Gurun is one of the few lais without any supernatural dimension: instead, it is strongly marked by historical reality. If we redesignate the rulers of Brittany count and countess instead of king and queen, we immediately recognize the latter, the king of Scotland's sister, as being Margaret, sister of King William, who married Duke Conan of Brittany in 1160. Pursuing the equation, we see the Scottish monarch as William himself. Conan and Margaret were blessed with no male heir; but their daughter Constance became the wife of Geoffrey Plantagenet, who thereby inherited Brittany. Their son, the ill-fated Arthur, was thus King William's great-nephew, whereas Gurun in the lai has no direct counterpart in history.
-D.D.R. Owen, William the Lion, 1143,1214: Kingship and Culture
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“The master [of Kabbalah in the Bahir] depicts Nature as the King’s emissary, His medium, through which He projects Himself (in humble disguise) into this world. Human thought, also part of Nature, is man’s emissary.
Insofar as it has no end, man may extend himself through thought all the way to the end of the world— to confront G-d. Since all of man’s sensory faculties were no more than extensions of thought, the imaginative faculty was the source and ruler of all created things.
Gazing into the Throne of Glory only meant descending into oneself in order to ascend to the Infinite…”
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Charters and Leofwine, Ealdorman of the Hwicce from c.993-1023. Re-sharing an old blog post about Leofwine I first wrote in 2014. It's a bit nerdy:)
Charters and Leofwine, Ealdorman of the Hwicce from c.993-1023. Re-sharing an old blog post about Leofwine I first wrote in 2014. It's a bit nerdy:)
I always think that the characters of Saxon England are a little too ethereal for people to really connect with. I think it’s difficult to visualise life before the Norman Conquest, but it doesn’t mean we shouldn’t try.
My current obsession, and victim of my historical fiction endeavours is Leofwine, Ealdorman of the Hwicce during the reign of Æthelred II, who I refuse to call ‘Unready’ because…
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Twelfth-cake and riddles on HMS Erebus
A Twelfth Night celebration illustrated by Robert Seymour from The Book of Christmas (1836) by Thomas Kibble Hervey – note the cake in the left part of the picture and the cards in people's hands.
In his entry for January 6th, 1841 in his Antarctic-journal-slash-autobiography, Robert McCormick (who was surgeon on the Erebus on the Antarctic expedition) makes this reference to a Twelfth-cake eaten by the officers:
Wednesday, 6th. — Being Twelfth-night, all the officers took tea in the cabin with Captain Ross, and partook of a Twelfth-cake, which had been given him in a tin case, and was to have been opened on the 6th of January, 1840, but had been reserved for entering the ice. It was accompanied by the customary painted figures on paper and sugar, with enigmas to solve, which afforded us all some amusement and laughter; to aid which we had a glass of cherry brandy each.
(The age of the cake always surprised me a little, but apparently, according to the 19th century Cassell’s Dictionary of Cookery, fruit cake “will improve with keeping – indeed, confectioners do not use their cakes until they have been made some months; and if a cake is cut into soon after it is made it will crumble.” (x))
I had no idea that “painted figures on paper and sugar” were a customary part of the Twelfth-cake tradition, so I had a poke around the web and was delighted to learn that Twelfth-cakes came with various figurines for decoration. They were made from moulded sugar paste, with some depicting people, some not.
In the Every-Day Book of William Hone (1827), Twelfth-cakes are described as decorated with “Stars, castles, kings, cottages, dragons, trees, fish, palaces, cats, dogs, churches, lions, milkmaids, knights, serpents, and innumerable other forms, in snow-white confectionery, painted with variegated colours”.
An advertisement for “well executed Twelfth-Night characters”, 1842 (The Australian). Queen Victoria’s Twelfth-cake, 1849 (ILN).
The Twelfth-cakes themselves were generally large, domed, and heavy, full of nuts, dried fruits, and spices. Hone, again, calls them “Dark with citron and plums and heavy as gold”. (A recipe from 1802 is available here, and one from 1830 here – the latter promises a cake 12-14 inches across.)
You could also buy sets of cards with Twelfth Night figures and riddles on them, which were sold in packs. In the late 18th century, it was customary for the party to draw lots with the cards – and whichever character a person was assigned, they would have to play until midnight.
An extant pack of Park's Twelfth-Night characters, 1843. (The Puzzle Museum)
The resolution on these is only just about legible, but here's a close-up of four of them and their solutions from the sheet:
Transcriptions: From left to right: SIR OLIVER OGLE. Why is a lover like a gooseberry? BETRICE BOUQUET. When is a cheese most like college? CHARLES CUTEMDOWN. Why are Jews at a feast like a brewer? PATTY PRIMROSE. Why is a dandy like a haunch of venison?
Solutions: He is easily made a fool of. / When it is eaten. [Eton] / He brews [Hebrews] drink here. / He is a bit of a buck.
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Sources:
The Puzzle Museum https://www.puzzlemuseum.com/month/picm08/2008-04-parks.htm
The Dickens Museum blog https://dickensmuseum.com/blogs/charles-dickens-museum/dickens-and-the-spirit-of-twelfth-cake-past-by-pen-vogler
Elizabeth Gaskell House blog https://elizabethgaskellhouse.co.uk/twelfth-night-cakes/
Sydney Living Museums blog https://blogs.sydneylivingmuseums.com.au/cook/let-them-eat-fruit-cake/
Foods of England blog http://www.foodsofengland.co.uk/twelfthcake.htm
Primary sources:
Hone, William, The Every-Day Book (1827) - Project Gutenberg
Kibble Hervey, Thomas, The Book of Christmas (1836) - Project Gutenberg
Kitchiner, William, The Cook's Oracle (1830) - Project Gutenberg
McCormick, Robert, Voyages of Discovery in the Arctic and Antarctic Seas (1884) - Hathi Trust
The Australian, January 8th, 1842 - Trove Newspaper Archive
Illustrated London News, 13th January 1849 - Hathi Trust
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Immediately after Falaise, the king had tried to limit Breton patriotism by remarrying his rebel son’s future mother-in-law, Duchess Margaret, to Humphrey IV de Bohun, Lord of Carentan in the Cotentin and constable of England. Margaret had likely been active in rallying support against Henry in the war, so the king could not trust leaving her in charge of his son and the heiress of Brittany, Constance. After the Bohun marriage, Margaret either chose or was not allowed to visit her daughter until sometime between 1187 and 1199, at least six years after the death of her second husband and possibly during the divorce of her daughter from her second husband Earl Ranulf III of Chester. Mother and daughter did not appear to meet again for at least thirteen years and when they did encounter each other it was on Breton soil at Jugon-les-Lacs, southeast of Saint-Brieuc.
-Melissa Pollock, The Lion, the Lily and the Leopard: The Crown and Nobility of Scotland, France, and England and the Struggle for Power (1100-1204)
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Charters and Leofwine, Ealdorman of the Hwicce
I always think that the characters of Saxon England are a little too ethereal for people to really connect with. I think it’s difficult to visualise life before the Norman Conquest, but it doesn’t mean we shouldn’t try.
My current obsession, and victim of my historical fiction endeavours is Leofwine, Ealdorman of the Hwicce during the reign of Æthelred II, who I refuse to call ‘Unready’ because…
View On WordPress
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