#transcripts in alt text <3

[skrunksthatwunk]

ok so. kiwami 2. rooftop scene. the ending. it's a bit of a clusterfuck but i wanna talk about one detail, a problem they bring to your attention by Fucking. Talking About Her.

haruka is watching all of this unfold.

[this post is like 4.5k words long + pretty critical + has spoilers for kiwami and kiwami 2, and really minor/vague ones for a couple others. they're not that bad though, trust me (and i added a warning in the one place it is major)]

ALSO CONTENT WARNING i'm gonna talk about kiryu's passive suicidality a good amount in this one, so stay away from this if you think that might affect you negatively/you'd be better off skipping it. i'll also make a tl;dr (which i will highlight in red) at the very end if you really wanna know what my point is that will exclude those elements <3. i am also going to use a lot of choice-based language in regards to kiryu's contemplation of suicide because i think it's the lens through which the games treat the topic, but i personally don't find it a productive or realistic way to look at suicide or suicidal ideation at all. someone dying by suicide absolutely does not mean they don't care about their loved ones enough to fight on or whatever. i love you, and proceed with caution on this one.

(also i'm using the kiwamis as my point of reference because i uh. don't have a ps2? those are the games that i played, and though the differences are likely slight, i wanna be clear about that. also,, ignore the watermark on these screenshots,, i didn't notice them and i'm not retaking them. we're all gonna have to settle for youtube cutscene comps for now xoxo)

first, we have to talk about the ending of the first game.

[note: i am Really Really Confident kiryu has a conversation earlier in the game about his going to jail in nishiki's stead being him running away and choosing not to resist his two options (go to jail or let nishiki go to jail) and define his own path, fighting his way against fate to make it happen. part of why i'm so confident it exists is because it made such an impression on me at the time. it's pretty important to my interpretation of things but i also can't find it for the life of me, so uh. sorry ✌️ i really tried. this post's takes/analysis will be dependent on this scene existing, so keep that in mind. if anyone knows where to find the scene/screenshots of it, lmk and i'll add a follow-up with it]

kiwami stuff

so as she's dying, yumi tells haruka this:

that she may be dying (painfully, and right as she's getting everything she wanted), but she doesn't regret it, because at least she did something rather than running away from it all. that you shouldn't run away, ever.

shortly thereafter, when the police find kiryu and haruka, this exchange happens between him and date. here's the play by play:

date tells kiryu he can get him out of trouble with this, and that if he doesn't, he'll get life in prison; kiryu declines his help:

kiryu is so devastated (understandably) by the back to back losses of the three people closest to him that he resigns himself to life in prison, and the death-in-effect that would be. he would prefer to waste away rather than struggle through a life without them. prison was monotonous and isolating, but coming back after a decade was overwhelming, and coming back to everything being so warped and twisted, and then losing the corrupted scraps he had anyway, well. he wants to go back to sleep. he doesn't want to be in a world where everything's the same except he's on his own. better to return to safety, to die slowly in a hell he knows well than weather a new one where he has control and agency, and thus one where he has the ability to fail and to lose anything at any time. he explains to date that that loss is why he can accept his death:

date shakes him and asks him if there's really nothing left for him, no reason to keep living at all:

then echoes yumi's advice to haruka:

which makes an impression on kiryu:

date gives him a reason to live in the form of haruka, saying she'll be on her own again if he goes to jail. he hijacks kiryu's tragic protector complex to keep him alive, because she needs him, and because she's someone precious to him:

after the dust has cleared,

kiryu and date also have this exchange, where date tells him to stay away from the cops (and presumably arrest and a return to prison, the aforementioned fate akin to death), and kiryu cites haruka as his reason to stay away, one he holds to with no uncertainty (showing again that he's accepted date's logic, that his reason to keep living even when it's incredibly difficult is to care for the more vulnerable haruka). given the weight of the consequences, to me, it feels like date's telling him not to be alone with his thoughts or something. it's almost frightening:

so, what's our takeaway from kiwami?

kiryu lost everything and hit rock bottom, but he chose to fight, and to live life on his own terms, even when it got difficult. that's the narrative life lesson he had to learn to avoid repeating the events of 1995. he made that choice for haruka's sake. it's seen as growth.

and without him, haruka would've just returned to the orphanage (assuming she could make it back to sunflower at all) with no one who knew or understood what she had been through, no one to mourn with her, and no one to give her the attention, care, and protection she needs. kiryu knows what it's like to be an orphan with a limited parental figure who only checks in every so often (kazama, "aunt" yumi), and what someone will do for attention/affection from that person (via both himself and nishiki swearing up, climbing the ranks, etc. arguably haruka coming to kamurocho by herself to find "mizuki" is similar), and what it's like to lose them anyway (again, kazama, yumi). their situations parallel each others' somewhat, and that binds them further. and after losing everyone (which he blames himself for to some extent, as one can probably assume from this and 2, and something key to his arc in later games), he chooses to protect her. and this time, he won't fail. at least partially because failing would hurt him, too. he'd have nothing left again.

okay. now we get to kiwami 2.

if you forgot, the context is basically:

everybody's fighting on the roof of a building which i'm sure will not be a running theme or anything as the series goes on

there's a bomb that's about to go off and they don't know how to/can't defuse it

ryuji shot the twist villain to death, but took fatal hits to do so

sayama's like hey!! let's get out of here!!! and kiryu and ryuji are like nooo we have to settle this oughh it's punchin time and they stick her on an elevator and send her down so she doesn't have to watch

ryuji loses. sayama returns, they have a cute sibling heart to heart, and ryuji dies in her arms. sad

kiryu is in rough shape as well, and there's like 2 minutes left on the bomb's timer

here's the scene itself:

sayama tells kiryu they have to run, and kiryu says he can't. the gist is "let's run!" "you go without me" "i'm not leaving you!" "i'm in no condition to run" "i'll carry you then!!" sayama: *sees how fucked up kiryu is, realizes he's Going To Die Anyway* "ok, then i'm staying with you!" and then further bickering about that, before they give up and make out (as one does i guess)

date (he's here now) yells this at them from a helicopter:

before someone else in the helicopter tells date this:

we get this shot of haruka calling out to kiryu as the helicopter swerves away:

and kiryu and sayama have this exchange about haruka where they say they let her down, but that she'll understand:

then they hug and the bomb ticks to zero right when the credits hit. in post credits it's revealed that the twist villain defused the bomb when they weren't looking, betraying his co-villain for reasons i truthfully do not remember and am unwilling to look up. it's not about that right now.

