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#u.f.o. band
adriheavymetal · 11 months
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Listening These days .........................🎧🎼 Candlesmass its new to me I just loved it 🎸🥁🎤🎹🎷🎻🎧🎶👌☺💕🤘🤘❤💿
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THE PUNK/ROCK CROSSOVER EVENT OF '82.
PIC(S) INFO: Spotlight on the late, great Pete Way (bassist for U.F.O., WAYSTED, & FASTWAY) and Micky Geggus (guitarist/co-founder of COCKNEY REJECTS), from the July 24, 1982 issue of "SOUNDS" UK musical publication. Pete Way (1950-2020) notably produced the Rejects' fourth studio album, "The Wild Ones" in 1982. 📸: Ross Halfin.
BONUS PIC: Geggus and Phil Mogg (vocalist of U.F.O.), c. 1982, also taken during "The Wild Ones" era. 📸: ❓
Sources: www.picuki.com/media/3248349496432839653 & Facebook (Oi! The Archives).
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Musicians You can Listen to Instead of ANYONE ELSE>>>FOREVER
Ok, situation has been done. Ummm just listen to these
-Rob Zombie. Is Rob Zombie like Will Wood at all? Hell fucking no. But the dude makes some goddamn bangers relating to horror, some relating to his own horror films. (I'm gonna say ww fans) WW fans seem to like that horror vibe, so there you go. Songs I recommend are
-What?
-House of 1000 corpses
-Well, Everybody's Fuckin' in a U.F.O
-Meet the Creeper
-Shake Your Ass Smoke Your Grass
-Living Dead Girl
-Pussy Liquor
-Andrew Bird. If I remember correctly, Will's a fan of this guy. I mean, one of his rats were partially named after him(said on a reddit ama). Andrew Bird was in the Muppets too so..yeah.
-Sisyphus
-The Entire Inside Problems Album
-Tin Foil
-Tin Foiled
-Elliotly. Elliotly is an indie artist that mostly writes songs about The Magnus Archives. Even though I don't listen to it, I still like the songs. Nothing like Will Wood but I listened to this guy around the same time
-Friends & Foes
-Nobleman's Horse
-Spot in the forest
-AJJ. Everyone should listen to AJJ because they're the best band there is. Listen to AJJ.
-all of them, every goddamn song. Even the alphabet song. even the middlemost post theme song
-Misfits. Halloween vibe, many horror references
-Saturday Night
-Helena
-Mad Monster Party
-Magic Moments
-Oingo Boingo. You probably listen to oingo boingo
-Controller
-Only a Lad
-Skin
-obligatory shayfer james and jhariah
Here's some songs I reccomend in general
Pepper-Butthole Surfers
The Room Is Filled With People That Love you-Foresight
Sick of You-Gwar
Ghost Party-Messer Chups
White Rabbit-Jefferson Airplane
This Magic Moment-The Drifters
Psycho Killer/psycho killer acoustic-Talking Heads
I thought about killing you-Ye(just trust me)
Gay Thoughts-The Growlers
Puppet Boy-DEVO
Hey Ya!-Outkast(timeless classic)
Loveshack-B-52's
Hip To Be Square-Huey Lewis and The News
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splendontcore · 9 months
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does nightlife have a plot or is it just vibes. regardless i love it
that's a good question! get ready for the upcoming infodump
og i just made it because i was in silly mode playing the urbz and waw like....damn i need to make an AU of this and well, I did. But at the start it was just because of me liking to draw alt fashion! However it was until my friend @Lima_all_day made some comics and animatics that I finally decided it sure need some plotting, and she and I keep going for mini histories for it!
A brief resume of the main thing:
A group of unknown journalists decide to keep track of Happy Tree Town's nightscene by producing zines, programs and interviewing the most notable characters that does clubbing regularly.
Some of the subplots are trivial stuff like
The Mole's trying to keep his goth club as family friendly possible because of Mime, however it pisses Handy a lot since he cant drink as he wants so he is always scheming something to keep Mime off the track.
