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kiame-sama · 3 months

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Drag Me To Hell- (Yandere!Alastor x Chubby!Fem!reader) pt 2.

Warnings; same warnings apply from Hazbin Hotel as to here, but if you know Hazbin, you're already prepared for what's coming, spoilers for episode 1 of Hazbin, a bit more "background" for reader, fem pronouned reader,

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"I swear, if you film me goin' at it with mister fancy-talk creepy voice here, you'd be rollin' in participants willin' to stay at this tacky hotel."

"Haha, never going to happen."

You glanced over from where you sat at Husker's bar, seeing Angel Dust make a few gestures to Alastor. The Radio Demon in question had a sneer on his face disguised as a wide grin, almost seeming annoyed with the consistent light flirting from Angel.

Angel would never have him.

Alastor- as you knew him- was not an overly sexual being, and anything that did come over him was fleeting if even substantial enough to act on. Besides, he was not one to expose himself to just anyone. It took decades for Alastor to come to you, and you were by his side more often than anyone else in his demonic life. You suspected part of why he was even willing to approach you about the matter was because you were already the equivalent of a lady in waiting to him.

His living diary. His secretary. His studio assistant. His bed-fellow. His ensnared soul bound eternally to be loyal to him alone. His favorite soul in the entire collection.

You weren't his strongest- if anything, you were his weakest- but you were his favorite.

"Hey," Angel started, "I have a question, if freaky-face over there is so powerful, then why can't he just make people stay here?"

"Oh, trust me," the light around Alastor faded and his antlers slightly grew, "I can!"

It was then Husker spoke up, a bottle in hand and a frown on his face.

"Why do you think I'm here?"

The hell-cat bartender was a familiar face to you. He was yet another soul in Alastor's repertoire and his contract was one that made you pity the gruff demon. You were there when it was struck after-all, not that Husker knew that.

Alastor didn't like going places without you, so he would often contain you inside of his microphone cane. In a sense, you were the spirit possessing his microphone. Where it went, so did you, meaning you were always by Alastor's side. Of course, you could be separate from it, he just didn't usually want you to be. An eternal summon bound by the shred of demonic power you had to your name.

"You actually think I'd be cleaning bottles and listening to you fucks bitch and moan all the time if he wasn't forcin' me?"

"I like being forced."

"Keep that to yourself, Niff."

The sudden interjection from Nifty actually made you laugh, knowing the twisted inner workings of another of Alastor's 'summons'. Nifty was more like you than Husker, far more intertwined to Alastor and his whims than others. Nifty was more of a pet to Alastor- not that you were any better- and she kept things tidied to Alastor's standards.

"Never change, Nifty."

She smiled at you and Husker rolled his eyes, wiping down the same bottle once again. Husker was damn good at being a bartender and listening, even if he bitched about it while it happened. Between the three of you, you all were used to Alastor and his general behavior in most situations. As Alastor's confidant and microphone, you knew him better than anyone else and even then there were things you didn't know about him.

"Darling, can we talk a moment?"

The words sent anxiety down your spine, but you were quick to answer the non-optional summons. Walking up to his side he lazily wrapped an arm around you, leading you away from the group.

"Yes, Alastor?"

"Ah-ah, what did we talk about?"

"Sorry... Yes... Dear?"

"Hm, I never get tired of hearing that. I just wanted you away from them for a bit, that's all~"

Part of you wondered if Alastor was being serious or not, but decided that he had done far deadlier things to other demons for far less than vaguely annoying him by existing. If anything, his new interest in 'pet-names' was a recent development that likely had to do with his growing jealousy. You had been with Alastor on his seven-year 'sabbatical' and now you both were among others like this. It was clear to you that he was finding himself a bit more possessive of you.

"Just happy to have you here, and trust me, I'll make sure you never leave."

