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#toni cade
sharpened--edges · 6 months
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Poor people, people of color, Indigenous people, queer people, and women receive the least benefit from the nuclear complex and are most exposed to its harm: the most toxic nuclear technology sites are located on Indigenous land and in proximity to poor communities and communities of color; predominantly Black cities are established as nuclear bait to protect the white suburbs, with the result that by 1984, an estimated 88 percent of the African American population would have been wiped out in the first minutes of a full-scale atomic conflict; safety standards regulating exposure to radiation are established based on the male body when women exposed to the same sources are 37.5 percent more likely to develop cancer; homosexuals are purged from the government at twice the rate of communists as the security of the nuclear complex is perceived to be threatened by their vulnerability to blackmail. As the activist Jan in Toni Cade Bambara’s The Salt Eaters (1980) argues to a friend who semijokingly wants to keep the struggle focused on “good ole-fashioned” racism, “They’re connected. Whose community do you think they ship radioactive waste through, or dig up waste burial grounds near? Who do you think they hire for the dangerous dirty work at those plants? What parts of the world do they test-blast in? And all them illegal uranium mines dug up on Navajo turf—the crops dying, the sheep dying, the horses, water, cancer, Ruby, cancer. And the plant on the Harlem River.... Hell, it’s an emergency situation, has been for years. All those thrown-together plants they built in the forties and fifties are falling apart now. War is not the threat. It’s all the ‘peacetime’ construction that’s wiping us out.”
Jessica Hurley, Infrastructures of Apocalypse: American Literature and the Nuclear Complex (University of Minnesota Press, 2020), pp. 14–15.
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ontologicalnightmare · 2 months
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I do not think literature is the primary instrument for social transformation, but I do think it has its potency. So I work to tell the truth about people’s lives; I work to celebrate struggle, to applaud the tradition of struggle in our community… like the fact that the simple act of cornrowing one’s hair is radical in a society that defines beauty as blonde tresses blowing in the wind; … It would be dishonest, though, to end my comments there. First and foremost, I write for myself. Writing has been for a long time my major tool for self-instruction and self-development. I try to stay honest through pencil and paper. I run off at the mouth a lot. I’ve a penchant for flambyoant perforance. I exaggerate to the point of hysteria. I cannot always be trusted with my mouth open. But when I sit down with the notebooks, I am absolutely serious about what I see, sense, know. I write for the same reason I keep track of my dreams, for the same reason I meditate and practice being still— to stay in touch with me and not let too much slip by me. We’re about building a nation; the inner nation needs building, too. … I began writing in a serious way… when I got into teaching. It was a way to keep track of myself, to monitor myself. I’m a very seductive teacher, persuasive, infectious, overwhelming, irresistible. I worked hard in the classroom to teach students to critique me constantly, to protect themselves from my nonsense; but let’s face it, the teacher-student relationship we’ve been trained with is very colonial in nature. It’s fraught with dangers. The power given to teachers over students’ minds, students’ spirits, students’ development— my God! To rise above that, to insist of myself and of them that we refashion that relationship along progressive lines demanded a great deal of courage, imagination, energy, and will. Writing was a way to “hear” myself, check myself. Writing was/is an act of discovery.”
excerpts from Conversations with Toni Cade Bambara, TCB responds to the question, “What determines your responsibility to yourself and your audience?” posed in an interview by Claudia Tate, 1983
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gameofthunder66 · 4 months
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Black Bird (2022) miniseries
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-(started) watchin' Season 1 (miniseries)- 12/15/2023- on Apple tv
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jacobwren · 10 days
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“Are you sure, sweetheart, that you want to be well?… Just so’s you’re sure, sweetheart, and ready to be healed, cause wholeness is no trifling matter.” — Toni Cade Bambara, The Salt Eaters
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via-l0ve · 10 months
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Boundaries:
I will not write things like incest, scat kinks, vomit kinks, non-consensual relationships or sexual activity, dark themes (can vary)
I have the right to deny any requests!
you can send in as many requests as you want! don’t be shy :)
i DO write smut, so feel free to send in stuff
I won’t write childxadult or characterxcharacter!
I will 100% write mlm or wlw relationships (all the fellow bisexuals rise tf up)
^^that being said, i am a Cis woman so i might not be the best at writing things from a male pov, but i will still try!!