The 4 main clubs do crossover events such as: BDSM/Latex/Fetish dresscode party (Anarchy Alley/Cryptid Catacombs) Battle dancing 'til you're dead (Ecstatic Electronica/Street Symphony) and a big magnum event that happens one day at the month where the 4 clubs try to prove who is the better.
Disco Bear and his dumb Soul Train ripoff 💕
Flaky's really conflicted and messed up love life...really messed up
Sniffles trying to produce a local band/artist but Lumpy (his boss) always mess it up with some stupid act or smth
Cuddles trying to be a famous rapper :)
Toothy trying to fit in any club since the subculture he goes for has zero rep in the town (until Lammy's visit)
Shifty's pimping the EE guys (except for U.F.O.....U.F.O. lit is pure acid)
And thats everything we hqve so far! Thanks for asking!!!!
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beyourselfchulanmaria · 5 months
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UFO - Live 1972 * (full album) Live is the first live album by the British rock band UFO, recorded in Tokyo, Japan, on 25 September 1971. It was initially released exclusively in Japan in December 1971 entitled U.F.O. Landed Japan. It was later released abroad from 1972 onwards with different titles, such as UFO Live in Japan and UFO Lands in Tokyo.
Phil Mogg - vocals Mick Bolton - lead guitar Pete Way - bass Andy Parker - drums
Tracks Listing
C'mon Everybody (Eddie Cochran, Jerry Capehart)
Who Do You Love? (Ellas McDaniel)
Loving Cup (Paul Butterfield)
Prince Kajuku / The Coming Of Prince Kajuku (Pete Way, Phil Mogg, Andy Parker, Mick Bolton)
Boogie For George (Pete Way, Phil Mogg, Andy Parker, Mick Bolton)
Follow You Home (Pete Way)
Loving Cup (single B-side,1972) (Paul Butterfield)
Cover art of the 1972 Decca edition
Decca Records is a British record label established in 1929 by Edward Lewis. Its US label was established in late 1934 by Lewis, Jack Kapp (the first president of the Decca Record company of the USA) and Milton Rackmil, who later became American Decca's president too. In 1937, anticipating Nazi aggression leading to World War II, Lewis sold American Decca and the link between the UK.and US Decca label was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre.
Both wings are now part of the Universal Music Group. The US Decca label became MCA Records, which formed half of what is now UMG (Universal Music Group).
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mywifeleftme · 5 months
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227: Jim Sullivan // U.F.O.
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U.F.O. Jim Sullivan 1969, Monnie
Jim Sullivan’s U.F.O. has become one of the best-known private press records of the late 1960s, thanks largely to the tireless efforts of Light in the Attic’s Matt Sullivan (no relation), who by his own admission became obsessed with Jim’s music and the mystery of his 1975 disappearance in the New Mexico desert. Backed by members of the Wrecking Crew, the session aces who served as Phil Spector’s house band, U.F.O. is a fine folk rock record that at times leaps up into something more (“Highways,” “Jerome,” “Sandman”). Since Jim’s finally received the flowers that eluded him in life, I wanted to use this space to highlight six lesser-known private press folkies you might also want to explore.
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Tarp Clancy
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The reclusive Clancy recorded a series of 10” EPs in the early 1960s at his rudimentary cabin studio in Muhlenberg County, the heart of Kentucky coal country. An elderly former miner who had lost most of his picking hand when a vial of nitroglycerine he was transporting ignited in his glove, Clancy homebrewed a mechanical strumming prosthesis. He would loop a cord around his neck that allowed him to cleverly control the tempo of his metal claw by moving his head and shoulder, though over time he began to suffer from nerve damage and light-headedness from the way it constricted blood flow to his brain. The EPs, recorded solo on acoustic guitar and dulcimer, have a poignant jerkiness to them that matches his lyrical obsessions with isolation, tribulation, and grisly industrial accidents. They were distributed in extremely limited quantities through ads in the local Baptist church’s circular and were forgotten until one of the discs was discovered by Brooklyn DJ Anathius Taylor at a goodwill while visiting his family home (Beechland Plantation). Clancy himself disappeared (nearly) without a trace sometime around 1970, though in 1985 a claw of his design was discovered buried under the Jefferson Davis memorial in Fairview, Kentucky during routine maintenance on the obelisk.
