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#trying to learn how to color again
skunkes · 10 days
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old drawings i found and enjoyed while looking for something else
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equill · 11 days
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The Warden
Panel: No escape.
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Ok, now just some silly ideas to share (playing around with the au)
Comic 1: Invading dreams
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Extra: no thanks.
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Comic 2: Unwanted attention
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diamondsheep · 1 month
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Zorooo ⚔✨!!!
this is a redraw of this fanart that i made in 2022
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uchihashisui-kun · 1 year
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I got a new tablet and the first thing I did was to draw sexy Hokage Fugaku lmao
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@rayshippouuchiha Idk if you remember that one ask I sent some time ago about drawing sexy Fugaku, but you asked to be tagged in it if I did end up drawing him so here it is~
Also @x-authorship-x this is all completely yours and your anons' fault for putting the idea of Hokage Fugaku in my head, so now you have to see it as well u.u
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7roaches · 6 months
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im eating chicken with a fork and it made me think about how great opposable thumbs are like if we didnt have opposable thimbs we couldnt turn a ring pop around while holding it or open ring pop wrapper or
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hyperfixation-hideout · 8 months
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drew Little in Oscar's clothes!
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Y'know.... cause Little Prince?
... That was the entire thought process behind this
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the school arc to me is so good because it drags ciel out of his position as a powerful figure and literally places him in the shoes of the person he could have been. the circus arc ALSO drags him out of his position as big bad queens watch dog/head of the phantomhive estate but the school arc feels like a mockery of a future that never was. this is what he could have been had his parents not died. and even then its NOT because he will never be that kid.
he never was.
#ramblings#incoherent beyond belief its 4 am#and im trying to avoid manga spoilers#might add a reblog with more coherent thoughts when i wake up but im off my meds so i cant promise anything#actually correction im being vague w the manga spoilers#manga readers know whats up#idk if there are any anime only ppl who havent been spoiled on The Plottwist Ever yet#but i figured there will be new fans and though im not tagging this it might still get seen so#cant WAIT to see our boy absolutely miserable in animation form should they recreate that arc LMAOOO#which ofc is after the germany arc so thats still a long time away#but STILL. itd be fun i need to see this young teenager lose his mind in color with sound#him relying on sebastian to do all his fag duties (sorry. dredge) so he can work his way up the social ladder#trying to gain power while simultaneously proving that he cant do anything but rely on others#hes always needed help in basically every way and he hasnt CHANGED he just got a demon to do it for him#he learns to lie and charm and cheat and all the while hes a fucking CHILD WHO STILL STRUGGLES WITH NORMAL THINGS#ciel is my little baby and i love him deeply no matter how much of a little bitch he can be#his helplessness isnt just 'oh he was raised in british high society' its also that he never got the chance to learn anything#which to elaborate on that id also have to go into manga territory. iykyk#like absolutely at this point he just refuses to learn how to do things he has a pet demon to do it for him#but.#hi the phantomhives backstory is killing me again its so late#both atlantic and the school arc are just setup for the Big Arc but theyre very good in their own right i SWEAR#also when i rewatched the circus arc a while back and i realised how some scenes were shot#the heavy foreshadowing that i didnt realise. yk. 7 years ago or however long its been since i first watched it#CRAZY#if you are new. to kuroshitsuji. and you havent read the manga. dear god. read the manga#ALSO GRELLE IN THAT ARC IS SO BEAUTIFUL & OTHELLO IS TRANSMASCULINE. OKAY GOODBYE
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dancedance-resolution · 9 months
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i started a supercorp portrait of a lady on fire au like three years ago. i'm never going to finish it, but the writing style is pretty cool, so i want to share it. so um enjoy the prologue and a bit of chapter one?
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Prologue. Bonnelles, France. 1786.
“First, my contours,” Kara said, her voice soft and level. She looked out upon the dozen or so young women, their eyes darting back and forth from their papers to Kara herself. “The outline,” she continued. The increasingly swift sound of scratching charcoal prompted Kara to further instruct, “Not too fast. Take time to look at me.” She paused. “See how my arms are placed.”
At that moment, Kara saw the painting.
She swallowed and took in a breath; she schooled her expression before letting out the air with a pathetically soft “My hands.” Her students’ gaze followed her verbal direction, now observing as Kara’s fingers curled with remembrance. Their own hands now began to sketch the slope of hers—the slope that had once coaxed breathy moans from a lover, the slope that had once created that very painting in all of its hollow longing.
Kara felt her heart rate accelerating, and her attempts at calming deep breaths only made her shoulders shake unsteadily. “Who brought that painting out?” Her eyes darted around, landing on each possible offender, as she tensed her core and adopted a stern countenance.
Every student dutifully turned to look at the work.
It was an especially young girl who finally lifted her hand. “I brought it. From the stock room. Should I have not?”
