#trefor castlevania

[halpwhatdoiputhere]

YALL SAW A TICK TOCK VID ABOUT HOW RITCHER WAS STRUGGLING WITHOUT HIS MAGIC WHILE TREVOR WAS BEATING THE SHIT OUR OF NIGHT CREATURES WITH STICKS AND PUNCHED DRACULA IN THE FACE AND SOMEONE IN THE COMMENTS GOES

Trevor would have wrapped nocturne up by episode 3

GODDAMMMMMNNNNNNN

#castlevania #trevor belmont #alucard castlevania #castlevania netflix #castlevania nocturne #lisa tepes #sypha belnades #vlad dracula tepes #olrox #alucard #castlevania nocturne spoilers #nocturne spoilers #tera castlevania #castlevania sypha #maria castlevania #richter belmont #trefor belmont #richter Castlevania #annette castlevania #castlevania dracula #castlevania spoilers #holy shit #I see it though #like I low key support it

[breninarthur]

me when welsh name in media: :D

me when said name in is pronounced incorrectly: D:

#castlevania #ancestor trefor belmont!!! cool!!! #weirdly pronounced tre-FORE instead of TREV-orr #its honestly so similar to trevor lmao how did they cock it up so badly #op

[bnomiko]

Nocturne S2 (and beyond?) predictions

(I started writing this before they dropped the S2 trailer, so… yeah. Good timing? I guess I'll address that at the very end of the post.)

Some of these I think have a good shot at happening, some are just very random, and some are me just messing around otherwise (though the last one would be amazeballs). This would make for a fun bingo board tho.

**SPOILERS** ahoy for Castlevania: Nocturne, S1.

Immediate start to S2 will be Richter & co. all showing up at Juste's to regroup, for lack of anywhere better to go.

Juste will tragically die, probably protecting Richter, because two Belmonts is one too many. This of course just makes Richter sad.

Maria gains a Seiryuu summon in a predictable "oh shit, we suddenly have need for a dragon spewing ice" sort of moment.

Richter finds a stopwatch. *cue Za Warudo sound effect*

Edouard becomes the founder of a night creature village somewhere. A very operatic village. Think musical episodes of "Xena: Warrior Princess."

The abbot meets his predictably banal end, probably crushed in the burning rubble of his church or something.

Tera begs to be staked, probably by Richter since that'll just make him sad again, because she doesn't want to exist as a vampire.

In that same vein, the aimless crying count will continue with like 1-2 scenes per episode. This has the side effect of making Alucard seem downright NOT depressing in comparison, because he did all his crying 300 years ago. Until he suddenly has a flashback of his days with Trevor and Sypha, then I guess he can join in on the crying too. At least he cries pretty unlike the majority of this cast.

Annette obviously has to get knocked up because apparently Belmonts are constantly on the verge of going extinct (you'd think they'd prioritize producing more than 1 kid a generation). If she starts cursing and screaming, "You did this to me!", or if Richter suddenly says, "I love you," over the side of a cliff, expect a baby in the next 7-8 months or so. I've heard Trefor is a wonderful name.

I want Olrox & Mizrak to just fuck off the storyline at some point and get a Morana & Striga type ending. But realistically… do gay men ever get a happy ending? No, because only lesbians get to live -_- So one has to die, probably while trying to protect the other : (

Conversely, I want a scenario where Richter and Olrox have to work together to accomplish something, and they only manage to pull it off because Richter's telling himself repeatedly he'll just kill the bastard afterwards. He doesn't, of course, because the shrieking of the fangirls would be deafening.

And what I think would be REALLY fun (since the original animation appears to hold up as canon for Nocturne), what if we get a "Daddy's home" moment and Dracula joins in for whatever passes as the final fight against Carmilla Erzsebet (assuming she's the end boss)? He doesn't necessarily have to fight for the humans, but perhaps he might be a bit miffed that someone (his niece, in game canon, though they appear to be completely unrelated here) has taken his place on the top of the hierarchy. I would love to see what he could do one-on-one, without holding back.

Post Nocturne S2 teaser trailer viewing

Are Speakers delicious or collectible or something?

Are we really leaving Alucard and Maria alone without a chaperone?

