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#uh should i have an ask tag?
bikkinibottom · 10 months
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🫣🫣
ash is back on the dash ‼️‼️‼️ this is not a drill ‼️‼️
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flowercrowngods · 11 months
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based on this concept of steve and mike coming out to each other
🤍 also on ao3
The sun is setting in beautiful hues of pink and purple, tinging the town of Hawkins, Indiana, in a light of serenity and beauty it doesn’t really deserve. Steve’s hands are gripped tight around the steering wheel as he carefully scans the road and the houses he passes.
He almost misses the bike where it’s lying on the curb, carelessly discarded by the looks of it, and a tinge of worry shadows his frown. Worry that doesn’t quite dissipate when he spots the figure sitting on the roof, almost black against the lilac colour of the sky, but he breathes a sigh of relief. He considers grabbing the radio to let the others know he found Mike, but decides against it. Something tells him that maybe they’ll take a while. Something tells him there’s more to Will’s stunned silence and Mike’s sudden departure from where they were all hanging out at Steve’s after another successful Hellfire session. 
With a sigh, Steve cuts the engine and gets out of the car, keeping his eyes on Mike the whole time — ready for him to take off again, ready to go sit a while and wait for him to come back. But Mike doesn’t move, even after he shuts the door and approaches the Wheelers’ house. He doesn’t acknowledge Steve when he pulls himself up to the roof, easier this time than the first time he did this. 
There’s a snide comment in the air between them, a version of Mike that would have lashed out at him, made fun of and insulted him. But this one just sits there, hands in his lap, frown on his face, and stares ahead. 
“What do you want,” he asks eventually, though it doesn’t have the kind of heat that Steve expects. He barely even sounds like a teenager. Just sort of… dejected. Steve aches for him; just a little bit. 
“Just making sure you’re alright,” Steve says, shrugging, looking ahead as well so Mike doesn’t feel watched. Or seen, maybe. 
Because the thing is, Steve does see him. He sees the way he looks at Will sometimes, and the way his eyes fill with something that can only be described as yearning, or aching, followed by regret and fear. Which always, always turn into anger. Into frustration. Into snide comments and rolled eyes and walls that keep getting an inch added to them each day. It’s never directed at Will, that anger, and rarely at the rest of the Party, but Steve still sees it. Gets the worst of it and takes it, because he knows something about how that feels. 
He knows something about looking at someone like that, about feeling that fear, that regret, that worry that come with it. He knows something about never really daring to meet someone’s eyes for fear of what they would see. 
“I’m alright,” Mike says, sounding anything but. There’s a bitterness in his voice. Frustration in the way his thumb is picking at the skin of his fingers. Confusion in the tension of his shoulders, and Steve feels like he only needs to make one wrong move, say one wrong word, make a single sound that’s off key to the melody of this moment, and Mike will jump off the roof and take off again with his bike. 
So all he says, after a moment’s consideration, is, “Cool.” Like he believes him. Giving Mike room to breathe, room to pretend. He knows something about that, too. 
He knows and he sees and he feels. 
And suddenly he wants to say something he’s never said before, something he didn’t even get to tell Robin because she knew and saw and felt, too, taking something from him that he hasn’t yet been ready to reclaim for himself. 
And maybe it’s because he sees something of himself in the way Mike holds himself, in the way he snaps at anyone willing to listen, in the way he frowns in regret and barely meets anyone’s eyes except when it’s in challenge — and, most of all, in the way he never, never meets Will’s eyes. In the way he looks away when the other boy turns to him, and in the way his eyes will snap back and take in everything about his best friend when he’s not aware of it. 
Maybe it’s because the sky is pink and lilac and purple above them, allowing for a certain magic to happen, allowing for a bravery that doesn’t come easy to him; but as he sits on the roof next to Mike Wheeler, the only one of the Party he never really connected with, he closes his eyes against the breeze that catches in his hair and opens his jacket a little further, slithering beneath the fabric as if in a brief embrace, a nudge, a sign to take this leap, and takes a deep breath. 
His heart is picking up its pace inside his chest, taking this leap along wit him, and pulls up one of his legs to wrap his hands around it — just to have something to hold onto. 
He opens his mouth once, twice, three times, but the words never really come out. They don’t know how, and he’s beginning to tremble a little with it, tension building in his chest where the words are still locked away, hidden among layers of truth. 
Mike looks over with a frown and eyes him warily. It makes Steve want to laugh, this sudden change of pace, but he just keeps staring ahead; even when Mike asks, “Are you alright?” 
“Yeah,” Steve says. And then then dam is broken and breaking further, and with another deep breath, still not meeting Mike’s eyes, instead focusing on the tree tops in the distance that shine in hues of purple, he finally says, “I’m kind of dating Eddie Munson.” 
