#tw silencing

[undercovercannibal]

The most stable elements, Clarice, appear in the middle of the periodic table, roughly between iron and silver. Between iron and silver. I think that is appropriate for you. — Hannibal Lecter

Jodie Foster as Clarice Starling in The Silence of the Lambs (1991)

#m* #clarice starling #jodie foster #the silence of the lambs #horror #horroredit #horrortvfilmsource #ladiesblr #femalegifsource #junkfooddaily #dailyflicks #cinemapix #fyeahmovies #filmedit #userfilm #filmgifs #tvfilmsource #filmtvdaily #cinematv #usertj #miatendos #tw blood #1k #2k

[moonlayl]

I hope no one who supported Israel, I hope no one who said “Israel has the right to defend itself”, I hope no one that stayed silent, I hope no one that stayed neutral, I hope no one who cried “both sides”, I hope no one preaching “nuance”, EVER gets to experience another peaceful day again. I hope every last one of them suffers for the remainder of their lives. I hope the guilt eats at them every single day to the point they can’t take it anymore and they choose to do the world a favour and off themselves. I hope every last one of them pays severely for their crimes and for their support of genocide. I hope their very existence is plagued with nightmares. I hope they experience what it’s like to have never ending bombs rain over their heads.

Whatever happens in Gaza tonight or tomorrow or after, know that we won’t forget and we will never forgive.

#free palestine #free gaza #silence is compliance #suicide mention #tw suicide mention #suicide mention tw

[wilwheaton]

When you watch The Curse, you are watching two children who were abused and exploited daily during production. No adults protected us.

This was originally published on my blog in August, 2022.

I had a wonderful time at Steel City Comicon this weekend. It was my first time at this particular con, so I didn’t know there was such a huge contingent of horror fans, creators, and vendors who attend.

I love horror, and I was pretty psyched to be in the same place as John Carpenter and Tom Savini, across the street from the Dawn of the Dead mall. Pittsburgh feels like one of the places horror was invented, at least to me.

A number of these horror fans came to see me, and asked me to sign posters and other things from a movie my parents forced me to do when I was 13, called The Curse. I had to tell each of these people that I would not sign anything associated with that movie, because I was abused and exploited during production. The time I spent on that film remains the most traumatizing time of my life, and though I am a 50 year-old man, just typing this now makes my hands shake with remembered fear of a 13 year-old boy who nobody protected, and the absolute fury the 50 year-old man feels toward the people who hurt him.

I told this story in Still Just A Geek, and I’ve talked about it in some podcasts I did on the promo tour, but I’ve never put it out in public like this, in its entirety.

I suspect someone at the publisher would prefer I tease this and hope it drives book sales from people who want to read all of it, but I honestly don’t want to have another weekend like this one where everything is awesome, except the few times people who have no idea (and why should they) put that fucking poster in front of me, and all the fear, abandonment, and trauma come flooding back as I tell them that I won’t sign it, and why.

To their credit, each person was as horrified as they should have been, told me they had no idea (if they didn’t read my book why would they), and quickly put the poster away. They were all understanding. I am grateful for that.

But I really don’t need to tell this story over and over again, so here it is, with a child abuse and exploitation content warning, so I can just tell people to Google it.

After Stand by Me, everything changed. The attention from entertainment journalists, casting directors, and especially teen magazines came pouring in. The movie was a generational hit, beloved by critics and audiences alike, and every single one of us could pick anything to do next.

River’s parents and his agent got him Mosquito Coast, with Harrison Ford, as his next movie. I also auditioned for the role, but I knew even then that River was going to book the job. He was perfect, and I’d have to wait a little bit for my opportunity to come along.

I went on a lot of theatrical auditions after Stand by Me. I had tons of meetings with directors and the heads of casting at every major studio. It was all a very big deal, and I felt like we were all looking for something really special and amazing as my follow-up to Stand by Me.

At some point, a couple of producers contacted my agent with an offer to play one of the leads in an adaptation of H. P. Lovecraft’s “The Colour Out of Space.” The script was titled The Farm. (It would, of course, be changed when the film was released).

I read it. I did not like it. It was a shitty horror movie, and I saw that right away. It was the sort of thing you rented on Friday when the new release you wanted was already out of the store.

