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#try being the word here
peachyutdr · 5 months
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i finished it, was kicked out of the game, and then spent the next 10 minutes drawing this. i will now go take a shower, most likely cry, and then go through the emotional turmoil of convincing myself to reset so i can do a geno run. i hate it here :D
#undertale yellow#uty#my art#<- ifg#spoilers under these tags beware. although it is mostly just me being very very sad#that entire thing was heart wrenching. anyways#CEROBAS FIGHT??? HELLO???#i had to exit out of it the first time (i got to the last phase) to get better items but i came back and won pretty quickly#but THE CUTSCENES?!?!?#JFC NO WONDER THIS WOMANS SO MESSED UP. HER HUSBAND PRACTICALLY DIED IN HER ARMS AND THE LAST THING HE LEFT HER WITH- HIS DYING WISH- COULD#ONLY BE FULFILLED BY PUTTING THEIR ONLY CHILD IN DEATHS WAY. AND THEN WHEN SHE TOOK THAT RISK THE WORST THING HAPPENED AND SHE NOW HAS TO#LIVE WITH THE GUILT OF BEING THE ONE TO. MOST LIKELY. KILL HER ONE AND ONLY DAUGHTER#ALL THE WHILE SHE WAS PUSHING AWAY HER CHILDHOOD BEST FRIEND AND CONVINCING HERSELF THAT SHE WAS IN THE RIGHT TO SACRIFICE CLOVER WHO HAD#BEEN ONLY KIND MERCIFUL AND JUST THIS WHOLE TIME. EVEN TO THOSE WHO WERE TRYING TO KILL THEM. FUCK.#AAND WHEN CLOVER HUGGED HER I DOUBLED OVER IRL BC *THATS EXACTLY WHAT I WANTED TO DO IN THAT MOMENT* I HATE IT (read: love it) HERE#n dont even get me STARTED on after that. when clover started moving on their own and the gd white screen came up and we got flashbacks of#everyone's words. thats when the tears rlly started coming bc it clicked for me. 'oh. this is it. isn't it?' and IT WAS#WHEN THEY GAVE THEIR FUCKIGN HAT AND GUN AWAY TO MARTLET AND STARLO WELL THATS WHEN I REALLY STARTED CRYING#AAND THE GROUP HUGG#I WAS SOBBING WHENEVER I HAD TO WATCH THEM CRAWL UP AGAINST THE WALL AND DIE AND HAVE FLOWEYS WORDS PLAY OVERHEAD#AND THE FUCKOGN#THE F U C K I N G#AFTEWRCREDITS SCENE WHERE WE GOT THE 'You heard someone calling for help. You answered.' I GOT CHILLS SO BAD#to think that all the other souls have stories just as expansive and emotional as clover n frisks. how fucked up is that. in a good way tho#and finally the last scene where we got all 4 of our main friends sending us off in waterfall and we see clovers items end up in the dump#just waiting to be found by bratty and catty. fucken hell man this was a masterpiece#anyways time to reset and obliterate everyone and never emotionally recover from that ever!! really is feeling like 2016-17 again w the way#this game has me sobbing my eyes out and feeling the guilt of knowing that i dont HAVE to kill them all but im too curious not to#oh well. at least i have the balls to do it this time around instead of letting a youtuber do it for me ig
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tzarrz · 7 months
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to all people who said PART 1 made them laugh - i lov u 💗 this is for u
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tei-to-tei · 5 months
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December 1 - Warm Drink
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coquelicoq · 7 months
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what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.
