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#toulouse-lautrec
subnitida · 6 months
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Henri de Toulouse-Lautrec, Femme couchée, réveil (Sleeping Woman, Awakening), from Elles, 1896
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delcarmenart · 9 months
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symbra inspired by “In Bed the Kiss” by Henri de Toulouse-Lautrec photoshop 2017
if you'd like a print check out my inprnt!
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Henri de Toulouse-Lautrec - In Bed Paintings
KinnPorsche the Series - In Bed/ Episode 8
The lovely @ellaspore reminded me of this series by Toulouse-Lautrec painted in a Paris brothel of two women waking up together in bed by lamp light. Lautrec's painting depicts same-gender love, not as a voyeuristic spectacle for the male gaze, but as something gentle, sweet and tender.
It fits perfectly for KinnPorsche, as hot and heavy as they are, this moment of sweet and quiet intimacy, as Lautrec shows, so does P'Pond queer love as real and mutual affection, not just as a sexual fantasy.
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fromthedust · 1 month
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Henri de Toulouse-Lautrec (French, 1864-1901)
The artist dressed in a hat and boa (possibly Jane Avril’s) - c.1892
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peaceinthestorm · 1 year
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Henri de Toulouse-Lautrec (1864-1901, French) ~ Jeune Fille aux cheveux roux (la rousse), 1889
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pagansphinx · 3 months
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Suzanne Valadon (French, 1865-1938)
Jean Fabris •  Suzanne Valadon • c. 1885 • age 20 • Photograph.
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Suzanne Valadon (French, 1865-1938) • Family Portrait • 1912 • Musée d’Orsay
Suzanne Valadon led a fascinating life. As the young child of a poor woman living in Montmartre, she took an interest in the paintings of the local artists. Poverty made it out of the question she would be able to pursue becoming an artist. To earn a living, she made and sold funeral wreaths and vegetables. Then, at the age of 15, she joined the circus as an acrobat, a job she loved. An injury would not allow her to continue performing. She then put herself to work as an artist's model. She is one of a scant few artist's models to be easily recognized in the paintings she sat for. Among the artists who painted her were Renoir, Toulouse-Lautrec, and Berthe Morisot.
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Pierre Auguste Renoir (French, 1841–1919) • La natte (The Braid) • 1886-87 • Museum Langmatt, Baden, Switzerland
Valadon began sketching as a young child and continued during the period she worked as an artist's model. Always paying careful attention to the artists at work, she was beginning to learn to paint. One day Edgar Degas saw her work and encouraged her to keep drawing.
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In 1883, Valadon painted the above self-portrait in pastel.
As a model, Valadon went by the name Maria before being nicknamed "Suzanne" by her friend Toulouse-Lautrec. Rumors swirled around Valadon. One such was that she had an affair with Toulouse-Lautrec. Another rumor was that Renoir was the father of her son, Maurice, born in 1883. Renoir denied the allegation. It is documented that Suzanne had a torrid affair with the composer Erik Satie. Because she led an unconventional life and was not bound by strict adherence to the mores of her time, Suzanne Valadon developed a reputation in Paris. A Parisian art expert once remarked that Suzanne was ‘an excellent instinctive artist and a bit of a prostitute'. To illustrate how little respect women of the time recieved, Renoir once wrote to a friend that: “I think of women who are writers, lawyers and politicians as monsters, mere freaks . . . the woman artist is just as ridiculous.” Untraditional women were "whores" and talented women were monsters. According to these men, Suzanne Valadon was both despite her tremendous talent.
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Femme à la contrebass, painted in 1908, is one of Valadon's earliest oil paintings. Though she would continue to draw in charcoal and pastel, her painting technique had started to improve and took on characteristics of a signature style.
As Valadon's painting career progressed, she painted quite a few female nudes. Perhaps because of her experiences as a model and her instincts as a woman, she painted the female body very differently than her male contemporaries. Her nudes were far less stylized and sexualized. Valadon painted her nudes with body hair and flabby thighs and they certainly had an air of confidence that was expertly portrayed to the canvas.
In 1911, the first solo exhibition of the work of Suzanne Valadon was held at the Galerie Clovis Sagot.
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Nu au canapé • 1920
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Young Girl in Front of a Window • 1930 • San Diego Museum of Art
An example of Suzanne Valadon's mature style, painted eight years before her death.
Sources:
Interlude
Literary Hub
Wikiart
Aware; Suzanne Valadon
The Art Stort
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black-owl · 4 months
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Просто внезапно вспомнила про одного любимого художника...
Тулуз Лотрек
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maurosempre · 6 months
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(Toulouse Lautrec)
L'amore vero e completo
è compresenza 
sia di sentimento ed emozione
che di passione e sensualità
(Eros e Afrodite)
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lionofchaeronea · 1 year
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Madame Countess Adèle de Toulouse-Lautrec in the Garden of Malromé, Henri de Toulouse-Lautrec, 1880-82
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carloskaplan · 3 months
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Henri de Toulouse Lautrec: La toilette (1889)
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jareckiworld · 1 year
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Ugo Sterpini (1927-2000) — The Childhood of Toulouse-Lautrec  [oil, plaster, tassel, bells, plastic and wood collage on panel in painted artist’s frame, 1969]
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topcat77 · 2 years
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Toulouse-Lautrec
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aitan · 1 year
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Toulouse-Lautrec, Circo Fernando, 1887
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sentiers-verts · 8 months
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Musée, Albi
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liminalmemories21 · 1 year
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Inspiration Sunday
tagged by @rmd-writes​ and @welcometololaland​ for what’s inspiring me to write today.  Thank you!
Tagging @actual-sleeping-beauty​ and @bellakitse​ in return if you’re interested.
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peaceinthestorm · 1 year
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Henri de Toulouse-Lautrec (1864-1901, French) ~ Carmen, 1884
[Source: clarkart.edu]
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