My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.

I told my parents I didn’t like it and didn’t want to do it. I clearly recall thinking it was a piece of shit that would hurt my career.

It wasn’t the first thing that had come our way that I wanted to pass on, and every other time, it hadn’t been a very big deal.

Sidebar: I was cast in Twilight Zone: The Movie, in 1983. The film tells four stories, and I was cast as the kid who can wish people into cartoonland. It was a GREAT role, in a movie I still love. (Note that Twilight Zone had four directors. One of them got three people killed. The segment I was cast in was not that one. I mention this because too many people zero in on this to deflect from what this whole thing is actually about.)

But I was CONVINCED by my parochial school teacher that if I worked on The Twilight Zone, which she had determined was satanic, I would go to hell. (This woman and her bullshit played a big role in my conversion to atheism at a young age, but when she told me that, I was all-in on the supernatural story they taught us in religion class.) I was so scared, more scared than I’d ever been to that point in my life, I cried and wailed and begged my parents to not make me do the movie. And I never told them why, because I was afraid my dad would laugh at me for being weak and afraid. My agent tried to talk me into it, and I wouldn’t budge. It’s the only thing I deeply and truly regret passing on, and I really hate I made that choice for such a stupid reason.

Okay. Back to The Curse.

This time, when I told them how much I hated it, they wouldn’t listen to me. My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.

That is, until they made me take a meeting with the producers of the movie, in their giant conference room on the top floor of a tall building in Hollywood. All I remember about this place was that it was huge; the table was way too big for the five of us who spread around it, and there were floor-to-ceiling windows on three of the walls, but the room was still dark. There was a weird optical illusion in the center of the table, this thing they sold in the Sharper Image catalog, made from two reflective dishes with a hole in the top of one. You placed an object in the bottom of the bottom dish, and it made it look like that object was floating above the whole thing. They had a plastic spider in it. What a strange detail for me to remember, but it’s as clear in my memory as if I were sitting in that room right now.

One man, who I presumed was the executive producer, was European or Middle Eastern (I didn’t know the difference then, he was just Not Like People I Knew), and I was instantly afraid of him. He was intimidating, and seemed like a person who got what he wanted.

So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.

I don’t remember what they said to me in their pitch or anything other than how uncomfortable and anxious I was to even be in that room. I tried so hard to be grown up and mature, but I — and my parents — was way out of my depth. I’d done one big movie and that was it. We didn’t have my agent with us, who had lots of experience and would have known what questions to ask.

No, in place of my experienced agent, my mother had decided she was going to be my manager, and she tackled the responsibility with an enthusiasm that was only matched by her absolute incompetence and inability to go toe-to-toe with producers the way my agent did. She was outwitted, out-thought, and outmaneuvered at every turn.

“You don’t have a choice,” my father commanded. “You are doing this movie.”

So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.

At some point, this man, who is represented in my memory by big Jim Jones sunglasses under dark hair above an open collar, said, “We are offering you a hundred thousand dollars and round-trip travel for your whole family. We will cast your sister, Amy, to play your sister in the movie.”

It all made sense, now. I was only thirteen, but I knew my parents were pushing me so hard because this company was offering me — them, really — more money than I’d ever imagined I’d earn in my life, much less a single job.

I knew that the right thing to do, the smart thing to do, was to say no. There would be other opportunities, and it was stupid to cash myself out of feature films for what I thought was, in the grand scheme of things, not very much money.

It’s incredible to me that I knew all of this. It’s incredible to me that I could see all these things, plainly and clearly, and my parents couldn’t (or, more likely, chose not to).

So after this man made his offer, all the adults in the room ganged up on me, selling me HARD on this movie.

My mother said, “Don’t you want your sister to have the same opportunities you’ve had? Wouldn’t it be fun and exciting to go to Rome? Think of all the history!”

The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.

I don’t think about this very often, because it’s super upsetting to me. Right now, I’m so angry at my parents for subjecting me and my sister to this entire experience. But I’m getting ahead of myself.

In that moment, I felt bullied and trapped. All these adults were talking to me at the same time, and I just wanted it to stop. I just wanted to go home and get out of this room. I just wanted to go be a kid, so I did what I’d learned to do to survive: I gave in and did what my parents wanted.