so, how does this scene interact with the ending of the previous game?

the short answer is "badly <3" but here's the long answer:

it's about choices.

the thing about fiction is that anything you want to have happen, as a writer, can happen. it may not be effective, internally consistent, or logical, but you can write it regardless. audiences suspend their disbelief for the sake of engaging fully with your fiction, but everyone has a threshold past which they will stop being engaged in a story and either become uninvested or annoyed. writers usually have lines they're unwilling to cross as well. but in almost every story, there's at least a couple of places where they stretch reality a little to make the narrative they want happen. this is not a bad thing at all. that's how stories get told.

now, i'm gonna be real with you. i don't care about how feasible plots are like 95% of the time. it's not something i think about much, nor is it something i prioritize. i am a very character-centric media consumer, so if world building and/or plot are a bit stale or contrived, that doesn't really bother me much so long as i'm invested in the characters involved. some people can't stand plot holes or the ways musicals burst into song or whatever, and that's fine for them. but it's not something i tend to find that all that important.

this is all to say that i have a sorta affection for rgg's flavor of bullshit pulling. and it is a powerful flavor, maybe even an acquired taste, but i can and do rock with it so long as it doesn't damage the characters too much. this is why i'm not making a lengthy post howling into the void about joji kazama or the second joon-gi han or how many secret relatives there are. those things are silly and endearing and a clumsy yet heartfelt part of a series i care about very deeply. i'll joke about it, but i don't consider it much of a flaw. it's more like personality. flaws are texture, and they help a piece's identity. point is i am very, very willing and able to suspend my disbelief for these games in exchange for a good time, particularly via good characters.

(if you want another example of where i draw the line from within rgg, the answer's the YAKUZA 4 SPOILERS INCOMING rubber bullets twist, because i think 1) it's actively horrifically stupid (especially retconning a scene we SAW HAPPEN. WE SAW BLOOD ON EACH IMPACT, AND RUBBER BULLETS DON'T OFTEN BREAK SKIN THAT DEEPLY (THEIR DAMAGE IS MORE PERCUSSIVE THAN PENETRATIVE). THESE EVENTS HAPPEN IN THE SAME GAME YOU DON'T HAVE TO RETCON IT JUST REWRITE IT. OR DON'T SHOW THE HIT AT ALL SO THERE'S MORE PLAUSIBLE DENIABILITY. DON'T DO THIS JUST TO HYPE UP YOUR SHITTY VILLAIN NO ONE CARES ABOUT. and 2) (a bit more importantly) i think it actively removes saejima's primary internal conflict for that game, that being his intense guilt over the 18 murders he thinks he committed, one i was invested and interested in. but this isn't a rubber bullets post.)

characters in this series walk off a lot of life threatening injuries. they survive miraculously, they escape in the nick of time, and they pull through in the end. kiryu still somehow hasn't killed anyone. almost every game in his saga ends with an "is kiryu gonna make it out this time?!?" shortly followed by a "yeah lol. lmao" postcredits reveal. kiryu fucking punches a marble statue into dust in the first game. having a story that asks you to suspend your disbelief so much and so often means that when a decision is made, it's not the writers saying, "well, this would have to happen so we are obligated/forced to write it happening" so much as "we wanted this to happen for some reason(s)," because you already know that they're not guided solely by logic. again, this is true of all writers, it's just amplified in stories like these because they've already given you so many hard mode suspension of disbelief moments (they've broken you in like leather, yeah? or like how obvious internet scams allow for self selection by being so obvious that only the most vulnerable people would fall for them. they curate an audience willing to play along with their bullshit flavor so they can tell a story that's more likely to satisfy that audience. in a good way, in a fun way! mass appeal is overrated). there is not much limit to what this series is willing to try and sell you.

so when ryuji takes lethal damage taking out the big bad, that's a choice. when he doesn't die immediately, that's a choice. when ryuji and kiryu send sayama away in the soon-to-be-forgotten elevator so they can settle this like men or whatever despite the literal actual bomb about to go off, that's a choice. when sayama comes back, that's a choice. when ryuji does die, that's a choice. when kiryu determines that he can't escape in time, that's a choice. when sayama is unwilling to leave him, that's a choice. when she says she'll carry him out and there's an elevator right fucking there and then she's like never mind i guess i won't anymore we're dying together right now kiryu like they're not gonna even try?? wouldn't distancing themselves from the blast give themselves a better shot, something that's super possible given the 2 minutes they have with that elevator??? sayama you met him like a week and a half ago why are you ready to die with him that's not a plot hole i just think that's kinda strange whatever anyway, that's a choice. when kiryu stops arguing with her so they can kiss (next to her brother's corpse), that's a choice. when date shows up, that's a choice. when the helicopter can't save them because the bomb was going to go off too soon, that's a choice. when they put haruka in that helicopter and take her away, let her only impact be reminding kiryu and sayama that they can't help her, that's a choice. when they spend their last moments talking as if they're already dead, then simply waiting, that's a choice.

they're all choices that the writers made for the characters, and we are asked to believe them for the sake of achieving the writers' vision, as with any story. the only problem is that the writers' vision here fucking blows.

i'm not saying it would be realistic for kiryu and sayama (and even ryuji) to make it out alive, but it wouldn't be out of character for the series in the slightest. kiryu is suddenly unable to power through here, and that's a choice. so, what is their vision?

put simply, i think they wanted a romantic last stand for kiryu and sayama, a tragic scene of doomed, devoted lovers. and i think they wanted an edge-of-your-seat fake out death. they wanted spectacle.

here's how some specific choices they made undermine all that shit we talked about earlier from the first game.

once again, kiryu is called by date to live, to pick himself up and keep going, no matter how impossible the odds are. he's even reminded by haruka's presence, his one anchor in keeping himself going. the growth he had in the parallel scene in the previous game is challenged, and he fails.

it's not enough this time. and that's a choice.

it's also one i can't think of a good reason for, and that's the real kicker.

characters can have developmental backslide just like people do, and if they're given good reason for it, it can be just as, if not far more compelling that purely linear growth (i am a chimera ant arc enjoyer, and that's all i'll say. sorry if you haven't seen hunter x hunter. uhh. i am also a zuko avatar enjoyer if that helps). but i can't think of anything that happened in that game that would cause this from a character perspective. if anything, kiryu should be less likely to do this intentionally. he's spent around a year raising haruka, and a year has passed since he lost his loved ones. at the very least, the pain should be more dull, though it is established through an early nightmare sequence that his ass is (justifiably) not over it yet. given that their deaths were the initial motivation for his willingness to rot forever, theoretically, he should be more motivated to stay alive than before now that he's got more investment and stability in his life outside of them, particularly when it comes to haruka, his reason for surviving. and if the ongoing nature of the trauma was the motivator for this, then they should've had it affect him more past that nightmare scene (it really serves more as a recap of the last game than anything else) so it didn't come out of nowhere. so the reminder of the lesson that saved his life and then guided it for at least a year afterwards, one that the whole resolution of the previous game relied on heavily falls flat for... some reason.

