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#transworld magazine
filthyneverdie · 2 years
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NAMO - Humans
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vomelets · 10 months
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swarmm-cod · 6 months
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GRIP IT……. This Saturday
morning in my shop I’ll be dropping the 1st 3 color ways of my Kaiju Kruzer Beast Board.
Seeing Halloween is right around the corner I thought these 3 colors would be perfect for the 1st drop.
I’ve got the sleek midnight black, neon green with uv action & the neon orange with glow dropping.
You are welcome to purchase 1 of each colors. All orders come with grip tape to apply as you please.
Shipped bagged with stickers & header card art by
@bobbydrawsskullz_ Not into blanks..no need to worry. I’ll be painting up a few runs & some one offs soon. Not to mention I’II be working with some amazing artists to bring you some different paint flavors. If you’re still reading this I thank you very much for your support, follow, likes & reposts. IT definitely helps a Underground artist like myself 🙏 SWARMMCO.COM ... #kaijukruzer #beastboard #skateboardmonster #skateboardkaiu #monsterskateboard #originalconcept #swarmmsidekick #swarmmart #swarmmartists #swarmm #skateboardingweirdaliensrobots musicmonsters #kaiiucruiser #skateboardingisfun #skateanddestroy #skateandcreate #thrasher #thrashermagazine #thrashermag #transworldskateboarding #santacruzskateboards #robroskopp #powellperalta #hstreetskateboards #vinyltoys #sofubitoys #designertoys #urbantoys #sofubi #originalconcept #swarmmfigure
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ashtrayfloors · 1 year
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Though, also worth noting...is that skateboarding, at least between the mid-eighties and mid-nineties, was one of the (many) places the gift economy was in radical action, by which I mean in practice. It was just the case that whatever you had extra—and skateboarding, with its many components (decks, wheels, bearings, trucks, bushings, riser pads, rails, Rip Grip, bolts, etc.) made for extra—you passed along. Most of us had a bucket of some sort where, when someone needed something, we dug around to find it. I never once heard anyone express it as an ethics (sharing, redistribution, commonwealthing), though if you tried to keep your extra to yourself, if you spoke to no one of your bucket, and then it got out you had one, and gleaming like gold in that extra Independent truck was the kingpin one of us needed to skate that day, the reaction would be an ethical one: Yo, that’s fucked up, man.      Also worth noting is that skateboarding’s reemergence, at least in the US, is almost perfectly concurrent with a new gilded age, a grotesque accumulation and celebration of wealth, deregulation, the dismantling of the welfare state, mass incarceration, NAFTA, taking the solar panels off the roof of the White House, privatization of everything, further enclosure of the commons, and the unabashed, unapologetic, mongering sanctification of hoarding. Of the hoard.
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...the only limitation to what might be skated, or made public, or commoned, or shared, is the imagination.      Which, yeah, leaves some marks sometimes. Though the residual polyurethane script of previous wall-riders, the frenetic black rainbows streaking a white wall, to me indicates possibility, skateability, to maintenance, and most definitely to the owner of the building, they are a headache, and might even hit ‘em in the wallet if they want that wall real clean. To the owners, everything is a headache, or a potentional headache, which is to say: a threat. And to the skaters everything is skateable. As you can see, this is an endless loop that results either in criminalization (and the once ubiquitous Skateboarding Is Not a Crime sticker), or the very pristine and perfect skateparks municipalities have taken to building as a kind of legal protest corral, helmets and recycling strongly encouraged.      It is so odd to be old enough to catch myself saying things like “I’m so glad they didn’t have that then.” You know, cellular telephones. Homework. Schedules. Parents. Bottled water. Strange to say, but skateparks, too, I’m so glad we didn’t really have. We had the thing behind 7-Eleven on Maple Ave., a little rough but still nice. We had the drainage ditch up behind the car dealerships. We had the car dealerships. We had the loading docks behind the supermarket. We had Herbert Hoover Elementary School, which included the roof. We had that jarring bit of transition behind Burger King, and the culvert behind Mindy’s Skateshop. We had those sexy, long, slippery, connected parking curbs at the school near where Georgie moved over in Fairless Hills. Another ditch, kinda steep but good, behind the Posh Nosh and the Clemons, where they carried Transworld SKATEboarding magazine. We had dumpsters we could flip over, and washing machines or dryers left by the dumpster we could boardslide and grind. We had those ramps we built of good wood we found at local construction sites in the middle of the night. We had the SEPTA station in Penndel, the park bench and that indecipherable hunk of wood Harley and I pulled from the trash and skated for hours. We had those high yellow curbs over the sewer grates. That ramp we took out of the driveway of that kid Steve who wouldn’t share his bucket. We skated and ollied off the wooden boardwalk and steps of Seafood Shanty. Ledges, the fountain, the speed bumps, the smooth yellow curbs at the mall. We had that little course we built from a stash of railroad ties and some scavenged plywood in the janky, netless, heavenly smooth tennis courts at the apartments, until they banished skating from the premises with threat of eviction. Of course they did.
