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girlfriendsofthegalaxy · 2 days

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tuesday again 4/23/22

three months unemployed YAY. also wherein i get SUPER pressed about star wars lore

listening

funeral by tele novella. popped open tiktok to see something my best friend sent me and this was there, the first thing on the for you page. let's yoink a description of their previous album from an interview i'm going to quote at length in a bit: "The result was “exactly what we wanted it to be,” a perfumed mist of jingling, jangling, lilting, off-center pop—a strange little snowglobe gathering dust at the back of the shelf."

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the lyrics did hit me like a train bc i often find myself mourning places and situations that were not necessarily good for me but were familiar.

Oh, you're not tied up Here comes the train The tracks feel safe because you know 'em

if you had told me this was made in about 2007-2009ish i would have believed you. very spare production in the way folksier songs of the time were spare. a bit raspy and direct in her delivery. there's a bandcamp interview wherein i found out this is the side project of a vintage/antiques dealer and she has a fascinating perspective on her own music:

Her passion for the craft is evident—in our conversation as much as in listening to the band—but music, for her, is a means to an end, a way to transmit stories. “As a musician, I’m mediocre at best,” Ribbons says matter-of-factly. “I think that my talent lies in my storytelling ability. I think that I’m a good storyteller.” It’s something instilled in her by her grandparents, “voracious readers” who were always buying her books and secretly wanted Ribbons to be a writer, she suspects.

i really adored this whole album as a cohesive work. "vampire cowgirl" is another standout for obvious reasons.

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You came barrelin' down Rabid with some talk Of a gal who rides at night Picking off the stock

remarkably good at reproducing the general vibe of the midcentury cowboy western album, when tv cowboys were sweeping the nation

reading

T. Kingfisher's Nettle & Bone. enjoyed it, but not quite as much as her other stuff. whereas her other series are almost always comical and often stray into farce, this one was a bit grim. even with the addition of a demonic chicken. had to stop and really think about if my own experience with funerals and funerary rites (too many, too often) was coloring this for me but i think it is simply not as funny or interested in being funny as her other works. not a ding against it, but not what i was really expecting or in the mood for. image from tor, let's yoink the description from macmillan

This isn't the kind of fairy tale where the princess marries a prince. It's the one where she kills him. Marra — a shy, convent-raised, third-born daughter — is relieved not to be married off for the sake of her parents’ throne. Her older sister wasn’t so fortunate though, and her royal husband is as abusive as he is powerful. From the safety of the convent, Marra wonders who will come to her sister’s rescue and put a stop to this. But after years of watching their families and kingdoms pretend all is well, Marra realizes if any hero is coming, it will have to be Marra herself. If Marra can complete three impossible tasks, a witch will grant her the tools she needs. But, as is the way in stories of princes and the impossible, these tasks are only the beginning of Marra’s strange and enchanting journey to save her sister and topple a throne.

paywalled article, sorry, but i personally have a bone to pick with fanduel due to [REDACTED INCIDENTS] from [PREVIOUS JOB] so it does not surprise me in the slightest that they don't really seem to be doing a single fucking thing about money-laundering. allegedly.

watching

the bad batch, or the 13/16 episodes of the third and final season that are out. all these images are from comicbookreview bc i watched this on my actual television

one of the plots i hate most is the trying to get someone back plot. for example, i think finding nemo does this really well bc it's also a coming of age/parenting movie. i do not think the second finding nemo movie does this well bc as soon as one person is reunited with the group, through a wacky series of coincidences they lose another member. plus that movie is part of the downturn of modern pixar where they forgot how to tell interesting stories but that's neither here nor there. the bad batch falls into the finding nemo 2 category. it's simply frustrating to watch. it turns into a desperate floundering after whoever happens to be missing instead of using a The Searchers style plot to say something about the act of the search itself. i realize i am once again saying "what if star wars was good" but like. come on.

the bad batch s3 is surprisingly focused on retroactively filling in the backstory of how and why palpatine got cloned with his force powers intact, which is apparently a difficult technical problem. i would have cared about this if this show came out before the last movie and we had a cool breadcrumb style approach leading up to the movie. unfortunately that movie (and the sequel trilogy more broadly) killed a lot of my interest in modern star wars. anyway, this cloning problem leads to a lot of very technical conversations in a children's' show that are interesting to me, a grownup, bc no star wars media has ever successfully explained 1) what midichlorians actually are and 2) the biological processes by which they operate but refuse to be cloned? which is extremely funny to me bc midicholrians aren't supposed to be real. qui-gon has that whole little speech and blood test in the phantom menace but the series had So scrupulously stayed away from explaining how the force works before that. they still fail to explain it but they at least attempt to break two inches of new ground. side note this show gives us TWO canon trans girl clones and i really wish they were in a better show.