#kiame-sama #yandere #x reader #yandere x reader #reader insert #tw yandere #yandere alastor #yandere hazbin hotel #tw cursing #tw demons #tw blasphemy

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gods-favorite-autistic · 1 year

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Ok but like if they all came back to life, I feel like it could go one of two directions with how the choir reacts afterward

They could either never bring up what happened with Karnak because it was like too painful or something

Or it could go in the complete opposite direction with them constantly bringing up what happened, usually to make fun of each other

Like one day this one teacher is being a huge jackass so when the teacher asks if they have any fun facts they’d like to share with the class Noel just stands up and goes ��When a lioness has children-“

Ocean and Constance are desperately trying not to laugh

Mischa makes it a personal game to call as many people as possible a spielverderber

Somebody is talking for a really long time during a presentation and when it’s over Ricky just signs “And that is why not everyone should have a library card!” while Mischa just tries to not burst out laughing

Penny will sometimes recite Ricky’s Silver Surfer speech just so she can laugh about it later when people are like “Wow. So deep 🥲”

Sometimes you’ll just hear one of them humming everyone’s songs

The funniest time this has happened is when Noel caught Ocean humming “This Song Is Awesome”

Constance bakes everyone Zolar themed cupcakes and they’re so good

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fox-moblin · 1 year

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“Pfffbbbttt -Wild! Your hair is in my mou- aghck”

Quick sketch while I wait for the bus. Because:

*please do not repost* *click for better quality*

#linked universe #lu #lu wild #lu legend #wild linked universe #legend linked universe #tw cursing #moblart #and I said no to coloring in this Chili’s tonight #It fuckin wimdy will always make me laugh

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chocolate-guy-compilations · 2 years

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I've never wanted to eat a radio so badly in my entire life...

#FUCKING CHOCOLATE GUY #queued post #fucking chocolate guy #tw cursing #it’s the fuckin chocolate guy #tw caps #tw swearing

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black-aurora-nora · 11 months

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Sibling Squabbles | Yandere!Superman and Jon x Teen!Reader

“Jon, please get out the way.” You demanded in an even tone.

The younger boy didn’t budge from his spot in front of the door. His gaze held firm and he shook his head, “Dad said you couldn’t leave.”

“Clark doesn’t hold authority over me.” You reminded him matter of factly, “He’s not my father and I’m not your sister.”

Jon frowned deeply at your words, “Dad said you’d have a hard time-“

“Move, Jon!” You demanded again, louder.

You moved up to him, trying to shuffle past him with your backpack filled with a few essentials.

“Where would you even go?! You were homeless before this!”

“And? At least I wasn’t stuck in some house with creepy men!” You rebutted angrily, grabbing for the doorknob.

Jon grabbed your wrist, gripping it tight, “I’m not creepy! And neither is my dad! Take that back!” He knew that his dad told him to be gentle with you since you were still settling down but you were going too far.

“No! I mean it! You’re creepy!” You repeated sharply, trying to wrestle your wrist from Jon’s grip. “Ugh! It’s no wonder your mom left-!”

A sickening crack sounded from your wrist and you saw it crinkle in a way it wasn’t supposed to then a horrible pain that left you screaming from both the shock of what happened and the pain.

Jon stood frozen, breathing uneven.

He looked from your crumpled arm to your snotty face.

He hadn’t meant to hurt you. His father had warned him plenty of times to use his powers for good and here he was hurting you because you said something hurtful.

“I-I’m- (Y/N), I’m so-!” He reached out to you and you jerked back violently with a yelp.

“Stay the fuck away from me!” You snapped, opening the door with your good hand and running out towards the trail that led to the city.

Jon decided it best that he not follow you.

He knew you wouldn’t escape now anyhow. You were far too hurt and in too much shock to get far enough. And no one would allow a young teen like you to walk around with a broken arm if you did make it to the city.

The next time he saw you, which was a day later, his father had brought you back home with a blue cast on your arm.

You looked exhausted, pissed off, and every other negative emotion that people could feel.

Clark had you both in the living room and glanced at the two of you sternly. He looked at you first with an expectant gaze.