—Ross Gay, from “Share Your Bucket! (Skateboarding: The Fifth Incitement)” (Inciting Joy, Algonquin Books of Chapel Hill, 2022)
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deadlinecom · 7 months
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世界的スノーボーダーのTravis Rice
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トラビス・ライス(Travis Rice)
ビッグマウンテンでフリースタイルを体現する世界の最先端スノーボーダー。 アメリカのスノーボード専門誌「Snowboarder Magazine」や「TransWorld Snowboarding」の Rider of the Yearに選ばれるという快挙も遂げ、自身がハンドリングしたムービー、「Thatʼs It, Thatʼs all (2008)」や「 The Art of Flight (2011)」は数々の賞を受賞し、最⾼興⾏収益を上げた。 水の循環をテーマにした「The Fourth Phase(2016)」も多くの人に影響を与える。 自身もトップシーンで活躍する傍ら、バックカントリーコンペティションをディレクションするなど、 スノーボードシーンの限界に挑み続けているスーパースター。
今シーズンのQUIKSILVERスノープロダクトは、ハイクオリティーな素材のみを使用したトップアスリートのためのプロモデルであるHIGHLINE PROシリーズを始め、ブランド誕生50周年を記念し、80年代当時のアートとボードカルチャーが融合した象徴的なデザインをリバイバルした限定コレクションを発表。 来たるウインターシーズンに向け、スノーライフに欠かせないアイテムをぜひお探しください。
DARK MATTER」は、言わずと知れた世界屈指のマウンテン・フリースタイラーであるトラビス・ライスと、ドイツを代表するエリアス・ エルハードのダブル主演作です。 アラスカの壮⼤なバックカントリーフィールドを舞台に最先端スノーボーディングを体現する2人を独占的に撮影し、ハイクオリティな映像で描かれた今シーズン注目のムービー。
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alexspinocchia · 1 year
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MP - Cover Design Research
Before I set of on designing I spend a few days in the library going over different editorial books on magazine design, This helped me to develop an idea of the kind of style I wanted to bring forward to the magazine. By examining these editorial books, I gained a deeper understanding of the diverse approaches and innovative techniques employed by designers in the industry. Notable designers like David Carson, Neville Brody, and Alexey Brodovitch who have paved the way in magazine design culture, pushing boundaries and redefining visual storytelling. Their works have become benchmarks of creativity and continue to inspire contemporary designers.
I also looked into skate culture as I draw a lot of my visual inspiration from that industry I found designers such as; 
Ed Templeton: Known for his work as a professional skateboarder and artist, Templeton also founded the independent skate magazine "ANP Quarterly." His raw and authentic style, often featuring candid photography and expressive typography, has influenced the aesthetic of skate publications.
Mark Gonzales: A legendary skateboarder and artist, Gonzales has had a profound impact on skate culture. His creative approach, characterized by playful illustrations and unconventional layouts, has left a lasting impression on skate magazine design.
Thomas Campbell: A filmmaker, artist, and former art director of "Transworld Skateboarding," Campbell has brought a unique artistic vision to skate magazine design. His use of vibrant colors, hand-drawn elements, and collage techniques has set him apart in the industry.
Andy Jenkins: As the co-founder of "Bend Press" and the art director of "Girl Skateboards" and "Chocolate Skateboards," Jenkins has played a pivotal role in shaping the visual identity of these influential skate brands. His clean and graphic style, incorporating bold typography and striking imagery, has had a significant impact on skate magazine design.
Through this research, I gained a deeper understanding of the visual language and aesthetic that resonates with the skateboarding community and which could be applied to this magazine.