i think this is a good time to mention that, generally speaking, you don't write arbitrary choices into characters. sure, people in real life are often sporadic, but when analyzing fictional characters, every choice is filed into a portfolio of characterization that can and should be analyzed. going for pure realism can obfuscate their development, motivations, themes, etc. their choices and reactions may be unorthodox, but they must be internally consistent. this is very related to how i view plot contrivance as well. characters drive the plot, not the other way around. stories are about the ways characters affect their worlds/lives and vice versa, and they're the human face to the themes and ideas the writers are trying to explore and express. maybe my stance on this seems hypocritical. i don't know if it is. but to me, plot issues are usually a matter of engagement and investment, while character issues are a matter of substance.

i hope this doesn't feel patronizing explaining all of this, but i want you guys to know where i'm coming from in my analysis. starting at my base philosophy on writing is the easiest way to do that, i feel. defining the terms of the debate, and all that. anyway

and i mean, look. they survive because "it was defused the whole time we just didn't see it happen", so it's not like narrative tension or realism or whatever was THAT big of a priority overall. if it was gonna be a cop-out anyway, they should'nt have ruined kiryu's development too, yeah?. and sayama fucks off to america after this game anyway, so it's not like the doomed lovers thing had much payoff or meaning after this one (though you could argue that's more an issue with yakuza 3 than yk2, which has some merit to it). which means that they chose to sacrifice kiryu's prior development and internal logic for the sake of cheap tension for their finale that was both kinda illogical in and of itself (the elevator!! the elevator!!!) and a romantic climax that neither required nor really benefitted from this staging. (like. you coulda had them make out and then get saved by date, or kiss on the elevator in a "it's moving, but will we make it in time??" way or whatever. look i'm not saying those are great options either but they're SOMETHING okay. it would remove/reduce the amount of time wasted on characters sitting around with their thumbs up their asses for no reason in this finale).

instead the message of this finale is that, actually, sometimes it is impossible to change your circumstances and fight for your own way out of an awful situation. and what should you do about this unfortunate truth? uh. die! i guess. it's the exact opposite of the encouraging, optimistic message of the last game. zetsubou chou pride my ass.

note: i feel i should mention that when suicidality is brought up within the series (particularly in substories), it is always something someone has to overcome themselves through wanting it badly enough. they simply need the inspiration and the motivation to keep going. it's arguably treated as a moral obligation. frankly, the series is broadly very meritocratic (<- bad) when it comes to this topic (and others, but that's a Whole Other Thing. see akiyama's weird loan shark tests as well). sheer will and resolve is enough to conquer any problem, be it physical or mental/emotional, and it's irresponsible to act/feel otherwise. this is the logic the games operating under, and kiryu is often the mouthpiece for this bootstrap-pulling "tough love" sentiment. so when kiryu "chooses" to die, yet faces no emotional fallout from date, haruka, or anyone else, it feels very out of place. it's not just an odd choice; it's specifically, once again, an odd choice to make in context of the game/series/character it appears in.

kiryu's just like eh, haruka'll watch her only family die right as she gets some sense of tentative stability and lets her guard down after a devastating month the year prior (and a relatively dismal upbringing before that) that we trauma bonded over. sure, she likely came to view me as the one who would stay no matter what, who was too strong to be taken out, who she could always rely on, and so i know that dying would hurt her immensely, but she's smart enough to know it'd happen eventually. her eventual recovery means it's okay for me to do this (somehow, in a way it wasn't in the first game). it's an excuse within the narrative's logic, and one it is uncritical of simply because it's kiryu. he gets a pass.

and i think with the previously mentioned passive suicidality and general series-long mental health issues kiryu displays (i mean. yakuza 5's literally his depression arc), this could be retroactively seen as an interesting choice, like a piece in that particular narrative. i don't even dislike that viewing, especially in terms of fan approach. but (assuming this went down the same in yakuza 2), they likely didn't have that in mind. all they had then was the first game and the movie. and they took the first game's Entire Message and contradicted it for nothing but a scene they wanted to have happen because it'd be suspenseful and/or emotional (without actually doing the work to earn it). and they're not fans trying to analyze his character, they're the ones making choices for him. and they chose to massacre my boy. and if the subject of kiryu's mental health was a priority of theirs, why didn't they explore that? haruka and date's feelings on him not resisting and their words not being enough (whether that blame is justified by the narrative or not (it shouldn't be btw)), the uncomfortable drifting that resigning yourself to death and living afterwards anyway often brings, literally any conversation about it besides the minimal shit we get post credits of date being like "did you know about the bomb not having a fuse?" which like. bad answer either way (which is why they weren't straightforward about it, the cowards). you can't just be like "oh uh. idk he just gave up this time. yeah he was gonna die on purpose for some reason. good thing the bomb was fake lol" and then pack up and go home!! that's stupid!! any merit the idea of kiryu dying by suicide in this scene and in this way could have had from a character-based perspective loses its weight because 1. it didn't happen (for kinda stupid reasons), which makes it fall flat and 2. no one is really affected by the fact that it almost did, including him. they sacrificed his ass and replaced it with nothing, even when there could have been interesting outcomes to it.

so the narrative effectively chose to kill him by making the situation impossible, and this impossibility is ultimately arbitrary, given the series' usual approach to miraculous, illogical escapes. that, or the choice to stay was up to kiryu and sayama, one that 1. doesn't make sense and is actively regressive in context of kiryu's arc in the only other game in the series (as well as his whole saga in retrospect) and 2. one that contradicts how the series sees/treats resignation to death/death by suicide in all other contexts without being addressed, challenged, or condemned in ways it would in all other contexts. because they don't want you to think about it like that. they want you to think he (and the narrative) had no choice, that it made sense to do that. but it didn't. it doesn't.

and look, honestly? if i was bleeding out and had like 2 minutes to live, there's a non zero chance i'd say fuck it and kiss a girl too. i get it. but i am (and this is crucial) not a fucking yakuza character. and i'm certainly not kiryu kazuma.

tl;dr (basically just rephrasing the second to last main paragraph)

there are not sufficient character reasons for kiryu and sayama not trying to escape. additionally, because the narrative regularly facilitates even less likely escapes, it's not so constrained to logic and reality that it couldn't pull this one off. the choice to let their situation be impossible this one time was a cheap and arbitrary way of forcing a scene they thought would be cool and dramatic, and in doing so they chose to cannibalize a key emotional note of the previous finale (namely kiryu's mission to dedicate his life to protecting haruka) for hollow last minute stakes-upping in this one. it is then completely disregarded anyway. god damn.

