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#trophy hunt
paristexasranger · 2 months
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Playing this wacky one in april:
Gold Sounds in Brooklyn
Infant Island
Closer
Trophy Hunt
Strega Nona
Pyre
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pyre-nj · 2 months
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NEXT SHOW
Feb 25th at Foto Club Philly with Kiande Amedha, Harm Assist and Trophy Hunt
See yall there
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mineralism · 8 months
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Branch by Trophy Hunt (2022, Emoviolence, Gabber?)
think i just found the only gabber/emoviolence cross song in existence. pretty cool!
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aaaymeee · 1 year
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What am I missing? I’ve done the proving grounds, the circles of slaughter and the takedowns….what more is there?! Below is a list of my completed quests, if anyone can help I will love you forever and owe you a life debt!
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mummer · 10 months
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barry got away with all of it buried with full honours martyred forever because that is what america has always done it has honoured its murderers it has raised them and dropped them onto foreign soil it has fed them with weaponry it has blinded them to the guts on the floor it has loved them and painted their image on its walls and its screens in brilliant dolbyvision. every square inch of this world is a shrine to violence
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dustedmagazine · 2 years
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Trophy Hunt — The Branches on Either Side (Self-released)
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The Branches On Either Side by Trophy Hunt
In an instance of tin-eared mischief generated by the digital musical marketplace, Trophy Hunt’s new record The Branches on Either Side has been identified as “grindcore” on Bandcamp. Bewilderingly, the band seems to participate, calling their music “ecstatic grindcore.” Go figure. If the algorithms get you there and you click and listen, you’ll hear a species of skramz, heavy on the emo-violence, with the occasional dose of chaotic hardcore. Trophy Hunt’s songs are loaded with explosive emotional tonality, in accord with the principal subgenre’s ethos, but the record’s production is bright and clear, and its melodic structures are most absorbing when they embrace more conventional song forms. Is it ecstatic? Depends on the listener. Certainly the band energetically hybridizes numerous modes of heavy music, issuing a stimulating record, as adventurous as it is angry. 
Other bands have been plumbing the deep well of skramz in this way. Portrayal of Guilt have worked outward from its sonic roots, incorporating metal muscle, death-driven growls and industrial noise; Cloud Rat have dipped into skramz’s penchant for passionate dramatics — and songs like “Sunchoke” and “Grid” have a reciprocal effect, suggesting that Trophy Hunt has been listening to Cloud Rat’s recent records with some interest. The results on The Branches on Either Side are varied. It’s clear that the band is full of ideas, trying to articulate its own style and sensibility in an increasing complex field of sonic influences.  
And Trophy Hunt is just as clearly pissed off. The negative affect is on sharp display in the record’s opening songs, which are hard, fast and short. But the deeper you get into The Branchers on Either Side, the more interesting the songs become. “Katabasis,” “Sunburst” and “Gate” all stretch out over the three-minute mark, and they cycle through bursts of manic playing, noisy squelching and clean riffing and singing. “Sunburst” flirts with post-punk angularity in its middle section; “Gate” sounds like New Order jamming with Orchid on one of their least mopey days. It’s remarkable that the songs hold together — but for the most part, they do, as experiences in themselves and as a sequence.  
All of that is interesting, but none of it clarifies what the band means by “ecstatic grindcore.” “Pink Noise,” the final track on the record, might be the most emphatic illustration of the phrase. Sonically it’s akin to the more melodic work Fuck the Facts has recently produced, and again, you can hear traces of Cloud Rat’s ultimately inimitable sound. Both of those grind-identified bands are fronted by ferociously talented women, and perhaps the resonance of “pink” is meant to gender the music’s intensities. Certainly gender is an ongoing thematic on The Branches on Either Side. Many of the lyrics are deeply symbolic, more suggestions than assertions. But they are urgent, portentous. In “Branch,” the shrieked vocals describe a “Green that rests / Respite under weeping breasts,” and also “Ophelia’s river, the color of your eyes.” Those are complex images. One hesitates to entreat the band to ground itself, in more straightforward song structures or more accessible lyric messages. Their explosive, disruptive style is an attribute. For sure, this reviewer hopes to hear more of it.  