Hmm, back to the Belmont Hold manor? I think we've seen this S2 before…

OLROX WHERE ARE YOU we need you don't make Alucard carry the entire damn show on his back it has to hurt by this point *froths*

#castlevania #castlevania nocturne #nocturne spoilers #nocturne season 2 trailer

[hurtwithasideofcomfort]

Thinking about Castlevania again and the final battle between Trevor Belmont and Death because I’ve been listening to the soundtrack on loop for a while and am in love with Trevor’s acceptance of the near certainty of his death.

He takes the time to make sure that Sypha knows that he loves her and the unborn child that she carries. He leaves them with a last little quip about not naming the kid “Trefor” because it’s a terrible name.

And then the moment Sypha and Alucard are forced to retreat, his expression hardens as he turns back to face the hardest and possibly last battle of his life. He carries with him the last remnant of a dynasty of monster hunters and he carries it without staggering.

Over the past four seasons, we’ve watched Trevor grow from a cynical drunk, drifting from town to town with no plan in mind other than to simply survive. He only cared for himself back then. If he had been faced with this fight back then, he would have likely turned and ran. He was fine with helping people--in fact it seemed to be an instinct--but I doubt the old Trevor would have willingly walked into a 1v1 with a Death Elemental. But now, he has something to fight for that’s bigger than him.

“You don’t build anything. You don’t live. You just eat and hide.”

And boy. That’s what Trevor did when we first met him. When he says that he knows Death, he doesn’t just mean that in the sense that he’s familiar with the concept of death. He means that he knows the kind of person Death is, because he used to be the exact same. The only difference between them is that Trevor became more than that.

“It’s time to give this world back to the people who know how to build things. You and me, we’re just killers out of history. It’s time for us to go.”

And even though he’s grown so much, he knows he still carries a history full of blood. It’s all he’s known. Even Alucard had more of a childhood than Trevor did, and his dad was “fucking Dracula.” All Trevor knows how to do is fight and kill and survive. He’s not like Sypha, who is a wealth of practical knowledge, who took one look at the people in Targoviste and started organizing a broken citizenry, abandoned by those who were supposed to lead them and made to pay for the atrocities of a single corrupt bishop, and she helped them live again. He’s not like Alucard, who opened his childhood home to a village besieged by monsters and gave them a safe place to gather around and rebuild their lives.

Everything that Trevor Belmont could have been, could have become, burned with the rest of his family and his childhood home. All he knows is how to kill, eat, and survive. He knows nothing of living.

So now he’s willingly and knowingly sacrificing himself to stop a threat that only he’s equipped to deal with. It takes a killer to stop a killer, after all. They may both die, but the people Trevor is defending, they’ll survive and most importantly, they’ll live.

So he puts everything he has into beating impossible odds. And not thirty seconds in, his left arm is broken and Death is hardly fazed by his attacks. He makes headway, but it’s not enough. He’s running out of steam as his injuries stack up.

And then he falls down.

It looks like it’s over, but then Death boldly declares that once he’s done with Trevor, he’s going to kill Sypha, that he’s going to take away one of those builders Trevor wants to give the world back to.

And he gets a second wind.

It’s very poignant to me that Trevor drops the Morning Star Whip. It’s a legendary weapon of his ancestors. Something he held with reverence upon discovering it and used to help end Dracula. Now, he willingly drops it after unleashing the largest display of its power that we’ve seen the whole show, and he pulls out a blade and reassembles it with the missing pieces he’d been quietly gathering through the last season.

And it immediately starts to burn him. It clearly hurts him, but he keeps going as his only good arm is consumed by a power to great for mortal hands, and he drives it into Death’s skull.

The last shot we see of him, amidst the blinding light is his expression shift from grit and determination to a serene acceptance. And then his armor with the crest of his family breaks the second after Death’s skull.

And then the music stops. And we’re left with utter silence as the tower of Dracula’s Castle falls.

It’s just so good.

A culmination of Trevor’s arc from a selfish drunkard who was only a Belmont in name, who while he walked and ate and survived, had functionally died the night his family did, and he became a brave, selfless man who was self-aware enough to realize that “survive” was all he had done. And that “survive” and “live” are two very different things.

Trevor Belmont knew walking into that fight against Death that he wasn’t going to walk out again, and he accepted that without flinching.