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ghostcultmagazine · 1 year
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Check out our preview of the New Rock and Metal album releases dropping this Friday, March 17th! The Answer – Sundowners (Golden Robot Records) Babylon A.D. – Live Lightning (Perris Records) Carbellion – Weapons Of Choice (Eclipse Records) Chelsea Grin – Suffer In Heaven (OneRPM) Contrarian – Sage Of Shekhinah (Willowtip Records) Cross Country Driver – The New Truth (Frontiers SRL) Death Vanish – Hermitic Fire EP (Eternal Death) Downfall Of Gaia – Silhouettes Of Disgust (Metal Blade Records) Ecstatic Vision – Live At Duna Jam (Heavy Psych Sounds) Embryo – A Vivid Shade Of Misery (Rockshots Records) Foretoken – Triumphs (Prosthetic Records) Ghosts Of Sunset – Breathe (Deko Records) Gideon – More Power. More Pain. (Equal Vision Records) Ikarie – Arde (Avantgarde Music) Invent Animate – Heavener (UNFD) John Diva & The Rockets Of Love – The Big Easy (Steamhammer & SPV) Kamelot – The Awakening (Napalm Records) Kruelty – Untopia (Profound Lore Records) Late Night Venture – V: Bones Of The Extinct (Trepanation Recordings) Søstre – self-titled (Loyal Blood Records) Stömb – Massive Disturbed Meta Art (Klonosphere Records) Stormwarning – self-titled (Frontiers SRL) Theory Of A Deadman – Dinosaur (Roadrunner Records) Transworld Identity – Seven Worlds (Frontiers SRL) Treedeon – New World Hoarder (Exile On Mainstream) Úlfúð – Of Existential Distortion (Dark Descent Records) Verminous Serpent – The Malign Covenant (Amor Fati Productions) AND Wardress – Metal Til The End (Black Sunset & MDD) 🎤 Micaela Superstar https://ift.tt/8WZHD4t 💻 Omar Cordy https://ift.tt/Vd2Qncw 🎵 Fahad Syed https://ift.tt/IxvtWNX ▵ PODCAST ▵ (Listen on Spotify, Apple Podcast, Anchor) 👉 Ghost Cult Magazine Podcast https://ift.tt/XLYiIAf ▵ GEAR WE USE ▵ (These are affiliate links) Set up A: Sony A7 III - https://amzn.to/3tQm422 Tamron 17-28 - https://amzn.to/3ePrlTd Tamron 28-75 - https://amzn.to/3fqCjgY Desview Mavo-P5 Monitor- https://amzn.to/33LlTub Manfrotto Befree Travel Tripod - https://amzn.to/3hxbL0e Lighting: YONGNUO YN600L - https://amzn.to/2QkNrn5 YONGNUO YN300 Air - https://amzn.to/2QjN5gu Dfuse Softbox - https://amzn.to/3uQq4AN Aputure MC - https://amzn.to/3oirFgx NanLite PavoTube II 6C - http://bit.ly/NanLitePavoTubeII Lightstands - https://amzn.to/3uSBl3x 5 in 1 Reflector - https://amzn.to/33KHdjo And our iconic Rope Light https://amzn.to/3ycdmyz For the full list of Ghost Cult gear: http://bit.ly/OJCPicsKit ▵ LET'S BE FRIENDS ▵ https://ift.tt/1gQVnC2 https://twitter.com/GhostCultMag https://ift.tt/6eWOMZn ##newmusic #newmusicfriday #rock #metal #deathmetal #preview #ghostcultmag https://ift.tt/eVcxngD #newmusicfriday #nmf #newmusic #ghostcultmag
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readberserk · 1 year
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very confused nonbinary person buys a Transworld magazine and learns what a bluntslide is
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rowanunit04 · 2 years
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DAVID CARSON ART REVIEW:
“DON’T CONFUSE LEGIBILITY WITH COMMUNICATION. JUST BECAUSE SOMETHING IS LEGIBLE DOESN’T MEAN IT COMMUNICATES AND MORE IMPORTANTLY, DOESN’T MEAN IT COMMUNICATES THE RIGHT THING.”
Davide Carson is a graphic designer pioneer who changed the landscape of designs in the early 80’s and 90’s. He is known as a art director in many magazine companies such as Ray Gun, Transworld, Surfer and Beach. Without Carson designs the art would be mainly been focused on invisibility and functionality.
This is another graphic designer that I have been taught and shown for my ideas for my zine. Which really helps to improve and make my creative side really come out.
The first piece that really wowed me was the typography poster. Through the saying he really defines the meaning through the work. There isn’t much going on which shows a lot of freedom and space for the words to really express themselves. I was able to read the words which the whole point of the posters was to be able to understand and read what the artist is saying which is shown clearly. I love how some of the words are in sizes, bold, together, spaced out, capital or lower casted. Also when making the text in black it would show how it’s not going to make a differences if a text is in a different colour because it would still mean the say thing and would show what the art is trying to say. The white background makes the words stand out from the contrast from darkness and the brightness of the page show the simplicity of the picture really wow the audience.