it's annoying that i'm annoyed about a children's show meant to sell toys. some fun things: the pyke syndicate shows up, a slew of my favorite bounty hunters show up, this show is much better at painterly backgrounds and has an overall more concept-art feel than the clone wars proper or rebels. i think it would be cool if they stopped whitewashing the clones. i'm going to finish out the season but i don't exactly have a lot going on in my life right now. i am not terribly sad that this is the final season but BOY do they have a lot of loose ends to wrap up in three episodes.

playing

new genshin update on uhhh thursday and it's kind of exciting bc i THINK it will finally fill in this hole on the map and the associated shorelines of three different countries!

i thought i had long since found all the chests in liyue (the second area released) but in the process of doing a recently released character quest set in liyue i found another chest. this game is very good at hidden objectives and little secrets but i wish it was better at letting you know when you have Actually cleared an area completely of all the little hidden stuff. anyway i have been holding back the last character hangout (ningguang, my best beloved ruthless girlboss business high femme) for a terrible day and that day came! unfortunately hanging out with the fake pretend video game lesbian did make me feel better!

also unfortunately i fucked up and cannot count so the gacha pity system (every 90 pulls you're guaranteed a 5-star character) gave me Neuvillette. who i don't hate but i wasn't really planning on pulling for. i do like his questline and his voice actor, he simply doesn't fit in super well with a mono-electro team bc i play this game like an insane woman.

the real bitch of the thing keeping me from upgrading him is going out in the overworld and collecting enough sea stars. why can't he need flowers or little gears or anything else i have a thousand of.

anyway this gal will be dropping sometime in the next six weeks and i AM extremely excited to pull for her. she has some cool abilities (GUN) and is part of a popular pair with the steampunk lolita character i love and leads my other main team. i hope their abilities play well off each other but she has such a cool storyline and design i don't super care if she fits in with my playstyle. i will adapt for her in a way i am not willing to do with neuvilette

making

i am once again obsessed with gallery walls, bc a friend has asked me to find the correct gigantic size frames to put some comics on his wall, and that has given me an excuse to go to thrift stores again.

unfortunately i have mostly found frames for me, and the projects i have been working on have kind of a long tail of when they will actually be on my walls. i picked up four 16x20 frames for $2.50 each (solid wood! remarkably detailed!) bc i eventually want to put up these fallout maps in the style of national parks maps up on the map wall in my office. i suppose this means i should join @ruffledringdove and actually play '76, bc that's the one modern game i haven't played. these are getting scuff sanded with 120 and painted with a eggshell paint sample in a bright white u all know the drill at this point. ive painted a lot of frames in the past few weeks.

left is one of the painted 16x20 map frames, right i have also finally sanded and painted both 12x16 deckle-edged wood frames i picked up off the side of the road in MA. and found glass + backs for them! eventually i will procure fancy mats and print + frame my grandmothers' portraits. they will eventually go on the living room wall, which is a neutrals and blue-greens wall of slightly disdainful women. this will help me swap the three maps in there to the office map wall.

i have also acquired this gigantic plaster-over-wood mirror for $15. i am using leftover rub n buff bc i don't have a great spot to spraypaint here without sheeting my entire front porch, and rub n buff is way less susceptible to 80% humidity than spray paint. also i would have to buy spray paint. i am looking up suspiciously bc i thought there was a bug. not sure what mackie was looking at.

#tuesday again #tuesday again no problem

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girlfriendsofthegalaxy · 23 days

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tuesday again 4/2/2024

in which i try to clean two different boxes with varying success

new people: hello! the tuesdaypost is a weekly roundup of stuff i've been listening, reading, watching, playing, and making. it is NOT a recommendation series, although i sometimes dabble in critique. when im firing on all cylinders i ask "what is the core concept of this? does it succeed in what i think it's trying to do and what it says it's doing?is it well-made but i dislike it/beautiful but not for me? why? what parts Really Work?"

if you are into purity culture, yelling at other people about the problematic media they consume, or are under 18 i am going to have very little patience for you.

listening

now that i live in houston i am legally obliged to loop the new beyonce album 24/7. there is absolutely truly nobody fucking doing it like her. every song is a multimedia art piece. goddamn do i miss the album as a tool to convey a specific concept/listening order/flow. sometimes (chappell roan most recently comes to mind, although it does feel unfair to compare anyone to beyonce) every individual song is pretty good but the listening experience if you sit down and listen all the way through the album is unpleasant and choppy. not so here. NEVER here.

my favorite like Dance Number is YA YA (it samples nancy sinatra's boots! and the beach boys' good vibrations! wildly different tones despite coming out a year apart!)