#got so into this post that i used tumblr on my laptop for the first time to surpass mobile's image limit #i also added transcriptions in the alt text (which i should do more often) #actually thinking about it in the movie kiryu teaches haruka that lesson about stumbling on.. and she's the one to ask to follow him... hm. #just interesting given that the movie came out before 2. i don't think it makes much of a difference to the post it's just neat to me #one of my favorite parts of writing this was skimming through a bunch of yk1/yk2 cutscenes and noticing how often kiryu pats haruka's head #it happens a lot more than i remembered and it's very sweet to me. get bonked little one <3 #another good thing was realizing you can edit tags when you're not on mobile.... fucking life changing. i have lost hours to mobile tag #editing and i'm not even kidding about that #speaking of editing this one took like 6 hours.. my brother used “yakuza autism” (verb) for me earlier and it's so true. source: this post #i did have a short break to get food bc i hadn't eaten all day but that's mostly because i woke up at 3pm. anyway #also if you like kiwami 2's ending you're not even remotely alone. i looked at the comment sections of the scene comps and ppl love it #and more power to you!! i like it when people enjoy things. and tbh i DO have feelings that i'm supposed to about that ending #i just also have feelings you're not supposed to. like. anger. i guess. #rgg #ryu ga gotoku #skrunk meta #aww yeah it's a new tag babeyy #yakuza kiwami 2 #kiwami 2 #yakuza #like a dragon #yk2 #kiryu kazuma #sawamura haruka #sayama kaoru #maybe my thoughts'll change after replaying the games...? it's been like a year and a half since i beat yk2 so i am a bit fuzzy on it #yakuza kiwami spoilers #yakuza kiwami 2 spoilers

[showyoumyfavoriteobsession]

these dialogue options killed me on the spot today

bonus: my new favorite npc name. everyone say hello to:

#or i guess say goodbye. blunt skuncher we hardly knew ye #i can already tell i'm just going to be saying 'blunt skuncher' over and over in my head for the next couple days lol #sorry for the terrible clashing background on the images there's a lot of fancy armor happening #full transcription is in the alt text #j rambles #baldur's gate 3 #video games

[toytulini]

the tyler childers is from my brother i dont know that one

#toy pic post #spotify wrapped #image id in alt text #did my best #did an image description for the halloweenie iv cover but i dont have the time or energy for the others sorry #so most of it and just text transcription #ashnikko #ZAND #the bridge city sinners #MIYAVI #top 3 songs really did truly make me so feral

[sonorousdoves]

04/27/23, prerequisites

#art #poetry #rats #transcription in alt text #in case future historians wonder. it's a spn-inspired poem <3

[welcometogrouchland]

[ID in alt text, transcripts for comics also found there!]

🎉🎇HAPPY NEW YEAR!🎇🎉

Sure was a year...This is just me taking the end of year opportunity to post the various DC comics doodles that have been gathering dust in my files! Disclaimer that I'm a heathen who mostly reads batfam comics (and also a lot of. Sidekick-y stuff? Like YJ98) and these are all for fun! (Image #3 is a direct adaptation of this text post I made)

#dc comics #dc #cassandra cain #damian wayne #roy harper #lian harper #cassie sandsmark #maya ducard #flatline dc #kathy branden #...im hesitant to tag steph bc i feel like everytime i tag her the post refuses to show in her tag #stephanie brown #anyway yeah uhhh recently bought the yj98 omnibus (IT'S FUCKING HUGE) so that's why cassie redesign #years and years ago i posted a draft of a cassie redesign that's like. similar to what i have but i vastly prefer this version #OH! #i forgot to tag stephcass :( #whoopsie #but yeah i did a lot of steph reading this year (STILL SO MUCH TO DO) and ouughh boy. she's had her claws in my brain ever since #damian and dick are there. nough said #<- I'm extremely mentally ill about them there's just still a lot for me to read. i have nightwing rebirth with them! and some early b&r 09 #also robin 2021 issue. 4? i wanna say? the one where dick gives damian his bday present. makes me cry like a pressure washer #also I'm so sorry if I've somehow managed to (in my extremely limited presentation of them) present roy and lian as ooc in anyway #I've only read arsenal 1998 bc it was a mini. hit or miss but it did imprint a love of roy and lian on me #I'm only semi following the current green arrow run rn mostly for those 2 #(also sidenote the guy who writes current GA is ALSO writing B&R AND SUPERMAN??? AND A G.I JOE COMIC????- #-girl say what you want about his work it's a miracle any of it is comprehensible at all w/ all those titles going on) #(he said he's not sure how long he'll stay on GA tho. I'm also low-key not sure how long he'll stay on B&R- #-though i imagine it'll be at least a years worth bc he said that's how much notes he has for plot? also idk if many other writers at dc- #-are interested in damian rn especially next to Bruce) #HOO this got away from me I'm outta tags. uhhhh see u guys in 2014! woo!

[zmtn]

[Full comic transcript under cut in addition to the alt text.]

So I've been working on a short comic, and here's a preview of the first five pages and the cover. They still need some cleanup and editing, and the rest of the pages of course, but I hope you enjoy them!

Images: First is a cover, in greens, oranges and purples. Title: The Orc and Her Bride, A Comic by Zoe Maxine. The illustration shows a surprised orc woman in a fancy cape and circlet holding an equally surprised dark skinned elf woman in a creamy bridal dress and crown.

Page 1. Full page drawing of the orc woman, looking far more ramshackle, covered in blood on a pile of bodies, and holding a giant axe. She pants with exhaustion.

Page 2. She looks over to see three people murmuring around a nearby building. Orc: "Don't tell me there's more." The three pointy eared people approach, looking frightened. Bearded man with his hands raised: "Mistress - Please, have mercy." The Orc is shocked, before she looks down, muttering, "Not looking forward to this part." Looking at the bearded fellow she says, "I will not harm the unarmed." Sighing, the bearded man says, "Thank you, Mistress." Avoiding his eyes, the orc says, "I don't deserve your thanks. I have killed many of your brethren."

