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#trying to think of some examples
redditreceipts · 7 months
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Random thought but have you ever noticed that breadtube is...misogynistic? Idk, as someone who used to watch a lot of breadtube (still a leftist, but as I've learned more about leftist politics and movements I find that breadtube often lacks substance - just seems like a lot of rambling without critical thinking/analysis).
Like, I can't help but notice that the lot of them shy away from topics around sex based oppression, male/female socialization, sexploitation etc (and if they're not ignoring it, they're saying that none of it is real and that those are just conservative talking points).
Idk. I just feel like a lot of people would rather watch transwomen talk about how important feminist works are actually bigoted to justify violent, misogynistic feelings toward radical feminists who discuss these things. It feels like they want to intellectualize misogyny and uphold a strawman of radical feminism so that they can validate telling women to shut the fuck up about our oppression. Am I making sense?
yes, you're totally making sense, and I decided to look into that. so I made an Excel list with the most prominent Bread Tubers, the number of their subscribers, their biological sexes and their gender identities:
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if you just look at gender identity, the subscribers seem to be quite evenly distributed between men, women and non-binary people:
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looks kinda fair, right?
but if we look into biological sex...
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it's suddenly clear that biological males gather about 77 percent of the total subscribers, while biological females gather only about 24 percent.
doesn't seem that fair anymore, right?
but it gets even worse when you take into account the male's gender identities...
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there are more subscribers to biological males with female or non-binary gender identities than subscribers to biological females???
I guess there is your answer on why bread tube does not cover issues of sexism and sex-based oppression.
...and that is why an analysis based on biological sex is important and trying to erase it will let us believe that we are closer to equality between the sexes than we actually are
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jojo-schmo · 7 months
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Metadede Week Day 1: "Sworn Partners"
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longclawshilt · 7 months
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As far as character progression goes, I'd argue that the most important aspect of the RLJ reveal isn't just Jon learning that he isn't Ned's son. The most important part is him learning that he isn't Ned Stark's bastard son. He's spent all his life chasing after Ned's shadow, trying to prove to himself and to the world that he is worthy of being Ned Stark's son, "let them say that Eddard Stark had fathered four sons not three", “he was not a Stark but he could die like one” and all that. He's internalized the shame of being the one stain on honorable Ned Starks' reputation
“But it’s a lie,” Jon insisted. How could they think his father was a traitor, had they all gone mad? Lord Eddard Stark would never dishonor himself … would he? He fathered a bastard, a small voice whispered inside him. Where was the honor in that? And your mother, what of her? He will not even speak her name.
So it's important for him to finally stop chasing after that elusive shadow. It's important for him to understand that Ned's dishonor was a deliberate choice that he made by himself, and it's thus no fault of his own. Once Jon internalizes that, then he can finally move on and ask himself, who am I? What do I want for myself? What can I be in this world, just as I am? So far, he's been unable to do that successfully because he still has an incomplete (and false) understanding of who he is.
#jon snow#asoiaf#valyrianscrolls#jon specifically being ned’s bastard cannot be overstated#it heavily colors his outlooks on his own life and how he navigates through the world#like let’s talk about his sex hangups for example#being ned's bastard is so so important to his character arc#ffs whenever he meets someone new it’s always you must be ned stark’s bastard#it’s how he and everyone else understand his role in life so for him to progress as a character we need to ask#what happens when jon is no longer ned stark’s bastard?#what happens when the one thing that drove him to the wall - to seek glory and kickstarted his heroic journey#is proven to be false?#what then?#what does he do then? where does he go then? who does he become then?#I think he will at first be resistant - and it’s been my personal theory that his learning of robb’s will#will coincide with that and that will be the greatest temptation for him#just like with stannis’ offer and how he agonized over it he will try to cling to some form of#-I can still be ned’s son can’t I? look robb legitimized me as such-#yes I think he’ll already be aware of his parentage by the time he learns of the will#but ultimately he will choose to forge his own path in the end just like he chose to remain with the nw#which then doesn’t look good for the kitn prospects I’m ngl 😬#because just like accepting Stannis’ offer meant desecrating his father’s gods#accepting the will while knowing that he has no right over his now cousins would straight up be usurpation regardless of age or skill#and I can see grrm throwing in that moral dilemma for Jon because his arc is full of them#but just as he rejected stannis and ended up as lc then his final rejection will lead to something else that is greater - king of winter 🤭#Just my opinion tho 🙂#tagging#eddard stark#r plus l equals j#As well
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the-words-we-sung · 27 days
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Season 3 ending
So... It's been almost a week since the last episode, almost a week trying to wrap my head around the end of the show, trying to manage my feelings about it all.