“(Y/N), apologize to your brother.” He said, arms crossed.

You kept your gaze on the cast for a moment.

A deep breath in, “Sorry.”

“You can do better than that.” Clark wasn’t one that took apologies lightly. You had to put your full heart into it. “Remember what we talked about at the doctor’s.”

Another deep breath, “Sorry for saying stuff about your mother.” You gritted out, “And about you… I didn’t mean it.” Your voice was incredibly monotone but Clark knew that was the best they were going to get from you right now.

He knew there’d be plenty more altercations in the future to teach you how to apologize properly and honestly.

He turned to Jon, “Be more careful in the future,” He reminded him simply, “And apologize to your sister.”

Jon’s lip wobbled as he gazed at you and you wished great harm upon him. How dare he act like he was the one that had been victimized? Like he was innocent?

How dare Clark make you apologize first when Jon had hurt you? Now you were stuck in a cast and had been set back.

“I’m sorry, (Y/N). I won’t do that ever again and I forgive you.” He gave you a teary smile, “I know you’re having a hard time and I should’ve kept my anger in check.”

Clark smiled warmly, “Try to keep the sibling squabble to a minimum, okay, you two?” He patted you both on the head.

He then stood up and made his way to the kitchen, “Who wants breakfast?” He asked, tying an apron around his person, “I’m thinking waffles, eggs and bacon!”

Jon licked his lips, “I’ll have some! Can I help?!” He asked excitedly, running after his father.

“Of course you can, Jon.” You heard Clark answer from the kitchen, “(Y/N), come join us.”

God you hated them with every fiber of your being.

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dropthedemiurge · 7 days

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«He'd proven his disloyalty the moment he tried pulling Riko's hands off his throat. I am Jean Moreau. I am not a Raven.»

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itsclydebitches · 1 month

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Hazbin Hotel: Let's Talk About Cursing!

Trigger warning for lots of cursing in this post (obviously) and discussion of canon abuse scenes

As I delve further into the Hazbin Hotel fandom, I’ve inevitably come across a variety of people who dislike the show for an equal variety of reasons. One criticism I’ve seen with some consistency is in regards to the cursing and yeah, I get it. That’s not going to be everyone’s cup of tea. However, the repeated claim that the cursing is only there as a—failed—attempt at bad, lazy humor got me thinking about why I personally liked the cursing, and why I think it serves a greater purpose in the show.

Now yes, some of the cursing does function as an arguably simplistic joke. The most common setup I’ve noticed is one that leans into a contrast in tone/personalities. We see this a lot with the polite, comparatively timid Charlie as she navigates her distinctly vulgar domain.

Charlie: “Hi, mister!” Demon: “Go fuck yourself!”

The entirety of “Happy Day in Hell” plays with this contrast, setting up Charlie’s slightly skewed, but significantly optimistic perspective of Hell. We are shown again and again how her lyrics are contradicted or twisted into something less innocent through the visuals: a “revealing” street where it’s “hard not to stare” has BDSM going on in a nearby window, Charlie will “open the door” for her people and then literally does so... for a guy who’s already dead. (Or, you know, temporarily out of commission until he heals, or whatever demons do when they’re ‘killed’ by things other than angelic steel.) The entire point here is to contrast the happy, skipping girl claiming that there’s a “warm, fuzzy feeling” in the air with the actual environment of unchecked fires and decaying limbs. And yes, that can be amusing. Not necessarily for everyone as humor is highly subjective and dependent on context, but distilling this contrast down to the shock of a polite greeting getting a “Go fuck yourself!” in response is a kind of entertainment. Especially when Charlie’s reaction adds another layer: for me that’s a very funny—and currently relatable—expression.