#void screams #castlevania #trevor belmont #whump things #sort of #i just love it when a character goes into a fight knowing that even if they win that they wont be walking away #but they do it anyway because theres something theyre fighting to protect that is worth dying for to them #just the notion of 'i may die here but im taking you with me' is just *chefs kiss*

[beevean]

Season 2 was supposed to be peak. I was promised peak, before the torture fest that is Season 3 and “let’s fix everything ASAP” that is Season 4.

Well, fuck me if this is the best season.

We see more of the dynamic between the main trio, finally. Trevor lost most of his gruffness of Season 1 and is now more melancholic, perhaps because he spends most of the season cooped up in his old family home. I appreciated how they also tried to elaborated on the family lore, such as how the Belmonts originated from France but moved to Wallachia to hunt vampires. Sypha is still cute, nice and talented but a little spoiled and sheltered, compared to Trevor’s roughness. They finally start to build some chemistry in episode 4, where Sypha makes fun of Trevor’s name and calls him Treffy, and okay, they’re cute. By the end of the season, they put a smile on my face :)

And Alucard? For the first six episodes or so, Alucard is horrible. He’s nothing but smug and condescending (okay he may have an understandable distaste for the Belmonts, I get it, but you’re way more of an asshole than the supposed asshole Trevor), he calls Trevor “unreliable, emotionally damaged, drunk and self destructive” after a few days with him when Trevor did nothing around him to deserve these words (Sypha has seen more of his worse side than Alucard), he curses already, he says stuff like “Villagers, pitchforks and torches, that sort of thing” which is very much not how Alucard should sound... How am I supposed to take seriously the running gag of Trevor turning everyone around them into cussing assholes, when they start out that way already? (yeah we already know that literally everyone here swears like a sailor, even characters that really should not. I will get there.)

Yes, they handwave it by saying that Alucard is actually a teenager in an adult’s body. He’s still a jerk. And this only makes a Very Infamous Scene much worse.

Strangely enough, they say that he’s called by others Alucard, it’s apparently not the name that he chose for himself, although he adopts it. Weird way to deprive him of his agency? Ellis, darling, Alucard is a silly nickname no matter how you slice it, no need to change the lore :P

Anyway, he gets better at the end when he stops being an OOC jerkass, and he becomes more like his kind but self-loathing game counterpart. I guess I’m insisting on this because I genuinely didn’t expect to dislike him this much. Hopefully he gets better later on.

Well, the trio spends most of the season doing exposition and supposedly bonding. And I mean. A lot. Of Exposition.

At one point, Alucard takes 2 full minutes to explain the tragic nature of his father and another 2 to drive home how terrible it is that Dracula doesn’t want to “destroy the world”, he wants to kill humans, which will result in a sad, empty world. I get it, man. It is a genuinely harrowing description of how mad Dracula’s plans are, but it comes so out of nowhere and it adds nothing other than “we must stop him”.

Another weird detour is the one about Trevor’s name, which isn’t “local”. Get it, because Trevor’s name was changed by Konami of America and he’s actually Ralph in the original Japanese? The explanation is that he was named after a Celt who rode with Leon himself, and it should be spelled Trefor, which, a little random, but okay. Well, good luck trying to explain all the weird names in Castlevania :) I’ll especially wait if you’ll ever justify the Germanic Richter.

Sypha goes on another speech about how both Trevor and Alucard are sad, but Trevor is still there under his sadness, while Alucard is completely consumed by it. Very poignant, but I only see smugness from him so far, so thanks for telling me instead of showing me? Who talks like that anyway?

I did appreciate Sypha defending Trevor from Alucard’s assholery by pointing out that he didn’t get to grow up normally, something that Alucard should relate to. That was actually a normal conversation to have.

I also find odd how the Morning Star, supposedly a powered up version of the Vampire Killer, is found in a chest as a separate object - I’ve already seen a clip of Trevor double wielding them. Speaking of which, was the Vampire Killer named in Season 1? If it was, I missed it thanks to the sleep-inducing pacing.

Speaking of weird writing... Sypha. Darling. Baby. Why in the sheer fuck did you move Castlevania on top of the Belmont hold? Like, she doesn’t even try to explain herself, she’s just like “oopsie, my bad”. girl???????