And just like that, it’s out. He’s out. 
He doesn’t know if the world still spins, if time still passes, if he still breathes, because for a moment there is only silence. Mike stops picking at the skin of his fingers, Steve stops trembling, and neither of them moves. 
It’s both anticlimactic and momentous, this silence between them when their eyes meet. When the words unfold and grow wings, when Mike understands, his eyes growing big with something that Steve can’t quite read with how tense he is despite his best efforts. 
The silence stretches between them, surpassing comfort and overstaying its welcome, and suddenly it’s Steve who feels like he’s about to take off if Mike so much as twitches his brows. 
“You… What?” 
Forget it, Steve wants to say. Nothing. 
But also, I’m in love with Eddie Munson. And I used to be in love with Nancy. And that’s okay. Both of that, it’s okay. 
He ends up repeating his words, though, because they know what it’s like to be spoken now. “Eddie. I’m kind of dating Eddie.” 
“But…” It’s Mike now whose mouth is opening and closing without saying anything. Mike who’s blinking, trembling a little, twitching, picking at his skin again, moving further along his hand this time to pinch the skin between his thumb and pointer finger. Steve almost reaches out to stop him, but he doesn’t really dare to. 
“But?” he prompts after a while, not quite comfortable with this loaded kind of silence. 
“Eddie’s a boy.” 
But Tammy Thompson is a girl. 
“I know,” Steve says, his tone carefully neutral, wanting to see, to wait where Mike takes this, to hear what’s on his mind, to watch the wheels turn and the gears shift. He feels awfully raw and open, vulnerable with someone who hasn’t been treating that with care yet. But there’s something about this moment that feels bigger than his own fears, bigger than the light nausea settling in his gut; far more important than the way he wants to run and hide, away from the scrutiny. 
“And…” Mike continues, still battling the words inside his head. Steve wonders if there are too many or none at all. “But you… You loved Nancy.” 
Ah. Smart boy. “I did,” Steve says with a small smile. “And it was never a lie. But I found that… Yeah, I can kinda like boys, too, y’know? And that’s, like, okay.”
A beat. A frown. A confused, hopeful, small, “It is?” 
Steve just nods, smiling in reassurance and relief at equal measures. Silence settles once more, now that the sky has darkened into a deeper, darker blue; but it’s not as loaded this time, not as tense. It’s an invitation. An offering. A promise of I’m here, I’m with you, you can take as long as you need. To get down from the roof, to come back, to come out of wherever you think you need to hide from the world. 
Mike takes it. He stays, pulling up his leg, too, mirroring Steve’s pose and staring ahead, but not as far away. He seems alert, seems to be thinking rather than dwelling, seems to be gearing up for something. Steve watches and sees and knows, remaining patient beside him, his chin resting on his knee as Mike learns to deal with this new world that has been presented to him. This new world that comes with opportunities and chances and possibilities that are scary and big and difficult to make. 
“Y’know,” Mike starts at last, interrupting the silence, playing with it, his voice hushed and quiet to keep it from disappearing completely. “Lucas, when he had that championship game? He told us, Dustin and me, that we didn’t have to be the losers this time. The nerds. The outcasts. Different. And all I wanted was to scream at him, because…” 
Mike swallows his words, keeping them from tumbling out of his mouth, and Steve aches for him again. He wants to reach out, wants to say it’s okay, tell him it’s alright, to take his time. But he waits in silence, lets Mike find the bravery he needs on his own, and waits. 
“Because how could he say that, you know? How could he, when… Will wasn’t there. And all I did, all I ever did anymore, was miss him. And I loved El, I knew I did. And she was gone, too, but…” 
He trails off again, and this time Steve picks it up. To let him know he’s not alone. To let Mike know he understands what he’s saying. He understands. “But she’s not Will. You needed Will.” 
“But I shouldn’t!” Mike explodes suddenly, riled up because Steve adds fuel to the fire, because Steve has that same fire, too; and because they are so, so similar when they want to be. “And now he’s back and it should be fine, I shouldn’t be feeling like this, it doesn’t even make sense! How can I…” 
Steve looks at him, at his expression that is nothing but lost — completely and utterly. He’s seen it on the bathroom floor at the mall; high out of his mind as he was, he’ll never forget the way Robin looked at him, the sheer crestfallen expression. All that confusion, all that fear and frustration and, in the end, resignation. He’s seen it in the mirror, and he’s seen it in those pretty brown eyes that he just can’t get out of his head anymore. 
He offers, gently, “How can you need him when he’s right there? How can you love him when a year ago you loved El?”