It's hard to end up feeling the complete opposite of nearly everyone on my dash but I've come to terms with the fact that I didn't love the ending. I didn't love this last episode. (I shouldn't feel ashamed or weird for saying so but you guys loved it so much that I feel a bit like an outsider right now 😓)
I haven't been a fan of the show for as long as most of you, but it means so much to me. These characters carved a place in my heart and in my head, and they've made me happy for months now. They helped me get through some stuff, made me discover some amazing artists, meet even more amazing people through this fandom. And I loved the story. Even in its darkest, saddest parts, I loved it. I was invested.
I love Wilhelm and Simon, together and separately. They mean so much to me. And I loved season 1 and 2. It made me happy, and sad, and frustrated, and exalted. But overall, I trusted the show and I was not disappointed.
Season 3 was a lot. I liked the first 5 episodes. I can't say that I loved everything about them: I was not expecting things to get so hard for Simon, with no reprieve in sight. I was not worried about Wilmon being endgame (I know it was a big stress for the fandom but honestly I never doubted that they were endgame), but I was wondering how the show would go about tying all the knots it made (I should even say all the knots it added during this last season).
(Under a read more because it's a bit long and I don't want to bother those who don't wanna read more of my frustrated thoughts ^^')
And unfortunately the last episode was a huge let down for me. Yes, it's partly because nothing I was hoping for actually happened, but mostly, it's because the choices they made did not feel very satisfying to me: ⁕ Simon was barely there. We went from him being bullied online/offline non stop for 5 episodes to almost nothing. It makes 0 sense to me. ⁕ Kristina suddenly feeling better: she was having break down upon break down for an entire season, could barely look at her son or even just talk normally and all of a sudden she's back, smiling and agreeing to everything Wilhelm says? I'm sorry but I don't buy it? Where did this Kristina hid during the entire show? ⁕ Wilhelm deciding to not be king, talking for 3min to his parents about it, them agreeing and him running into the sunset with Simon. I'm sorry, what?? I love that they end up together of course, but it makes very little sense to me? It won't change any of the issues they had this season? They're still gonna be famous? And bullied online/offline? (Probably even more so now?). I'm not obviously saying that Wilhelm staying in line to become king was the only or the best solution, but I wanted more from this storyline. I wanted to believe it. And right now, what we got? It feels a bit cheap (and I feel bad for saying that because the ending was cute and romantic and all, but it felt too disconnected from the rest of the show for me ><)
And apart from these few points, the big issue I had with this episode was: The Angst. So that might be a me-problem, but it was too much for my poor little heart (I haven't rewatched the episode yet, and I'm not sure I'll be able to anytime soon ><). I spent like 40min of the episode with a huge knot in the stomach because the heartbreak between Simon and Wilhelm was too much to handle for me. I can see how it was beautifully made, that having lots of throwbacks to the previous seasons, the Wille song, all of that was great cinematography. But it was just too much for me. I got in the season spoiler-free but for this episode? During the lake scene I had to take a break and check online if they were actually endgame because it was starting to actually give me a stomachache. So yeah, this part might be me being too sensitive but I did not like that they made me see them fight for each other for 2 seasons and 5 episodes, but then just giving up for 40min before finally running back to each other during the last 10min. It was just too much sadness for me ><
So yeah, maybe my expectations were too high? But I feel sad, and kinda cheated. Too many things are left wide opened. Too many things make zero sense to me. And of course I'm happy we got our Wilmon endgame, but I'm less happy about how it happened.