Yes it gives us the genuinely awesome moment of Trevor leaving the Belmont hold in Alucard’s hands, which is one hell of a friendship offering if I’ve seen one... but still.

I don’t know how to feel about the decision to leave Alucard behind. In-universe, Alucard explained his reasons well, I don’t blame him. In a meta sense, it’s an odd decision to split the trio so early on, after they barely began to bond. And I know how it’s going to affect Season 3 :\

Onto the villain side! The war council gets introduced, and with this, Dracula’s portrayal takes a nosedive. While he was genuinely intimidating yet tragic in Season 1, here Dracula can’t even intimidate a room by yelling, and all the new OCs take turns into painting him as a dumbass who just wants to destroy himself with no logical thinking. Which is true, and an interesting thing to point at, but let’s just say that I’m very tired of OCs existing purely to make fun of the canon villain :\

Basically, Dracula is clinically depressed and getting worse. By the second half of the season, his modus operandi is “fuck it, I don’t care”. And I do feel sorry for him, I do, Graham McTavish is perfect in conveying his tiredness, and there is an excellent payoff at the end, but I only see a forced reason for the OC villains to be right and surpass him. I think I’m biased at this point :\

As for the OCs, you have Godbrand who keeps insisting that he doesn’t want to fight this war, that it has no order, why does Dracula trust two humans over his other generals, and most smartly, if Dracula manages to kill all humans, how will the vampires feed? Dracula doesn’t have an answer for that other than “welp i have stored blood”, which is not a good solution for immortal creatures. I don’t have much to say about Godbrand on his own, he wants to be funny but insightful at the same time but I just felt that he hogged too much screentime for someone meant to last 4 episodes.

Then you have Carmilla who can march to Dracula and ask him why hadn’t he turned Lisa, did he really want to keep a pet, and Dracula for some reason doesn’t turn her into a smear on the floor. This is hard to go through. And it gets worse.

Oh, Carmilla. You wonderful radfem #girlboss, you. You are the Starline of this show, without any of the cute shipteasing. It’s really funny to compare her to her game counterpart, who not only looked more frilly, but was one of the many Dracula simps of the series.

Here her design is more generically sexy (really, no skull motif? Boring) and, well, her personality is #girlboss. She’s a smug snake, she constantly speaks in a fake sweet voice, always with a hand on her hip, she #slays in her pretty dress and high heels, takes no shit from no man, her introduction is all about intimidating men, and no wonder fans love her, she has no depth other than “man bad” :^) (the implication that she and Godbrand have a sexual relationship is... uhhh interesting ig?)

The way her backstory is told is so forced too. She kicks Godbrand down the stairs to subdue him, and then rants about the Stupid Old Man who kept her prisoner. We don’t see how she was “bound” to her master, but we see her in her #girlboss moment as he murders him with a smug smirk on her face. God forbid we see her in a more vulnerable moment of her life. I feel nothing for her. I don’t even know if I’m supposed to feel nothing for her. I only know that at this point the mere sound of her clicking Girlboss Heels pisses me off and I want to use them to stab her in her obnoxious smirk.

Carmilla is the Mephiles of Castlevania. The show tries so hard to paint her as a Machiavellian mastermind, pulling everyone’s strings to get what he wants... but realistically, who is she dealing with? Dracula, who is depressed and doesn’t have the strength or will to fight her; Godbrand, who has only one braincell and it’s boat-shaped; Isaac, who agrees with her plan while knowing that it doesn’t benefit them simply to make her shut up (not that I blame him); and Hector. I am not impressed, I’m just constantly rolling my eyes because everyone is such a dumbass!

We have here another instance of weird writing, the running water rant, which is basically Carmilla, Godbrand, Hector and Isaac arguing about the validity of the superstition and what counts as current water. This smacks to me as Ellis trying to use logic to explain old vampire lore, although at least it’s not as stupid as the cross explanation in Season 4. Yes, vampires can’t touch running water because it was seen as purifying, much like garlic, and this is present in the games sometimes: Alucard in SoTN needs a relic to go underwater, and Joachim was imprisoned in the Dark Palace of Waterfalls, much like Carmilla mentions the ancient practice of burying vampires on small islands to trap them. So... I guess this is supposed to flesh out the lore? But it comes out of nowhere and, unless I’m proven wrong later on, it leads to nowhere. It’s a big filibuster that takes time from things like showing stuff.