Kara’s “no” felt like a brick, its weight threatening to pry tears from her reddening eyes. So Kara took another swallow, a handful of blinks, a few more steadying breaths.
“Did you paint it?” the girl asked innocently. Nia, her name was? She stared at Kara, oblivious to the flood of sound overwhelming Kara’s mind and echoing in the cavern of her heart.
“Yes,” Kara uttered softly, the word barely audible as they fell from her lips. “A long time ago.”
Nia’s head snapped back to examine the painting once more. It stood on an old but sturdy easel, tattooed and scarred but still standing. The artwork itself was brooding, with a white sun bleeding into a dark vignette. Heavy clumps of clouds occupied the sky and caged some of the sun’s rays, so the fire burning behind the woman was bright enough in comparison to create a dragging shadow of her figure. The flames crawled up the back of her windswept dress, bringing sharp tension to an otherwise lulling, melancholy landscape.
“What’s the title?”
The sound of the sea began to swell in Kara’s head. Her lips trembled. Her body unwittingly swayed slightly. “Portrait of a Lady on Fire.”
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Chapter I. The island of Brittany, France, and the surrounding sea. 1779.
Kara squinted into the distance, her face scrunching up a bit as she desperately tried to shield her eyes from the harsh glare of the sun on the water. For all its gorgeous teals and sparkling peaks, it certainly did make her wish for one of those brimmed hats the rowers were all wearing. With every one of their paced paddles, the cork-like little canoe bobbed haphazardly. Kara rather felt as if she were in the wine glass of a thoroughly drunken Marie Antoinette.
At least she wasn’t prone to seasickness.
She still felt quite unsteady, though, being thrown about and forced to pathetically grab onto the boat’s low walls. She leaned forward, trying to regain her balance and ground herself despite the absence of ground.
The wooden pallet holding her canvas was, apparently, as unstable as she was, and the next thing Kara knew, it had been lurched off of the boat like vomit from a drunkard. Kara watched helplessly as it thrashed among the choppy waves, the sea carrying it a few feet from the boat.
The chief rower met her desperate look with exhausted resignation; he ceased his paddling as Kara shed her overcoat and placed a precarious foot on the edge of the canoe.
With a strained creak from the boat’s wood, she jumped into the water, dress billowing behind her. Her first gasp for air upon emerging from the water was audible; she could feel the effort in her throat. Her arms moved in laborious little arcs as she slowly made her way towards the floating pallet and finally made a desperate reach for it. Kara’s fingers grasped onto a wooden board, and she pulled herself up onto it with a grunt.
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The incessant wind upon the sea was certainly not helping Kara. Dripping wet, she wrapped herself up in her overcoat in a pitiful plea for warmth. She held the edges of the garment up to her lips, the sensation of the dry fabric bringing her some comfort as she closed her eyes and left herself to the mercy of the mighty sea.
But the interminable rocking of the feeble boat wouldn’t allow her any rest.
Kara wasn’t very religious, not anymore. Yet, the sight of the cliffs and coast of Brittany moved her to relieved prayer.
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The sun had already begun to set as Kara trekked up the sandy coast. Her legs ached with every stumbling, unsure step—maybe she was a bit seasick after all—and her hands were tired of having to grip her full skirt to keep it out of her way.
She paused on the rocks, taking a moment to manually wring some of the water out of her skirt. She filled her lungs with an arduous breath before slinging the rope holding the pallet over her shoulder. Next came the fabric sling, which housed her trunk of personal items—she positioned it on her back with careful poise.
The journey up the cliffs and towards the trees was exhausting. Kara’s skirt required repositioning every few seconds, the rope was digging into her shoulder, and the pallet and trunk slammed into her back with each wobbling step. By the time she reached the straight path up to the residence, her breaths were heavy and pained, and the sun was nearly fully hidden beneath the horizon.
A soft light emanated from the windows above the mansion’s door, helping Kara feel a bit more secure as she knocked. A short blonde woman answered her summon and introduced herself with a flat “I’m Eve.” She opened the door a bit wider and gestured with her body for Kara to come in.
Eve held a small candle as she guided Kara up the stairs, the sounds of their shoes echoing through the grand yet starkly undecorated hallway. The walls of the stairwell were cement bricks, and the wrought iron bannister was rather plain and geometric.
They came to a stop in front of a similarly void room, bare save a few heavy curtains and a daybed. The raised panels along these walls matched the white-painted wood of the window frames, and they gave the chamber some elegant character.
While Eve entered the comparatively less intimidating room, Kara stayed back a moment, taking in the shafts of muted blue light from the windows and the contrasting warm glow of leaping flames from the central fireplace.
Eve crouched down to poke at the fire as Kara set down her belongings. “It was a reception room,” Eve explained. “Though I’ve never seen it used.”