The next image that I found powerful was the picture at the left corner. Firstly, I will be talking about the text which doesn’t have any specific font which would usually use for non artistic people. Which is a positive outcome, because the combination of the title and the background has like an old paper technique if I were to see it up close and physically touch it. The text says “blue” which has a orange colour which in my opinion is describing how water resembles blue and the person is swimming through the paper. Which makes a clear definition of what the poster is all about how the colour doesn’t really need to resemble the action of a person. There are different tones of grey which makes the orange standout to the rest of everything, the person shows a lot of detail such as the highlights and the shadows that it applied which shows how the light would be reflecting from on top from the title.
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filthyneverdie · 2 years
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NAMO - Chiba City Funk
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thedeliblog · 2 years
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#460 Ez nem az új Venture videó
videó1: 31:13 perc videó2: 21:26 perc
Visszadobás csütörtök. Ez többszörösen nem az új Venture videó és azt is eláruljuk, hogy soha nem is volt az.
Egyszer volt hol nem volt, volt a 90-es évek, a gördeszkázás nagy boom-ja és egy kupac kölyök, akik körül izzott a levegő és akik miatt a híres-hírhedt San Francisco-i köztéren, az Embarcadero-n például több százan is deszkáztak hétvégenként. Mondhatni, hogy a világ minden tájáról.
Voltak a kornak olyan mozgatórugói is, akik a háttérben maradtak, mint pl. Greg Carroll, Mike Carroll (a kor meghatározó és megkerülhetetlen pro deszkása, egy gördeszkás zseni, a Girl és családcégei társalapítója, 1994-es SOTY, stb.) bátyja, aki inkább cégeket alapított és csapatokat menedzselt, mint pl. a Venture-ét. Vagy ott volt Jacob Rosenberg, aki rengeteg kordokumentumért felel, mint azok kevesek egyike, aki testközelben rögzíthette filmre a legjobb deszkások ténykedését.
A fenti pár mondat irgalmatlanul kevés annak a kornak a jellemzésére, ezt meg sem kíséreljük itt, csupán egy röpke bevezető, hogy miért is ez a poszt.
Szóval a kiragadott két ember alkotott, menedzselt, filmezett és egy jó adag film úgy ahogy van, el is tűnt. Aztán meglett és 2014-ben a Transworld Skateboarding (,ár csak online) magazin két részletben be is mutatta ezt a csupán vágott, de nem szerkesztett és filmmé nem gyúrt anyagot.
A videó pikantériája abban áll, hogy ebben az előadásmódban, tudniillik, hogy nem zenére és szerkesztve látjuk a kor nagyjait, olyan, mintha amatőr felvételek lennének, mint egy háttéranyag, amit soha senki nem látott. És tényleg. De most itt van!
Azoknak, akik akkoriban deszkáztak, vagy nosztalgiával tekintenek, netán vágynak vissza azokba az időkbe, ez egy igazi csemege. Itt-ott még a nevek is fel vannak tüntetve.
A címadás utalhat Greg Carroll egyik korábbi érdekeltségében született film címére, az H-Street - This is not the new H-Street video-ra is.
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TAMATO says : “ Rummaging through some old surf mags, I came across this sparkly ol jewel💎. It was in a magazine known as Transworld Surf. This is the right in West Oz known as Monuments. The wave Monuments is a terrifying cross between heavy BackDoor & the razor bladed slab known as 3rd Dip. Not the most backside friendly wave by any means. At the end of the ride, if you don’t get out of the wave in time, you end up dry docked on a 5 finger slab of A’a Rock that literally protrudes out of the water. You are literally out in the middle of nowhere & if you get seriously hurt, your basically up Shits Creek without a paddle! Ahhhhh… Nothing like the source of adrenaline that barrel happy surfers attempt to brave.🤤🤦”- 🤣#magazine #published #photo by @scottybauer_ #surfer #tamayoperry. #westernaustralia . #surf to #live #love to go #surfing. #nature & the #great #outdoors. #waves are #beautiful #blue #jewels from the #sea. The #ocean is my #happy #place. @bushmansurfboards @3rdstonehawaii @waialuasurfshop @futuresfins @oahusurfingexperience (at Western Australia) https://www.instagram.com/p/CfH9Pi8v7V7/?igshid=NGJjMDIxMWI=
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nyskateboarding · 5 years
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History: 411VM – Issue #1 ft Brooklyn Banks Contest (1993) Peep some NYC skateboarding history in the first volume of 411VM (Jul/Aug '93) featuring the April 18th Brooklyn Banks contest (
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vintageskatescans · 3 years
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pixxced · 4 years
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Reese Forbes | Sightings | Transworld Skateboarding - August 2001 Pete Thompson Photo
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