We can potentially make the case that this humor format overstays its welcome, but I personally think the show does a good job of keeping Charlie’s cursing both simple and comparatively rare, so that when she is put into these contrast situations the humor lands better. The best example I can think of in the latter half of the show is Susan. There we get the whiplash of polite, trying-to-get-these-people-to-like-her Charlie reaching a breaking point to become “FUCK YOU, YOU OLD BITCH” Charlie. It’s a moment that builds off of the earlier surprise of the courteous Alastor calling someone an “Ornery old bitch”—while Rosie is trying (and failing) to find a nicer way to phrase this.

However, as stated above I think the cursing serves more of a purpose than to just be funny for (some) viewers. Beyond those who simply find cursing distasteful, I’ve seen a fair bit of, “This is so stupid. No one even talks like that!” going around.

Except... I do? I talk like that.

See, I like cursing. I was born to former hippie parents and grew up playing MMOs, so cursing was something I became pretty acclimated to. Personally, I’m glad I was because I’m fascinated by language and cursing—for better or worse—is an integral way that many people communicate. I was taught to see cursing not as the Bad Forbidden Thing You Must Never Ever Do, but rather as just another form of expression, something to be used in moderation and under specific circumstances. Once I became an adult I already understood how I wanted to curse and when it was appropriate to do so. People at work are often shocked when I tell them I curse a lot because no, of course I’m not doing that at my job. That isn't considered professional in this space. Among my friends though?

We can sound a lot like the Hazbin crew.

Undoubtedly the most common curse in the show is “fuck” and its variations, which very much tracks with my personal experience among other people who curse. In fact, it’s so ubiquitous that it barely counts as a curse at all in some groups. It’s more of an easy, accepted way to add emphasis. Vaggie’s “What the fuck was that?” about Alastor’s commercial is a perfect example. She’s pissed and simply saying “What was that?” doesn’t carry the same weight, no matter how angry she may sound when she says it. Vox’s long “Fuuuuuuuck” at the end of “Stayed Gone” conveys an emotion you just can’t capture any other way. No dialogue at all would create a fundamentally different experience of Vox’s feelings and another non-cursing response is just gonna hit different. Not necessarily bad, just different.

“I don’t want to go to the party!” “I don’t want to go to the freaking party!” “I don’t want to go to the fucking party!”

The above represents three distinct characters to me and I think Hazbin Hotel gets that. Cursing isn’t thrown around randomly because something something cursing supposedly sells; it’s all linguistically logical. Characters curse when something surprising or bad happens, or when something unexpectedly good happens, when they’re angry, trying to be sexy, or they want to add that emphasis. That’s a lot of different situations where cursing can be useful and when you use “fuck” in your daily life a lot you become pretty desensitized to it. As said, for many it’s barely a curse at all. Which means that when you really want to curse you’ve got to up the ante. It doesn’t surprise me one bit that the two uses of “cunt” I can recall—a word that is generally considered far worse than “fuck” and makes a lot of people understandably uncomfortable—is used by two of the worst characters in moments that are meant to horrify the viewer:

Adam: “Can’t wait a whole year to slaughter those little cunts / I know it’s just been a week, but we’ll be back in six months!” Valentino: “When I say you’d better get that fucking cunt out of my studio, you say...?”

This horror is especially emphasized in Valentino’s scene. The creators know this word is coming up and deliberately build towards it. Angel is currently being abused and has been reminded that Valentino “owns” him. The above question is a part of a trio that Valentino asks (a standard structure in writing), wherein the third option is the outlier/most shocking of the three. The animation leans into that shock, with the music building and Valentino grabbing Angel to pull him close right on the word “cunt.” Perez even puts emphasis there because he knows that this is a significant word that will change our understanding of Valentino.

Despite having hit Angel multiple times and taunting him with the contract, this is the moment Valentino stops playing the ‘nice’ employer. This is the real him. No more fake compliments and endearments aimed at Charlie, no more fake comfort/intimacy aimed at Angel. That “cunt” conveys a hell of a lot about how Valentino really sees them and when you have a cast of characters who are already cursing on the regular, it takes a word on that level to do that kind of work. If Valentino had said, “get that fucking bitch out of my studio” it wouldn’t have had nearly the same impact because he’s the kind of guy who uses "bitch" even when playing ‘nice.’

