Kashiki Tomoko — Arm Piano II (acrylic, alkyd, pastel, pencil, gypsite, linen, wooden panel, 2015)
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Acrylic, linen, wooden panel. Tomoko Kashiki I was Once Full of Birds Feather, 2014 Acrylic, linen, wooden panel 130.3 x 97 cm Created through an elaborate method of painting, sanding and finely carving the surface of the panel, then repainting layer over layer, these screens open up an intimate world that suspends Kashiki's subjects between dreams and desires.
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Tomoko Kashiki, With Benjamina and Wall, 2012.
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tomoko kashiki, tiled room
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SEMINAR
Contemporary political art
Sexual equality
Racial equality
Climate change
Capitalism
Sentient rights (of all non human things)
Doris Salcedo, Atrabillarious 1996
Embedded into gallery wall
Pig skin sewn into the wall
Pig bladder creates a screen
Deals with conflicts in Columbia and disappearances of individuals
The seventh continent biennale curated by Nicholas Bourriaud
Named after floating mass of garbage in the ocean
Charles Avery, untitled 2017
Explores climate change and impacts on the planet
Glass blown sea creatures presented in everyday plastic display cases
Eloise Hawser, Feathering 2019
Created from waste
Cilia like structures create a vibration to the kinetic sculpture
Jonathan de Andrade, The Fish 2016
Embrace turned into suffocation
Men holding fish in a sensual way, slowly killing them
Uneasy discussion provoked, controversial
Aesthetic encounter between humans and the provocative slaughter of fish
A hunger for aesthetics, book by Michael Kelly
Gerhard Richter, the Baader-Meinhof paintings 1988
Depicts leaders of the Rote Armee Fraktion
Based on disturbing images from life
Blurring technique— oil paint, running brush across the canvas before the paint dries
Destabilising
Makoto Aida, Dog 2008
Characterises the woman as an object
Dandelions as a symbol of heartiness, Japanese spirit
Deals with amputated limbs
Tomoko kashiki, Dandelion
Juan Davila, the arse end of the world 1994
Homosexuality reference
Australian politics
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Tomoko Kashiki (Japanese, b. 1982)
Night is Coming, 2014
Acrylic, tracing paper, linen, wooden panel
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Tomoko Kashiki http://www.otafinearts.com/en/artists/tomoko-kashiki/
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