“oh but these conversations make the show more realistic, it’s like how real people talk!” unpopular opinion then but I’m getting tired of all this pointless exposition, it’s not even that entertaining. All these people do nothing but talking, and I don’t feel a damn thing! And I adore dialogue, characters interacting is usually my favorite part of every story! Here, I’m not sad, I’m not amused, I’m not intimidated, I just want them to shut up. Godbrand is the only one who is mildly entertaining, but of course he doesn’t last long.

Oh, and people have already pointed out the inherent contradiction of a cursed zombie bishop being able to bless the waters. By all logic it shouldn’t happen - hello, the magic is called Devil Forging for a reason, maybe you shouldn’t drop it! But hey, everything to make Carmilla look as smart and powerful as possible, look at her, destroying Dracula’s forces like a total #girlboss! Or to yell that CHURCH BAD, in case we missed it the last 4383532 times.

Well, I’ve ranted enough. Positivity time! This won’t be long :P

The fighting scenes are still top quality (although admittedly the general animation has its dips), and I really liked the fight in the Belmont house. I have the smallest of nitpicks, which is that I would have preferred if Trevor stuck to the Vampire Killer/Morning Star instead of having a sword as well, but it’s no big deal. I also appreciated the more precise references to the games: while Slogra and Gaibon are a little “obvious”, I genuinely liked the inclusion of Malphas and the presence of four Save Room statues, that’s more deep cut. The sequence of Castlevania moving around Breila, being flooded with blessed water, and Carmilla jumping around with Hector in tow to avoid it is also actually original and cool. (it also has the only instance of “fuck” that made me genuinely laugh)

And of course, I can’t not mention episode 7, which feels like it was written by completely different people for a completely different show. First of all, Bloody Tears.

Chills. I love this track despite being used to death: I can only imagine how long time fans felt at the time.

I’ve watched the fight scene plenty of times, and it never gets old. Animation on point, good choreography, excellent use of every character’s abilities, this is the real peak of the show and I’m finally feeling something! It’s so good :D

Speakin of feeling. God, Dracula.

When I saw the scene of Dracula sending Isaac in the desert, I thought that it was a nice way to show how much he cared about his friend, but that it was also much dumber compared to how the manga justified Dracula being left defenseless (why are you sending away your best fighter?). But it was not about protecting Isaac at all: it was to ensure that he’d die in peace without Isaac laying his life for him. And, well, it got me. Finally, some good telling instead of showing!

(although sending Isaac in the middle of the desert with no help whatsoever is kind of cruel)

The ensuing fight is also awesome. After a whole season of moping around, we get a good reminder that no, Dracula is not to be fucked with. He shrugs off every attack, even the OP Sypha can barely scratch him. (and alright, him recognizing Trevor as a Belmont from his ineffectual punches is funny)

By the second half, it becomes more of a Dracula vs. Alucard fight (and tbf, the other two were clearly outmatched, although I liked the moment where Trevor supported Sypha with his back to allow her to push Dark Inferno away - yay, battle couple!); this is, of course, to fully explore the family tragedy, how much Lisa’s death wrecked both of them, and how Dracula is so lost in his grief that he’s beating his own son to death. Which leads to the absolutely best moment in the show, which still makes me tear up: “Lisa, I’m killing our boy” :(

This fucking sequence makes me cry almost as much as Lee’s death goddammnit I can’t handle this

if only this was the last episode. But no.

So, that was Season 2. Much meatier than Season 1, although still rather slow for most of its run, but I really thought I would have enjoyed it more, especially since I know the hell that it’s awaiting me. The core of this season was Carmilla setting up the stage to replace main villain Dracula, which I can’t say I found entertaining. Well, episode 7 was a masterpiece, but it took so long to get there, and episode 8 had to shit all over me.

... speaking of which...

