Can I request headcanons with L, Light and Mello with a s/o who's a genius (like them) but acts stupid (like bimbo-ish) just to annoy people?
Notes: I'm SO sorry I took forever to get this out!
Warnings: n/a just fluff
Characters involved: L, Light, Mello
Gender-neutral reader, you/yours
L
Finds you intriguing.
You're like a puzzle to him. He wants to figure out your motives and understand why anyone would willingly act this way.
It doesn't take him long to understand you're smarter than you let on, however, your reasoning puzzles L a lot.
If you met him during the events of Death Note he immediately decides you're an asset and takes you to his side. You're like the Misa to his Light.
Your job would be to survey Misa, work in the same places as her, join her on any jobs. Since you're good at faking your bimbo personality you easily get along well with her.
At first Light even falls for the guise but with time he realises you're smarter than you look.
Even after Light understands your true personality L still keeps you around to help out. He often takes you with him when he's stalking surveying people and would even ask your opinions on the situation.
At first he used to find you annoying and his opinion of you was very similar to his opinion of Misa. However, with time L starts to find your interactions with others sort of amusing.
He sees your personality as a game, but outside of the Kira case he doesn't really interact with you.
To him, you're just another factor in the case.
Light
Hates it.
Unlike L, Light takes slightly longer to catch on to your personality.
You meet through Misa since you are friends with her. At first, Light presumes you're just like the other girls Misa works with but as time goes on he realises your true potential.
He only gets interested in you once you confess you think he's Kira.
Light's first instinct is to kill you but he refrains from doing so since he thinks he could use you. To him, you're just another pawn he can control to win against L.
L might have some semblance of a bond with you but Light only sees you as an object for his schemes. If he feels that you won't be easily manipulated then he doesn't bother associating with you since you are no use to him.
However, if you are easily swayed his way then Light uses you as an unsuspecting source for information.
With L and the rest of the team constantly hovering over his shoulder Light needed someone on the outside to help him execute his schemes.
Over time he comes to appreciate your wit as it makes it easier to carry out his plans. However, he still expects you to listen to him and hates when you get too creative.
He sometimes wishes you were the one with the Death Note instead of Misa because that would make everything happen so much more smoothly.
He expects you to have your regular personality when interacting with him. If you act like a bimbo when it's just the two of you he gets visibly annoyed.
While you are a genius like him you don't posses the almost inhumane lack of empathy Light is known for, which is why you don't realise the bond you share with him is purely that of a master and his pawn.
Mello
A mixture of the two.
Like L, he finds it weird that you would want to act like a bimbo especially since being a genius is something he always strived for growing up.
To him it's almost like you don't value the skillset his entire life revolves around.
However, he also sees the value in your mannerisms.
Unlike Near, Mello chose to associate himself with the mafia, that meant he needed trustworthy allies who he could rely on to get the work done.
At first he sees you as just another one of the bimbos his men would use as flings and then discard of, but after a few days he realises your true intentions.
You played the role of the innocent girl hopelessly in love with a mafia man yet in reality were using them for your fulfillment. (This can be anything from stealing from the guy you were with to leveraging his connections to complete some personal vendetta.)
Once Mello realises your true persona his first instinct is to get rid of you.
There is only space for one genius in his circle and he can't risk being potentially overthrown.
However, you make him see the value in having you around.
With time, you, Mello, and Matt become a team of sorts. You become a trio known for controlling the mafia groups.
Most people simply presumed you were Mello's bimbo girlfriend he kept around for eye-candy, which made it easy for him to use you to get what he needed.
However, unlike Light, Mello knows the value of having reliable allies (like Matt). He never really places his full trust in you, but with time Mello comes to appreciate you.
1K notes
·
View notes
Analysis of the romance in Death Note's Spiraling Trap game.
EDIT 02/03/2024: minor edits and fixes, added a few imgs and extra content.
A huge thank you to the folks over at agtteam who translated L - the ProLogue to Death Note: Spiraling Trap into English! Now we can all date L become FBI agents after hours.