#just kidding i don't know what linguists call that tenor. or any tenors. i'm not totally positive what a tenor even is#but i can't let that stop me from writing a jokey post on tumblr dot com#register is a very interesting area of linguistics that i know very little about#so i'm probably revealing the depths of my vast ignorance here to all the sociolinguists who surely hang on my every word#but i've always thought of the formal/informal pronoun thing as being about two things: intimacy-distance & rudeness-politeness#and of course you can usually tell from context whether a formal pronoun is meant to indicate distance or politeness#(plus distance and politeness are related to each other (to various degrees depending on culture))#but it seems like it would be cool to have a built-in alignment chart of sorts just for pronoun combos#instead of prep jock nerd goth...why not try intimate self-effacing polite superior?#the goblin emperor#pronouns#register#sociolinguistics#my posts#f#anyway i know i said i wasn't going to reread the goblin emperor...but guess what. lol#and i edited my tags on that earlier post but fyi the language DOES distinguish between plural and formal singular pronouns#i had said i thought it used the same pronouns for plural and formal but i just wasn't paying close enough attention#so anyway i just reread the part where maia is talking to setheris in formal first and informal second#and you can see setheris going ohhh shit. oh shit oh shit oh shit#i'm in biiiiiig trouble#you sure are dude. that's the Time to Grovel signal#it's interesting because at the very beginning of the book when i first saw the formal first used i just thought it was the royal we#because i knew the main character was supposed to be royalty#but then EVERYONE was doing it. so it's not the royal we it's just the formal we#however. this does make me realize that the way the royal we would function in a language that retains the t-v distinction#is the same way i'm describing here. it's just reserving that particular tone (i'm better than you and am displeased with you)#for royalty only. which makes sense given royalty's whole deal
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izuke-the-zombie · 7 months
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This is a little head cannon/What if Macaque had more original powers, a little more Starry Night dreamlike powers leaning into the more nurturing kind, you know, the moon and sun kind of powers? 🌙☀️
 
Maybe in the past, he was like a therapy friend to Wukong, someone he could really be himself with, vent, and tell his secrets without being judged in the safety of his own dreams. Someone he can truly trust, and that was Macaque.
Skip to Redemption Ark for Mac
Now he's a therapy friend to the whole MK team! (Against his will) They cuddle, pet, and vent to him with their problems. He's like one of Sandy's therapy cats, just bigger and grumpier.😾💕✨ he just has this way with people I guess
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Okay, this is how it starts: Macaque and Wukong's first encounter was in a dream.
Wukong would not shut up about the pretty demon in his crazy dreams, often to his sworn brothers; he talked about all the fun and crazy adventures he'd have, the long meaningful conversations and jokes, and the occasionally moving pictures of otherworldly strong magical humans with sparkly eyes and spiky hair who wield giant weapons that shoots Fire called anime, and that this had been going on for a few months now.
This annoyed and concerned them; they think it's a demon trying to take over the Monkey King's mind or trying to brainwash him somehow, so Azure Lion and the Sworn Brothers all brainstormed together to devise a plan to somehow confront this tricky dream demon. Wukong doesn't want the fun dreams to end or scare off this other celestial monkey, so he decides to talk to his friend in his dreams. Wukong casually brings up the idea that the macaque should visit Flower Fruit and meet his sworn brothers! Macaque of course hesitates, not sure of the idea of traveling to an unknown island and meeting The Monkey King's questionable choice of sworn brothers, but of course, Wukong, sad and a bit offended, but he doesn't give up.
He decides to bring upon the Ultimate Weapon, begging and whining until Macaque crumbles and gives in, which eventually does. Mac reluctantly agrees to travel over to FFM in disguise, just to be safe he tells Wukong he'll be there. Within a month, Wukong couldn't be more excited; he was like a little kid waiting for Christmas day!
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So this is what kinds of powers I think he should have.
😴 the first pic is crossing over to other people's dreams and making their experience life-like he has illusion magic so this makes sense to me. Wukong and macaque would prank the Brotherhood or play tags and hide and seek in their brother's dreams. 🌸The second pic is the soothing ability to calm one's nerves if they pet or cuddle him like a therapy cat,🐈 Wukong would groom him for hours to calm his nerves. now come copes with food🍑🍔🍭
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🌸🎶I saved the best one for last the cute/sad little head Cannon I have
At the end of every dream Mac visits they would end it by dancing to music Mac would bring from the future laughing and stumbling while wukong slowly wakes up, wukong has always gone to bed early But now he goes even earlier to bed. Wukong always thought he was the luckiest monkey in the world he gets to have two Adventure and one of them is with his prettiest best friend Macaque 😚✨the monkey of his dreams.
