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#tom cooper
velveys · 2 months
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Interstellar (2014)
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fanofspooky · 1 year
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otthonzulles · 1 year
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Ha nem vagy rácuppanva 0-24 az ukrajnai háborúra de épp van ~45 perced ÉS szeretnél egy ukrán és egy osztrák embert hallani ahogy angolul próbálnak beszélni, akkor itt az alkalom, Tom Cooper (egy osztrák faszinak miért pont ez a neve?) nagyjából összefoglalja mi történt, történik Ukrajnában.
Ha hardcore Tom Cooper olvasó vagy akkor semmi újat nem fogsz hallani :) Artillery, artillery, artillery.
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judgingbooksbycovers · 9 months
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Unused cover for
The Marauders: A Novel
By Tom Cooper.
Design by Michael Morris.
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kgyst · 2 years
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persnyx · 8 months
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waiting for them to call me in for my next confession
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tomdayaland · 3 months
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Tom Holland x Bradley Cooper
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laughing-gunslinger · 2 months
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Art + Science
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denimbex1986 · 3 months
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'When Cillian Murphy took to the podium during Sunday night’s Golden Globes, his nose smudged in his wife’s lipstick, it was as if a door had opened on this Hollywood Neverland and an ambassador for the real world had stepped through.
Accepting the Best Actor in a Drama award for Oppenheimer, Murphy wasn’t so much un-starry as stonkingly everyday. Here was a normal person who had somehow beamed into peak Tinseltown and, if pleased, was also clearly a bit perplexed by it all.
The Oppenheimer win has made Murphy a frontrunner for the Oscars. In all likelihood, he will be up against a creepy Barry Keoghan in Saltburn, an overblown Bradley Cooper in Maestro, and a fervent Leonard DiCaprio in Killers of the Flower Moon. With the arguable exception of the grandstanding Cooper, all would be worthy winners. And yet, underdogs everywhere will be cheering for Murphy. He’s spent the past 20 years negotiating Hollywood on his own terms and has rejected Tinseltown’s showiness in favour of staying grounded and playing the long game.
Murphy always wanted to be an actor rather than a star. Such a choice could easily have condemned him to a lifetime of supporting roles. Or a hiatus in TV, to which he seemed exiled when he settled in for a long run as Tommy Shelby in Birmingham noir Peaky Blinders.
But his decision to turn away from flashy parts has proved inspired. He is that rarest of things: an experienced A-list actor who comes to the Oscars without baggage. Unlike DiCaprio, he hasn’t had to overcome a past life as a teen pin-up. Nor does he have to justify a lucrative stint in comic book films, as Cooper has with his time as Rocket Racoon in Guardians of the Galaxy.
Above all, Murphy goes into Oscar season as an antidote to the “look at me!” culture of the social media era. In an age when fame is regarded as the ultimate commodity – more important than awards or critical acclaim – Murphy would rather let his work speak for itself. He lives humbly in suburban Dublin with his wife and two children – and his great passion outside of acting is music, as demonstrated by his semi-regular presenting slot on BBC 6 Music.
That’s lifetimes removed from Hollywood, with its self-mythologising and turbo-charged fakeness. It is also of a piece with his career since he broke through playing a survivor of the zombie apocalypse in Danny Boyle’s 28 Days Later. Ever since, he has chosen his jobs thoughtfully. In so doing, he has assembled a body of work of which he can be proud.
He hasn’t been above popcorn. He was a memorable villain in Christopher Nolan’s Batman Begins, where he played the Scarecrow as a trippy nightmare. But even when shooting for the box office, Murphy has been studiedly un-starry. Careful to keep his ego in check, he’s often happy in an ensemble – hugging the background in A Quiet Place II and settling for an extended cameo in Nolan’s Dunkirk, where he was content to let Harry Styles and Tom Hardy hog the spotlight.