I've been playing the game recently and one of the features I love the most is the L Communicator, which allows the main character (referred to as MC henceforth) to take a break from adventuring and listen to L talk about whatever is on his mind.
There's around one hundred different lines available as the MC develops a relationship with L and they paint him as such a sweet, attentive and thoroughly unique individual that I was surprised by how detailed it was. If you're thinking about playing, then this part is definitely worth putting effort into.
The mechanics of the dating sim are relatively simple: during the adventure, you'll pick up a number of recipes hidden among traps and tools. Then, Watari will provide the ingredients and you can give L whatever sweets he specifically craves. These recipes and cravings depend on the time of day and can be season specific.
Character analysis
As stated in-game, giving L sweets causes his appreciation for the MC to grow. However, L being L, means that he craves different sweets throughout the day. He's definitely very specific about what he likes and what he wants for his sugar fix.
However, if you give L something he isn't craving at that specific moment, he will sulk. The way he expresses his displeasure varies according to the depth of the budding relationship he has with the MC.
L: To tell you the truth, there are many other things I would have preferred.
L: [F/N], I hate to say this, but I really would have preferred something else.
L: F/N], you must know that I was hoping for something else, right?
L: [F/N]… It’s not my favorite but, it made me really happy.
Note: Given that the books in the expanded universe (Another Note and L: Change the WorLd) came out before this game, I think some of the quotes further ahead might be a subtle nod to how L is perceived by the police forces as the "creepy murder detective". However, references about his piece of mind lead me to believe that L craves some respite from the burdens he carries on his shoulders — burdens so strong that they managed to curve his spine.
Note: I'm unsure how the system here works, as the MC also gets points for gaining L's trust in the actual adventure when they a) agree with his observations and b) find key objects hidden in unsuspecting places. It might affect the available lines through the L Communicator.
L: Today is going to be a better day… Let’s think positive.
L: I wonder what kind of morning this will be.
L: It seems the air outside is crisp this morning.
L: I want to finish what I need to get done before night falls.
L: It’s nearly sunset. Time for children to go back home.
L: If you just stare into space, night will be here before you know it.
L: It’s already evening… Time keeps passing me by.
L: There’s something different about the air at night.
L: Night-time, dusk… It’s the witching hour.
As a naturally introspective individual, L observes the world around him and draws conclusions. To my surprise, the game actually managed to capture how observant L is about small, unsuspecting details of daily life and give him a slightly poetic side laced with a hint of wistfulness that suits his character well.
This is a side of L in his private life that I personally wish we had been able to glimpse during the Kira investigation. Though, at the time, L was busy trying to prove that Light was, indeed, Kira. It left him little to no time to enjoy the world around him. During the brief time that L could have had a semblance of rest right before the Yotsuba arc, he was depressed that his deductions were "wrong" — though I could see him musing about some of the above, equal parts whimsy and sulking.
L: If I start to lose my touch… I guess I’ll retire.
L: Another day, another mystery…
L: I have a lot of thinking to do.
L: I feel like doing some capoeira…
L: I haven't played tennis for a while.
L: The weather today is… Well, it matters not.
L: I, um… No, ignore me.
L: Am I reading too much into it…?
As a thinker, L has a lot of unfinished thoughts he says out loud. Some border on cliché, others are musings about things he'd like to do or that he's missing.
I wonder if some of his thoughts end up trailing off because, suddenly, he catches himself and believes they're not important? Or that he doesn't think the MC would be interested in what he has to say beyond work matters?
L: “In spring one sleeps a sleep that knows no dawn.” Though, too much sleep isn’t good for anyone.
L: If you think about things persistently, noticing all the sides to them will come naturally.
L: Strawberries… Despite the name, they aren’t actually berries. How berry disappointing.
L: The one who has thought it through wins. It’s true for chess, and for deduction. But in the case of love… I don't know.
He's also a philosopher at heart, always thinking about the human condition. In these we can also witness his dry humour, silly puns along with a subtle desire to share his thoughts on the world and give helpful advice.