The fire crackled pleasantly. “Have you been here long?” Kara inquired.
“Three years,” Eve answered, directing her attention back to the fire.
Kara peeled off her overcoat and draped it along the wainscoting. “Do you like it here?”
“Yes,” Eve said simply as she stood up. She turned to Kara, meeting her eyes now as her hands smoothed over her skirt. “I’ll let you get dry.” And with a nod, she was on her way.
Kara watched her every step.
Once the door closed, she hastily began removing her overskirt. It fell to the dark herringbone floor with an unglamorous thud.
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There was no method or grace to the way Kara wrapped her hand around the rusting crowbar, but with a few jerks, she’d managed to successfully pry the top off of the pallet.
After setting down the wood cover, Kara extended her hand, letting it fall clumsily onto the slick canvas in front of her. It was still wet, and her hand’s small circular movement caused moisture to pool at her fingertips, as if her touch had beckoned the water. So her hand withdrew, and Kara slid the canvas out from its container. Her eyes danced over the surface as she considered how to dry it, holding it in front of herself like the Communion host of an evening Mass.
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Kara decided to accompany her drying canvas, which was now positioned next to the fireplace. Stripped naked, she sat in front of the fire and pulled her legs towards herself—she was vulnerable, sitting there bare and in a new environment, and the action made her feel a bit more small, compact, and safe.
Kara set down her candle so she could light her tobacco pipe with the flames. Her large, smoky exhales grounded her, in a way, with the familiar sight and smell acting as a sort of sedative. And she stared forward, expression blank but unmistakably worn.
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Kara walked barefoot along the cement floor, making her way through the hall and to the pantry room wrapped in nothing but her robe-like smock.
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mispelled · 1 year
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Bugboy !!
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WOULD YOU GUYS LIKE TO SEE MY FUGLY UGLY ASS ALLEGORY OF THE CAVE X FAHRENHEIT 451 CROSSOVER DRAWING THAT I WAS FORCED TO DO FOR SCHOOL….. ITS SO UGLY AND MONTAG IS
WHITE.
AND THE HOUNDS ARE DISGUSTING THE COLORING IS SO SHITTY AND MILDRED …. Well ok she looks alright kindof but the COLORING ….. SKETCH WAS BETTER but do you guys. Do you still want to see it…….,,,,,,
ALSO NO OFFENSE TO WHITE PEOPLE PLEASE I LOVE YOU GUYS 🫶😁👍 within reason
#like ok maybe it isn’t. THAT bad#NO NO I TAKE THAT BACK I JUST LOOKED AT IT RIGHT NOW AND THE COMPOSITION IS ALL FUCKING VOER THE PLACE#IT. IT IS. THAT BAD#IF YOU GUYS SAY YESS YOULL SEE#ok but nasty bad art aside I know some of you will be asking why white Montag is such a bad thing and#there isn’t anything wrong with it!!! it’s just that for me personally#after I did a bit more thinking I was. physically incapable of perceiving Montag as anything other than POC/nonwhite#so when I look back at my old f451 art and stare into the eyes of a pale skittish twink it just#it doesn’t click. like that isn’t MY Montag if ykwim#now trembling BROWN skittish twink. that’s a different story#AGAIN I DONT have any issues with ppl making their own versions white I just think that . for me specifically. he looked a bit funny#a little off. a bit too crackerish for my liking#where is bros melanin 😭#I’m complaining right now but if I wanted to I could just… go in and try and make the skin tone darker#I might do that depending on how tired I feel after doomscrolling#also if it matters even though I have read the book over at least 8 times now not once have I touched either of the movies.#and it will STAY THAT WAY. until I completely log my notes for the book#then I can move on to the movies 🥰#but I will admit 2018 did sort of lead me to having a change of heart w my design. just a little. just a teensy bit. kinda. sort of?#actually not really now that I think about it#I have my own reasons.#TOO MANY WHITE PEOPLE MY EYES THEY BURN AAAYHHHHH MY EYES OW OW OW OWIEEEE#my Beatty design was so white that my eyes developed stage 4 cataracts#I needed a palate cleanser that WASNT Millie… oh god my Millie design…#she was white there too. terrible#it’s okay… 💔 I’ve since learned and moved on#ARGH GUYS I DONT HATE WHITE PEOPLE I JUST THINK THAT MORE SKIN COLOR VARIATIONS WOULD E NICE
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defness · 3 months
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→ drawing the same pose over and over again and feels cringe
→ realizes that these drawings are simply pre-ref drawings to figure out one's design so I can Draw Them
→ no longer feels cringe