The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.

But here’s the thing: when you watch The Curse, you are watching two children, me and my sister, who were abused on a daily basis. The production did not follow a single labor law. They worked us for twelve hours a day, on multiple film units (while I work on First unit, second unit sets up and waits for me. When I should get a break to rest, they send me to Second unit, then to Third unit, then back to First unit. I was 13.) without any breaks, five days a week. I was exhausted the entire time. I was inappropriately touched by two different adults during production. I knew it was wrong, but I was so scared and ashamed, and I felt so unsupported, I didn’t tell anyone. I knew my dad wouldn’t believe me, and my mother would blame me. Anything to keep the production happy, that’s what she did. That was more important to her than the health and safety of her children. The director was coked out of his mind most of the time, incompetent, and so busy fucking or trying to fuck one of the women in the cast, he was worse than useless. He was a fading actor who was cosplaying as a director, as in over his head as my mother. My sister and I were never safe. Instead of harmless atmospheric SFX smoke, they set hay on fire in barrels and blew actual smoke onto the set. They took buckets of talc, broken wood, bits of wallpaper and plaster, and threw it into my face during a scene inside the collapsing house. My sister is in a scene where she goes to get eggs from some chickens, and they attack her. So they hired Lucio Fulci, the Italian horror master, to direct her sequence. His idea, which everyone was totally on board with, was to throw chickens at my sister. Live chickens, live roosters, live birds. Just throw them at a nine-year-old girl. Oh, and then tie them to her arms and legs so they’ll peck her. All of this happened under my mother’s observation, and with her full participation.

Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.

If just ONE of the things I can remember happened to someone I loved, I would have grabbed my kids, gone to the airport, and flown home. Fuck those abusive assholes in the production. Let the lawyers sort it all out. Nobody hurts my children and gets away with it.

My mom says she “had some talks” with the producers. She claims that, once, she wouldn’t let us leave the hotel. (God, what a fucking dump that place was. It was just slightly better than a hostel.) I have no memory of that, but honestly the entire experience was so traumatic, I’ve blocked most of it out.

The movie was the commercial and critical failure I knew it would be. My parents spent the money. I don’t know what they spent it on. I got to keep fifteen cents of every dollar, so . . . yay?

My sister and I hardly ever talk about this. I suspect it was as upsetting and traumatic for her as it was for me. I told her I was writing about it, and asked her if she remembered anything. She told me she’d been lied to her whole life about this movie. Our mother let her believe she had been cast on the strength of her audition. “I was excited to work with you,” she said. She reminded me about some stuff I’d blocked out, including a scene where my character’s older brother (played by an actor named Malcolm Danare, who was kind and gentle, and made both of us feel safer when he was around) shoves my character into a pile of cow shit. When it came time to shoot the scene, the mud they’d put together to be the cow shit looked an awful lot like cow shit. When Malcolm pushed me into it, we all found out it was real cow shit. I was FURIOUS. The director had lied to me and had allowed me to have my entire body shoved into an actual pile of actual cow shit. I don’t remember what I said, but I remember he treated me the exact same way my father did whenever I got upset: he laughed at me, told me I was being too sensitive, reminded me that he was the director and he wanted to get a “real” performance out of me, and concluded, “If it bothers you so much, we’ll get you a hepatitis shot,” before he walked away.

My sister also recalled that, after she survived the scene with the chickens, it was the producers’ idea to give her one as a pet.

Okay, let’s unpack that for a quick second: you’ve been traumatized by these birds, so we’re going to give you one as a pet. That you’ll somehow keep in your hotel, and then will somehow get back to America. It will shock you to learn that neither of those things happened.

She remembered, as I do, the huge fight I had with my parents in our kitchen, where I told them I hated the script and I hated the movie. I didn’t want to do it, and I hated that they were making me do it.

“You don’t have a choice,” my father commanded. “You are doing this movie.”

“This is the only film you are being offered,” my mother lied to me. She made me feel like, if I didn’t do this movie, I would never do another movie again in my life. I had to do this movie. As my father bellowed, I had no choice.

Both of my parents denied this argument ever happened. Can I tell you how reassuring it is to know that my sister, who was also there, remembers it the same way I do?

The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them.