Page 3. Two of the people exchange a look between them, faces neutral. Bearded one: "…Our soldiers, yes." The other, an older woman with short hair, looks at the orc. "Mistress, where do you come from?" Bearded one: "Why have you done this?" A shadow passes over the orc's face. "I am from Eskerfort." The next panel shows her saying "And… because I am from Eskerfort." over a flashback to her kneeling on the ground, defeated, in front of burning houses with soldiers barely visible in the background.

The two people in the present look away, almost ashamed, saying "Ah," with understanding.

Page 4. Looking down at the bodies below her, the orc says, "I am tired of bloodshed. I have avenged my kin. I will darken your doorways no more and leave you in peace." As she turns to leave, however, the beareded one rushes forward. "Wait! Worrier! Stop! Please!" The elfin woman looks up at her, asking, "Do you not know our laws?" Together the two try to point out something to the orc. "Look, please!" "Look!" Among the bodies is a fancily dressed one wearing a circlet. Off-panel, the people say, "That one you killed among the dead - he was our king." One of them reaches down to grab the circlet.

Page 5: Looking concerned, the orc woman says, "Are you asking me to be executed? For Regicide?" As the elfin woman is doing something, the bearded one puts his hands on his hips and looks up sternly. "No, Warrior, we are asking you to take responsibility."

The elfin woman holds the circlet up to the orc. It shines. "Our laws are clear," she says, "Whoever kills the king becomes the new king."

The orc stares ahead, eyes becoming pinpricks. "What?"

The next panel has her dressed in a fur lined cape with the circlet on her head, her hair being brushed. She has the exact same expression on her face. "what?"

The last panel has her sitting at the head of a long table with all the elfin people enjoying themselves around her. "what"

#cartoon blood #cartoon death #original art #comics #the orc and her bride #long post #queue am i

[fabdante]

@zutaraweek day 3: union

a little follow up to this comic i did last year. i really liked the idea of union in a political context and this was a very round about way of that. like, a little tongue in cheek with all the different kids from different nations just sort of talking and gossiping together. teens doing teen stuff despite their high profile roles in society, that type of thing.

initially this comic was a lot more ambitious but some complications happened in my life which made me have to chip away at a lot of it. such as having it in full color, with backgrounds. there's been a lot of thought put into the world of the chief kya au, though! particularly related to yue that is not featured at all asdfghjk.

the more i worked on it, the more i got worried zuko might be a little ooc. but i was a bit inspired by crystal catacombs and the softness he had there. whenever i try to write him in this au, he's just usually just happy to be around katara so i'm just going to let him do what he wants.

Anyway, a transcript along with brief image descriptions is beneath the cut under my obligatory art links as well as in the alt text of the art!

art only blog - insta - inprnt - redbubble

Page 1: Zuko and Katara are at a gathering for those invited to the peace accords which seems to be more packed then usual.

Katara: Wow, there’s a lot of people here Zuko: Yeah. There’s a lot of people this year. K: I don’t recognize anyone yet. Z: Oh! I can help you. Z: That’s Mai. Her father is an official. Z: She’s Suki. Leader of the Kyoshi Warriors. Z: And next to her is- K: Yue!

Page 2: Katara and Yue hug and the teens (Zuko, Yue, Katara, and Suki) all chat.

Yue: Katara! K: I missed you! Y: I’m so happy to see you! have never spoken more than hellos was just trying to chat with Yue awkward turtle duck Z: So you do know someone. K: We’ve known each other since we were kids. Lu Ten: Prince Zuko?

Page 3: Lu Ten appears, Yue and Suki gossip, and Katara's a bit sad as Zuko leaves with Lu Ten to handle business elsewhere.

Z: Lu Ten? L: Sorry to interrupt, but can I steal you? Z: Is it important? L: Unfortunately. L: They seem nice. I’m happy you’re making friends.

Page 4: The girls gossip and Mai overhears.

Y: I didn’t know you knew Zuko. Suki: Yeah. Do you know anything about the scar? K: I don’t really know him. We just met. What do you guys know? Mai: No one actually knows. M: About the scar. They kept it quiet.

Page 5: There's a small flashback to Zuko at 14 after receiving his scar, the girls continue to talk, and there's a final panel of Ozai, alluding to a family secret.

M: He just went away for a while. And then he came back and there it was. M: That’s all anyone knows. Except Zuko. K: That’s awful. There has to be more. M: Well…people have some suspicions.

#zutara #zutara week #zutara week 2023 #prince zuko #katara #zuko #atla #avatar #avatar the last airbender #my art

[lxgentlefolkcomic]

Credits for Interlude 1:

Art by @mayhemchicken-artblog

Story by @thegoatsongs

Edited by @dathen

Image descriptions (alt text) by @dathen, @mayhemchicken-artblog, and @thegoatsongs

Previous page || Next page

Start reading Episode 1

Dialogue transcripts:

Panel 1

Voice (offscreen): I never thought I’d be nostalgic for English tea and scones.

Shop signs: Aerated Bread Co. Bakery Tearoom Est. 1864

Panel 2

Mina: Well, never hesitate to ask for anything from Arthur. He loves treating his guests.

Irene: He’s said so himself; it’s very sweet of him.

Panel 3

Irene (voiceover): Speaking of sweet, I didn’t expect your husband to ask for my autograph.

Mina (voiceover): Oh, yes, Jonathan loves opera!

Panel 4

Mina: So…when you return home, will you take up singing again?

Panel 5

Irene: We have no home to return to.

Panel 6

Irene: We will find a home here, even if we have to fight for it. I am tired of running.

Panel 7

Mina: You have friends here, now. We’ll make sure you find a place here. Jonathan will help find work for Godfrey.

Panel 8

Irene: You are too kind, Mina. Thank you.

#lxgf #lxgf interlude 1 #story updates #lxgf irene norton #lxgf mina harker #lxgf jonathan harker #we are so back let's get this (aerated) bread

[blackpearlblast]

ezzideen's recounting of eid during the genocide, translated and put together by boshra. all sides have alt text and full transcript under the cut.

link to ezzideen's facebook page / donate to ezzideen's campaign

slide 1: A picture of a lit candle in the darkness.