#jic ur wondering why all of them are drawn w that same arms out legs semi open pose#do i obsessively worry about this to an unhealthy degree? yeah#do people not verbally tell me that seeing me draw the same pose over and over again is Boring or Lame or stupid or smth? yes but i get#like. stupidly anxious and start thinking about things like that which i obviously know probably isn't the case and that in actuality#no one cares about how i draw more than i do#but it's still difficult not to ruminate on thoughts of people subconsciously rolling their eyes at my art because its so plain and boring#and static and stiff and it doesnt feel lively and dynamic like the artists i aspire to be like#but then i also remember im only just starting my art journey. by this year I'll only have been drawing for 4 years. 4 YEARS.#which seems like alot honestly? especially w the progress I've made#but most; if not everyone who isn't me have spent 7+ YEARS of drawing and i remind myself that. oh#yeah! im on the same path they were#maybe they had the same issues i did#but ill get through it :) i want to experiment more this year w my art#i say that but i need to COMMIT#i need to commit. to actually put in effort to learn posing and perspective instead of trying to lazily scrawl color on a digital canvas#but it all seems so daunting#but; you know; in time it'll come. seeing the difference only a few months has done to my art is also truly refreshing#it lets me know that im still learning and improving my technique and that really helps iron out any anxieties i have.#sorry this got super rambly super quickly lol
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drysauce · 2 years
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the big-eared dendro boy
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mocury-moto · 5 months
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wow my artistic confidence just skyrocketed okay good to know
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abyssalhuntersnerd · 2 years
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My beloved goldfish son... Do you know how much I love you-
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2-kamikou-1 · 5 months
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sometimes the slightest of things set off the most sickeningly nostalgic feelings in me
#feeling dry hands or a raised bump on my skin#how you told me that song you liked and I listened to it on loop until my tablet died#hearing about and watching zelda and pikmin get popular#roleplay or sitting in a colorful room in a weird position just reading things off on my chromebook#even if we may never see each other again#the smell of the library and all its books with elaborate covers#knowing by muscle memory where I'd go. and where you'd go. and where we'd sit across the table from one another#the library where we whispered in line when we werent supposed to be talking#the library where we'd go to learn Spanish#and you sat next to me and told me your favorite word was suéter and I told you mine was rapida#remembering the computer lab where we'd play on your brother's scratch account until the class ended#how we'd laugh at each other's handwriting#how you would talk me through it when I'd break down because of the bullying and say i wanted to disappear even though we were so young#saying I didn't understand and I didn't feel like there was a reason i should be alive and you told me I'd find it eventually#how we'd race across the playground to get in line when recess ended#how you told me that song you liked and i listened to it on my tablet til it died#how you broke your arm and i brought a sharpie to school the next day only to find you were in a sling not a cast#and we laughed and you said i should draw a mustache on our other friend instead#you trying to expose her diabolical plan to kiss the wall and we laughed at the lunch table til our stomachs hurt#you stood next to me in line so that he would quit hitting me#I've had many dreams about you#waking up very disappointed#i hope you're doing as well as you were in those dreams#even if you don't remember me#not a day goes by where i don't think of you#and not a second goes by where i don't miss you
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mg549 · 1 year
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5 years in review (2018-2022)
#art review#year in review#art summary#art meme#my art#i wanted to look at them together :)))#i feel like 2018 is a solid start#2019 was a little rough as i learn a new medium [digital art]#2020 was mw sort of finding brand stability in the types of pieces i did#2021 was pushing myself to really improve with focus on texture and unintentional focus on lighting#and 2022 was a fucking STRUGGLE trying to learn how to put art out consistently while working full time#like for example. jan feb march of this year. i only put out one piece each month#bc i rly dont like my job lmao and it took so much out of me >moving cross country >starting first full time job >moving AGAIN across town#also the piece from july looks wonky to me now but it still is the most polished thing from that month bc i did a bunch of quick art fight p#ieces#unintentional themes for this year: realism. red/teal palettes [or more generally warm/cool contrast].#almost exclusively music fanart or mh/sta stuff#idk im always over critical of my year in review stuff when i first make them then warm up as i become nostalgic#you can also notice a trend of yellow slowly becoming completely absent from my works. this is bc my old laptop had issues with displaying#color and washed yellow out so i never saw it. hence why old drawings of ppl look RLY JAUNDICED. i couldnt goddamn see it#and i dont rly gravitate towards yellow too often#aqua is my fave color in general but also to work with#i didnt do 0 traditional art this year but i felt like i did less that usual probably bc i used to work on my bed but now i work at my desk#which is Very Small and doesnt have a lot of space for me to get out pens or paints or whatever#that and also. less time and energy than in previous years :(#my faves for each year by month: jan-21 feb-19 mar-21 apr-22 may-22 jun-22 jul-18 aug-22 sep-21 oct-#18/21 [tie] nov-21 dec-22 [altho i def seem to always push myself to make sth rly good in the last month of the year tbh]
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