But one thing she told me, the thing I did not know, the thing that makes me so angry I want to break things, actually managed to make the entire experience even worse than I remembered it.

There’s a scene after her chicken incident where I check up on her in her bedroom. She’s got cuts and bruises, and I guess we talk about it. I don’t remember and I can’t watch the movie because I’m terrified it will give me a PTSD flashback (I’ve had one of those and I recommend avoiding it). Here’s the thing about that scene: she has some cuts on her face, and those cuts are real. They are not makeup.

I’m going to repeat that. My nine-year-old little sister had actual cuts on her face that were placed there by an adult, on purpose.

The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them. My sister told me our mother wasn’t in the makeup room when this happened — honestly, it seemed like our mother was strangely and conveniently absent when most of the really terrible things happened to us on the set — and when my sister told her what they’d done, she “lost her shit” at the production. She was pissed, I guess, which is appropriate and surprising. I wonder what would have to have happened for her to put us on a plane and get us home to safety? I mean, her son being abused daily didn’t do it, and her daughter being CUT IN THE FACE ON PURPOSE didn’t do it.

I just . . . I can’t. I can’t understand or comprehend allowing your own children to be physically and emotionally abused. They were literally selling my sister and me to these people, like we were some kind of commodity.

This was a tough conversation. My sister’s experience with our parents is very different from mine. My sister and I love each other. We’re close. I know it’s hard for her to hear that her brother, who she loves, was so abused by her parents, who she also loves. I was really grateful she made the time to talk to me about it, and grateful the experience wasn’t as horrible for her as it was for me.

As we were finishing our call, Amy also remembered one man, a young Italian named Luka, who was our driver for the movie. I haven’t thought about him in thirty years, but I can see his face now. He was kind, he was friendly, he taught us how to kick a soccer ball, and in the middle of an abusive, torturous experience, he stood out as a kind and gentle man. I mention him because she remembered him, which made me remember him, and goddammit I want at least one small part of this thing to not be awful.

The Curse remains one of the most consequential times the adults in my life failed to protect me. I’m 50. I still have nightmares.

Ultimately, as I predicted and feared, this piece of shit movie cashed me out of respectable films forever. I got offers for movies, but they were always mindless comedies or exploitative horror films. They were never the serious dramas I wanted to work in after Stand by Me. The industry looked at me and River, wondering if one or both of us would become a breakout star. They quickly saw that River was doing real acting work, and I was in this piece of shit. For River, Stand by Me was a beginning. For me, it would turn out to be pretty much everything, at least as far as film goes.

There are thousands of reasons film careers do and don’t take off. Maybe mine wouldn’t have taken off anyway. Clearly, it’s not where my life ended up, and I’m super okay with that now. But when all of this happened, it hurt and haunted me.

The Curse remains one of the most consequential times the adults in my life failed to protect me. I’m 50. I still have nightmares. Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.

This annotation is the last thing I wrote before I turned this manuscript in, because opening these wounds is hard and painful. I put it off as long as I could, and I feel like I’m still holding back, because just this small glimpse of the experience has taken me a week to write. I can’t imagine trying to go back and unpack the whole thing. (Note that is not in the book: I’ve made an EMDR appointment to work on this because the nightmares have come back after the weekend).

Fuck The Curse, and fuck every single person who exploited and hurt two beautiful children to make it. You all participated in child abuse, and you all knew better. Shame on all of you. I hope this follows you to the end of your life. I hope that living with what you did to innocent children has been as hard for you as it has been for me, because you deserve no less.

#tw abuse #tw child abuse #tw exploitation #child actor #still just a geek #lucio fulci #trauma survivor #speaking up for the child who was silenced by his abusers

[spacedoutflowers]

You think the bishop of war is gonna let you misgender them?

This is the mindset I'm adopting from now on lol

#spacedoutflowers art #digital art #sketch #cotl #cult of the lamb #fanart #digital sketch #cotl shamura #shamura #nonbinary rep #tw: terf mention #silence terf

[sophiethewitch1]

Sparring sessions with Damian would be the worst. He's constantly mocking you, trying to make you lose your edge. And he's quick too, dancing around any punches or kicks you throw. Even when it's obvious you won't win the spar, he still doesn't take you down. He'll let you keep going. Keep struggling till you're a sweaty and exhausted mess.