:)

I had to split my thoughts into two parts. Because now, I get to talk about the Devil Forgemasters. And it’s going to be fun :)

#castlevania #beev watches netflixvania #anti netflixvania

[chatotbox]

What’s a scene you really enjoy that you’ve written?

for anybody you play vlad. Perms to infodump

oh man................i haven't written much here yet to talk about but previous threads would be:

the mirror game thread with andrey and peter it HAUNTS ME. IT HAUNTS ME!!!

notkin and grief's convo where notkin became his apprentice. Good Stuff.

the journey under the abattoir.....i think about it a lot too

all of the darkest dungeon stuff like Literally All Of It but specifically the vvulf combat and the thread where reynauld and regulus were sitting on the busted ass stairs and reynauld was playing music for him. the two opposite vibes but it really captured the hope reynauld brought to the whole thing.

trevor and leon beating the shit out of each other because of the weight of the belmont legacy. excellent excellent stuff.

for the ones that aren't Written but were rp moments i still really think about:

Lighthouses for Ghosts. do you know the amount of brain rot you gave me with this one line.

similarly the recent 'When are you going to decide to stop being so hollow?' you know how to drop The BOMBS in roleplay.

jaegar and vice werewolf bonding where jaegar went 'i know how to keep him under control' and just ran laps with him tbh. their friendship is everything to me.

trefor and leon!!!! in the castlevania stuff!!! FOR GLORY!!!!!

and finally. the giant pearl fiasco. i think about it all the time.

#heres to many more years of insanity #off the air. / ooc.

[castlelastlevania]

In my Castlevania/TDV crossover, I've realized that I ship Herbert and Leon... and I’m the only one who will ever make content for this ship.

This exact moment doesn’t take place in the fic, but shirtless Leon will appear at one point or another.

Leon: “Trefor, hand me my whip.”

Trefor: “oh? ...OH!”

Leon: “I will flay you.”

Herbert: “So, you own a whip?”

#me making innuendoes about the vampire killer whip again #castlevania #tanz der vampire fanart #castlevania fanart #art #digital art #fanart #leon belmont #herbert von krolock #crossover #tanz der vampire #tdv #trefor castlevania #lament of innocence

[doodle-empress66]

"I could fix him" vs "I could fix him but honestly, whatever the hell is wrong with him is way funnier"

#Dracula? He's a little... unorthodox. I love him. vs. Trevor's a fucking moron. I love him. #“Oh my God that’s [cold fresh beer] is better than sex!” “Better than sex?” *freezes Trevor’s beer.* #And both had men who were basically like “This woman could absolutely kick my ass. I need to marry her.” #Why would I bother fixing him? All I need is smile at him and he'll literally do anything I want him to. Except call our kid Trefor. #Sypha became more like him too. 😂 True love right there~ #To be fair Lisa did succeed in fixing him it's just that things took a very unfortunate turn at her death #I validate both women and their attractions #castlevania #castlevania netflix #sypha belnades #trevor belmont #vlad dracula tepes #lisa tepes #trepha #trephaweek2022 #animation #relationship goals

[cthoniccompanion]

castlevania s4: *gives alucard back his friends, a community built around his home, a possible love interest, and the implication of his parents returning to him eventually*

me: I owe you my entire life

#castlevania #castlevania season 4 #castlevania spoilers #castlevania s4 #also i appreciate that they didn't wholly table trephacard #they all have two hands they can be a poly quad together #communally raising trefor #the way it should be

[holdtightposts]

The origins of Treffy.

Alucard eavesdropping on their conversation.

If you do the math:

15 months passed between season 1 and season 2. The conversation took place in s2. 16 months passed between s2 and s3. And supposedly 15 months between s3 and s4.

Alucard waited for 2 years and 7 months just so he could get the perfect setup for this punchline and it paid off. He held onto it for 2 years and 7 months because he knew he could use it against Trevor as the ultimate insult. Perfect setup, perfect delivery.

Bonus:

#alucard knew from the beginning he needed the ultimate trevor belmont insult #and boy howdy did it pay off #castlevania #netflix castlevania #trevor belmont #sypha belnades #alucard #adrian tepes #belmont village #treffy village #trefor #treffy

[spaceasianmillennial]

The lineage of Trefor Belmonts

Leon Belmont: Thanks for your help. What’s your name?

Trefor: Trefor.

Leon Belmont: I love it. The Belmonts shall remember you. And if you follow me into battle, we shall make out.

Trefor: Sure.

