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sprite-writes · 1 month

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gunmetal blue

chapter 1/?

Dale Cooper/Reader

Summary: Agent Cooper is saddled with a new partner–against his better judgment. She’s a mess–aimlessly stumbling her way through the FBI with a past shrouded in mystery. Grappling with this change, and a puzzling case in a small town, Cooper’s lost. He finds the path forward in the last way he’d expect.

word count: 2,605

A/N: woah new fic! this is sort of my side project while I work on cloudy day, but it'll still have semi-regular updates! super self indulgent because I love twin peaks, even if everyone had moved on LOL. hope u enjoy <3 as with all my writing, special thanks to @lightning-writes

Dale wasn’t the type to be needlessly anxious. He was the farthest thing from an overthinker, he was a pragmatic man, he kept his sensibility about him. So, admittedly, it was out of character the way his leg had started to involuntarily bounce, brow sweat, and chest tighten. Gordan Cole’s office had never felt so small.

He should have known something was wrong with the way Gordan had called him into his office, hands clapping on his shoulders, guiding him into the room like a lost child. Now, with the announcement hanging in the air, he understood.

“I’m sorry, a-a new partner?”

“That’s what I said, Coop! Is your hearing going too?” Gordon’s deafening volume usually has no effect on him, but this time he flinches. Dale shifts, and the leather beneath him squeaks. Gordon doesn’t even look up from his computer, skillfully avoiding Dale’s appalled stare.

“Gordon, with all due respect, I don't need nor want a partner. Has there been something unsatisfactory about my work? Or-”

“Did you say something about a factory? Anyway, It's not up to me. She was sent here straight from the higher-ups. All I did was sign the paperwork.”

Dale sighs, his frustration thickening in his chest. His captain's eyes flick to him.

“I would’ve fought it if I thought it was such a bad idea, Coop. Don’t worry so much, She’s a sweet girl and a—how would you say it? A damn fine agent.”

“Isn’t there anyone else she could be assigned to?” he asks, and it feels like begging. Windom is 3 years behind him now, but that's three years he’s spent adapting to solitude. The idea of someone next to him on the field again unsettles him deeply, drudging up feelings he’s worked hard to forget.

“Agent, I know how you may feel about this. What, with your past and all, but keep an open mind. I think this could be good for you.”

Could be good?

“Sir–”

A knock on the door cuts him off, the frosted glass door swinging open without hesitation. The interruption leaves him with his complaints still sticking to his tongue.

“Gordon! I brought you coffee – you still take it with two sugars, right? Because there’s a cane’s worth in there.”

His vision is crowded by a woman in an oversized blue FBI jacket—besides her abrupt entry, she’s also out of uniform. Her denim blue jeans hug her waist and fray at the knees, with a jarringly casual t-shirt. The unprofessionalism rubs him the wrong way.

Two milky-colored coffee cups get dropped on the desk. Despite the breach of protocol, Gordon seems pleased to see her. There’s an affinity in his eyes, but she's a stranger to Dale.

“Well if it isn’t Miss Blue herself! We were just talking about you.”

“We?”

Her hair flicks over her shoulder, and her eyes widen.

“Oh! Hi! Sorry, I didn’t see you there. I’m Blue.” She sticks out her right hand for him to shake– and it knocks straight into the two coffee cups, sending one tumbling towards Gordan and the other into his lap.

“Shit!”

He bolts up as hot coffee soaks his trousers. He vaguely registers Gordon's laugh as if an Agent didn’t just waltz in, wreck his office, and Dale’s drycleaning.

“Oh hell, I’m so sorry!” she shrills, peeling off her jacket frantically. The cheap polyester of the academy-issued zip-up presses against his wool-blend pants, the woman’s feeble attempt to clean the mess.

Dale’s anger alights, but he breathes deeply to tamp it down. Patience is a virtue, he tells himself.

She continues to dab at his pants, he pushes her hands away, taking the stained jacket from her, and tossing it on the chair behind him.

“It's fine, it’s fine,” he tells her tightly, despite the heat of his emotions, and the mild burns. When it rains, it pours, he supposes.

She looks up at him, clearly mortified.

“My bad, Sir,” she says lamely, and her expression scrunches up more.