Fandoms I Write For:
Supernatural (BUT!! I haven’t finished all 15 seasons (i’m only on season 7!) so keep spoilers away please xoxo)
MCU/TASM! Peter Parker
Stranger Things
The Outsiders
The Breakfast Club
Twilight
Harry Potter (including Marauders era!)
An assortment of youtubers
One Direction + their solos <3
The Hunger Games
Grease
And more! Feel free to request anything!
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elwenyere · 10 months
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“Keep the focus on the action not the institution; don’t confuse the vehicle with the objective; all cocoons are temporary and disappear.”
-- Toni Cade Bambara, from The Salt Eaters
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thingsreadinthedark · 2 months
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CURRENTLY READING :
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So it’s my day off and I’m chilling out as I usually do me and my baby laying in the bed my baby I mean Doggo and I’m just getting into the salt eaters. I’ve always wanted to really jump into Toni Cade Bambara’s work but I couldn’t find my footing. I realize now that it was because when I had attempted to read the book before it wasn’t making sense to me I went on Goodreads just to check out what some folks were saying about it and they agree that it was hard to navigate.
However, now I realize that I needed to read some other things to become more informed and those books lent clarity to this one. I wrote a couple notes in my favourite reading tracker app about what I was experiencing after I read chapter 1 and I actually wanna go back and start all over again because it was just so next level by the end of the time that I got to chapter 1 I was like holy shit. I might start all over. Anyway, just wanted to share.
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notchainedtotrauma · 1 year
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Outside in the yard that doubled as a parking lot and general hangout, the motorcycle club was gathering. Leather pants, jackets, silver studs spelling out names and threats, crushed hats or helmets, gloves, men straddling bikes or standing around profiling, the women seated waiting. Obie eyed the women sitting with their backs to the window, their asses splayed out on the black leather seats or leopard-skin seat covers, or held from spreading by thick denim or tight leather; their backs arched as they held on to fenders behind them; their backs bent as they leaned forward grabbing at the ape-hangers. Women. Women talking in bits and pieces, mostly waiting, mostly impatient waiting, waiting for the men to straddle the machines and turn on the power and take them somewhere.
from The Salt Eaters by Toni Cade Bambara
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boba-t-butch · 5 months
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"The role of the artist is to make the revolution irresistible" - Toni Cade Bambara
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garadinervi · 25 days
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Toni Cade Bambara, March 25, 1939 / 2024
(image: «Toni [Cade Bambara] on W. E. B. Du Bois film set, Philadelphia, 1995, Carlton Jones, photographer for the W. E. B. Du Bois Film Project (© Scribe Video Center)», in Savoring the Salt. The Legacy of Toni Cade Bambara, Edited by Linda Janet Holmes and Cheryl A. Wall, Temple University Press, Philadelphia, PA, 2007)
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sashayshethey · 1 year
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"What underlies my work as I read it—and I suspect it is what keeps my “children’s” stories from being insufferably coy, cute, and sentimental—are the basic givens from which I proceed. One, we are at war. Two, the natural response to oppression is resistance. Three, the natural response to stress and crisis is not breakdown and capitulation, but transformation and renewal."
-Toni Cade Bambara, "Moaning Pitched High Enough Sounds Like Laughing"
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gameofthunder66 · 3 months
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Black Bird (2022) miniseries
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-(finished) watchin' Series (6 episodes)- 1/21/2024- 4 [1/4] stars- on Apple tv
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clawbehavior · 1 year
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"In 1980, a couple of years before leaving Random House to write full time, [Toni Morrison] received a letter from Toni Cade Bambara describing her progress on what would become The Salt Eaters. Bambara wrote: “I more fully appreciate a comment you made/often make about you and writing and time, etc. The short story is a piece of work. The novel is a way of life. It’s devastating. How the hell do you do it, Lady? Stunning. (You are, I mean).”
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nibelmundo · 2 years
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Toni Cade Bambara, The Lesson
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dreamy-conceit · 4 months
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The role of the artist is to make the revolution irresistible.
— Toni Cade Bambara
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elwenyere · 2 years
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“Words are to be taken seriously. I try to take seriously acts of language. Words set things in motion. I’ve seen them doing it. Words set up atmospheres, electrical fields, charges. I’ve felt them doing it. Words conjure. I try not to be careless about what I utter, write, sing. I’m careful about what I give voice to.”
― Toni Cade Bambara
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