🌸 Wukong couldn't truly dream of a world without his bestest friend🥰✨
#monkie kid#lego monkie kid#lmk#sun wukong#six eared macaque#doodle#monkey king#macaque#shadowpeach#third idea of power: creating little stars out of his hands that float around like for his shadow play or a night light for the baby monkey#cute right!?#originally I was going to write a short fanfic about Wukong having nightmares and not being able to sleep because of that Mac notices#and decides to visit Wukong in his dreams#Hong Kong wakes up in his dream within a dream to a beautiful breathtaking flower field and seeing the beautiful sky it looks super Galaxy#and Mac just pops up out of nowhere and tries to start up a conversation#at first he's like cocky and stuff and then he gets little awkward#fumbling with his words and he gets a little bit more flustered wukong is like super confused and surprise to see him here#Mac gives up on trying to talk and just attacks wukong after a while we'll come figures out he's just play fighting they pretty much#just play tag and wukong slowly he gets into it but Mac starts cheating a little bit and this Riles up The Monkey King and they're just#having a blast now and at the end of it they start talking eating a few peaches just joking around it's awkward but it's nice wukongs#grooming him and he's just feeling a whole lot better Mac wants to know what's bothering him but he feels like can wait until Monkey King#Monkey King is ready for that macaque gets up extensive hand to Wukong they try to dance#and they're both terribly out of practice they keep going until they're tumbling and laughing and will come slowly gets up#with a smile on the face and super well-rested all thanks to macaque the monkey of his dreams#seriously if anybody wants to make a fanfic about this you have my full permission I don't know I think you guys can do way better than me😫
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xiaoming56 · 3 months
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Hated that last episode so i drew this to convince myself i liked it
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jamietwat · 4 months
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Jamie would 100% make Roy a dating app profile sometime after the Keeley rejecting both of them thing to try to help him move on and meet people when clearly he’s refusing to get back out there organically and he’d think he’s being so helpful and generous and the best wingman ever. He’d handpick what he considers the sexiest pictures he can find and put a bunch of shit Roy would never say thinking he’s being accurate and helpful and not even taking the clear opportunity to make a joke account to embarrass him or anything when he easily could have just made fun of him and chosen the worst pictures possible instead
And then he would be SO offended when it doesn’t go well when Roy finds out about it and is not properly appreciative at all
Roy thinks it’s Jamie’s account when he starts showing Roy girls like what do you think of her and asking him way too many questions when Roy has no interest in participating and has no idea why the fuck Jamie seems incapable of swiping without trying to get Roy’s opinions first. Meanwhile, Roy’s giving one word answers at first and then increasingly trying to brush him off when he doesn’t stop and then he’s just flat out like “Choose your own dates and leave me the fuck out of it” and Jamie’s like “Nah, this is your account. You should have a say” and instead of being grateful and appreciative and thanking Jamie for being oh so generous with his time and energy, Roy just scowls at him and growls out “You did not make a fucking Tinder profile for me” and Jamie just smirks and decides now is not the right moment yet to mention that he actually made him accounts on like three different apps because he wasn’t sure which Roy would like best
Roy barks at him to delete it and Jamie’s all whiny like “Come on, I spent a lot of time on these and you haven’t even considered it. Plus, even if you’re not ready to date someone yet, you’d still be less miserable to be around if you at least found someone to shag in the meantime”
And Roy’s like “Delete it. I don’t want a fucking Tinder profile.” And Jamie looks at him confused for a moment and then seems to have an epiphany as he goes “Oh, do you want a Grindr one instead? Hold on a second” and he flips to a different app and Roy’s too busy being baffled by the fact that Grindr is already on Jamie’s phone and that he’s having to sign out of his own account to try to make one for Roy to even stop him before he’s already trying to sign up for a new account and Roy goes “That’s not what I meant. I don’t want any dating app”
And Jamie pauses his typing and turns and looks at him so skeptically and so judgily and suddenly somehow Roy is trying to fight for his life trying to defend why he’s not looking for some random stranger to date or fuck around with
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itsdefinitely · 4 months
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i wanna know more about the jerries/jeris
do you want to know the most horrific thing about them?
the lords did nothing to make them the way they are.
yes, the jerry jr was turned into the axeman because of the witchwood, which does what it does because of the lords, but everything leading up to that is just human nature. i see the "girl jeri is nibbly" or "they were influenced by a lord to do the thngs they do" and i need people to understand that that's just. not true. they're just like that. they were taught to be like that by their parents and, more accurately, their church. it's horrifyingly accurate how religion has shaped them into non-functional human beings, who would rather potentially lose their child to the many, many dangers of the literal woods than admit that they had sex outside of marriage.