As for love, L is cautious but willing to learn. It's a topic where he's out of his depth.
L: Um, Watari is…
L: I wonder if Watari’s asleep?
L: What could Watari be up to?
L: Today is Thanksgiving Day. I am truly grateful to Watari for his diligence.
I found it interesting how L's thoughts eventually go back to Watari and what he's doing. He's the one person that L relies on and whom he interacts with the most. Other people are passing acquaintances at best, who show little interest in L beyond work.
Notice how he mentions diligence? Although it is a utilitarian consideration, it also reveals a thankfulness for the comforts of familiarity and the peace of mind that trusting someone close brings. This is a topic we'll explore better at a later stage, i.e., how trust and acts of service work as a relationship builder.
Romance
Neutral stage
One of the first things I've noticed is that, during the early stages of the relationship, L is still very formal and quite a bit dismissive — even borderline rude. As his sugar fix gets sated by the MC's keen suggestions (Watari provides the ingredients, of course), L grows gradually more fond of them and wants to include the MC in his life with an enthusiasm I can only define as endearing.
L: Aren’t you bored? You don’t have to check in on me.
L: Don’t you have stuff to do?
At the beginning, L is still wary of the MC on a personal level as they have absolutely no rapport beyond a partnership of circumstance and usefulness in the name of justice. He's quick to get bored and doesn't take it very well when he's given sweets he isn't craving. A bit childish, one could say, the way he sulks when the MC errs by not reading his mind.
L: Did I enjoy it? Let me just say “no comment”. (about sweets that weren't quite to his taste)
It's also very in-character for L to feel both annoyed at someone who is randomly calling him and be suspicious of their motives.
Growing interest
L: Spending the afternoon with you isn’t so bad.
L: Even though it’s late, you’re not going to bed, huh?
L: You must be a night owl, [F/N].
L: I’m a little curious about you, [F/N].
L: Are you having a good time? I’m just curious.
L: You’re kind of… Ah, no, forget I said anything.
He starts addressing the MC by their first name as he becomes more enamoured. It's very sweet. I was pleasantly surprised at how attentive L becomes as he gradually comes to the conclusion that this is a person who understands him.
Mind, due to game mechanics the MC gains approval by giving L sweets, but from a narrative perspective what's really happening is that L not only feels seen and understood, but also accepted. And when that happens, he starts lowering his walls and relaxing.
As a plot device, I would say these are defining moments within L's thought process here; he's curious about the MC, finds them interesting enough to want to know more them and pursues that curiosity to see what they might have in common. It seems he's both a little baffled and content about this development.
L: [F/N], what do you think of when you see a sunset?
L: What are you doing this afternoon? Oh, should I not have asked?
L: Are you a night owl? Oh, you don’t have to answer if you don’t want.
It should also be noted that L is very mindful of boundaries. There's a tentative, almost shy attempt to connect. He's determined to indulge in his curiosity since the MC's attentiveness towards him shows an opening for closeness he's unused to (but is happy about) and to tend to his more immediate needs (i.e., food cravings), which in turn shows a genuine concern for him. Aside from Watari, I doubt anyone ever extended L similar kindness.
And it is in this determination to get to know the MC that I also find Mello's words (AA: LABB Murder Cases) that L is actually a very active, aggressive individual with absolutely no interest in social conventions perfectly represent him this game, as he navigates a growing fondness with expectation, curiosity and caution — on his own terms, while minding that he doesn't overstep.
L: Staying up late talking to you… It makes me feel calm.
I find it particularly heartbreaking how this confession of L unknowingly makes it more transparent how burdened he is. The spine curved by burdens unseen, the addiction to mind games and sweets; all of these point to stress factors which isolate him further, increasing the loneliness and lack of affection in his life.
That L feels the need to mention the MC makes him feel calm seems telling.
L: We’re both late workers, huh? That makes me happy.
L: [F/N]… You’re pretty formidable.
L: It’s reassuring to have a partner like you. You’re someone I can trust.