Title: Story of Eid Through the Eyes of Ezzideen Translated from Ezzideen's Facebook page

slide 2: For ten consecutive years, the arrival of Eid brought a lump to my throat, a lump with many meanings for me (exile from my country, being away from my mother, my beloved, and my family and relatives, in a country where no one else knew of Eid's arrival but me). Before coming here, I thought long and hard about what I should do during the Eid days. I imagined thousands of scenarios: How would Eid pass?

slide 3: Which house would we visit first? Should I give out Eidi (gifts to children, like my uncle's grandchildren and my cousin Abu Bilal's children)? Would the first house we visit be my grandmother's? How would my mother react when I give her the Eidi? What would be our first breakfast? Should I go to the Eid prayer in jeans or in traditional clothes? Where would I and the young men of the family spend Eid night? And many, many more details, from where we would spend the first night of Eid to what kind of nuts we would buy for the guests.

slide 4: And today, on Eid day, here I am writing this text without needing to know answers to any questions, because Eid has passed like this: My big uncle's house was destroyed (no need to visit it), my uncle's grandchildren and my cousin's children have died (there is no one to give Eidi to), my grandmother also has died (no reason to visit her house, as it suffers in silence as we do), there is nothing in the markets fitting for the luxury of an Eid breakfast (and if found, no one in the country can afford it),

slide 5: Abboud, Bilal, Ahmed, Mohammed, and Yusuf were killed (the adornment of our family's youth) so there is no need to think about where to spend the first night of Eid, no need to choose what I wear for the Eid prayer (as no prayers are held and no mosques are in this country), and my mother? My beloved, I am ashamed to even mention to you that it is Eid! As for the rituals of Eid, there is no ritual but to cry in imposed silence, for even God wept silently for the martyrs this morning as the rain fell.

slide 6: Screenshot of a post from Ezzideen's Facebook page.

Caption: Main post from Ezzideen's Facebook page. Link in bio.

#eid #eid mubarak #eid 2024 #gaza #north gaza #free gaza #palestine #free palestine #EndIsraelsGenocide

[cuntess-carmilla]

The way "alt" is done nowdays is so exasperating. People (rightfully) talk about how dark academia and cottagecore and those trends that imo aren't "alt" but are distinctive aesthetics are more in the business of looking like they're someone who reads a lot or someone who bakes and lives in the countryside respectively instead of putting any emphasis on actually reading a lot of learning substainability or homekeeping.

And the same happens with the way alt anything is being done lately and that's why so many people get so disproportionately angry and defensive when someone who's actually into a subCULTURE corrects them, especially if that person doesn't even "look" the part as much as their fake asses do.

No interest in actual countercultural politics, ideology, sentiment, praxis or even artistic expression or practice.

They want to look like they're someone who's into unfathomably obscure non-palatable music and ideas, without having to actually put any effort into cultivating their musical knowledge or identity. They want the whole VISUAL package immediately, but nothing else (hint: that's why you get called posers).

Reminds me a lot of this:

[Image description: TikTok stitch in which the first video shows user @/dormence with text printed in front of them that reads "Did you know that there's no "correct" way to dress for a goth club. The truth is that fashion is about dressing according to what's fashionable. Style is more about being yourself. Tip: Allow yourself to be ok with experimenting and blending your favorite styles until you refine into your own symbol 🖤"

The rest of the video is of user @/awfullysinister speaking to the camera.]

Transcript:

Here's a fun story for everybody. I've been involved in my local goth scene for about 10 years now, I've been going to clubs and shows and events for about 10 years, I've been a DJ in the scene for about 6 years.

A few years ago I got booked for a DJ gig for one of my friends' club nights. I was late, unfortunately. It happens. I got to the venue about 30 minutes after the night started and I looked pretty bad… Worse than usual. I didn't have my hair up, I wasn't dressed nice, I had gym shorts on and a hoodie… I just had all my stuff with me in a bag and was planning on changing in the bathroom.

And there's this guy there that was all dressed up. He's got leather pants with straps, Demonias, he's wearing a black buttoned down tshirt with a fishnet shirt underneath it, his face is full of makeup… He looked like a Chris Motionless wannabe, basically.

And as I'm walking in to walk toward the stage to put my stuff up there, then go to the bathroom to change, the Chris Motionless wannabe stops me. Like, he puts his hand out, like this, like, on my chest, and he looks at me and he goes "Oh, I'm sorry, are you lost?"

And I look at him like a deer in headlights, like… What…? He repeats the question, and I just stare at him and say "I'm DJing tonight…" and he returns the look.

Anyway, I just brush past him and I go do my thing. It was a great night, I had a great crowd to my set, everybody was dressed in all sorts of ways; some people were really dressed up, some people were just wearing a tshirt and jeans, nothing special, but they were all dancing, they were all having fun.

The Chris Motionless wannabe didn't dance ONCE, and for what I saw, it didn't look like he was having fun, it looked like he was just standing around trying to look cool. In fact, at the end of the night, one of my friends told me that a guy that kinda looked like Chris Motionless remarked about how he hated the music and wished it was heavier. I don't know exactly what that means, I'm going to assume that he wanted to hear Metal.

That was about 3 years ago, and I have not seen that guy since. Not at any clubs, not at any shows… It's like he just disappeared, and I expect that I'll probably never see him again.

Anyway, the point is; sometimes the people that keep your local goth scene going, who are dancing the most at your local clubs, and who keep goth DJs like me feeling inspired to continue doing this, and to continue to seek out new music… Sometimes those people are just wearing a tshirt and jeans and aren't all that dressed up.

And, sometimes, the people who're dressed to the nines, who look the part and have a closet full of expensive brand clothing, just stay home all day, on TikTok, pretending to be better than everybody else, with cringey usernames like "goth daddy" and "goth king" and "goth goddess". Sometimes - not always, but sometimes - those are the people I wish I never had to run into in my local scene.

Link to the TikTok

[kiwinatorwaffles]

redraw of this old post <3

updated designs and artstyle? booya baby! anyway here we have Cyborgs/Robots Eating Redstone two point oh

(text transcript in alt text)

#hermitcraft #hermitcraft season 8 #hermitblr #mumbo jumbo #grian #impulsesv #docm77 #rendog #iskall85 #ethoslab #kiwi’s scribbles #hermitcraft mumbo #hermitcraft impulse #hermitcraft grian #hermitcraft doc #hermitcraft ren #hermitcraft iskall #hermitcraft etho

[sageandscorpiongrass]

hello <3 could you please do a webweaving on losing someone you love? thank you!

Either way, you're not coming back.