Key song: “Cold Fingers”
Remy “Mad Crawdad” Beauregard
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Beauregard grew up in a vibrant 1920s Louisiana Cajun community and learned to play guitar from his father. His parents raised him to venerate Governor (and later Senator) Huey Long, and the day Long was assassinated was the day Remy Beauregard would say he lost his innocence. “It was like being told they killed Santa Claus,” he later wrote in his journals, “I felt all the magic and hope in the world drain from me in a matter of seconds.” Hopelessness drove the young man to street crime, joining the infamous Les Gamins gang, and he soon ran afoul of the law. A boy called Remy Beauregard went into juvie, and a violent criminal called “The Mad Crawdad” came out, albeit one with a remarkable gift for the accordion.
Remy had a few close calls with greatness: after visiting 439 Baronne a few times, and even getting to jam with the legendary George Girard, Orin Blackstone made moves to begin recording the young man. Only two recordings survive, “Where, Mother?”/ “Dandelions” and “I've Got Nine” / “Life Will Screw You,” the latter an extremely rare shellac 10" thought lost for decades. Unfortunately, another run-in with the law hampered his burgeoning musical career, as Remy bludgeoned a man to death in a drunken bar fight, spending the next six weeks in prison. While in the slammer, Remy found Jesus, and upon his release the newly sober musician recorded the Forgiveness LP. It is a desperate and cynical record, the product of a self-loathing man seeking a salvation he knows he will never achieve. His sobriety would be short-lived, and he drank himself to death in 1957 having lived a life in near-complete obscurity. His final single, released posthumously, was titled “Why Did You Leave Us, Mr. Long?”
A career-spanning compilation is set to be released by Light in the Attic records in late 2024, titled Crawdad Sings! with liner notes by Dan Auerbach of The Black Keys. — D.J.C.
Key Song: “Life Will Screw You”
Jeramie Laramy
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The Vietnam War inspired some of the most powerful protest songs of the 20th century, from “Eve of Destruction” to “Napalm Sticks to Kids.” But Jeramie Laramy stood virtually alone in 1975 when he sang the words “first my mother left me / with a man called Dan / then my country abandoned the brave people / of South Vietnam.” Laramy was a Canadian who renounced his citizenship and moved to San Francisco, California in 1967 in hopes of being drafted, but due to his complicated residency situation he was deemed ineligible. Referred to in Jerry Garcia’s memoirs as “a vicious simpleton,” he nevertheless took up the guitar and began busking, with primitive yowlers like “Mr. Saigon” and “Hippy Dachau” anticipating punk rock by nearly a decade. Laramy's music won him few admirers in the burgeoning counter-culture, but he was embraced by Hells Angels-affiliate Andre “Baby” Jane, who bought him studio time he used to record 1972's Jungle Mower LP, a commercial failure. After an intense, inadvertent psychedelic experience at the Berdoo Angels' clubbouse, Laramy's music became more abstract, culminating in the geographically-confused psych-folk double A-side “Seoul Stealers” / “I Wished Upon a Machine Gun.” He disappeared in 1976.
Key song: “I Wished Upon a Machine Gun”
Liesl Eddy
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Alan Lomax called Liesl Eddy “the only woman prison singer who mattered.” Mississippi Fred McDowell called her “that miserable mute bitch.” Eddy was no one’s idea of a sweetheart, but even a cursory scan of her biography makes plain why she had to be tough. Raised Liesl Edzurbriggen by stern Swiss-German Calvinist tenant farmers in dustbowl-era Kansas, her parents forbade her from speaking in the belief that the family was being spied upon by papists. As she aged into young adulthood, Eddy’s muteness brought her into frequent, violent conflict with townsfolk in the nearby community of Arkansas, and she was eventually sentenced to eight years in prison after braining a local furrier with a cast-iron skillet.