“A hand, Kid?” Gordon asks and she’s more than happy to take her attention away from Dale. Gordon wipes his desk with a handkerchief, and with her hands free, she begins moving damp papers from his desk.

“Well, I’ll tell ya, Blue, you haven’t changed a bit since they shipped you off,” Gordon says fondly. Blue grimaces in a subtle way that Dale only notices because of the daggers he’s staring into her.

“I don't know about-” she begins. Gordon steamrolls her, likely not hearing a thing she said.

“Well, I suppose this is as good an introduction as any. Dale, meet your new partner, Special Agent Georgia Blue. Blue, meet Dale Cooper.”

He wanted to be surprised, really he did, but with fate’s track record, he didn't know why he would expect any better.

Dale goes home late that evening. With him, a stack of manilla folders all relating to one Georgia Blue. He recognizes a level of invasion here. He justifies it simply; Blue is an invasion of his space, so this grants him a degree of invasion to hers. He tries not to think about the morality of it too much, mostly because he knows if he does, he’ll be returning the files unopened. He lets his curiosity win this battle.

It doesn’t matter anyways; half the documents are redacted, large blocky sharpie lines interrupting every other sentence. He skims over what he deems unimportant– her physical description, age, schooling– when one thing catches his eye. Her bureau status, ambiguously labeled as ‘probationary warning: under review’

The FBI files aren’t all. There are DEA reports, too, all titled Operation Architect. He whispers the words to himself, something familiar in the back of his mind, vague memories and mentions of this Operation Architect. From his understanding, it had been DEA business, just watercooler talk that had made its way down to his office. He reads what he can.

January 10th 1988, SA Georgia Blue establishes contact with target, indefinite undercover placement to begin immediately.

Undercover placement? The rest of the paragraph is blocked out, and he’s left with more questions than answers.

His day feels like a pill he can’t swallow. He had vainly hoped that by understanding who this woman was, it would give him some artificial control of the situation, maybe even make it easier to choke down. He doesn’t understand why the dread in his chest continues to bloom.

He yawns, interrupting his thoughts. He supposes the rest of his investigation can wait for the morning, it wasn’t like the issue was going away anyways.

There are a few blissful moments the next morning when Dale wakes up, where the nightmare of yesterday is just that - a nightmare. The redacted files are forgotten on his desk. He makes his bed and brushes his teeth, and it isn't until he’s halfway through shampooing his hair, while he’s mentally scaling down his to-do list for the day that he remembers his plans are meaningless compared to the derailment that is Agent Blue. That is, his new partner Agent Blue. Just rolling over the word in his mind causes a headache to bud.

“Agents Cooper and Blue, partners, at your service,” he spits bitterly to himself. He gets shampoo in his mouth.

He’s bitter all the way to the station, questions and resentment swarming his mind.

He doesn’t even bother to chirp his usual good mornings to the doorman. Anger fits him like a jacket two sizes too small, he has to squeeze his way into it.

Perhaps the comfort of familiarity would calm him, he thought. A warm cup of coffee and the sanctuary of his desk. That’s what he needed.

“Good morning Dale,” Diane calls as he passes reception. He waves noncommittally.

“Morning Diane, any messages?”

“Not today, but Gordon wants to talk to you—he said to just come by when you have time.”

Dale sighs, and wonders what Gordon could possibly have in store for him this time.

“Is that all?”

“There’s just one other thing—I had to move your desk closer to the window to make room for the new girl – but don’t worry! I put everything back just as it was, and I was real careful too,” she smiles.

His eye twitches.

“Alright, Diane, thanks,” he mutters.

His desk is a foot from the window now, approximately 3 feet from where he had it before. He recalls the day he requested it to be there—having carefully stood in each corner of the precinct to find the exact shade-to-light ratio to situate himself.

It’s fine, he reasons, he’ll just squint.

In the ideal 4-foot spot from the window sits a brand new desk, with his brand new partner. If she hears him approach, she doesn’t show it, eyes glued to her dark computer screen. It doesn’t bother him, not one bit. He had spent the last three years' worth of mornings enjoying his coffee in silence, and, new partner or not, he would like that to remain the same. Who cares if she ruined his wool pants–doesn’t mean she has to say good morning to him too.