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the one that goes on four different character/tone playlists is BODYGUARD.

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great early roundup of influences, samples, and collaborators. delighted to see five fingers for marseilles listed, a rocky but underrated south african neo-western free on tubi rn for americans

reading

also very texas-relevant with the recent pornhub lawsuits! pornhub and sex tech (among other things) have been samantha cole's beat for almost ten years. i trust her to report sensitively and not for like. shock clicks

this site has a free paywall (sign up with your email for a link to the full article) so bots have a harder time scraping articles: this is a journalist-founded site with only the four founders running it and writing articles. while annoying i do think this is a reasonable measure

The platform still has problems, but after years of critical reporting and a litany of legal and reputational consequences, Pornhub is now more heavily moderated than any other porn platform, and most major social media platforms, for that matter. A growing list of age verification laws has put Pornhub in a position where it is compelled to block access to its site in seven states and counting. In theory, these laws are designed to prevent children from being able to access pornography online. In reality, what is going to happen is that children are going to end up on pornographic sites that don’t care what the law says, and where some of the most harmful content that exists online is actively promoted to them.

she's also got a new limited series podcast with CBC about the rise and fall of pornhub, which was fascinating and kept me company during an extremely early morning drive

watching

i'm lukewarm about this one but i spend a lot of time getting there, much like this movie

ive been watching a lot of frankly dogshit thrillers, which has made me wonder: what's the deal with supervillans? where did they come from? and thence arrived at the prototypical film Dr Mabuse the Gambler (1922, dir. Lang). the four and a half hour cut on Kanopy is two normal-length movies superglued together, which makes sense as a streaming product but it is sort of a terrifying runtime and took me three days to get through.

sometimes, as we know, i get a real bee in my bonnet about visiting the early versions of things. dr mabuse is the blueprint for every james bond and mission impossible villain, or really any shadowy supervillain with power over [INDUSTRY] or [THE MARKET]. it is a four and a half hour long cat and mouse game through lavish, eccentric sets between mabuse and prosecutor wenk. it has some trouble sustaining itself bc it is four and a half hours long but does deliver on the cat and mouse aspects. this letterboxed review has interesting things to say about the political climate of 1922 germany and how lang subverts the formula of the pulp serial.

really the film opens with mabuse yelling at his cocaine-addicted assistant, but the film properly gets going with mabuse's henchmen stealing a trade agreement (nothing really carbon dates a movie more than a missing trade agreement. vanishingly few post-early-30s movies have missing trade agreements as plot points) and then he crashes the stock market. for fun and profit.

however. i think every time you see an evil man who is a banker or stockbroker or generally uses money as power you have to interrogate whether it's antisemitic. the answer here is "maybe" but i'm not sure if intent matters when contemporary nazi critics were eager to hold mabuse up as "this is the typical jewish criminal". (sorry about the link directly to wikipedia, it's been touch finding online sources for this section). mabuse is not specifically jewish, but there are certainly elements of stereotype. i am still not good at being presented with "this movie has a shadowy behind the scenes figure manipulating the government and all the money ever" and going "hey wait a minute".

after that tremendous glaring caveat, for which i read more contemporary reviews and reviews in general than i ever read for movies in these posts, is it good? eh. a contemporary VARIETY review remarked (and i largely agree)

The direction of Fritz Lang has moments – but Lang somewhat negates his good technical effects by twenty forty-word captions of a ludicrous unconciseness.

the night scenes are particularly well done, and imo are better than many modern night scenes--other contemporary reviews remarked

In this film the techniques of the film camera (Carl Hoffmann’s brilliant photography) are brought to perfection. The problem of how to film lit-up streets at night has been solved for the first time. It is unbelievably impressive to see the glaring lights of speeding cars flash through the night or the rapid passing of an elevated train of the initially blurred, then gradually focussed glimpse through a pair of opera glasses on to the variety stage, the nuances of light and shade—these things alone prove the value of film documentary.

look at this shit! filmed from within the cars! in 1922!!!