Despite suffering from Marfan syndrome, Eddy was tremendously strong, and there was concern that she was too dangerous for women’s prison. Thus, in 1934 she became the only female inmate at Georgia’s notorious Lillyfold Penitentiary, where she worked breaking rocks on a chain gang. It was in prison however that Eddy’s unusual vocal talents were discovered. Despite her continued refusal to speak, she possessed a deep, southern-accented singing voice, and it was said that she alone could drown out a 20-man gang. Certainly it’s her lungs that stand out on the Lomax-recorded album of chain gang songs and spirituals Let Us Be Released (From Her) (1937), on which the tension between Eddy and her fellow prisoners is palpable.
Following a violent brawl that saw six men injured, Eddy was moved to solitary confinement, where Lomax was able to convince prison authorities to allow her use of a cigar box guitar. Eddy’s surprisingly vulgar, raunchy country blues tunes like “Hogmeat Driver Rag” and “No’ Mo’ Cone Pone” led the blushing musicologist to suppress her recordings for decades, though due to a clerical error “Liesl’s Idyll” was included on some early pressings of Lead Belly’s Negro Sinful Songs in 1939 before the mistake was noted. Eddy’s trail goes cold after her release in 1942, but following Lomax’s death her work was rediscovered. Her catalogue was issued for the first time in 2015 as Sugah On Mah Tongue: The Silenced Sessions on Lena Dunham’s Muff Trade Records.
Key song: “Liesl’s Idyll”
Cleodora Thanks
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Raised by roving bead peddlers in Michigan’s Upper Peninsula, Cleodora Thanks relocated to Greenwich Village in the late 1950s and founded a rooming house where a number of the brightest names in folk music spent time, including Bob Dylan, Dave Van Ronk, and Horace Plenty. Although her cooking was so noxious Laura Nyro was reportedly briefly hospitalized by a casserole, Thanks was regarded as a mother figure by many of her tenants. Dylan made her the subject of his unreleased song “Big Momma I Don’t Know Blues,” while Joan Baez has claimed Thanks made uncredited contributions to a number of early Joni Mitchell songs. Thanks’ own culinary-obsessed music, which joins the earthy blues of a Bessie Smith with the subtlety of Bette Midler amid hints of gypsy jazz and klezmer, was largely unknown in her time, and she vanished in 1983 on her way to a state fair near Syracuse. New York-based archivist Karl Nard of Swede Nothing Records discovered a cache of unsold LPs in the basement of Thanks’ former rooming house after his uncle purchased the property. Thanks' soon to be reissued work represents a crucial missing lunch in the story of mid-century American folk music.
Key song: “Peanut Brittle Elegie”
Jimmy Whaley the Folk-Song-Singing Crocodile
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Jimmy Whaley was a crocodile that sang folk songs. Believed to be an urban legend for years until his existence was confirmed by Desmond Morris, the man who discovered an elephant who could paint and made a BBC documentary about how women don't know what bicycles look like and desire horses. As Jimmy was only able to speak English while singing, most of what we know of his life is what has been parsed from those songs that have been tentatively identified as autobiographical. He was probably born in the Nile River, before stowing away in a cargo ship in the Suez Canal and making his way to Boston, and then the Appalachians, where he lived and sang for locals with a banjo he plucked with a back claw. His life was cut short when he was tragically shot after being speciesally profiled as an alligator by a poacher in East Texas. His remains are displayed at the Stephen Foster Folk Music Center in Chattanooga, Tennessee, in the form of a handbag. An anthology of Jimmy's early work comprising several selections from the Great American Songbook, AmeriCroc, is forthcoming from Smithsonian Croakways Records. — D.J.C.
Key song: “America (My Country 'Tis of Thee)”
Prepared with the assistance of D. John Christie, Osgoode Hall Law Special Collections
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astroneira · 8 months
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Random songs from greek artists (1970s/1980s):
Sigma Fay — Love's Fool
Demetrio Stratos (Area) — Cometa Rossa — Yes Area was an Italian progressive rock band but Demetrio Stratos (singer) was actually greek and so is this song <33 one of my all time favourites from their discography
Kostas Tournas — Aperanta Chorafia — it's more than just a song I swear it's a long ass journey and though the beginning might sound quiet and boring trust me it's NOT. The amount of mixed music genres and changes in this piece is remarkable.
Panx Romana — Synagermos — PUNK!!!