It's a bit hard being on Tumblr right now and seeing everyone who thought it was the perfect episode >< And I don't want to "yuck anyone's yum" (as the saying goes), but I still wanna be able to share my thoughts! I probably won't write super angry/unhappy/complaining posts about the season/the finale, but I still wanna be able to chat about it. I did see some posts on my dash from people not being entirely satisfied with this ending so it's a bit comforting. And I hope we can share some nice headcanons, or just discussions about different plot points.
But yeah, I guess that's why I haven't really been active this week! Trying to get over the double heartbreak of the end of the show + being disappointed with the ending! I'm gonna come back though! I miss hanging out here, I just need to strengthen my heart a little bit more :p Gonna get back to writing about my thoughts episode by episode for this season (I can't promise I can rewatch the last one though 😖 It might take me a bit of time to get there). And I want to continue my song analysis of the show!! I'm not even done with season 2 yet, I have some work to do there ^^
So see you back here very soon 😘
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utilitycaster · 3 months
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I'm keeping this somewhat on a back burner because I think I need more data, but I feel like a current boundary being tested in actual play, for TTRPGs that are, for lack of a better way to put it, party-based and ostensibly heroic, is exploring in-game whether the PCs might be the bad guys or even just neutral guys who are not up to the task. (For this reason, "evil" campaigns do not count here, since those aren't about exploring it as a possibility but instead are simply stating that's the situation - I'm looking for the doubt and realization).
I feel like fans (and some GMs and players) get really skittish about this as a possibility, which is unfortunate because it's one of the most interesting things you can do.
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squuote · 3 days
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if I made a dumb little coffee shop au of my own and had stanley throw a drink at the narrator, would that be too much or am I allowed to go wild with it. serious questions here. so serious
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yzafre · 5 months
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Roxas: Had the Halloween town kids throw bombs in his face for multiple missions in a row before finally breaking down and smacking them around a bit.
Ventus: The dwarves were rude and refused to talk to him, immediately resorted to chasing them down and whacking them.
Characterization I see frequently: Ah, yes, Roxas is the one always willing to throw hands and Ventus is a smol sunshine boy.
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#kh#kingdom hearts#these are really silly examples but the point stands!#in fact I think it expands when you look at their full screen-time#I am once again begging people to watch a full let's play of Days#don't get me wrong Ventus IS brightness and sunshine#but he also has the energy of a chihuahua ready to fight the world and I will stand by that#where as Roxas will tend to just try to avoid it until he Very Much Can't#now I think Roxas does BITTERNESS better than Ventus or Sora#but bitterness is not temper#in fact bitterness is usually negative emotions left on the backburner until the resentment caves in on itself#I suppose this is up to interpretation but from my reading...#a lot of times Ventus seems to burn out his anger then let it go#whereas Roxas doesn't do anything with the emotions until he/the situation self-destructs catastrophically so it ends up being nastier#but on the day-to-day?#yeah no Ventus is going to be the one reacting first#you can also exchange Sora for Ventus for some of these arguments#though I think he lands somewhere between Ventus and Roxas for short-temperedness#all this is more complicated than this reductive commentary of course#you have to take in how and in what orders the characters were introduced and marketed#the difficulty of getting the handheld games historically and the biases that set in before they were easily accessed#not to mention stock archetypes for fandom joke set-ups that then perpetuate the characterization...#like there's a LOT to how this came to be#but it Gets To Me sometimes#yza talks about a thing
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petricorah · 4 months
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Heya! As a baby artist I was just wondering how long it typically takes you to draw a character? And if you have any tips for getting the lines to look so clean :-) I love your art sm it always makes me smile
Hi! Ah, I'm so glad my art makes you smile! :')
I have...several possible answers for you, lol. First of all, the time it takes for me to draw a character varies. Something I’m working on to speed up my process is learning anatomy. Most of my time is spent trying to get the anatomy of a drawing down, and the more you know it, the quicker it can go. 
