 1/4 cataloguing, with the department guided by the researchers.
I’m gonna go ahead and assume that the only concrete direction jon was given was to “create audio recordings of the statements.” And thus, we have an archive that spends most of its time on research, creates borderline-impossible-to-reference audio recordings, and then catalogues almost as an afterthought.
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trying to pitch TMA to people based on its very queer cast is so funny to me. like yes the main character is canonically asexual. he does unfortunately experience The Horrors. these two things are not related at all.
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