Hog it they did – yet it was Murphy who proved to be in it for the long road. Because he could go into Oppenheimer without a Hollywood aura, he disappeared into the role. If hardly obscure, he nonetheless assimilated fully into the part. Throughout that film, you were aware of its stars. Florence Pugh and Emily Blunt doing their best with under-written female characters. Robert Downey Jr trying to pretend he hadn’t spent a decade as Iron Man.
Murphy, by contrast, split the acting atom. He vanished into Oppenheimer with a performance that exuded humility and sincerity. Bookies have now installed him as a favourite for the Best Actor Oscar. If he wins, it would be a victory for knowing who you are and what you stand for and believing good work has value beyond short-term acclaim. Above all, his success shows that it is possible to stay grounded while scaling Hollywood’s giddiest heights.'
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trapezequeen · 1 month
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ZENDAYA + Love Tropes @monthly-challenge | Day Eight: “Love”
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otthonzulles · 2 years
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Tom bácsi elemez! Azoknak akik utálnak olvasni és lemaradtak az eseményekről.
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♒️ FAVORITE AQUARIUS ROCKERS!! ♒️
(making a new edition that's actually editable. XD)
Steven Adler {1/22}
Steve Perry {1/22}
Steve Riley {1/22 R.I.P. ❤️}
Nick Simmons {1/22}
Eddie Van Halen {1/26 R.I.P. ❤️}
Tom Keifer {1/26}
Jaime St. James {1/27}
Adam Lambert {1/29}
Eddie Jackson {1/29}
Adrian Vandenberg {1/31}
Jani Lane {2/1 R.I.P. ❤️}
Alice Cooper {2/4}
Duff McKagan {2/5}
Axl Rose {2/6}
Vince Neil {2/8}
Rachel Bolan {2/9}
Cliff Burton {2/10 R.I.P. ❤️}
Billie Joe Armstrong {2/17}
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cloudyfacewithjam · 5 months
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SAS Rogue Heroes - Season 1 Episode 6
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skinks · 5 months
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I’m so very attached to the earth refugee Frontier farm boy orphan version of Jack Cooper that lives in my head but is also canon. bc I say so. He doesn’t know what to do, except his best. He needs to be told what to do. He’s spent his whole life planning and fretting and preparing and stockpiling and having emergency contingencies in place because his home is always being destroyed, but he freezes in the face of improvisation.
He needs authority; he needs his parents, needs the Militia, needs a commander, needs BT. His parents couldn’t stop their family being torn apart, so Cooper’s always seeking the safety of an authority to guide him. He doubts himself constantly throughout the campaign - always seeking reassurance from BT that he’s gonna be ok, that this idea will work, if he’s sure about this. BT repeatedly says they have no choice, but that Cooper should trust him.
Even though Cooper can pilot BT and have control of the chassis ceded to him, we clearly see that BT can easily override that control, with heavy emotional consequences. There’s also the purely physical element of the fact that BT is so big and powerful, he can control Cooper just by picking him up, throwing him around.
But BT is also a planning machine. He’s a walking outcome calculator that is also a tank. He’s in control of the mission always, even when they’re separated in the assembly line he’s still directing Cooper over the radio. He’s the epitome of the security Jack craves, and by taking the responsibility of algorithmic decision-making out of Jack’s hands, it allows him to relax from his anxiety long enough to improvise, to be courageous, to be a hero to millions!
I’m so fascinated by this dynamic wherein it’s actually this ceding of control, this deference to BT’s authority that allows Jack to embody all the qualities of an ideal Pilot. He becomes the person he’s literally always wanted to be, as he tells us in the opening narration. It’s unusual characterisation for a guy who could have been a stereotypically hypermasculine super-confident macho space marine. Instead of individual exceptionalism, their story champions teamwork at the highest level - giving over autonomy of the body to another.
and that’s why we have to make it Erotic :)
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tomdayaland · 3 months
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Tom with Tom Hiddleston and Bradley Cooper.
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laughing-gunslinger · 2 months
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Spreading my transmasc Thomas Zane propaganda
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