And Mike just looks at him before he deflates completely, his shoulders falling along with his face. He nods. Shrugs. Looks away and hides his face behind his leg. 
Steve sighs softly, watching the boy and speaking the words he wants to say the sixteen year-old version of himself. “I don’t know,” he says truthfully. “I really don’t, and it sucks sometimes, having this need to, like, decide. Or understand. Or stop and be like the rest of them.” Like Robin and Eddie, or like the rest of the world. “But I like to think, sometimes, that maybe it’s a good thing. That there’s just… I don’t know, it sounds corny as hell, but like, there’s just so much love to give, we can’t even stick to only boys or girls, y’know.” 
“That does sound real corny as fuck, man,” Mike says, and back is that long suffering tone of his, back is that eye roll and the twitching elbow, ready to nudge Steve in the side. It’s still tinged with that vulnerability, not quite Mike yet, but it’s an offering.
One of many tonight, it seems.
Steve grins, a bit lopsided and raw, shoving Mike gently as he remembers something he overheard once. “Sorry, mister Heart of our group, but I don’t think you have any leg to stand on here.”
That makes Mike freeze, though, and he stares at Steve wide-eyed; caught. Exposed. Reminded.
“What did you say?”
“Uh,” Steve falters, not sure where he went wrong — or if he went wrong at all. “I overheard Will calling you that, talking about you to, uhm. Someone. I don’t know. Why, what’s— What’s wrong?”
“Nothing,” Mike says, way too quickly, pulling away again with everything he has, hiding behind those walls once more, and Steve feels whiplash from it.
“Mike,” he says, his voice quiet and gentle as he turns to face him completely.
“No.”
“It’s okay,” Steve says. Promises, as much as he can.
“Shut up!”
“You’re not wrong or bad or broken. It’s okay, you’re okay.”
“I said, shut up, Steve.”
“You should see the way he looks at you, too. You should go talk to him. You—“
Mike lashes out, finally coming out from behind those walls again, only to shove at Steve, to push him away — hard enough for him to lose his balance and almost fall off the roof, clenching one hand on the edge, the other in the rainwater gutter with a bitten-off curse.
“Shit, I’m sorry!” Mike reaches for him immediately, snapping out of whatever anger Steve caused, and pulling him back until he’s safe again, apologising over and over, dead to Steve’s promises that it’s alright. “Fuck, I’m so sorry, Steve, I’m so—“
He pulls Mike against his chest, finally reaching out to hold the boy who always pushes people away when they get too close — quite literally, too.
But he doesn’t shove this time, doesn’t move out of Steve’s grasp as the mumbled apologies become heaving sobs.
“It’s okay, you’re okay, you’re so okay, Mike,” Steve tells him over and over as he holds him. The sky above is almost black now and Steve lets Mike cry into his chest.
It takes a while for Mike to calm down, but Steve just holds him through it, ready to let go whenever Mike wants to pull back and snap out of it again — but he never does, and Steve feels a certain kind of affection for the boy that is usually reserved for Lucas or Dustin.
At last, when he’s calmed down, Mike pulls back a little. “Do you really… Does it… Is it really okay?”
Can it be okay? Can I really like both? Is that not just me, being broken and wrong and bad? Will I get the chance to not be alone?
Steve swallows hard, and his voice is hoarse when he says, “Yeah. It’s really okay. ‘N’ I’m with you, yeah? If someone gives you shit for it. Or if you need a reminder.”
And Mike — puffy eyed, snotty nosed, so, so young — looks at him with those trusting eyes and nods, like he believes Steve. Like he trusts him. Like he hopes.
“Just don’t fucking shove me off your roof again.”
Ans just like that, the spell is broken, the tension is lifted, and silence has left them, as Mike almost chokes on a laugh and shoves at him again, lightly this time, before jumping off the roof so Steve can’t retaliate.
“Asshole,” he mutters, shaking his head as he, too, jumps off the roof, dusting off his pants as he watches Mike grabbing his bike. “Hey, Micycle,” he calls, cackling when Mike flips him the bird. “You want a ride back?”
Mike stops, considering as Steve casually flicks his keys into the air and catches them expertly. “What kinda music do you got?”
“The Clash, ‘cause Eddie hates them.”
“Yeah, that’s because they suck!”
Steve snorts, opening the driver’s side door. “Y’know, they’re one of Will’s favourites, actually.”
He watches Mike freeze with a grin on his face, knowing there’s no way the boy would take the bike.
“You’re so annoying,” Mike sighs as he brings his bike close to the garage and carefully lays it on the grass this time before hurrying over to Steve, getting in on the front, rolling his eyes when Steve cackles. “I don’t know why Eddie would date you—“
His words are drowned out when Steve turns up Train in Vain, drumming along on the steering wheel with a shit eating grin. Though the atmosphere is wildly different now, the spell broken and the bubble burst, it’s undeniable that something happened between them. Something big, something important.