For whatever reason, I really struggled with this one. I wasn't sure if you meant loss as in dying or loss as in leaving, so I tried to make it applicable to both.

tender is not a bad word, K.C Cramm | Planet of Love, Richard Siken | A Self-Portrait in Letters, Anne Sexton | Count the Almonds, Paul Celan | Come Over (Again), Crawlers | A Valentine That Can’t Be Sent, Rosmarie Waldrop | Poetic Regulations, Mahmoud Darwish | Intimacy, Hanif Kureishi | @/small-planets | The Torn-Up Road, Richard Siken | Instructions for the End, Jen Benka | Norwegian Woods, Haruki Murakami

[transcriptions and image ID in alt text]

#webweaving #parallels #web weave #web weaving poetry #prose #compilation #webweaving loss #literature #on loss #༺✿ web weaves by basil ✿༻ #requests #k.c cramm #richard siken #anne sexton #paul celan #rosmarie waldrop #mahmoud darwish #hanif kureishi #jen benka #haruki murakami

[piierrote]

Receipts

A Riso Tomgreg Succession Fanzine 

Text transcript under the cut, but image descriptions available in ALT

Page 1: Manilla envelope titled receipts

page 2: ‘would you kiss me?’

Page 3: ‘if i asked you to?’ ‘if i told you to?’

page 4: ‘ill look after you’ (greg: are you trying to seduce me tom?’) ‘I’m serious i will’ ‘what do you know of nero and sporus?’

page 5: ‘nero pushed his wife down the stairs’ ‘then he had sporus castrated and married him instead.’ ‘i would castrate you and marry you in a heartbeat.’

page 6: Greg: is it real?

Page 7: ‘what do you say, sporus?’

#Tomgreg #succession #Tom wamsgans #greg hirsch #This is the digital mock up of the riso colours!! I'll post a scan of the riso print outs once i have them! #this was for a uni project so i dont have much control over when these get printed #I WILL BE SELLING THESE AT SOME POINT!! #piierrote draws #im so sorry if theres mistakes in the ID and transcript its 1am and i am Very Tired

[askfallenroyalty]

ok so for more info:

my two programmer friends have just read FR and agreed to help with the game- I feel DOWN is necessary for FR to work -it sets up crucial characterization and plot details that the story needs (at the very least to be set up) and with them helping it's going to turn out as I wanted it.

As mentioned before, I had trouble because I was manually coding the first cutscene (which has music!) and it was. a nightmare. but ToMo actually knows how to do charting for music and so we're rebuilding it to be like??? an ACTUALLY good coded thing that isn't a nightmare??? dang fr this is more than anything i could have dreamed of.

meanwhile, i've been talking with multiple people about the writing (sorry if you reached out and i didn't respond, I've been very anxious about getting help. I'll respond properly soon!) and I hit a breakthrough and its going smoothly now ;v; I hope by the time the side-story is finished, I'll be ready to draw out the chapter for real!

NightFell is still my biggest priority but we've (roughly) hit a milestone that means production on my end can slow down a bit until we finish up some details. which is why I've got so much free time on NF lately! I'm very optimistic for big things from these two projects this year hehe

under the read-more is a transcript of the grey-ed text that i felt was too long for the alt text:

in grey text the following is written: oh my god i'm so sorry i have been trying to get this story to work for so long you have no idea no idea i'ts been so horrible trying to make the game and chp 3 work but now i've got help and they're my awesome friends and i'm cryin happy i just wanna make this thing and make it as good as it can be

#ooc

[echo-bleu]

Disability pride request? Two characters of your choice hanging out, maybe one using two forearm crutches and one using two canes. They can be friends or partners - I just generally love seeing disabled characters interactng with one another!

How about three disabled characters?

Once upon a time @camille-lachenille sent me a prompt about Míriel having Ehler-Danlos Syndrome. I had already sketched a disabled Celegorm with EDS in mind and, thinking about how it's genetic, had an epiphany about Celebrimbor (and the meaning of his name) and I drew him as well. So I wrote a fic about all three of them dealing with chronic pain, but I still hadn't drawn Míriel. That oversight is now fixed!

They have more in common than just chronic illness xD.

This is still titled "The EDS gang" in my files, I'm going to stick to it. Set sometime in Fourth Age Valinor, when most things are good again...

Disabled Tolkien characters series

(Feel free to send me more disability prompts! I love drawing them.)

More ramblings about disability aids that devolved into bullet-point headcanons under the cut. ID and transcription at the end, but they're also in alt text.

[CW: this is all fairly light but discussion of death and trauma and you know, everything that comes with these three.]

I do not know how to make comics. I'm sure that's very obvious but, you know, learning new things and all that. One thing I learned was that my usual style of rendering does not work with it as well so I rendered them entirely twice.

It was meant to be day 21 and 22 of my October challenge, because surely I can draw and colour a full page in a day (spoilers: no). In the end it was a combined 15 hours of work over 3 and a half days because I made it as complicated as I possibly could 😭 Still, I had fun and learned a lot.

Note: Ehlers-Danlos syndrome is a connective tissue disorder, affecting basically how your cells are glued together. There are a lot of different symptoms (and different types of EDS) but a frequent one is joint pain and hypermobility, and it's at least partly inherited.

Míriel:

Red was Míriel's colour first. She's not into gaudy things and rarely wears vivid colours, but almost always something red. She barely wears any jewellery since reembodiment, mostly for sensory reason (She is very autistic. That's something she gave Fëanor, Curufin, Caranthir, Ambarussa and Celebrimbor, at least.)

She died of post-partum (and general) depression and energy depletion from childbirth or something, but the chronic illness that was taking all of her energy and keeping her from her craft certainly didn't help.

Also pregnancy was horribly rough on her, partly because EDS can be affected by hormonal changes.

She's actually been better since reembodiment, because she has better accommodations (Finwë did his best but he was very lost) and also a Vala on hand who makes her very good painkilling tea.

She wears knitted compression gloves that she designed to help with hand pains.

Her wheelchair is of Noldor make, but I'm sure Celebrimbor will have suggestions for improving it.

The tapestry that she is weaving is actually this painting of Finrod that I did a while ago. I figure that she's representing calmer, nicer things now that she doesn't have to weave her grandchildren's downfall and deaths.

Celegorm:

He was in a relationship with Oromë before the Exile. After his reembodiment, it took them a while by they talked it out and forgave each other. Oromë doesn't quite get elves, but he's really supportive.

He has a pair of wolf-head canes carved by Nerdanel. He alternatively uses both, just one and sometimes none depending on activity/pain level.

He wears bandages as compression garments because this is a world without elastane. His leggings have reinforced knees for support.

