several sentence sunday
hello! from this post i saw on here yesterday and also the ridiculous would u peel an orange for me tweets
He imagines his heart as a citrus fruit, bright and bursting. This feels like digging a nail into the rind, working your thumb in, peeling it; quick, because this is already a familiar act—so much of loving Buck feels like memory, even the new.
Half of what’s inside, the softest, stickiest, most tender parts of Eddie, given to Buck. The way Buck holds and handles with wonder each wedge of it like it’s—maybe not the first he’s ever had, not some Garden of Eden shit with its contorted belief of sin behind wanting and sharing, but like he’s going to savour it for the rest of time, plant the seeds inside that full-of-life place in his own chest. Keep Eddie there, look after this thing they’re giving each other so they can grow: upwards and intertwined and old together. Jesus, has Eddie always been this gross?
This kind of giddy-in-love feeling that has every cell in his body vibrating with want and excitement and—joy, isn’t it? Untouchable, unshakeable joy, every time Buck so much as looks at him, never mind the touching and the telling and the loving on. That’s normal at the start of a relationship, Frank had told him. Yes, even an adult one, not a teenage hormone in sight.
It’s just—his relationship with Ana hadn’t really had that, even at the start. And his second go-around with Shannon had been fraught with way too much hurt still held onto by them both. Attraction, passion, desire—check, check, and check. But this simple exhilaration, this fucking thrill that runs through him every time he remembers he gets to take Buck’s hand whenever the urge strikes? Every time Buck takes his hand, casual and easy? It’s a rush like no other.
But that fades, right? You date for a few months, you live together, you learn, or relearn, every one of the annoying fucking habits the other person has, intimately, and you love them, so much, but the giddiness fades, right?
But they’re coming onto a year, and there’s a ring stuffed into the bottom of the pair of Eddie’s socks he’s sure doesn’t have holes in them, and still, still, he thinks of Buck and he wants, giddy. He looks at Buck and the excitement is a full-body thrum. He reaches for Buck and the joy inside him is bursting, demanding, cannot be contained; it spills over and stains them, sticky like his split-open heart.
And maybe that’s okay, he thinks, that he gets to feel like this without a deadline.
Because if he gets to give it to Buck, press it into his hands and his mouth and the wispy curls at his hairline? It feels like joy is the point, and Buck’s the glowing foundation of it, and Eddie’s ready, actually, to spend a very long time getting accustomed to just how much happiness is his to keep.
idk where this fits yet, might belong to a wip or may write something more around it :)
tagging @onward--upward @eddiebabygirldiaz @housewifebuck @chronicowboy @colonoscopys @rewritetheending @jeeyuns @zahlibeth @anakinfallen @buckactuallys @bucksbignaturals @alliaskisthepossibilityoflove @eowon @clusterbuck @try-set-me-on-fire @butchdiaz @transboybuckley @devirnis <3
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Hey! That ask you answered about protective Yo Han reminded me of this gem from the script book. I don't know if you're interested in anything script-related, but in case you are, here it is. A slightly different way the scene in E3 was supposed to go, when Yo Han came to the factory and attacked the man who put a bomb in the painting. (Also, 'forced' means 'Yo Han', all translators use this word instead of his name for some reason).
Personally, I loved the "do you know who you hurt?", the madness "increasingly" filling Yo Han's eyes, and him glaring at K when he asked if this was about Ga On. I'm amazed that he got so protective of him so quickly, it's just E3. To think of what he'd do post-canon... thank God (and you, of course!) for your amazing story. I can't tell you how much I'm waiting for everything you're going to bring down on us.
Hope you're doing better!
I haven't gone out of my way to look for the script, no, but I do read the little snippets I might run into on Tumblr and such. So I'm not NOT interested? But also too lazy to go look for it xD
And, tbh, I don't want to accidentally mistake something that was written in the script — but then taken out — as something that actually happened in canon. I have a really good memory but I don't always remember WHERE I read/saw/heard a specific fact so there's a chance I might mistake it as a part of canon even if it's not x'D
But, all that said, I am FASCINATED by this new information, not going to lie. I think that the increasing madness was still captured pretty well in the final version, but the "Do you know who you hurt?" Oh yes, I'm into that. Because while it COULD still just mean that Yo Han is referring to himself, I like that it leaves room for speculation. Very nice.
Though, at the same time, I feel like I have to be a responsible person and point out that, most likely, the reason why Yo Han reacts so violently as early as episode 3 is probably because of Isaac, not Ga On. Like, at that point, I think Yo Han is still struggling a bit with separating the two. Not that he ever mistakes them for each other, obviously, but it's probably a little disorienting until he gets to know Ga On better and can see all the differences more clearly. So it wouldn't surprise me if some of that protectiveness is because Ga On looks like Isaac, at least this early. It brings back very bad memories, and all.