Something that makes Mike’s annoyed, long-suffering expression be broken by the smile he’s trying to hide. It makes Steve laugh, elated and feeling something that’s much, much bigger than he himself ever could be.
It’s going to be okay. So, so okay.
Before they know it, they’re pulling up to Steve’s and he turns off the car, is about to get out when Mike makes him still again.
“Hey, Steve?”
“Hm?”
“I think it’s cool. You and Eddie.”
He smiles, relief and fondness washing over him. “Yeah?”
“Yeah.”
“Thanks.” He reaches over and ruffles Mike’s hair — a wild mane these days, but they could make it work with some care and some products. “Now go get your man, lover boy.”
“God, you suck so much, you’re so annoying!”
Steve’s cackling again when the passenger door slams shut and Mike lets himself into his house.
He spots a figure in the dark, their face lighting up when they take a drag of a cigarette — and Steve’s heart stumbles in his chest. He scrambles to get out, attempting to look calm and collected, even though Eddie always manages to see right through him.
“Hello, stranger,” he says, leaning against the wall beside Eddie, hiding away in the dark, where the world won’t see their shoulders touch, or their fingers tentatively playing with each other before they can’t take it no longer and lace their hands, holding on tight.
“Hi,” Eddie breathes. “How’d it go?”
“Fine, I think. But, uhm… I told him. About me. About us. That, uh. That okay?”
Even in the dark, Steve can feel eyes on him, but he just stares ahead, opting instead to give his warm hand a squeeze. He smiles when Eddie’s thumb begins to draw patterns on his palm.
“Hmm. Very. You think they’ll be okay?”
“Yeah,” Steve breathes, stealing Eddie’s cigarette from his mouth and pulling it between his own lips. “Yeah, I think they will be.”
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leatherbookmark · 4 months
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陳情令 the untamed ー episode 4
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grassbreads · 10 months
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I’d love to know about Yulma and how important it is to representation in shounen manga
This has been sitting in my askbox for a couple months (because I am incapable of punctuality), but anon sent this to me back when I was talking about Yulma over on my vnc blog. For those unaware, Yulma refers to Yu Kanda and Alma Karma from the manga D.Gray-man.
So the thing is, to be honest, I don't know if you can say Yulma is/was important for representation. They don't tend to get brought up as an example of representation (except by diehard d.gray-man fans like me, lol) in shonen, and their whole thing is complicated enough that I feel like the queerness of it all flies over a lot of people's heads.
However! They're very important to me personally, and I do think it's kind of remarkable their story came out in like 2010. Because even though their queerness gets overlooked a lot, it's like. really there no matter how you interpret it.
The short version of their very complicated story is that Kanda and Alma are a couple who were resurrected into new bodies. Alma was a woman when they were originally together in their past lives, but is physically male in the present. Kanda is still very much in love with them by the end of their story, which, depending on the reading, makes Kanda very bi and/or Alma very trans.
This sound like something you want details on? If so, let's talk about how D.Gray-man's fan favorite edgy badass toughguy character briefly became the star of his very own heart-wrenching tragic queer romance.
Here's a brief crash course in Yu Kanda and Dgm for the uninitiated:
D.Gray-man is a manga about a group of exorcists (in the loosest and most anime sense of the term) in the 1890s fighting a holy war against mechanical demons powered by the souls of the dead. There are two things you need to understand about this plot for me to explain Yulma:
The Black Order, the secret branch of the church that exorcists work for, has a long history of committing horrific human experiments to further the war effort.
Due to complications of world building, only a tiny number of people can become exorcists, and tracking down new ones is extremely difficult.
Yu Kanda is one of the exorcists, and though not the actual main character (that's the lad in my icon), he's a very important secondary character. Arguably he's the most important secobdary character, since he's the main guy's biggest foil and the first character to play deuteragonist in a major story arc. He's also a huge fan favorite. The character popularity polls that Jump used to do always had him and the mc going back and forth over who won #1 most popular.
Kanda was also a classic edgy toughguy character. His first two scenes are him almost murdering the main guy because he thinks he's an intruder, then complaining about people grieving for their friend too loudly. He never smiles. He argues with the righteous mc about wasting time/energy protecting civilians. He threatens (and delivers) violence on anyone that annoys him. He looks like this:
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TLDR; Kanda was an adored-by-fans mean badass archetype in a 2000s shonen manga. Not generally the guy you peg for starring in a piece of queer romantic storytelling.