L: Your feelings have been received. (Valentine's Day)
L: The fact we’ve become so close was an unexpected development on my part.
And here it is, the acknowledgement just as L enters the highest stages of approval, where he expresses admiration and happiness at the close bond he developed with the MC.
"An unexpected development on my part" is quite the turn of phrase. One can only wonder, but I'd make an educated guess that L didn't see this coming because:
a) no one showed feelings towards him before.
In his line of work, hidden behind a screen there is no time to indulge or get attached to anyone (he would mistrust their intentions anyway) and so L keeps everyone at arms length, sharing little more than a professional side of himself and fostering utilitarian relationships that help him win "games". L ultimately carries various burdens the average civilian would never be able to understand, all due to the pressure of his job. When failing at the "game of cat and mouse" means being responsible for the likely deaths of dozens, perhaps even hundreds or thousands, the stakes are up in unimaginable ways. What started as a thrill chase can have catastrophic consequences should L fail. That in itself alienates him from society at large.
It's a game that L plays well and absolutely profits from, but it is also an indicative of two major flaws: his addictive personality and how he suppresses his emotions to carry on. Coincidentally, it's the expanded universe, in particular Another Note: LA BB Murder Case and L: Change the WorLd, that give us the best insight into this.
This isn't too dissimilar to the struggles policemen face in high risk jobs or technicians who have to flag and delete sensitive content from online platforms. These people end up changed from what they see — and some carry traumas for the rest of their lives.
That's not to say that L doesn't feel for others. He respects people whom he considers good or morally upstanding (Soichiro Yagami), who are competent in their line of work (Naomi Misora, Mogi), worthy of a second chance (Aiber and Wedy), who speak their minds, unafraid (Aizawa) or who are reliable, loyal to him as a person and not just his cause, in whom he can place his trust and feel secure won't betray him (Watari).
The MC seems to fall mostly in the last category, though the relationship is rather precocious — and there seems to be a fair amount of wishful thinking and even projecting on L's part, since communication happens over a device connecting two people remotely. He falls both for the idea of the individual and their attentiveness towards him.
When L mentions that they make him feel calm, I'd argue it comes both as a surprise to him and a confession of a closeness and safety he intimately craved — though I personally view L as someone who feels lonely and wanting healthy human contact, even if his social skills might not be the best (worsened by his distrust of people as a whole). Someone who ultimately is willing to adapt to him but whom he can adapt to, as well. Someone who sees him as a person and not an unfeeling robot.
It's a POV that certainly challenges certain aspects of DN: Vol 13. I would further argue that L's portrayal has evolved significantly beyond the manga, and that his subsequent humanising is partially a result of the creative liberties the English translations took, as well as a more empathetic view of the character and hidden struggles. Each medium displays a separate iteration of L, with common variables.
b) L fosters distant relationships with others as a safety measure.
Aside from Watari, L's contact with other people had always been distant, work-focused, perhaps even tainted by notions of his supposed creepiness as a kinky detective "who relished bizarre murders" (L:CtW). He's useful to the police because he achieves favourable results, though L is still viewed as "a human computer, capable only of measuring mass murders in terms of cold numbers, a reclusive sociopath" (L:CtW). He isn't necessarily liked; in fact, I would argue he rubs people the wrong way most of the time — as we can see during his interactions with the Task Force, during the events of Death Note. L is tolerated, a useful asset who is both mysterious and a pain to deal with.
However, he's also put on a pedestal due to his status (i.e., Relight, the children at Wammy's).
For the latter, he purposely shatters their idea of L as this unbeatable, paragon of justice by defining himself as a monster (anime), a dishonest cheating human being who hates losing (manga). I do share in lux-mea-lex's perspective on L doubting his own humanity and how it fuels a certain self-hatred for distrusting everyone around him. As lux mentions, "love comes with trust" and L is an excellent detective precisely because he questions everything and everyone — but it comes at a cost: his own loneliness.