Aphrodite's Child — The Lamb — OOOOOOO folklore. THE song to dance to with your friends on a late summer day in Κρήτη, maybe
Poll — Ximeronei — youre not gonna believe this but Kostas Tournas founded this band. Poll became iconic because of their anti-war songs at the time and these guys were like. How about peace and sex instead of war. Soooo true (remember that Greece was going through Papadopoulos' military dictatorship in the early 70s)
Tripes — Ashimo Oniro
Demis Roussos — You've Been Untrue
Irene Papas, Vangelis — 40 Braves — Traditional greek song. Mother is mothering here!!! And Vangelis' synths. My god
Kostas Tournas — U.F.O.
To my greek followers: feel free to recommend any song or artist I'd be super glad to listen to them!!!uaugh!!
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bloodbank4050 · 10 months
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2020 look back: a musical compilation of events
(Each number is a significant event in the year!):
Prologue-
“Lead into Demise” Kingdom of Sorrow
“Jackboot Jump” Hozier
January –
“Disco Inferno (Australia Version)” The Trammps [OR “You Cunt” Once Human]
“I Quit” Hepburn
"(Kill Me) Ce Soir" Golden Earring [OR “WW3 Blues” Bob Dylan]
"Impeach the President" The Honey Drippers [OR “Die” Badflower]
"Sportstar" Alex G
February –
“The New Plague” Gwar
“A Woman In a Man’s World” Chaka Khan
March –
“It’s the end of the world as we know it (and I feel fine)” R.E.M
"Don't Stand So Close to Me" The Police
"Stock Market Blues" Hank Williams Jr.
April –
"Unemployed" Tierra Whack [OR "Young, Dumb, and Broke" Khalid OR “I Can’t Hug My Mama” Beth Hatchett Norwood OR “Rx (Medicate)” Theory of a Deadman]
“Another One Bites the Dust” Queen
“I saw Elvis in a U.F.O” Ray Stevens
“Locust” Machine Head
May –
"Party in the U.S.A." Miley Cyrus [OR “American Idiot” Greenday OR “Another brick in the Wall part 2” Pink Floyd OR “Disaster Party” Magic Giant]
"Lord of the Hornets" Robert Calvert
“We Didn’t Start the Fire” Billy Joel [OR “Breathless” The Corrs]
“Mr. Spaceman” The Byrds
‘Tutti Fruitti” Little Richard
June –
“Disco Inferno (USA Version)" The Trammps [OR “I Predict a Riot” Kaiser Chiefs]
"Take Me to Church" Hozier [OR “Sympathy For The Devil” The Rolling Stones]
July-
“Killing in the Name Of" Rage Against the Machine [OR “God Save Us All (Death to POP)” Sum 41 OR “Fuck Tha Police” N.W.A. OR “Bat Out of Hell” Meat Loaf]
"Mothers of the Disappeared " U2
"Rocket Man" Elton John
“Nowhere Man” The Beatles [OR “This is America” Childish Gambino]
“Hamilton” Lin Manuel Maranda
“Please Mr. Postman” The Marvelettes
“Robot Man” Connie Francis
“For What It’s Worth (1967)” Buffalo Springfield
August-
“eXplosion” Anitta, Black Eyed Peas
"Wildfire" DeTrek
"Ramblin’ Man" The Allman Brothers Band
"Zombie Zoo" Tom Petty
"Smells Like Teen Spirit" Nirvana [OR “California Love Remix” 2Pac ft. Dr. Dre & Roger Troutman OR “Me and Julio Down by the Schoolyard” Paul Simon]
“Rock You Like a Hurricane” (x2) Scorpions
“7 Shots” Volbeat
“Wakanda Forever” Heiakim
September-
“Notorious B.I.G.” Biggy Smalls
“Superbug” King Gizzard & the Lizard Wizard
“Sinking Ship” Cake
“I’m Going to Venus” Adam Brand
“1 Sided Love” BlackBear
“Down with the Sickness” Disturbed
“1040 Blues” Robert Cray
October-
“You give me Fever" Peggy Lee
“Runnin’ With the Devil” Van Halen
“Fly on the Wall” Bobby V
“Somthin’ Bad” Miranda Lampert
“The Hopeless Housewife” Bad Religion
“Masturbation Blues” David Allen Cole
“Live and Let Die” Paul McCartney & Wings
“Blue Moon of Kentucky” Elvis Presley
November-
“Wires” The Neighborhood” [OR “Impeach God” Dethklok]
“Four Seasons” Vivaldi
“Here Are Many Wild Animals” A Camp
“I Lost on Jeopardy” Dr. Demento/ Weird Al
“Vaccine” George Lynch [OR “Uncivilization” Biohazard]
December-
"Telescope” Arti Manchinii
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eurovision-revisited · 3 months
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Eurovision 2002 - Number 13 - U.F.O. - "Mon du falder ned"
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U.F.O is a one man band and that man is Kristian Humaidan here wearing something warm. U.F.O stands for Ung Funky Opkommen (Young, Funky, Upcoming) which is not a name that's going to stand the test of time.