That's when he'll pounce. Pins you down to the sparring mats, his body straddling yours. You try to buck him off. He just thrusts his hips back down into yours. The bulge in his sweats pressing against you has the fight in you disappearing like smoke. You look up at him, confused, and he merely smirks back down at you.

"Not going to tap out?"

You do, hand tapping the training mat, even as you stare into his emerald green eyes. You don't think you could look away even if you tried.

"Hm, but I think I've earned my reward, don't you?"

It doesn't really matter what your answer is, does it? He likes it when you struggle, after all.

#yandere batfam #damian wayne x reader #first thing in the morning but i read yuns new post an #it was inspiring #tw nsft #tw dubcon #tw noncon #damian has a predator/prey kink and i will not be silenced #so does tim. and jay. and dick too if you piss him off #okay so I have a predator/prey kink but that means nothing alright

[opens-up-4-nobody]

🖤

#silna my beloved #shes so lovely. i love her when she's shouting at Francis and when shes being quietly extremely kind #she protects crozier and appreciates goodsir on a personal level despite what they brought to her life #she makes me so deeply sad #the terror #amc the terror #silna #lady silence #tuunbaq #tw blood

[dalliancekay]

Aziraphale does NOT need to suffer MORE

Can't believe I have to say this. TW: grief, mourning, death (sorry) I have, since falling into the fandom 6 months ago to escape real life, seen many takes on how Aziraphale needs to suffer in S3 to match Crowley's suffering. Mainly as the counterpart to the moment Crowley thinks he lost Aziraphale as he's looking for him desperately in the burning bookshop.

Then drinks, we suppose, to dull his pain, waiting for the Armageddon. Also, the way Crowley suffers at the bandstand argument, the 'I Forgive You' moments, which many people find utterly devastating and incredibly heartless from Aziraphale. Not to mention when he doesn't react in the 'right way' to Crowley's confession in the Final 15. And then on top of that, 'abandons' Crowley. Oh and also for, and I quote: "The smug and entitled way Aziraphale went around in S2 assuming Crowley would love and follow him everywhere." And for all this pain that Crowley endured for him, Aziraphale should suffer in S3, to I assume, even out the scores. Some people want to see him lose it, show his emotions, to cry or beg or otherwise show how much he misses Crowley and how very sorry he is for what he's done.

Now for the TW grief content I motioned above. You can skip to the next sentence in bold.

WE ALL SUFFER DIFFERENTLY I was on holiday late September last year, visiting my mum, stepfather and my two younger brothers. We went to a cousin's wedding. It was great. The day after, as I was hanging out reading a book my mum got a call. The kind of call every mother fears. My youngest brother (he was 27) died in an accident. We needed to speak to police and the coroner. She cried and cried. She's still crying. She asks questions. She gets no answers. I did not cry. I talked to the police. I googled a funeral home. I bought my brother his last set of clothes. He lived in a hoodie and torn black jeans. Mum wanted a suit. But he died in the one he bought for the wedding. I texted a lot of people. I bought snacks for the many friends who came to the funeral and wanted to speak to us after. My grief feels like a vice. I am not sad. I do not appear sad. Contrary to what people expect. But I am ANGRY. I am furious. But nobody can see this. I am not fine and I wish no one would ever* ask how I was again. TW/Personal content over. Since I was small (because I am weird like that) I genuinely wondered if, finding myself in danger, I could scream like people in films do. I don't think I could. I cope with hard situations, fear and stress and anxiety by shutting down, sometimes by retreating too, by furiously trying to find a way out. And I think Aziraphale does the same. And that's why I love him so much. And why I feel get him and understand that people sometimes can't tell how much he's actually feeling. I also express love the way Aziraphale does - by organising things for people I love, inviting them places, making plans. When Crowley said you call me for three things (and it's basically any old reason) I felt SO SEEN. This is what I would do with a friend who I know is feeling unmoored, sad, stuck. I'd text them with any old thing. I'd never actually say I love you, how can I help though, I would try to get them to talk, meet me, go somewhere. Aziraphale does not express emotions the same way as Crowley.

But his emotions are valid nonetheless. He is worried for Crowley from around 3 minutes into their acquaintanceship. And he NEVER stops worrying.