He sits down, much too close to the sun for his liking, and dives headfirst into paperwork. Still, he spares glances at her, in intervals, and mostly just wonders, why? Dale is a good agent, he knows this. His work and reputation precede him; a lone wolf, he thinks of himself. Then, out of nowhere, without warning, he’s saddled with a partner? An agent he’s never even heard of, who is apparently dipping half into DEA work. An agent who’s on probationary warning.

Perhaps they want him to babysit, he concludes. A rookie agent with some kind of classified disciplinary infraction, and they want him to turn her around. The thought reheats his anger. He’s a federal agent, not an academy trainer, and he has half a mind to let Gordon know that fact.

Five minutes into tense silence and deep thought, a hand smacks down on his desk. He startles but recovers smoothly.

“For yesterday,” Blue says tersely. His eyes follow her stony expression to her manicured hand. She moves and reveals a crumbled $50 bill she’d slapped on his desk.

“Agent?” he asks, confused and exasperated.

“For the pants, alright? Please, just take it.”

He stares at the bill quizzically.

“Ma’am, while I can appreciate the gesture, I assure you that it’s not necessary—“

She holds her hand up to stop him.

“I don’t care. I’m not taking the money back.”

She returns to her desk, intentionally angling away from him, staring intently at the computer screen that he can now see isn’t even turned on.

“...The power button’s on the back of the monitor.”

“...right.”

The computer screen comes to life, and she doesn't spare him a glance.

Partners, indeed.

When he finally has a moment to see Gordon, he’s gone over his speech 5 times in his head. Gordon, you know I respect you and your decision-making, but I am not a babysitter or some sort of camp counselor. I am formally requesting the reassignment of Agent Blue.

He says it again and again in his head, all the way to the door. He knocks loudly, in a way he knows Gordon will hear, and he gets back a muffled, “Come in!”

He does. When Gordon catches his eye, his expression is uncharacteristically unreadable.

“Close the door behind you, Coop,” he tells him. Dale shuts the door and takes his usual seat across from his boss.

“I’m glad you had the time to talk, I’m sure you have more than a few questions after yesterday,” he says levelly. Dale notes Gordon talking quieter than normal, it gives him an odd feeling like he’s in trouble.

“I do, Sir. I would like to firstly say that while I respect–”

“Now hang on there, Coop. First things first, I’m going to need you to return those files on Blue.”

Dale freezes, and his puffed-out chest deflates. It takes him a moment to form a sentence again.

“...May I ask why, Sir?”

Gordon sighs and fiddles with the wires of his hearing aid.

“You haven’t done anything wrong. This is all just a bit more complicated than I can tell you right now. I’m afraid I’m sort of left in the dark here, too. I’ll tell you what I can, but it’s not all that much. Anything else you learn is at the discretion of the bureau - and Blue. And I don't think either of em’ wants you poking around.”

The situation feels much bigger than him all of a sudden, even though it felt like something he could hold in the palm of his hand just a moment ago.

“Alright,” is all he can think to say.

“I knew Blue when she was in the academy, and let me tell you, she is bright. A little prodigy in her class, a bit like you, I’d presume. Anyway, I met her through her field training, she was a NAT here for a little while. Wasn’t too interested in homicide investigation, though. No, she’d taken a real liking to narcotics. Nasty business, I always thought, but to each their own,”

As he talks, he leans in close to Dale. Gordon’s inside voice is still quite loud, but Dale can tell he’s straining to lower it.

“She graduated and went straight to doing investigative work with the DEA. If I know you, and I do, I know you’ve picked through her file already. Do you know what Operation Architect is?”

“I saw the name, but I don't know much about it, no.”

“Neither do I, that’s DEA business, but I know she was on it, undercover for over a year. And I know it didn't go great. She was relocated here after the ordeal.”

Dale was hoping for this conversation to be more enlightening. He still feels trapped in the dark.

“I meant it when I said none of this was up to me. My boss wanted Blue assigned to you. I’d wager it's because of your good work, you’ve got a handsome reputation, but I couldn’t tell you for sure. Regardless, she's sticking around for a while, so make the best of it. She’s not quite how I remember her, but as long as she hasn't done a full 180 in a few years, I think you two could get along pretty well.”

Silence weighs down the room. Dale lets the new knowledge permeate his skin.

“Alright,” he says because there really isn’t anything else to say.