Kristian is a mainly a rapper, and 2002 is his breakthrough year. He's not only at Dansk MGP, he will go on to win the annual Danish MCs fight night later, an annual freestyle rap battle. Think a politer, and far more Danish, 8 Mile. There's not doubting his stage presence - he definitely know how to work a camera and a crowd.
First he's here trying to get into Eurovision with Mon du falder ned (Are you Falling Down?) which allows him to demonstrate that not only can he rap, Kristian can sing. It's notably for being just a bit sweary and profane, with interesting lyrics about checking your progress through life to make sure you're on the right track, and not letting your own ego trip you up. There's some good play with metre and use of language in there, brought in from the rap experience he has.
It's got some stand out vocal sections both for Kristian himself, but also for the backing trio who during the bridge break into a barbershop/beatbox section that works well to punctuate the song, before launching into a key change and air-punching moment prior to the clap-along final chorus.
The crowd do love it. I'd have to guess it's second-in-the-running-order slot and the more challenging that usual language left the televoters cold and this become one of the five songs knocked out prior to the final. It stands up well in retrospect. It feels less than usually Danish.
U.F.O. did go on to other things. He formed a duo with another rapper UFO Yepha, had several hits, worked with other singers in collaborations before switching to his own name in 2011 (no longer young nor upcoming, probably still funky). There were a couple of albums post 2011 as well as fatherhood and continues to work as a producer.
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luckyoldsun2013 · 4 months
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【live】
◆2024年2月11日(日)@東高円寺U.F.O. CLUB
《NUM SHOW EX》
LIVE;
●ラッキーオールドサン
●秋山璃月BAND
OPEN 18:30~
START 19:00~
ADV.¥3000(+D代¥500)
DOOR.¥3500(+D代¥500)
TIGETにてご予約受付中
http://tiget.net/events/290107
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adriheavymetal · 1 year
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Happy Birthday Michael Schenker 🎸 an amazing guitarist and a big influence as a guitarist to me ,Metal Rock Legend 🎼🎼🎶💕❤🤘🤘🔝🔝 👏🎈
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ineveryspaceandtime · 4 months
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i was tagged to do this by @depressedraisin & @a-reality-dream an embarrassingly long time ago while i was on vacation, i literally just remembered last night while trying to fall asleep that i hadn't done it yet 😭 but here it is, thank u both for the tag! 🫶🏽🫶🏽
using only song titles of one artist/band, cleverly answer the questions and then tag people.
artist: newton faulkner
what is your gender: ageing superhero favourite mode of transportation: u.f.o how do you feel: riding high if you could go anywhere: straight towards the sun if your life was a tv show: smoked ice cream favourite time of the day: orange skies your best friend: never alone relationship status: interference (f@&k i think it's love) your fear: sinking sand
at this point i'm fairly sure most of you have done this, but if you haven't & would like to, consider yourself tagged! <3
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mondoradiowmse · 5 months
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11/15/23 Mondo Radio Playlist
Here's the playlist for this week's edition of Mondo Radio, which you can download or stream here. This episode: "Up All Night", featuring classic Britpop and more. If you enjoy it, be sure to also follow the show on Facebook and Twitter!