To draw a parallel, L's ultimate flaw — and that which makes him great at his job — is not unlike what we see during the moments of extreme anguish that Veronica Mars goes through in her personal relationships and which draw people away from her when she oversteps boundaries to prove she's not being lied to. That mistrust comes from experience, for people burdened with having seen too much and it's not unlike a kind of paranoia acquired when one has to deal with the worst of humanity on a daily basis.
Full reciprocity
L: [F/N] you’re the light that illuminates the dark night. That’s an exaggeration of course, but…
L: What I need to live is glucose… and to talk to you. Nourishment for my brain and heart.
L: When we’re together, I feel like there’s no problem we can’t solve.
L: The afternoons I get to spend with you are precious to me.
When the MC achieves the stage of full reciprocity with L, he's very open to showing vulnerability and lowering his emotional defenses. I found this to be particularly sweet, as L is such a secretive man with so many hidden layers that him being willing to show such honesty with that one person he holds dear is incredible character development.
Beyond the game, I would say that achieving this stage with L would be much more difficult and, naturally, would involve going beyond picking the best sweets for him.
Something important to keep in mind is that L seems to value acts of service, as the people who interact with him more closely have some utility value and aid his work. However, L's life revolves around his work; he lives and breathes his detective work, which is why having a partner who brings him peace would be so important.
L: The time I spend with you is as important to me as the sweets.
L: Good morning. It makes me really happy to see you here.
L: For your sake… I’d think of a way to get through anything. We share a bond.
L: When you have time, I’d like to take you to a shop that makes the best sweets.
L: When you’re free, how about we play tennis together? I will have Watari reserve a court.
L: If something were to happen to me… I want you, as the person I hold dearest, to carry on the L moniker.
L: When my thoughts hit a dead end late at night, I feel like I’m stuck in a maze. But, having you here makes me feel reassured.
I also found it very sweet how L takes the initiative to plan for activities to do together with the MC. And how their presence, their reassuring words make him feel at ease. It seems that a loving relationship would give L a goal in life beyond his work.
Carrying on the L moniker... this quote might be the result of L's trust in the MC growing during the events of the game, or a sentiment L nurtures due to the MC being attentive enough to understand his specific cravings. But being able to read L and having the mental dexterity to become him are different things, as the latter involves a lifestyle that few would want and a complete focus on work. Even FBI agents have lives beyond work.
L: I learned from you that sweets are the bond that brings people together.
L: You give me true peace of mind. No one could ever replace you.
L: The way I am now, I… I can’t think straight when you’re not around.
L: Being able to share this sunset with you, I couldn’t ask for anything more.
L: You understand, don’t you [F/N]? What my heart so strongly desires is something more…
L: When I talk to you, I feel like my senses are sharpened. Thanks to that, my radar has become more sensitive.
What a sweet guy. I love how L focuses on the little things and just wants to spend time together with the person he holds dearest. It's almost as if he daydreams a close, loving relationship — a trait that clashes with L's logical side.
This game and the expanded universe of Death Note have convinced me that there are many more layers to L than what we can see in the main story.
As Fu Takahashi, who plays L in the 2020 Japanese version of the musical, said:
“(...) A common thing about L among these versions is that, despite his superficial image as a smart guy who hates losing, he actually feels lonely and needs affection, I imagine. Perhaps he is an orphan – his character suggests so. He tries to control his emotions, like the feelings towards his parents, or romantic feelings; that’s why he is sort of dependent on games or battles of the mind. So I want to play L while thinking about the foundations on which his personality has been formed.”
I think this quote and the game are actually very telling of L's core personality and how it moves beyond that cold, calculating persona that defines him in the manga. It's also more in line with the characterisation that we see in the anime and the books, which help humanise L.
As I mentioned elsewhere, learning how to trust and be comfortable around someone else would do L wonders. Though that person would have to accept him for who he is and help him learn how to navigate a healthy relationship.
Perhaps the true test of love, for L, would even be for him to be confronted with someone who knows who he really is and, is not only kind to him, but also sees the best in him — regardless of his flaws. I think that we've had a glimpse of it in this game and it's a breath of fresh air.
362 notes
·
View notes