it's only because it's hatchetfield that jerry jr grew the way he did. there was no lord's intervention in their decision to keep the baby, or to drop out of school to care for him, or to keep him seperated from any other people, or to revolve their lives around the idea that they'd committed a sin and needed to pay by pushing celibacy rather than. i don't know. properly raising their child. it was the way they were taught. the toxic pushing of overexaggerated christian ideals is what molded them. can you imagine being in their place? being a scared teenager and knowing that if you told any of the people you care about most your secret that they would shun you and disown you?
the only people they felt any kind of safe around were each other; of course they're going to be codependent. and even then, they're disgusted by each other for leading them to sin. they're stuck together unwillingly, because without the other, they're alone.
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nocek · 7 months
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Do you want to hear a funny story?
So you know that I was drawing spiderverse comics lately. Because they are fun to do. And I think people like them. I mean the most popular one has like 4K notes? That's lot for me when I usually dwell in tiny fandoms made out of like 3 people and their dog. So it's nice, everybody is having fun and I'm grateful.
but
BUT
I just found out that somebody took few of that comics. Cut them up and run the text through ai reading voice and posted it as reels on fucking youtube.
And it's not even that I'm stumped why even turn 4 pictures into video. First time I see such a time wasting thing but ok. People do like different things.
And even lke some effort was done to erase text from speech bubbles so it appears as the ai spews it aloud but it's not even about it
I had pictures taken and posted somewhere else. Usually without credit. At least this time it was credited? I guess I should be grateful.
What fucking gets me is that those comics have several hundred thousand views and few hundred comments each.
Like fucking seriously.
I don't know what's the point
I don;t know what should I feel about this
I mean unless you can make money on youtube reels? Then I can at least be pissed about it. Nice clean feeling?
Because what gets me is that most of those comments are nice so I should be happy about it? I guess? But I feel like a pathetic peeping tom looking for appreciation that wasn't given to me actually eve if I did the thing
ugh
I'm just tired
this day was already shitty so i guess it's time to give up and take a nap
next comic will be delayed
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cringefailcabitha · 3 days
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I don't know you but I'll try to do Anything that gets me closer to you ,
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autismserenity · 2 months
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Welp. Just had the most horrifying realization.
What determines whether people want to punch Nazis or not isn’t the fact that they're Nazis.
People only want to punch Nazis when they disagree with them.
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worstloki · 2 months
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People make truth potions soooo serious. Personally if a friend said ‘I like you’ or ‘I love you’ it would be considered something sweet since they cannot lie and didn’t say ‘I hate you’. Not a confession of romantic love that the world must now be staked on as it is acted out
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alrightbuckaroo · 2 months
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tender eyes that shine
1/1 | Rating: M | 16.1k | A Carlos Reyes character study in which Carlos learns to love himself a little more, even the soft parts. | All the thanks in the world to @bonheur-cafe for beta reading this one <3
Carlos is eight years old.
His favorite food is pizza flavored Kraft macaroni and cheese, his favorite movie is Spirit: Stallion of the Cimarron , his best friend is a stuffed koala named Kique, and at this very moment, he’s heartbroken over the passing of his abuela.
“No llores, nieto,” Carlos’ abuelo tells him during the wake of her funeral. Gray clouds are scattered across the sky and coating the somber event in an even more somber tone.
His abuelo crouches down, his joints cracking and popping as he stoops to Carlos’ eye level. He raises a calloused thumb and wipes away the tears that are still falling from Carlos’ wide brown eyes.
“Men like us,” His abuelo continues, his words casting a wide net. ‘Men like us’ is synonymous with anyone that looks like Carlos, has his skin tone, or shares his namesake. “We don’t let the world pity us, we can’t let them see us as soft.”
Carlos nods, wiping away any new tears that are starting to fall. The right sleeve of his charcoal gray suit now comes away colored a staunch black where Carlos’ tears have dampened it.