--

Marie Belmont: We’ll call him, Trefor Belmont. After the man that Leon Belmont liked to make out with.

Gabriel Belmont: I sense he’s gonna hate us for that. We’ll nickname him Trevor.

--

Trevor: Oh God, I think Sypha’s having a little one... she better not name them Trefor if I die.

--

Trevor: Sypha, why did you teach the babies to say Treffy?

A bunch of Belmont Babies twacking their father.

Belmont Babies: Treffy, Treffy, Treffy!

--

Alucard: Hello, welcome to the village of Tre-

Trevor: It’s Belmont! This is Village Belmont.

Alucard: Welcome to Treffy.

--

Trevor: We’re grandparents! What are you going to call our grandbaby, Simon?

Simon: Trefor, Dad. Trefor Belmont, your grandson.

Trevor: ...

---

Trevor: Another grandbaby Belmont! Please don’t-

Belmont Daughter: Don’t worry, Papa, we’re not calling her Trefor.

Trevor: Good.

Belmont Daughter: She’s a Treffy.

Trevor: NOOOOOOOOOOO.

---

Richter Belmont: So, Alucard, you knew Trevor Belmont.

Alucard: I knew many of the Trevor, Trefor, and Treffy Belmonts. His kids named their kids Trefor or Treffy to mess with him. But it would never compete with naming my village Treffy.

Richter Belmont: Which gives me an idea. If my dumb ass survives, I’ll name my kid Trefor Belmont. Annette would be into that.

Maria Renard: I’m a distant Belmont relative. There is a Treffy down my family tree. And if I got kids, I’ll name them all Treffy!

Alucard: Well done, my students. 

Meanwhile in the Afterlife

Trevor Belmont: Oh no. I sense... idiots descendants making plans to name their kids after me.

Sypha: Oh I sense it too. But you can’t do a thing about it.

Original Trefor: Get over it Trevor Belmont. (Continues making out with Leon.)

Marie Belmont: Son, you don’t have to hate your name so much.

Simon: Treffy Belmont.

Trevor Belmont: Would someone bring me some Death Magic and resurrect me so I can slap some sense into our descendants?

#castlevania #leon belmont #trefor #trevor belmont #sypha belnades #trepha baby #baby belmont #richter belmont #annette #maria renard #simon belmont

[halpwhatdoiputhere]

Am I the only one who forgot that Saint Germain even existed

Like I think about the judge more then him

#castlevania #saint germain #The judge #trevor belmont #Trefor Belmont #Treffy Belmont #trevtrev Belmont #castlevania alucard #sypha belnades #castlevania nocturne

[crystalclearworld]

what an incredible ending, I don't even know what to say

#castlevania #castlevania s4 #s4ep10 #alucard #trephacard #trepha 4ever #trevor belmont #I love trevor so fucking much this stupid handsome bastard #saint germain I hate you but I love you #does that mean there will be a trefor? #i need trepha fanfics #alucard x greta

[aeroknot]

MY DUDES I WAS CRYING LIKE????????????? (it’s very hard for media to actually make me cry)

NOW MY HEART IS SO FULL

i was gonna be so crushed omg this is amazing

#😭😭😭😭😭😭😭😭😭😭 #aero laughs with herself #castlevania spoilers #castlevania season 4 #TREVOR!!!!!!!!!!! #also i def knew why he was saying trefor was a terrible name 🥺 #i was sitting here like ‘well that was all a waste of time. just did all this to break my heart. ugh’ #BUT!!!!!!!!!!! #i mean i’m still pretty upset about [redacted] and [redacted] #but hey. Good

[lightfallensea]

Dracula and Lisa are happy and going to travel the world😭😭😭

#castlevania spoilers #idk why that hit me so hard #this was the best ending #and TREFOR SURVIVED! #my wonderful asshole husband

[draculagetspegged]

i think it’s funny that if dracula’s origin story in the netflix series somewhat follows lament of innocence, then it’s quite possible that dracula personally knew the “trefor” that trevor is named after

#he hears sypha call out 'TREVOR!!' during the fight and is like 'really? the belmonts are still naming their kids after that fuck??' #unless trefor was someone who joined up with leon after the whole matt-becoming-dracula thing #castlevania #netflix castlevania #my posts