But as for lineart, the number 1 way I've found for having clean lines is having a detailed sketch.
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While the sketch was messy, around the face especially, all the lines were "in place." I wasn't having to resize things or change the shape. This makes lineart completely mindless for me, and that means I don't have to do as many corrections while drawing, keeping my lines clean.
However, when I first started out, it was hard to get here. If you're starting out, your art may look like this, with a bunch of short strokes:
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There are two ways I've found to combat this (and it's honestly something I'm still working on...) Short strokes like this tend to happen when you're unsure of what you're drawing, which happens a lot when you're starting out. Planning out a drawing in your head and knowing where you're going to end each line when you start is helpful. (I.E. "I know the side of the face needs to go down enough to reach where a chin should be, so I'm going to try to do it in one stroke instead of seven). Proko has a good video about this here.
You can also practice drawing longer strokes just on their own. Lots of drawing books will tell you to start by practicing ellipses and lines from different directions to help you get used to longer motions. Becoming more confident in drawing full lines will help!
But, as you're learning, tools can help. I draw with a tapered pressure sensitive pen, which allows me to have some shorter strokes while hiding the results of it. (Although it's still good to practice avoiding this, because it'll help your drawing even with a brush that hides it a bit better.)
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i hope this was helpful!
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uncanny-tranny · 7 months
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I think another aspect of conservative thought people need to understand is the idea that it's all about dominance.
The reason why sayings like "we don't want to trans your kids, we want trans kids to live" is because, in the conservative mind, you are replacing their dominance with your own. It can never be about what is best for others, it is always about expressing absolute power and control.
Natural selection, at its ideal, will weed out the people who "shouldn't live." If their existence is a threat to the already-established hierarchy, then it's obvious that they shouldn't exist in order to challenge hierarchy.
While this certainly isn't a "conservative-only" mindset, it's a trend I have noticed more in conservative spaces. This is why I don't always think it's helpful to go on about how, "Oh, we don't want to threaten your worldview. We just want people to live 😊". You will fundamentally be threatening their power in their minds. Therefore, nothing you say can truly take away from the anxiety, fear, and anger at losing control that may be instilled.
#politics#transphobia#transphobia tw#used the whole 'we want trans kids to live' because i personally think it's a good example..#...but isn't the sole example of such...#...take for instance the gay marriage debates from the early 2010s...#...'if we legalize gay marriage it's ONE STEP CLOSER to them taking OVER america and legalizing [horrible thing]!'...#...that is the anxiety of Losing Control and Losing The Divine Hierarchical Power Bestowed To You Personally By Gd Himself...#...i'm not saying all of this to dissuade people from educating people. but i want people to be aware of this dynamic...#...and to decide if they can (or should) personally go up to bat for others to educate people...#...i don't think you will go very far if you try to educate people without understanding on SOME level how their thought process will be...#...because it is likely that you are educating somebody who is going to see the world VERY differently...#...and they will often interpret what you are saying VERY differently than how you intended it to be interpreted...#...again while this isn't solely a conservative issue (believe me i KNOW) i notice it much more in those spaces...#...and since i am in spaces that WANT to educate people about this i think it is apt...#...it isn't a bad thing to want to educate. but again it's not helpful to just assume others are going to interpret you the way you want...#...it's definitely why i stopped making so many posts about educating others. i just don't think i can do it well...#...or at least in a way that doesn't Feel Threatening (even if it Isn't A Threat)
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corfisers · 11 days
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two weird things that happen to me more often than i'd like and feel like they are on the opposite ends of the same spectrum: forgetting that i do actually speak two languages and forgetting that some people who post here in english speak only english
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whispangleblogger · 7 months
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I am not somebody that hops onto the "comic discourse" a lot. I usually prefer to talk things through with my friends and share opinions in private.