He's always heard about Míriel having the same thing as he does from Finwë, and he knew that when he started showing symptoms, Fëanor was terrified that he'd fade too. So for a long time, Míriel's story was kind of hanging above his head.

That's why it takes him a while to go seek her out after he's reembodied. Celebrimbor understands why it's important to him and he pushed him to it a little bit, so Celegorm dragged him along.

They're going to get along great. Míriel is both the quintessential grandmother and also she has a twisted sense of humour that Celegorm will just love.

Celebrimbor:

Celegorm was always his favourite uncle, and they became very close when Celebrimbor started having symptoms in the early years in Exile, and Celegorm stayed with Curufin in Himlad for him.

It took Celebrimbor a while to forgive him after Returning (not as long as Curufin but still) but they've gone back to being really close.

He was really unlucky with reembodiment: while he wasn't reborn with the physical aspect of his torture, the memory of pain and the trauma made his chronic pain a lot worse than it was before, and he can no longer walk unaided.

He designed the silver ring and wrist splints back in Eregion with Narvi's help, and ended up literally living up to his name (which means "silver fist/grasping hand").

Paradoxically these were a great motivation for him to work through his trauma and go back to the forge, because he couldn't find a silversmith in Valinor who could make good enough ones for him, even with all of his sketches and specifications.

A lot of his work since reembodiment has been designing and making disability aids for people.

He uses platform crutches to spare his hands as much as possible. He invented and designed them, of course, as well as the KAFO brace that he wears here. He's also a part-time wheelchair user.

He is still wearing dwarven beads in his hair. He obviously didn't bring anything back from Middle-Earth but he asked Gimli to make them for him in remembrance of Narvi. His tunic is also dwarven-inspired.

He is pretty chill about Sauron here. I don't know if there was a redemption (I have feelings about @chthonion's The Harrowing and @mynameisjessejk's Otter Mayhem) or if he's just been through enough elf-therapy to be able to joke about it. Celegorm's sense of humour is just Like That.

Celegorm and Celebrimbor are about to try Vairë's special painkilling tea for the first time 👀

Between all of them they should really open a disability aids shop or something. They just might! Míriel doesn't really ever leave Vairë's house but I think Celegorm and Celebrimbor will keep visiting her a lot, and eventually all of the grandkids will as well.

Image description and transcriptions:

Two digital comic book pages.

Image 1: The first case takes the whole width, showing two pairs of feet with each two canes/crutches on a tiled floor, with a speech bubble saying "Do you think she'll want to see us?"

The second line has two cases in 2/3 and 1/3 format. The first shows two hands in red fingerless gloves working on a tapestry on a loom. The second shows part of a light-skinned face in profile, with curly white hair. Three speech bubbles say "My love?" "Um?" "There are people here asking for you."

The bottom part has one case off-center showing the same hand undoing the brake of a wheelchair, with a speech bubble saying "Your grandson and your great-grandson." above and one saying "I'll be right here." below. Then a full-length off-case portrait of Miríel, a light-skinned elf with shoulder-length curly white sitting in a wheelchair and pushing herself. She's wearing a pale pink embroidered dress with red accents, red fingerless gloves and elbow pad and brown boots and smiling.

Image 2: A single large case shows two elves standing in a room with a tiled floor, with a large door and two tables behind them. There are thread spools on one table and a tea set on the other. One elf, Celebrimbor, is brown-skinned and slightly chubby, with long black hair in a braided bun, wearing a red tunic and dark green pants. He is leaning on two decorated platform combo crutches made of wood and metal, with a KAFO brace on his leg. He wears finger and hand silver splints. The other elf, Celegorm, is pale and has long white hair in a high ponytail with small braids, he has tattoos on his neck and arms and he wears bandages on his shoulders, elbows and wrist. He wears a green tunic, leggings and wrap-around gaiters. He is leaning on a cane and holding up another cane, pointing at the first elf. Both canes have handles carved in the shape of wolf heads.

The speech bubbles are arranged around and below them, giving this dialogue, with the speakers distinguished by the shape of the bubble (the parts in parentheses are smaller text in the bubbles):

Celegorm: "My lady, my name is Tyelkormo, and this is my nephew Tyelpë." Miríel: "I know who you are, my wonderful children. Come sit." Celebrimbor: "That would be nice, thank you." Miríel: "Vairë, my love, would you make us some tea?" Celebrimbor: "My lady!" Celegorm: "A Vala who can make tea! (I could never get Oromë to do it.)" Miríel: "It was a long domestication process." Vairë (off screen): "Hey!" Celebrimbor: "Instant hot water! That’s nice. (I wonder if I could replicate that.)" Miríel: "She makes wonderful hot water bottles." Celegorm: "Oromë just uses his hands as hot pads." Celebrimbor: "Ew, I didn’t need to know that." Celegorm: "What? Just because your Maia burns everything he touches–" Celebrimbor: "Shut up." Miríel: "You must both tell me everything about yourself. And your partners!"

#miriel #celegorm #celebrimbor #tyelkormo #tyelpe #valinor #house of finwe #silmarillion #tolkien #silm #silm art #tolkien fanart #eds #ehlers danlos syndrome #disabled tolkien characters #disabled characters #beautiful art #echo's drawings #digital art #lotr #this took me soooo long please give it love #echo's october 2023

[lxgentlefolkcomic]

It's finally here, folks! Welcome to Episode 1 of The League of Extraordinary Gentlefolk!

Credits for Episode 1: Art and story by @mayhemchicken-artblog Edited by @dathen Image descriptions (alt text) by @the-constellation-collective, @dathen, @hirilelfwraith, @linguisticparadox, @thegoatsongs, @riseofthesea, and @mayhemchicken-artblog

Next page

Dialogue transcripts:

Panel 1 Caption: England 189X

Panel 2 (n/a)

Panel 3 Jonathan: When are we arriving, again? Mina: 12:15. Jonathan: Perfect - Seward said he'll meet us just after noon.

Panel 4 Jonathan: We'll be just in time for lunch!

Panel 5 Unknown voice: ...telling you, it can't be him! He's dead! It was in the news! Mina: ...?

Panel 6 Jonathan: Mina? What is it? Mina: Shh! Listen. Unknown voice: You saw him, Godfrey.

Panel 7 Godfrey: I-I don't know what I saw. It was dark, and...

Panel 8 Godfrey (offscreen): ...Anyway, I wouldn't jump to "dead man walking."

#lxgf #lxgf episode 1 #story updates #lxgf jonathan harker #lxgh mina harker #lxgh godfrey norton #lxgf irene norton