And for the entirety of the original anime adaptation's 103 episode run, for the first 188ish chapters of the manga, you do not learn a single thing about his early life. You learn he joined the Black Order very young, and you meet the mentor that took him in at that point, but although there are little hints, a couple cryptic mentions of him searching for a certain person, his early origins remain a complete black box.
Then came the Alma Karma arc.
This is the point where I start getting into spoilers.
To make a very long story short, the Alma Karma arc reveals that Kanda is one of the Black Order's human experiments. The Order ran a secret project 9ish years before the start of the series in which they essentially tried to re-use dying exorcists (since finding new ones is so hard). They took the bodies of dying or recently deceased exorcists and harvested their brains, implanting those brains into new magically grown child bodies.
Key to this project—the second exorcist project—is that these newly grown second exorcists were not supposed to remember anything from their previous lives. Kanda, however, recovered a few hazy memories from his past self. Most importantly, he can recall an unclear image of the woman that his past self was in love with. This memory gradually becomes Kanda's reason to live. He wants desperately to find and meet that person.
Now, aside from Kanda, there was one other successfully revived second exorcist. This was a boy named Alma Karma.
Over the course of their brief shared childhood, Kanda and Alma become extremely close. However, due to a series of horrible events that I'll spare you the details of, Alma is eventually driven to murder-suicide. He wants himself and Kanda to die together to spite the Order, and Kanda almost lets him do it.
The one thing that keeps Kanda from letting Alma kill him, the thing that drives him instead to kill Alma, his most beloved and only friend, is that he can't bear to die without finding that woman again.
Have you figured out the twist yet?
9 years later, in the present, Kanda discovers that he didn't actually quite kill Alma. The Order kept Alma secretly half-alive in order to do more dubious experiments. And, more importantly, when they meet again, Kanda discovers the truth. The woman that he's been searching for his whole life, the woman he's in love with, the woman he tried to kill Alma in order to find, was also killed and made into a second exorcist. And her brain was placed into the body of Alma Karma.
After quite a lot more violence and tragedy, Kanda and Alma end their story arc by running away together on their deathbeds. Alma dies, for real this time, in Kanda's arms, and his last words are to tell Kanda he loves him. These words are presented as something Kanda hears from both the boy and woman versions of Alma's soul.
So! At the end of a very long and complicated story, one thing holds true: Kanda and Alma are in love. As passed down from their past selves, they are specifically in romantic love. They were a couple. And to speak as a fan, the sheer absolute devotion to how Kanda's love for Alma is presented is seriously intense and moving.
Now, given the absolute hell that is Alma's life, gender identity is frankly the last thing they have time to worry about, so it's hard to say how the whole "literally a woman's brain in a male body" thing might have settled for them if given time to think about it. But that is inherently a pretty trans narrative. And given the whole Alma gender situation, there's simply no reading of their whole situation where neither of them is queer.
If you take present day Alma as a guy, which is more or less how he's presented in canon (though again, who knows how he would've felt about that male body in different circumstances), then congratulations! You've got mlm in your shonen manga. They were straight in a different life, but now one of them's a dude, and they are still deeply in love with each other. They've even got not one but two "let's forget it all and run away together" scenes, just as every mlm couple seems to have.
On the other hand, if you go with the angle that Alma's still a woman based on her mind/soul, even in her new body, then Kanda may not be canonically queer, but Alma is inarguably trans. Again, literally a woman's brain in a male body. It may not be how most people end up trans, but that doesn't change the facts of her situation.
You see what I mean about how they're undeniably queer, but also kind of easy to miss? There's so much other insane shit going on in their story that Alma's whole gender situation can get passed over. Plus, you can look online to this day and find people arguing that Kanda's not "technically" explicitly in love with the present day male version of Alma, since he doesn't 100% unambiguously say as much. I love reading comprehension.
Also! As a possible extra reason for why people don't talk about them much, the official English translation of the manga translated Alma's final "I love you" very differently. There's always a lot of nuance and argument when it comes to translating "大好き" into English, but given the full context of their relationship and the scene it's in, Viz's handling really sets off the censorship bells in my head.
Here's the different versions (Japanese then fan then official), if you want to compare:
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Nothing more classically queer than censorship by way of questionable translation 🙃.
At the end of the day, Kanda and Alma are in kind of a strange middle ground. They're each in love with the other one, but the whole second exorcist brain transfer situation makes it complicated enough that people argue their feelings aren't explicitly romantic (and thus not gay) in the present. Alma is literally a woman's brain implanted in a male body, but we don't have time to dwell on the gender complications of all that because of the hell that is the rest of their life. They're canon but not canon—queer people whose stories don't have space for them to be queer.