But since Tangle more or less got ignored so far i take the chance and talk a bit about her appearance in 64
She jumps in as a supportive character towards Whisper and helps her to prevent another breakdown. While yes, there was a scene in Urban Warfare that did the exact same thing, i feel like with issue 64 we finally see how strong of an impact this support actually has on the page. (I talk a bit more about Urban Warfare further down this post.) I don't even dare and call this bait (Edit: Not my words btw. i saw this used in another heated post. I personally never felt baited in any form. If anything, the girls relationship is one big highlight in these comics.) because it simply isn't. Here is a character that cares for her partner and also is uncomfortable with the whole situation to begin with. She has to decide where her priorities lie. Her reaction is to be expected to be focused on a trembling Whisper and all i can say is i'm glad we finally have a good depiction of that.
Tangle has the right to approach Whisper in ways i think no other character is able to, she earned it and it pretty much shows on this page. Softly taking down Whisper's mask and checking on her, the body language in these panels is chefs kiss. She's truly a bouncy girl, but it's good to see her being serious every now and then, i feel like it's a side of her that people usually tend to ignore. (And i really don't know why that is.) Evan Stanley does always an amazing job if it comes to showing Tangle in a different light or how she cares about her friends and loved ones. In regards about the current arc and even the last one, i feel like this post is a good chance to add my personal take to it as well, since it's been on my mind for a good while now. I feel like 64 finally makes a step into the right direction again.
To elaborate a little on that, i wasn't really a big fan of Urban Warfare, simply for the fact that it's pacing is all over the place. There were a lot of things that needed to be covered, to name a few: - new team building - Whisper's trauma - Lanolin introduced as a new character - a LOT of other teams jumping into the scene - the city itself all squeezed into a 5 book arc. One more book compared to a mini series that usually gives full focus to a set of chosen characters.
To make this clear, there are also good things in Urban Warfare as well but thanks to the fact how rushed the whole story felt in it's core it's a bit hard to enjoy the good bits as well...
Misadventures still deals with the same pacing problem and i believe that is where the real issue lies. As a reader/collector of the books and longtime fan of them, all i can say is:
I wish the comics would get their old, well cared, time for details back. Yes, a story like the Metal Virus was a long run but in the end it was a fantastic read. Mini arcs like Trial by Fire (Still one of my favorites), that focus on other things instead of the usual action, are also very important for character development and add a lot of depth to them. Endless Summer is a great example for such addition as well. These books provide insight into character interaction we usually don't see otherwise. Of course i have no idea how much SEGA is involved into everything if it comes to general decisions like how long one arc is supposed to last and when the next one should start.
(The next part is based on my personal taste, this has nothing to do with the general narrative of the books. I just want to share my thoughts about this since i really don't write them down a lot.)
As a little side note, i feel like Lanolin is a great character so far. Her stubborn and rule book like demeanor as a leader is refreshing to say the least. She also seems to be really close to how her creator ABT imagines her to be and i really appreciate that. But i can't help it and feel like her team dynamic with Tangle and Whisper comes of as rather… rocky ? On a combat level of things it works really good but on a friendship level it's somehow lacking atm. There is this boss and coworker relationship going on that feels more like real work. Obviously though she's new and needs more time to get better established. I guess we will see how this plays out in the future. I'm all in for a good or funny team dynamic but i also can't help it and feel like she works better as an addition to Jewel, running the restoration, the navigator typ that sends intel via com instead of a field combatant. Even if she proved she's good at close combat as well during her encounter with Whisper in 64. That being said, i am all open for surprises and more character development on her part. This is really just a "now" opinion and can easily change over time. I like the sheep, i really do.
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blitheringbongus · 11 months
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New haircut! I really like this design for him but im not sure ill keep it, probably not, but its nice for doodles
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aesterblaster · 4 months
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Just saw a really clickbait-y youtube video that called Blue Lock fascist in its thumbnail and I will admit first and foremost that I didn't watch it and yes I've been informed that it isn't implying that Blue Lock is some fascistic propaganda but it still got me thinking so-
here's my rant/breakdown about the ways that Blue Lock is specifically anti-fascist
So first of all, popular animes and mangas having possibly fascist undertones is nothing new. I won't deny that there's a long history of Japan being a colonizer and commiting atrocities that are still brushed off or forgotten about to this day. And this does seep into some works that I personally choose to not engage with for exactly that reason. Miss me with trying to be an apologist for or glorifying real world war crimes- But Blue Lock specifically? I'd be extremely hard pressed to call it fascist.