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this film asks you to believe hypnotism is real and really effective, so i don't think it's that big of a leap when it asks you to believe in ghosts. i don't understand that quibble from contemporary viewers. there are several on screen suicides with like. specific methods. which is not currently regarded as good filmmaking practice. im curious to know what contemporary audiences thought but couldn't immediately turn anything up, and wading through masters’ theses on cinematic suicide is a little beyond my current mental health.

if i were a more content-minded woman this would turn into a clickbait video essay about the antisemitic origins of every supervillan. however i am unqualified and untalented at video editing and i'm sure there are forty theses on this already. this movie is a hard sell to anyone jewish or employed. it is also a stunning example of cutting-edge film technology and part of the genesis of the modern supervillan. Fritz Lang films tend to fall in the category of “movies i am happy to see once and feel no need to revisit”.

playing

playing what is effectively the same game three times back to back (breath of the wild, tears of the kingdom, genshin impact) has sort of burned me out on open world games with a focus on battle skill progression and stumbling across little puzzles in the overworld. i have to get itch.io up and running on this pc and find the most linear jankiest possible one-sitting indie thing. or several of them. i might try the solo ttrpg Gentleman Bandit i seem to have acquired in one of the giant charity bundles

brief breath of the wild update bc i don't want to pull screenshots off my switch: i have gotten to the boss fight for the gerudo and goron regions, have not completed them bc my focus in this game is NOT hearts, and am in the middle of the zora temple. despite the quality of life improvements and new regions in totk i think i prefer botw: progression is a bit easier, there are fewer mmo-style hub quests and repeatable quests. things like the stable photos are cute but very repetitive, so are the sign bracing puzzles, and the sky crystal quests for sky shrines feel VERY samey. also dislike how the CLEAR OUT: [REGION] quests with the monster suppression squads reset at the blood moon.

anyway! to genshin! there was an exceptionally fun little event with a surprisingly involved management sim tacked onto the game??? you make and sell potions fulfilling different requirements, and can eventually stock travelling merchants all over the continent. the actual act of making the potions was this block-filling 1010! style thing (screenshot from polygon)

the new region, a port town and tea-growing area called Chenyu Vale, is maybe the prettiest one in the game so far? it's the one that feels the most picturesque and Designed, like this is one huge mansion garden studded with follies. they also added background chatter and noise in the cities and towns, which really startled me and makes them feels much more lived in! this is a fun trick to avoid putting in a thousand NPCs and making everyone's framerate crash. the less stuff in your game, the less shit can go wrong.

also pulled for and got chiyori, a geo-aligned seamstress (and sometime spy???) swordswoman who has what i can only call domme voice

making

ok now we'll talk about boxes. i was rearranging my kitchen, as unemployed women are known to do, and noticed this recipe box i picked up back in mass was disgusting. the finish is starting to fail but it was genuinely grody and last summer i packed my kitchen in a blind panic inside an hour and did not have time to address it. i have never seen a recipe box at an estate sale before or since and it made me desperately sad.

it was full of a lot of stuff.

i went at it with a somewhat inadvisable combination of things: wood soap didn't budge it, so i dampened a paper towel in vinegar and wiped it down in the vain hope it would do something. the thing that worked, and would be inadvisable for anything veneered or less densely textured, was baking soda paste and the scrubby side of a sponge. it still smells Very musty even after 48h of loose baking soda inside with several changes, but that might be partly the recipe cards' fault. i would like to refinish this at some point but i don't have polyurethane on hand and the fun little project budget is empty until further notice/i get a job.

the hinge did rust a bit despite my best efforts but that has since been lightly steel wooled and oiled. a well loved object! it's possible the lady who died just fucking sucked and that's why literally her entire estate including many other things families usually keep was on sale, but i would like to think perhaps she simply had no other family? a well loved/used object even if all the recipes are for semi-horrifying fifties new england recipes.

the other box, pre-acids but post-washing: this topp trading card box with seven episode one packets of cards was intact with the original seal. i have verified it was not worth much more than the $5 i paid for it with the trading card obsessed man in my best friend's husband's friendgroup. i bought this three months ago but the man was unavailable to open it until uhhh last week. some sort of liquid got inside it at some point and it was super corroded. i was going to store embroidery floss in here but even with all my powers (barkeepers friend. brasso.) i cannot completely remove the corrosion. it's not corroded Through but it looks bad and feels rough. so it goes. it'll probably hold the tiedown straps in my car bc that plastic bucket is rapidly failing

#aaaaaaand we're back baybee!!!#tuesday again #tuesday again no problem #uncharacteristically nervous about this one since there are so many new people haha

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