And are we quite sure he has never lost Crowley?

How many times did Aziraphale's heart freeze in horror when he realised Hell has taken Crowley and he had no idea if he'll ever come back and what is happening to him?

Why else would he be so worried about working on the Arrangement? Was he worried just for himself? Do we really think that?

Crowley thinks he lost Aziraphale, yes, we saw that, but do they ever talk about what happened to the angel then? Do we?

That he got blown into atoms which I bet wasn't pleasant and when he arrives in Heaven he limps? Why is he hurt? Why is he quickly pretending he isn't? Why is he always hiding how he feels? Also, he immediately deserts, wants no part in the Holy War and quickly finds an extremely unconventional way to get back. It's not a grand gesture, there's no pomp around it, he thinks this and then does it. No hesitation.

Is this coming from an angel who just can't leave Heaven behind and longs to be a part of it? Who loves to follow rules? And let's not forget in those moments Aziraphale thought Crowley was gone. That he very likely left for Alpha Centauri. Last he heard from him he was told he was talking to an old friend and had no time for him. Why we NEVER talk about how that might have felt for Aziraphale?

Things are not as simple as Aziraphale has been supressing his emotions and lying to himself about how he feels and he should get over it and become free. That's not how this works. His trauma and his personality are deeply intertwined and he'd never be the kind of person who is open in showing their grief or stress. He will learn to be more open, with his love especially, we see him reaching for and touching his demon in S2. Openly being with him, looking at him without guarding himself. That's HUGE. He's trying. So. Just because Aziraphale is not crying and screaming and I dunno, tearing his hair out or whatever some people would have him do, does not mean he isn't overflowing with pain, fear, uncertainty, doubts, worries, and so much anxiety that if he let it all out, half of the solar system would turn to ashes.

Aziraphale does not need to suffer in S3 to level out Crowley's suffering. They are, unfortunately, equal in their pain as they are in love. If there is one thing Crowley would never abide, it'd be this take from the fandom. * A note on grief (obviously from my personal experience) As initiated by @anthony-crowleys-left-nut in a comment

It's not that I mind to know people care and worry etc, but asking how I am can only end in me lying (fine, thank you) and both of us knowing it's not really true and feeling awkward or not lying (I feel like shit, mostly cos I can't sleep and think the world is a stupid unfair place) and both of us feeling awkward anyway. Does that make sense? I wish I could tell friends/colleagues to ask what I've been up to or something similar instead. What I've been reading (um, AO3, but I'll make something up), watching, do I want to go see some spring flowers bloom (I do).

#aziraphale #good omens #crowley #aziracrow #ineffable husbands #neil gaiman #ineffable divorce #aziraphale my beloved #good omens thoughts #aziraphale defense squad #suffering in silence #grief #tw grief #dealing with grief #loss #tw death #kaypost

[emilylprentiss]

Beware the stare of Mary Shaw. She has no children, only dolls. And if you see her in your dreams, be sure to never, ever scream or she'll rip your tongue out at the seam.

Dead Silence (2007) Dir. James Wan

#dead silence #dead silence 2007 #horror #horroredit #horrorfilmgifs #horrorgifs #filmedit #societyclub #junkfooddaily #usertj #tuserjana #tusermiles #tuserheidi #kallypsos #cargopantsprentiss #horror gifs #*mine #blood tw #flashing tw #i havent seen this in so long......what a film

[proudfreakmetarusonniku]

but also like. guys you don’t need to leave the minecraft youtube community bc one person is bad to clarify. like. shelby is a minecraft youtuber. a lot of her friends are minecraft youtubers. those friends are supportive and as far as we know all believe her. the vast majority of minecraft youtubers are like. fine. this shit is something that Happens because Abusers are Manipulative, going to another hobby will Not shield you from anything and you’re not immoral for liking something bad people also liked. which is. one of the biggest video games ever. like in this situation no one was knowingly harbouring an abuser and it seems everyone was supportive. this is just a case of some people being shit, not anything to do with mcyt. hell, the guy hasn’t been on minecraft in like a year lmao.