Fascism is defined as an alt-right, ultra nationalistic political ideology usually characterized by a centralized autocracy, forced suppression of opposition, belief in a natural social hierarchy and subordination of individual interests for the believed good of the nation or race according to Wikipedia. First let's go through the ways Blue Lock does match up with that.
Ego can be easily viewed as a dictator near the beginning of the manga
Most characters thrive on putting others down for their faults and strictly believe that there is some sort of natural order where people who lack "ego" are at the bottom
There is a sort of central autocracy with the top 6
Near the beginning especially, there is a violent snuffing out of any ideology that dares oppose egocentrism or the idea that you need to be a solid team to win a game
Now let's go through the ways Blue Lock denies and even goes against Fascism.
BLLK's main goal is to make a Japanese soccer team that can win a World Cup. In a more fascist manga, we would see racism ga-fucking-lore. We can see this in animes that have more right wing leaning undertones like Attack on Titan where when race is brought in it's for conflict. There's no possibility of harmony, only winners and losers. Those protected and those put down and punished.
And Blue Lock does have an extreme focus on who wins and who loses. It is not afraid to include racism against Japanese people like with Adam or portray black people in unsettling and kind of racist ways like Dada's original design. But these elements don't automatically spell fascism. Blue Lock is careful to portray characters of color as just that, characters. They don't exist to tell you about their lives of hardship and struggle and they don't exist to justify Ego's obessesion with creating a good Japanese team. As you read BLLK, you'll notice that the artist has taken care to get better at drawing different body types and facial structures. The character design isn't trying to sell some perfect ideal like fascism so famously does, it tells you a peak athlete doesn't have one distinct look. It tells you characters from other countries are just as if not more capable than the Blue Lock boys. Hell, even Sae's hatred of Japanese football is portrayed as less of a betrayal of country and pride and more of a cultural clash. The issue to be solved in Sae's character is the way he looks down on his brother, not how much he despises Japanese football teams' tactics. We know this because Ego himself rails against them too.
A fascist manga would paint Sae as a villain for even learning from and joining teams from other countries, lending them his talent instead of keeping it in his home country. But Blue Lock encourages diversification and collaberation with other nation's teams so heavily that it is literally an entire like 5 part arc right now. Ego isn't ultra nationalistic, he just wants to make a better soccer team for his country and he isn't afraid of praising and adopting from other countries in the process. The biggest win to come out of a Blue Lock team wouldn't be that they're all Japanese but that they all follow his ideology.
Speaking of his ideology, Ego is extremely harsh and controlling, yes, but he also believes in the boys. He lets them do what they believe is best. He pushes them to their limits, not because they disobey him, but because they dissapoint him. A true fascist dictator would rule with fear with no introductions of other ideologies, he would strike at any sign of weakness or opposition. At the beginning, he does do this. But as the manga goes on we see how much wiggle room he's willing to allow. He lets Isagi curse at him and question his leadership, he lets Shidou play even though he's clearly queer and extremely volatile, he doesn't punish any of the boys for injuring each other. In a fascist society, you are expected to fit an ideal or be othered, be perfect and work together with a sense of comradere because that's the only way to prove your claims that you are the best race/nation. There can be no imperfections or cracks in the facade...But Ego lets the boys be messy. He never forces them to change who they are, only forces them to believe that they can do great things all on their own. Even with Kunigami, Wild Card wasn't a correction of his disbelief in some nation or race, but instead a correction of how limited his mindset was. In fact, in a more fascist society, Kunigami's love of playing hero and protecting his teammates would be praised and celebrated. Ego putting individuality and aspiration over the good of the team as a whole is literally a middle finger to fascism.