But post-canon? That protectiveness would be for Ga On only. And, as always, Yo Han would hold nothing back.
And we will be exploring that a bit in Who Holds the Devil, yes. Not quite on the level of "I'm going to bring the entire country to its knees," but hopefully still enough to satisfy everyone's need for protective Yo Han ;)
Thank you so much for sending me this! I hope you have a wonderful evening 💜
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Hi there! <3
I re-watched Halloween Ends yesterday because I was upset and I needed Corey to save me, lmfao, and I wanted to ask you something that I've been wondering about.
So, I have no way of getting the novelisation of the movie anytime soon, and you're kinda my only frame of reference for it; so I hope you don't mind me asking you this.
When Corey is on his revenge killing spree, he kills those bullies at the mechanic shop. And Ronald is there. And then Ronald comes out to help the kids because of Terry. And only because of that. So, that makes me wonder...
Did Corey plan on killing Ronald after he was done with the kids? Is that something that was elaborated on in the novel?
Because I keep wondering about that, since Corey pretty much killed everyone that ever wronged him during that night, and Ronald was right there; but Corey didn't kill him (or didn't get the chance to, at least). Terry shot him by accident. But Corey killed his mom, of course. So, it'd make sense if he had at least planned on going after Ronald as well; even though he never actively wronged Corey (only passively, if we look at the way he just sat and watched while Joan abused Corey right in front of him, for example). But more so for completion's sake, y'know? They were on generally good terms, after all. I mean, in your latest post about the novel, you quoted that Ronald is "the loveliest thing" in Corey's life, according to Rohan. So, that makes me wonder all the more.
OH, and... I fought with myself to include this point, but anyway- Corey takes the mask off when Ronald comes to help the kids, so that Ronald can see his face and know it's him. And it clearly disarms Ronald immediately and is the reason why Terry accidentally shot him instead of Corey, because he shielded him instinctively. Thus, I keep wondering if Corey meant for that to happen or if he took the mask off in order to assure Ronald that he wasn't actually in danger...
It's such a seemingly insignificant thing that I'm thinking about far too much, but it's been bothering me that I don't know, and I was curious if the novel said anything about that at all, or if they just brushed over it there, as well. If they did, I'll just make up my own mind, of course, hdsfdjkfsk
Anyway, I'm very sorry for rambling on about this, gosh! I love your blog(s) and everything you have to say about Corey and Rohan, you're awesome!!! Thank you for your detailed posts all the time, they keep me going!
Take care! <3
ahhh hi !! thank you so much for sending this ask !! i love talking about this sort of thing more than anything lol and i’m sorry this took a little longer than i expected to reply, i was double checking like every ronald scene in the novel and cross-referencing that with behind-the-scenes details from making of, and re-watching the movie (i didn’t have to do that last one but like you, i needed emotional support from corey too 💗)
WARNING for discussions about (canon-typical) violence, murder, child abuse, abusive households, mentions of suicide and self-harm, and spoilers for the novelisation.
TL;DR – the novelisation does not elaborate on corey's intentions in any huge amount of detail, but it does provide some insight into a few different possibilities for ronald and corey’s relationship and what that would mean for corey's intentions.
general relationship
the novelisation actually gives some really specific details about the cunningham-prevo backstory, but also leaves a lot of aspects vague too.
joan married ronald when corey was 15, and she made it clear to ronald that he would "remain firmly on the sidelines when it came to corey's upbringing" which ronald "gladly" agreed to. so from the very beginning, ronald accepts he isn't going to be an active parent to corey, which maybe means he didn't believe he would do a good job anyway, or maybe he agreed it wasn't his place to parent corey in the same way joan does.
also, corey was already a teenager, he didn't need parenting in the same way a younger child would, which is partly why i think joan waited until corey was older to get remarried, because although being a single parent is difficult, she wouldn't want someone else in the picture as a father-figure for corey.
i don't personally see corey and ronald having a super close relationship, but there are multiple instances that show they are at least comfortable and familiar with each other (in line with what rohan said).
corey had a job before working for ronald, so we know ronald didn't have to give him a job. i hc that corey really wanted to do something stimulating instead of call centre work, and ronald agreed despite joan's grievances over it.
ronald doesn't seem too angry at him for being late, even though it is a regular occurrence (third time in a month).would he be so lenient on anyone who wasn't his stepson?
the gifting of the motorbike is a huge moment of course. that's a big gesture which, in the novelisation, also comes with some stilted bonding when ronald reminiscences that he used to "get laid [...], if you can believe it".
they have their united front moment over dinner when joan is trying to work a reaction out of them and neither gives her what she wants.
a smaller but still significant gesture is that corey uses dumbbells and a pull-up bar in his room to workout, which ronald bought him for christmas. very much feels like an attempt to help corey rebuild his self-confidence.