i fully understand why the content might be uncomfortable to you guys now but like, please don’t self flagellate and cut yourself off from an entire genre of media because of one guy again. i saw that happen after the dream stuff and a lot of people ended up losing important things because they made rash decisions and felt like they Had to leave. but please. take one deep fucking breath. this has happened before. this has happened so much before, and in ways far worse than this. because abusers, unfortunately, exist. you should not feel guilty for being manipulated by a manipulative abuser, don’t blame yourself. do what you have to, but please, please keep in mind that the majority of minecraft youtube is fine. it is fine to continue engaging with it. it’s fine to be manipulated by an abuser and it’s not your fault. please don’t make rash decisions and end up losing things you care deeply about and being unable to get them back. distance yourself all you want, but please be careful to not do so out of emotional self harm from the guilt. that’s something this fandom encourages far too much- even outside of this- and it’s unhealthy and anyone expecting it of you is cruel.

#mcyt #abuse tw #i guess this is discourse idk but like #this happened two years ago and the amount of people who realised cutting themselves off from All mcyt was self harm and came back #only to have lost a lot of content they created and valued because they wanted to punish themselves for trusting a predator #and like. you’re victim blaming yourself. obviously you are not anywhere near as much a victim as The victim #but being manipulated into supporting abusers is still something that is an action they take to harm others #Being used as a tool to silence others unknowingly is a cruel thing and can be traumatic to go through #its honestly really concerning as someone working on their own emotional self harm to see it. like this isn’t about anyone in specific but #guys. emotionally self harming isn’t helping. you don’t need punishment. breathe and think through things.

[dogmotifz]

The Terror // Disco Elysium (part v)

#the terror #the terror amc #disco elysium #silna #lady silence #disko elysium #child death tw

[darkpoetrynprose]

“There is an ocean of silence between us… and I am drowning in it.”

― Ranata Suzuki

#chaotic academia #dark acadamia aesthetic #dark academia #dark academic aesthetic #darkacademic #grief #grief poetry #dealing with grief #loss #grieving #emotions #growing up #grief journal #tw grief #grief/mourning #greif #silence #silent era #suffering #quotations #contemplation #life #quote of the day #ranata suzuki

[cadenzarose]

BEAU-ed Apple: A Bakery "Enemies" AU tribute animatic

Finally! It is done! (There's also a non-flashing version if you need it!)

I present you with my bakery "enemies" AU animatic! I love this AU with all my heart and when I heard this song (sung by Marinette's English VA btw), I could not get the idea of an animatic out of my head. Some frames are basically panel redraws, while others are from my own imagination :)

As always, the bakery "enemies" AU belongs to @buggachat! Thank you for all you do in the fandom, it is truly incredible!

#bakery enemies au #miraculous ladybug #cadenzadraws #video #finally the brain worms can be silenced #this was so much fun to work on though #i hadnt drawn anything in a while before starting this #and then i drew so much!! #flashing tw

[arkiwii]

Silence alter lore

#its been a while since i uploaded a smolivia #have one as a treat #also the image is free to use for whatever you want #tw gun #arknights #stalkiwiart #olivia silence

[99percentprocrastination]

heartstopper fans picking up alice oseman's other books expecting more fluffy happiness and finding tori's school getting burned down, aled's mom killing his dog, and lister getting STABBED

#have fun my friends #spoilers for all of these books I guess lol #heartstopper #solitaire #radio silence #i was born for this #alice oseman #osemanverse #tw animal death #mp

[deluls]

You didn't matter to her as much as she did to you. I bet she wanted to be some place other than here; that's why she left us without a word. Is it so hard for you to accept that? You're nothing.

The Silenced (2015) dir. Lee Hae-young

#filmtv #filmedit #filmgifs #horrorgifs #horroredit #fyeahmovies #movieedit #moviegifs #park boyoung #park sodam #the silenced #lee haeyoung #*mygifs #*film #long post #tw: blood #tw: weapons

[opens-up-4-nobody]

《 I'm sorry 》

#ay. colors meh but these scenes spliced together r fucking insane #goodsir pleading is fucking insane. silna my beloved #i feel weird sometimes abt the focus on the cold boys and not on her #she probably has more screentime than a lot of them. idk #the ethics of the terror twist me in knots bc im not sane #the terror #amc the terror #silna #lady silence #harry goodsir #tw blood