The villain of the series is literally a greedy Japanese man that wants to commercialize the team and make them less individualized. I don't know how much more anti-fascist you could get-
Also, Blue Lock handles disability very carefully and very well. In more alt-right ideologies than not, something you'll see again and again is this idea that disabled people don't deserve the same rights because they can't contribute to society. Disabled people are a stain to be pushed away and hidden because they contradict the central idea of a "perfect" nation. In a fascist retelling of BLLK, Chigiri would be kicked from the program, not given power and influence. In a fascist retelling of BLLK, Kenyu would be attacked and beaten as soon as it was discovered that he made it into the top-six with failing eyesight. Any physical disadvantage could easily put an athlete at the bottom of the social hierarchy as well, Blue Lock could have very very easily made fun of its disabled characters for even trying. It could get away with mistreating these players and be defended for it so fucking quickly. But instead, it lets you root for them and gives them just as much care and weight as the others. It's trying to tell you that being a good player sometimes means knowing your limits and getting help, not punishing yourself because you have some biological disadvantage. It also takes care to demonstrate that no race is inherently worse at soccer than the other.
And, of course, the elephant in the room, Noa and Kaiser. Okay...if you see German characters and immediately think OMG NAZIS??OMG FASCISM?????OMGGGG HE HAS BLONDE HAIR???AND BLUE EYES?? That's a fucking you problem and you clearly aren't reading the manga. Even Noa Noel being an older man and still being allowed to play and looked up to as the best is an example of how Blue Lock goes against steriotypes about athletes. Kaiser does have blonde hair and blue eyes yes, but he also wears eyeliner and eyeshadow and has a tattoo and dyed hair... None of that would be allowed in an actually fascist Japanese manga unless it was as caricature to make fun of and dominate. But instead, Kaiser is an actual threat who has complex arcs and behaviors. Also, Kaiser isn't fascist himself, he clearly views Isagi as an equal even though they're different nationalities and he doesn't believe in any one authority or greater cause except for himself. Noa is very strict yes, and he does rank and rate the boys, but he specifically doesn't factor race into it. He also, just like Ego, allows other ideas and patterns to emerge even if they mess up his own plans for matches. He doesn't suppress anyone and is actually extremely lax. If you think he or BLLK is "fascist", look at actual real world sports teams and their strict practices or past statements about other nationalities.
Isagi as a protaganist is anti-fascist too!!!! He's a Japanese everyman who has good Japanese parents, no disabilities, an honest personality and believes in a future where Japan wins the World Cup. In a fascist story, he'd be fucking untouchable (ESPECIALLY against characters from other countries) and all of this would be paraded as proof that a Japanese soccer team is clearly superior and all-dominating. But no! He gets beat down, questioned, disrespected and constantly shown up by others. He's not special and he's extremely self-centered. He doesn't water his own beliefs down for the "good of the nation" or whatever the fuck and he grew up idolizing foreign players. Isagi never supresses other people's ideologies, he just makes fun of them if they fuck up. He's never xenophobic, even when other characters have moments that have xenophobic undertoens like Adam or Sae's comments. Isagi Yoichi's character could have a few traits flipped and be a poster boy for some alt-right manga about how superior Japanese people or hell, Ego's pupils are. But he doesn't. He's simply designed and he's rude and he looks down on people, but he also apologizes, humbly accepts when he can improve by questioning his own ideals and is open to talking with everyone he comes across.
Calling Blue Lock a "fascist soccer manga" is not only demonstrating that you have no idea what fascism is, but also disgustingly painting over all the beautiful themes and messages within the manga.
Again I'm aware that that original video wasn't aiming to negate any of these points but I have seen people make claims and jokes before that about Blue Lock's more *beat it into your head* tendencies with ideology. And I've seen jokes specifically about the German team/the way Sae seems to just hate Japanese culture. I just dislike the painting of Blue Lock as a jumping point for discussions about fascism and its effects because of the way it handles themes like cross cultural connection, family pressures, capitalism and disability so carefully.
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