Adam’s line from “Hell is Forever” does very similar work. The scene needs a word to align with the horrific reveal that another extermination is just six months away, that conveys Adam’s deep disgust for Charlie’s people, and that still catches the viewer’s attention even though he’s the character (I believe) who curses the most. Here the music drops and Adam is a little closer to speaking than singing; there's this shift because, like with Valentino, our perception of him is shifting. This isn’t just some egotistical idiot who wants to be called “Dick Master,” he’s the leader of an army coming to gleefully kill them. Framing a whole world of people—people Charlie loves—as “cunts” while treating their murder as a holiday that can’t come soon enough creates an, 'Oh shit. This guy is actually a threat' understanding that you can’t quite get with anything else.

On a smaller scale, cursing does other character work throughout the whole show. I watched a number of cursing compilation vids for this meta (that was a trip lol) and again, cursing is not thrown in randomly. Each character has a unique way of cursing that aligns with their personality and motivations:

As said, Adam curses the most in the show which helps sell his truly over-the-top, irreverent personality. Linguistically, the amount he curses also allows for some fun grammatical play. Lines like, “Fucking love putting my name on shit, shit’s the best!” help convey the versatility of cursing.

Also as said, Charlie curses a fair bit but she’s comparatively polite and her cursing tends to be a result of genuinely big emotions—like saying “Crap” when she’s shocked and falls, or “Shit!” when Adam locks her out of the room—rather than sprinkled into her conversations as a modifier. That leaves space to create those moments of amused surprise when Charlie really let’s loose.

Sr Pentious curses even less than Charlie which fits his secretly gooey center. He talks a big game at the start of the show, but he’s actually quite bad at being, well, bad (especially the Amazon version compared to pilot!Pentious). His idea of getting one over on Alastor is ripping a bit of his coat. He loves his Egg Bois and “doesn’t want to live” without them. He has no desire to go into battle without minions/a big machine to hide behind and, of course, he’s the first to be redeemed. He's too much of a secret sweetheart to curse a lot.

Interestingly, Niffty doesn’t seem to curse at all. At least, not enough for me to think of examples off the top of my head. Right now I’m inclined to read that as an extension of her lived experiences/design—the cute 1950’s housewife archetype who is obsessed with keeping things clean doesn’t [gasp!] curse—as well as a way to maintain her legitimate creep factor. As said, cursing is common among the hotel residents and is a way for them to linguistically fit in. Niffty, however, is positioned more as an outsider (despite how much they all obviously love her): she’s actually scary in a way most demons aren’t and despite how weird this whole world is, she stands out as someone no one else can make sense of (even Alastor). If cursing is normal, Niffty is a character who is decidedly positioned as not normal.

Angel curses a fair bit, though his irreverence is conveyed more through innuendos. Angel is great at verbally twisting others’ words (especially Husk’s) to give himself a conversational advantage:

Husk: “Go fuck yourself” Angel: “Only if you watch me~”

Husk: “You’ve come—” Angel: [very loud orgasm noise] Husk: “...to the right place.”

Meanwhile, Husk uses “fuck” plenty, but he’s also one of the few characters who use “bullshit" too. I wouldn’t say there’s anything particularly revealing about that choice, but just giving him a go-to curse that’s otherwise used infrequently helps make his character distinct in a cast of other cursing characters.

Vaggie occasionally curses in Spanish, showing us her heritage if she used to be human, or a distinct knowledge/verbal preference if she’s always been an angel.