However, given that all this messy, tragic ambiguity was published in a fairly popular shonen manga back in 2010, it still feels kind of remarkable to me. Alma is somewhat an antagonist (it's complicated), and he dies at the end of his arc, but once again, Kanda was/is the fan favorite! And when he re-enters the main story after Alma's death, he's more important than he's ever been, and his history with Alma continues to be a huge part of his character.
Katsura Hoshino took the much-beloved edgy toughguy character from her long-running shonen series and, after keeping his origins secret for such a long time, confirmed that his whole life has revolved around love this entire time. Almost every facet of his character can be traced back to his love for his lost best friend or his yearning for his past life's missing partner. And then she reveals that the best friend and the partner are one and the same.
You can go back and forth about the degree to which they work as representation, but in any case, I think their story is something people ought to know about. It's romantic and it's heart-wrenching and it's fucking wild, especially given the context in which it was published (a Shonen Jump spinoff in 2010). I never see anyone besides the few remaining hardcore dgm fans talk about them, and I think that's a shame.
So anyway, that's tale of one of the most insanity-inducing romances I've ever seen put to paper. I love queer people.
Here's some choice pages if you want to cry with me (the last two are a sequence):
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b4kuch1n · 8 months
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ough brain is doing SO bad but sometimes. there are colors
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shmorp-mcdurgen · 11 months
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HSH AU: Home is Where the Heart is
Mark keeps hearing and seeing things whenever near the Torres Family Home, and despite Cesar not feeling like anything is wrong, Mark can’t shake off the feeling of being watched.
TW: Friendship problems, paranoia, hallucinations, body/face horror, blood/gore, implied possession
Notes: this is. the longest fic. I’ve posted here, being around 10,000 words long, so. long read. BUT I’m pretty proud of this fic, and I hope you guys like this new au and the world in it! There’s. so much I’m excited to show, and this is just scratching the surface :)
( @deadmuttsbones [tagging cause they co-own the au])
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September 9th, 1992. 10:06 PM.
Mark couldn’t shake the unease in his gut that night. He could’ve said no; the option to refuse Cesar’s offer to hang out and stay the night at his place was there. He could’ve told Cesar how he really felt about it, yelling at him about the discomfort and dread he felt in his chest every time he stepped through the front door. Yet he didn’t, and now he was driving the long road to Cesar’s home, all while rain bounced off of his windshield and the radio played the same songs he had heard a hundred times.
Mark glanced at the rear-view mirror, seeing how his brown hair was a mess, and how he had dark circles around his eyes, sighing before glancing at the suitcase in the backseat; packed for only one night. He was wearing a black, V-neck T-shirt, a golden cross hanging in front of his chest. He had a pair of worn blue jeans over his legs, along with plain grey sneakers. His hands tapped the steering wheel with the music as he tried to shake off the sinking feeling deep inside of him, repeating a simple phrase to himself in his head: “only one night.” Besides, Cesar was going to be there, and it wouldn’t hurt to see a friend after a week of not talking to each other, right? It wasn’t like Mark had anyone else to hang out with.
Mark’s car drove down the wet asphalt road, slowing down and stopping next to the curb, his green eyes staring at the house in to the side of his vehicle, taking in a deep breath in an attempt to ease the tension. It was a one story home, with plain, reddish-brown outer walls, with a white garage to the left of the front door, which had a small, grey stone porch in front of it, with a planting pot to the left of that. The living room window to the right of the front door had yellow light pouring out in between the curtains, and Mark could hear faint murmuring as he got out of his car, pushing the door behind him closed. The rain hit his hair and shoulders as he stared at the home, his lips pursed and his shoulders tense as he gazed at the light coming from the window. He shook his left arm by his side as he swung open the backseat door, pulling out his suitcase and placing it on the grass of the front lawn. With a huff, he slammed the door shut, all before he heard the front door open.
“Hey!” A voice said as Mark turned to face where it came from. He saw a figure in the doorway, barely visible aside from his silhouette as he waved Mark over. “Come on, it’s pouring out here!”
Mark took in a breath, picking up his suitcase with one hand, holding his other above his face to prevent the rain from hitting him in the eyes. He jogged across the yard, his sneakers slamming against the concrete driveway before he ran into the home, brushing past the person in the doorway as he closed the door behind Mark. “You said you’d be here at like…eight. It’s ten already.” The man said as he turned towards Mark, who was setting his suitcase next to the couch, which sat in front of the window, before turning towards him.
“Yeah sorry, Ces…just…bad weather.” Mark sighed.