Artist - Song - Album
Blur - She's So High - Leisure
Blur - Sing - Leisure
The Boo Radleys - Losing It (Song For Abigail) - Everything's Alright Forever
The Boo Radleys - Memory Babe - Everything's Alright Forever
Suede - So Young - Suede
Suede - The Drowners - Suede
The Auteurs - Show Girl - New Wave
The Auteurs - Idiot Brother - New Wave
Radiohead - Lewis (Mistreated) - My Iron Lung
Ash - Gone The Dream - 1977
Fumio Miyashita - U.F.O In Shinjuku - Journey To Space
Pulp - Mis-Shapes - Different Class
Pulp - Bar Italia - Different Class
Denim - Here Is My Song For Europe - Back In Denim
Denim - I'm Against The Eighties - Back In Denim
Space - Me & You Vs The World - Spiders
Supergrass - Mansize Rooster - I Should Coco
Super Furry Animals - Something 4 The Weekend - Fuzzy Logic
Elastica - 2:1 - Trainspotting (Music From The Motion Picture)
Sleeper - Atomic - Trainspotting (Music From The Motion Picture)
Lush - 500 (Shake Baby Shake) - Ciao!: Best Of Lush
Lush - Ciao! - Ciao!: Best Of Lush
Cornershop - Good To Be On The Road Back Home - When I Was Born For The 7th Time
Cornershop - Sleep On The Left Side - When I Was Born For The 7th Time
The Beta Band - Dry The Rain - The Three E.P.'s
Supernaturals - You're My Best Friend - Essential Interpretations
The Verve - Stormy Clouds - A Northern Soul
Ocean Colour Scene - Robin Hood (Live: Royal Albert Hall Feb '97) - Songs For The Front Row: The Best Of Ocean Colour Scene
Oasis - Take Me Away - Supersonic (Single)
James - She's A Star - James: The Best Of
Manic Street Preachers - Everything Must Go - Everything Must Go
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vmonteiro23a · 8 months
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ONCE IN 78’: Blitzkrieg Bop - "U.F.O."
ONCE IN 78’: Blitzkrieg Bop – “U.F.O.” “August 12, 1978 BLITZKREIG BOP defined a moment in the summer of 1977 with their song “Let’s Go.” Now it’s a year later and they’ve got a new single out. It’s “U.F.O.” and a cover of an Equals song “Viva Bobby Joe.” It’s on the Lightning Records label, as was their prior release.  The band is Blank Frank on vocals and keyboards, Mick Sick on bass, Nicky…
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roberttheduke · 1 year
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Neil Young & Crazy Horse - A Band A Brotherhood A Barn (Official Docume...
Unforgettable. With real u.f.o. activity in the clear, country sky; under the full moon! Magica. Mystical. 
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snatchofficial · 1 year
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あけおめことよろす🎍 Snatch"新年1発目のLive🎉 マジ呑むよ🍷マジ待ってるよ🕺 【U.F.O.CLUB27周年記念】 NEW YEARS TOKYO GROOVY PARTY! BACK FROM THE GRAVE vs 5-4-3-2-1 vs BLAST JAMS!! vs MOVIE HOUSE 2DAYS / U.F.O. CLUB and CLUB HEAVY SICK ■DAY1 -U.F.O. CLUB 27 YEARS ANNIVERSARY! ・SUNDAY 8th JANUARY 2023 ・U.F.O. CLUB (Higashi-Kouenji,TOKYO) ・OPEN/START 6PM ・ADVANCE TICKET:2300YEN - plus 1DRINK FEE ・DOOR TICKET:2800YEN - plus 1DRINK FEE [BANDs] Bobby's Bar (BACK FROM THE GRAVE) Snatch" (5-4-3-2-1) ゆうやけしはす (BLAST JAMS!!) The Minnesota Voodoo Men (MOVIE HOUSE) [DJ's] BACK FROM THE GRAVE 5-4-3-2-1 BLAST JAMS!! MOVIE HOUSE (Ufo Club) https://www.instagram.com/p/CnBOcdjS05xgYMhn2GNbWi6sWbiZoR_lfXgYj80/?igshid=NGJjMDIxMWI=
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