For some reason, the way his abuelo says ‘soft’ ricochets off of Carlos, as if it were stone and Carlos is a thin sheet of glass nestled into a window pane. It’s left a dent, an imprint, an impression, but hasn’t done enough damage to cause a crack.
Carlos’ bloodshot eyes shine with hesitation as he asks, voice small and insecure, “Reyes men don’t cry?
“Reyes men don’t cry,” His abuelo confirms.
continued on ao3.
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wiseatom · 9 months
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i tried for a well thought out post. instead you get this mess that i’m begging you not to twist:
the outraged cries of “cliques” are people being actual friends with each other. the people complaining about certain blogs or creators being on pedestals are usually the same people putting them there. i’m not one to belittle feelings - i understand where the upset is coming from. i even understand my place in it! but at the end of the day, we’re working ourselves up over what? notes? followers? hits on a fic? things based on luck and timing??
i can only speak for myself, but i work a full time job and i’m hard scheduled 45 hours a week. all of my free time goes towards fic writing, because that’s For Me and that’s what’s important for my mental health, and even then, i am usually too exhausted to do that. i would love to read fic and interact more! my to-read list is a mile long! it is just genuinely hard for me to find the time. i prioritize my friends because they are my friends — real, actual people i know beyond tumblr mutualship, who i talk to about more than just fic writing — and even then i am late getting around to it. i’m not saying this as a “woe is me, my life is hard” moment, but moreso trying to offer a perspective that is not even being thought of. and i get it, no one wants to hear it, because you’re frustrated, and being vocal about frustration feels nice (i know, bc here i am)!!
someone is going to come for my throat for making this post as a “big author” and “part of the clique we’re all vagueing” and maybe it’s juuuuust me but like. if you’re that unhappy, log off. if seeing a friend group you’re not part of interacting makes you unhappy, log off. if seeing the engagement other people get on their posts or fic or art makes you unhappy, log off. you cannot force people to interact with you or your creative work, and aggressively posting about it when they don’t is not inviting them to. i am begging you to stop having expectations of people you do not know, because at the end of the day, you’re setting yourself up for disappointment.
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srapsodia · 1 year
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he's going through A Lot
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hephaestuscrew · 16 days
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“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens
TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).
Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc
Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 
With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.
***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***
Detective duos
Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 
Romantic assumptions
Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:
When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)
When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)
Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)
When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)
Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…
Proposal via door plate 
The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:
CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)
Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:
She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 
Anniversaries
In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 
When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”
“Miss Clara Entwhistle, my partner”
I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:
FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)
Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 
“Her ridiculous detective.”
When Clara fears for her life at the display of the Lanterns, the narration tells us:
“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 
The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 
Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.
Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.
“Settled”
When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:
"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 
By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.
I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.
As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 
FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.
I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.
Inseparable 
Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 
"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)
Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.
Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)
“Like a friend might?”
At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.
“Maybe it'll just be my good luck charm.”
CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.
In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 
That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…
Thank you for reading all of this!
If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!
#victoriocity#clara entwhistle#inspector fleet#archibald fleet#high vaultage#I'm not really trying to persuade anyone who doesn't already vibe with Fleet & Clara QPR as a concept#I just enjoy digging into that interpretation#I don't have any lived experience of QPRs myself#I'm just an aro who occasionally yearns#which tbf is probably the demographic most likely to obsessively interpret fictional duos as QPRs#I tried to avoid straying into anything like ‘they are too important to each other to be *just* friends’#when writing this#because I deeply dislike that outlook#That's not what I'm getting at here#Friends can be that important to each other without being in a QPR#I just think Fleet and Clara are important to each other in a particular way that can easily be read as a QPR or QPR-adjacent#Ngl for me personally I was very happy that there was no explicitly romantic Fleet and Clara moments#in S3 or High Vaultage#I’m sure I would still love their dynamic if they did explicitly take it down that route#I’m sure it would be done well#But the fact that Fleet and Clara are platonic (or at least ambiguous) means a lot to me personally#A related thought to that bit on romantic assumptions is that under amatonormativity#even the denial of romance/attraction is so often treated as evidence for it#which can mean that there's no way to escape that implication#so that's another reason why I enjoy taking characters at their word#when they express discomfort over a dynamic being interpreted as romantic#I finished writing this on Wednesday and I've been so impatient about waiting until S3 is fully out to post it lol
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