Jonathan Shaw
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alienkitty259 · 6 months
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Instead of tackling actual animal welfare issues, this week ARAs are mad about *spins wheel* a fake taxidermy lion head. Ok then. 
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strangebiology · 7 months
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Weidner Wildlife Museum at Western Wyoming Community College in Rock Springs.
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rebeccathenaturalist · 10 months
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Okay, so I'm a couple months behind on this news, but it's still exciting! There are only a few hundred of these North African antelope in the wild thanks to over a century of overhunting. However, several thousand exist in captivity, and contain genetic diversity that will be crucial for ongoing reintroduction efforts in parts of the addax's historic range.
That is, if those captive addax are made available to facilities working toward reintroduction. Many of the captive addax in the United States are owned by ranches that cater to trophy hunters. Instead of being used to produce new generations destined to be returned to reserves like those in Morocco and Tunisia, among others, instead the addax are raised to be "super exotic trophies" shot by hunters. One site even boasts that Texas has more addax than everywhere else in the world combined.
Just to be clear, I am not anti-hunting across the board; I know several people here in the US who go deer and waterfowl hunting to fill the freezer for the year. However, there seems to be something incredibly wrong the fact that more addax are raised to be slaughtered as trophies than are sent to replenish wild populations. I suppose it's an improvement over people flying to Africa to poach from the last wild herds, but I'd love to see the sorts of money dropped into trophy herds being put toward habitat restoration and addax reintroduction. None of the hunting ranch sites I looked at said anything about contributing animals or other resources to reintroduction efforts, though they certainly had a lot to say about the opportunity to hunt a "super rare" antelope.
On the bright side, zoos are more active in reintroduction efforts, and so it's wonderful news to hear that this is the second addax born at the Brookfield Zoo in as many years. Hopefully this little one and her brother will have descendants that will run wild in the north African deserts again.
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skull-hoarder · 11 months
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Deflated giraffe
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Seriously, this is one of the many animals that are currently soaking in the pickle in the workshop, I hope to be lucky enough to see it once mounted, it must be impressive
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paristexasranger · 3 months
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trophy hunt
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spoohie · 8 months
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I found a stuffed toy for Vil.
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Look at this shit. It’s a potato. Someone get his credit card; he needs it whether he knows it or not:
Epel: Ah don’t give a darn tootin’ about this goshdarned hair routine!
Vil: *chucks the potato stuffy at him*
Rook: Roi du Poison! My discerning eye has caught that you’ve gained an ounce-
Vil: *chucks the potato stuffy at him*
Neige: *exists*
Vil: *accidentally throws potato stuffy with force to kill*
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creature who can regenerate smaller limbs/bodyparts thanks to his divine nature and torturer who sees the beast as his divine conquest is a horrific combination
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apollostrials · 1 month
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was having a good day and then i remember btvs acted like a black man was in the wrong for wanting revenge for his mother’s death caused by a white man and for wanting this white man in question dead. then the narrative proceeds to shift the blame on the woman and paint her as a bad mother for leaving his son to protect the world. season 7 was wild for many reasons this once included.
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nncastle · 5 months
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Here are some of the rooms in the ostentatious Sarre Castle in the Aosta Valley.
Built in 1710 on the ruins of a fortress mentioned as early as 1242, having passed through various hands, the property was purchased by the King of Italy Victor Emanuel II, who renovated it and used it during hunting expeditions in Val d’Aosta.
The royal castle of Sarre, after becoming the private property of the Savoys, was used as their headquarters for expeditions in the valleys of Cogne, Rhêmes and Valsavarenche. As you can see, he hunted chamois, ibex and other game almost to extinction.
I think this is why having too much money ruins you.
I thought the grounds were unimaginative. I mean give me two years with that plot of land and you will see a stunning garden. The views of the mountains form a unique backdrop that deserves better than just four rectangles of lawn.
Wasn’t into the thousands of dead animal skulls and horns…but I can’t say it wasn’t unique.
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