Cesar sighed quietly, walking past Mark towards the TV, turning the volume of it down, the sound of gunfire and yelling from the old western no longer drowning out their words. Cesar was a decently tall young man with tan-colored skin, with black wavy hair and a faint mustache on his upper lip. He wore a white T-shirt, along with red shorts, with a pair of plain white socks covering his feet and no doubt becoming charged with static from the shaggy carpet of the living room. Mark watched as Cesar walked out of the room, calling for his mother to tell her about their guest arriving as Mark sat on the couch, shifting in his seat as he attempted to get comfortable. Mark stared at the TV, hoping the sound of the programs will drown out the sound coming from directly behind it. He glanced up, looking back down and shifting his position on the couch again when he saw it. How stupid; he was scared of a fucking clock.
The grandfather clock in question was tall, made of reddish-brown wood, carved with intricate patterns. The pendulum behind the glass swung, the ticking of the clock echoing in the living room as its hands twitched with every second. Carved, wing-like pieces of wood protruded from the top of the clock, the shadow of them flickering onto the red, striped wallpaper from the light of the TV and the lamp on the table next to it. Mark stared at the clock’s face, seeing as the time neared 10:15 as he swallowed the lump in his throat. His eyes fixed on the center of its face, the sound of the TV being drowned out by the sound of the pendulum swinging from side to side-
“Hey Mark, you gonna sleep out here tonight?” Mark was taken out of his thoughts by Cesar, who was standing in the archway leading to the kitchen. “Or do you want like…a few blankets to sleep in the bedroom?”
“Oh…u-uhh…the bedroom.” Mark glanced at the clock again.
“Cool.” Cesar gave Mark a quick thumbs up. “You can sleep by the bed if you don’t mind.”
“Yeah that’s fine.” Mark coughed.
Cesar’s friendly smile faded as his brows furrowed. “…You alright, Mark?”
“Yeah, I’m…yeah.” Mark sighed, looking down as he rubbed the golden cross hanging from his neck with his thumb.
“…Alright, I guess.” Cesar said.
Mark looked around the room, seeing the multiple photos hanging on the walls, along with the furniture before he looked down at something that caught his eye; a grey cat bed resting beside the clock. It was empty.
“Hey, where’s your cat?” Mark asked.
“Oh…yeah, gah…Johnny…hasn’t been seen for a while.”
“What? Why?”
“We don’t know.” Cesar sighed. “We’ve been asking the neighbors but…no one’s seen him.”
“Shit…” Mark said under his breath. “I’m…sorry dude.”
“I’m sure we’ll find him, it just might…take a while.”
There was silence among the friends, Cesar noticing Mark shifting in his seat as his eyes darted around the room.
“…Do you even want to be here?” Cesar asked.
Mark’s breath hitched slightly, his chest feeling as tight as his throat. “…I mean…I’d like to hang out with you.”
“Yeah, but do you actually want to be here?” Cesar repeated.
Mark paused before he looked at Cesar with a pensive look in his eyes. “No.”
“Then why did you—”
“Cause I wanted to say I was sorry, okay?” Mark stated. “For…y’know…what happened last week.”
“That’s…it?” Cesar scoffed slightly. “Dude, you could’ve…told me at school or even through the phone.”
“I-I don’t know, I just wanted to talk to you.” Mark said. “Like…actually talk to you.”
“…About what?” Cesar asked before the two of them heard footsteps coming from the kitchen.
“Marco, I put a comforter and a few blankets and pillows on Cesar’s bed.” Ms. Torres appeared in the doorway, her Spanish accent present as she spoke. “You can make your bed on the ground, and if it’s not comfortable, I can get you some quilts.”
“Thanks…miss.” Mark said.
Ms. Torres was a shorter, middle aged woman with shoulder length, wavy dark brown hair and deep tan skin. She wore a black cardigan over a white shirt, along with a silver necklace. “Okay, Niño, I’m going to bed, come get me if you or Mark need anything.”
“Alright, mamá, see you tomorrow.” Cesar said as his mother pulled him into an embrace before walking down the hall, closing the door to her bedroom.
“Cesar, don’t you ever feel like…you’re…being watched?”
The question made a pit form in Cesar’s stomach as he turned towards Mark, who was sitting on the couch, staring at him with anticipation; expecting something from Cesar.
“I mean…yeah, I have, but…who hasn’t?” The corner of Cesar’s mouth rose slightly in a nervous smile, fading as quickly as it appeared. “Sometimes you just…feel like that, there doesn’t have to be a reason to it.”
“Do you ever hear…b…breathing?”
Cesar’s throat felt tight.
“Like…not even…from anything in particular just…almost…everywhere here.” Mark continued.
“…Mark…what are you even…talking about?” Cesar asked. “I…look, I just wanted us to spend tonight just hanging out, without the weird shit—”
“Do you?” Mark seemed aggressive with his question, leaning forward as he stared at Cesar’s eyes, being able to make out the concern in his stare. Cesar glanced around the room, shifting his weight onto one foot as he stared at the ground; thinking.