“Alright,” Gordon parrots.

Dale sits like he’s waiting for something else to happen. The crushing finality of it sits on his chest. All the determination he came in there with is withered away to nothing, just ashes of a once burning fire.

There’s no shirking this now, he has a partner. Cooper & Blue, FBI.

“I know this isn’t easy for you, and I wish there was more I could do. But to be completely candid with you, I don’t think it’ll be nearly as bad as you’re anticipating.”

Dale nods absently, drained of anything else to say. Gordon understands.

“You’re dismissed, Coop.”

He gets up, politely pushing in the chair.

Before his hand can touch the knob, Gordon grabs his attention again.

“Well, one more thing, actually.” Dale tenses, and the dread in his chest that had gone numb begins to flare up again.

“If I were you, I’d show her a bit of kindness. This line of work is messy, and I can't imagine what the hell happened for her to get sent here.”

Dale can’t imagine either.

#twin peaks #dale cooper x reader #dale cooper #twin peaks: the return #gordon cole #harry truman #laura palmer #yay chapter one!

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fatecolossal · 3 months

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A special post for today, 1/19, on how the 119 woman & child in TWIN PEAKS (2017) seem to clearly take partial inspiration from Wendy & Danny in THE SHINING (1980)... First, the obvious physical similarities—the ages, the body types, the hair, & (in particular) the boy's shirt (see above).

Second, both TWIN PEAKS' 119 scenes & THE SHINING memorably feature a character who creepily repeats, over and over, an incantation of a mysterious utterance that arguably makes more sense backwards... 1-1-9 (9-1-1) and REDRUM (MURDER).

In fact, in an overt evocation of Danny's eerie "REDRUM" mantra, in one scene the 119 woman actually has a bottle on the table in front of her with the red letters "RUM" clearly displayed:

In the other scenes, the bottle on the 119 woman's table is (instead) bourbon, a drink that itself plays a prominent role in THE SHINING as Jack's drink of choice, one we see him expressly select on two different occasions in the film:

Addiction / substance abuse is a core theme & metaphor used both in TWIN PEAKS' 119 scenes (where the mother figure is constantly high out of her mind on drugs & alcohol), as well as in THE SHINING generally (where addiction plays a key role in its psychological horror):

In both works, we see the boy explore & engage the film's plot while his mother (or apparent mother figure, in the case of the 119 woman) sleeps, using similar imagery:

While the boy is exploring, the camera in both, at times, creeps behind him, shot from similar perspectives:

[It's perhaps worth noting that when the 119 boy does finally have another character speak to him (as well as engage with male figure for the first time), the dialogue—although admittedly a common expression—is itself also something that appeared in THE SHINING...]

THE SHINING's plot revolves around the interactions between the mother/son & the father-in-crisis. While the 119 mother/son are without a father figure, their house sits across the street from a father-in-crisis next to a beautiful woman in a shower, a familiar pairing:

Indeed, the 119 woman/son seem intended to, in part, mirror the Janey-E & Sonny-Jim mother/son pairing, the absence of a father in the former echoing the vacant father figure in the latter, a true father-in-crisis (Dougie, vacant in different ways before/after the "swap" in P3):

Changing focus slightly to some related points: -The red-lettered, backwards "REDRUM" scrawled-message in THE SHINING is itself arguably an inspiration for a similar red-lettered scrawled-message seen both backwards & forwards in TWIN PEAKS: FIRE WALK WITH ME (1992):

-When one sees the 119 woman's denim-clad figure with stringy hair on a folding chair seated in front of a small table with nefarious substances on it, across from a smaller red figure, & in a room with a boy in a couch... it's easy to be reminded of a similar configuration:

There's more to be said about the links between THE SHINING & TWIN PEAKS, as well as between it & other Lynch works (including ERASERHEAD, which Kubrick expressly took inspiration from in making THE SHINING), as well as between them & shared influences like Bergman & others...

But for now I'll conclude with a small, curious note: the key number in Kubrick's THE SHINING is, of course, 237. If you cut 237 into two pieces—if, following THE SHINING's themes of mirrored doubles & psychological splitting, you mirror it into doubled halves—you get... 118.5:

#the shining #stanley kubrick #david lynch #twin peaks #mark frost #twin peaks: the return #fire walk with me

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