honestly though, rohan's comment about ronald being the "loveliest" thing in corey's life is probably right, especially as corey's life has been incredibly insular. as the town pariah with an abusive mom, his stepdad being cool about him being late for work is probably one of the best parts of his day.
but then on the other hand, there are moments which do not characterise their relationship very well, including multiple instances of ronald "ignoring" joan's abusive behaviour and not intervening.
to reiterate a previous point: ronald very willingly obliges joan's wishes of not "interfering" with corey's upbringing. her unfounded criticism and distrust of doctors, the school system and anyone other than her taking care of corey should have been a huge red flag (if, of course, any of that behaviour could have been inferred prior to their marriage).
ronald's passivity at being side-lined by his wife, allowing her to continue an unhealthy and unbounded relationship with corey.
when joan is berating corey for "sneaking around" and seeing allyson (the slap/kiss scene), she questions ronald as to whether he knew about the motorcycle, to which ronald stays completely out of it and doesn't answer her, despite her being furious with corey.
however it is a really difficult family dynamic to navigate, with so much nuance. i'm reluctant to say if ronald is a "good" or "bad" stepdad, or whether their father-son relationship is "good" or "bad", simply because their circumstances are so trying and complex. yes, joan has abused corey for a long time, but that abuse also extends to ronald in many ways too, resulting in him allowing (or enabling) joan's abusive behaviour in a flawed attempt to maintain the (toxic) status quo of the household.
did corey intend to kill ronald?
like i mentioned, there isn't any elaboration about corey's intentions in the novel, either through narration or extra dialogue. the scene happens almost exactly as it does in the film, with a few alterations and added background details. it's the surrounding details and plot differences that change my opinion.
i think movie!corey would have killed ronald if he had to. he knew ronald would be at home or at the yard, both of which were places he intended to go (to kill momma and the bullies). i'm not sure he had the same desire to kill ronald as he does the others, especially if he sees ronald in a good light, but to tie up loose ends he might do what is "necessary". i do find it very interesting that he lets ronald see his face though, and i can't decide if that is as a reassurance (he wouldn't kill ronald and ronald should know that) or because it just didn't matter (he's going to kill ronald so even if he sees corey's face, he won't be a liability to worry about).
however, i don't think novel!corey intended to kill ronald. in the novel, despite all of the extensive set-up of joan being abusive and corey's repressed desires to hurt her (and arguably ronald), there's no suggestion that corey planned to go back home as part of his spree and kill joan. if he wasn't going to kill joan after everything she did, i really don't think he'd have plans to kill ronald.
that's not to say there aren't implication in the novel that corey would hurt ronald too. there's a scene after the slap/kiss where corey can hear joan and ronald arguing about him, and once they've gone to bed corey gets a knife and stands outside their room, but ultimately doesn't go in. it isn't specified whether he wants to hurts just joan, or ronald as well.
michael's mask
ahh so when i was re-reading the scrapyard massacre in the novel to try and answer whether corey letting ronald see that it is him was a way of corey saying "you don't have to be scared of me" or even "you should be scared of me", i've come to a different conclusion about the mask.
“Who did this to you?” [Ronald] asked.
“Him,” Margo said, pointing across the street.
Ronald turned to find Corey twenty feet away on the other side of the fence, pulling Michael’s mask over his head.
"Corey?" he muttered in disbelief.
the way the novel reads, i think that when corey puts the mask on in front of ronald, it's the first time he puts the mask on at all. if that is the case, it adds a whole other level to the transition between corey's kills as himself (or as the scarecrow) and his kills "as michael".
earlier, billy's sees "corey's shape wearing his prevo jumpsuit". it's fair enough that billy would assume it's corey without seeing his face, because they know that corey is there, but there's no mention of the mask either.
then, the way it describes ronald seeing corey put on the mask doesn't really indicate that corey was making sure ronald saw it was him. he's already "pulling on the mask" by the time ronald looks over at him; he wasn't waiting for ronald to look he was already doing it.
alternatively, the movie shows corey very deliberately stood there, waiting for ronald to see him and recognise him before he puts the mask on. i'm leaning towards it not being a gesture of reassurance but more of a last show of humanity to someone corey cares about -- "it's me, and i appreciate that you always treated me well, but this is the monster they've made me into".
in both versions, ronald jumps up to stop terry shooting corey. whether he was intending to shield corey or was just getting up to try and talk terry down, i think it says a lot about ronald as a character. he has been very passive this whole time, especially in scenes that take place at home, but in this moment he takes an authorative position to try and diffuse the situation. there's a scared kid with a gun, and his own stepson who he's starting to think might have done something awful, but this doesn't have to continue -- they can talk about it and calm down and whatever it is that has happened can be worked out.
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