Heaven, as the ‘good’ side, doesn’t curse as a general rule, which leaves room for cursing to do more of that silent character work. We’re reminded of the stuffy, overly critical beings she’s dealing with when Charlie receives the combined judgement of the court for saying, “Fuck yeah!” In contrast, we understand just how shocked St. Peter is to see a Morningstar when he lets out an unintentional “Fuck!” The angry vindication of Charlie’s “That’s what the fuck I’ve been saying!” lands harder after multiple scenes of very little cursing, and Lute’s “Some crack-whore who fucked up already? / He blew his shot like the cocks in his mouth—” helps set her apart as an exorcist + Adam's second in command: her shocking violence comes through in her word choice too; words that supposedly don't belong in Heaven.

In what’s arguably the funniest line in the whole show, Lucifer undermines his dramatic standoff with Adam by going, “You mess with my daughter and now I’m going to fuck you.” Beyond just cutting the tension, that fits his bumbling, oblivious personality perfectly. Lucifer is crazy powerful and can absolutely wreck Adam. He also has none of the classy intimidation that, say, Alastor displays when he tries to convey that. This is a depressed himbo who makes ducks in his free time and settles on, “Hey, bitch!” when greeting his estranged daughter. Of course he’s going to accidentally turn a threat into a promise of sex.

Which finally brings me to Alastor, someone whose cursing is already understood well by the fandom. He’s characterized as manipulatively courteous, using manners to both hide his true nature and draw attention to his power—’You’re so beneath me I’ll just calmly sip my coffee and politely ask who you are, despite the fact that we've fought multiple times.’ This is a guy who calls people “My dear” and unironically insults them with the phrase “wacky nonsense.” So when he curses you can BET it’s gonna have an impact. It sure did for me. I had to pause the episode after Alastor’s first “Fuck you” because it was so shocking to hear that language from him. And that’s the point! The scene wants that reaction from the audience. The "Fuck you"s visceral anger contrasting the fake laughs he and Lucifer have been giving, the quick-fire exchange that’s suddenly cut short by Alastor’s choice of a direct insult, the fact that he’s officially dropping the polite veneer they’ve both been indulging in and raising the stakes before Charlie intervenes, the loss of the radio filter that otherwise demonstrates his control over a situation... all of it screams, ‘THIS IS AN IMPORTANT CHARACTER MOMENT.’

"Fuck you” reveals that, for the first time in the show, Alastor is legitimately threatened by someone. Which makes sense given that, you know, Lucifer is the King of Hell. Cursing for Alastor isn’t normal, so when he does curse it’s going to reveal something about a guy who otherwise is obsessed with being unknowable. Having the King of Hell dismiss him is actually infuriating in a way Sir Pentious’ threats could never be and the exchange kicks off a rivalry that rattles Alastor in ways Vox’s never has. (Side note: is it any wonder people ship them? Character A making control freak Character B feel vulnerable is classic!) It’s no surprise to me than that the one other true curse we get from Alastor is, “I’m about to end your fucking life,” delivered to Adam who, like Lucifer, poses a legitimate threat and does end up beating him. I say “true” curse because calling Susan a “bitch” does similar work for him, but the takeaway is humorous rather than dramatic. It’s funny that the only people who can piss Alastor off enough to curse are the First Man/a powerful exorcist angel threatening his life, the literal King of Hell... and Susan.

So there’s a lot going on here, more than what many viewers might assume if they approach the show as just “stupid,” needlessly vulgar entertainment. As shown above, I don’t think the cursing is needless, especially given that, well... they’re in Hell. They’re sinners, supposedly the worst that humanity has to offer, so of course they're going to curse a lot. Does cursing mean you’re a bad person? No. Can you craft a hellish world that doesn't rely on cursing to convey a group's immoral nature? Sure.

Does it make sense that a writer would equate a sinful, irreverent cast with linguistic rebellion and would want to convey a certain vibe that, frankly, you just can’t get without dropping an F bomb?

Yeah, I think so. No one has to like that kind of creative decision, but it’s worth acknowledging it as a deliberate choice.

That’s all! Thanks for reading this fucking long post ✌️

#Hazbin Hotel #Hazbin Hotel meta #mymetas #tw cursing #cw cursing #tw abuse #cw abuse

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