“…Yes.” Cesar’s voice was quiet, almost a squeak.
Mark let out a breath, shaking his head slightly as one of his hands clasped his necklace. “Then why…why have you been acting like I’ve been crazy this whole time if you knew?”
           Cesar didn’t respond to his question, rather looking towards a bookshelf and looking back to Mark. “We have some…board games.” Cesar stated. “Monopoly? Cards? Do you want to…play anything? I-I can dig out the SNES in my closet—”
           “It’s…fine. I’ll just…watch TV.” Mark responded, brows furrowing on his face as he looked away from Cesar. He could see Cesar lower his head in his peripheral vision as he walked away, sighing and scratching the back of his head. He disappeared behind the archway as Mark stared at the TV, the black and white images reflecting off of his eyes. He watched as the two characters in the western spoke to each other:
           “You know, I don’t see why I stay with that bastard.” One of them stated, looking towards the taller cowboy next to him. “All he does is cause trouble for me, and for everyone else he’s around.”
           “Well, Billy, I’d say it’s about time you let him go.” The older man stated. “Besides, you always have me, and we have a home you can stay in, food you can eat. You don’t need him if you think he’s nothing but trouble for you.”
           “I guess so, Mr. Parker.” Billy chuckled. “Guess I’m…right at home here, huh?”
           “That you are. You’re always welcome here, and never forget that.” Parker laughed. “We always love guests. You’ll love it here, Heathcliff. You’ll love it here.”    
           Mark looked away from the screen as his eyes were drug upwards, back at the grandfather clock, hearing the characters in the TV laughing despite their noses bleeding heavily. Mark’s eyes couldn’t be moved, hearing the clunks and ticks coming from the inside of the clock, faint bells ringing in Mark’s head. He couldn’t look away, sitting up as he stared at the clock’s face, the hands shifting and the pendulum swinging, calming, in a way. Maybe Cesar was right, and he was just on edge. Maybe he deserved to lean back, sink into the couch, and let himself relax.
           Mark didn’t want to. He didn’t want to relax, feeling as if his eyes burnt as he watched the clock, every sound aside from the ticking fading into oblivion; all until he felt a hand be pressed on his shoulder.
           “Mark?” Cesar’s voice shook, and when Mark looked up at his face, it almost seemed like he was…scared.
           “What do you want?” Mark asked.
           “What the fuck, you scared the shit out of me,” Cesar said frantically. “I tried talking to you but you didn’t respond; dude I was wondering if I should call an ambulance—”
           “What? You…never said anything.” Mark rubbed his eyes, suddenly feeling as though they were dried out.
           “You’ve been staring into space for over a fucking hour, Mark.”
           Mark looked at him quizzically before glancing back at the clock, heart sinking when he saw the hour hand nearing midnight. “W…but I…I don’t…get it.” Mark muttered.
           “I tried talking to you but you just mumbled shit at me and never even looked at me.” Cesar continued. “Dude, you’re…seriously fucking worrying me.”
           “I…fuck…” Mark pressed his elbows on his knees, grasping his head with his hands as he stared at the carpet.
           “…Maybe…you should go to sleep, dude.” Cesar suggested. “I mean…when was the last time you slept well anyway? You look like you haven’t slept in days.”
           “…Yeah…I haven’t.” Mark muttered under his breath, trying to push down the feeling of nausea in his gut. “…Fuck.”
 Mark could still hear the clock, even as he laid on the makeshift bed on the floor in Cesar’s bedroom. He stared into the darkness, hearing Cesar’s faint breathing from the bed in the corner. Mark normally took off his necklace before bed, however he found himself still clutching it hard enough in his hand to leave indents in his skin. He turned onto his side, pulling the covers over himself as his eyes darted around the room before he shut his eyes, curling into himself as he tried to fall—
GONG.
GONG.
GONG.
The clock’s bells rang throughout the home, startling Mark out of his half asleep state entirely. He sat still for a moment, trembling slightly before groaning, throwing his blanket off of him before standing up. “Ces—” Mark paused as he stared at the bed, seeing nothing but neatly made bed sheets and pillows where Cesar once was. Mark stared at the empty bed as he felt his throat become tight, hearing the loud, echoing bells from the living room.
He turned towards the bedroom door, seeing faint blue light coming from the dark hall. He stared at it, swallowing the lump in his throat as he walked towards the door, tempted to claw his hair out when he felt that the ground was damp. He felt the carpet of the bedroom turn into the wooden floors of the hallway, puddles formed on the floor as if it had rained indoors. His heart sank when he stared down the hallway, seeing that there were more doors than before. The four doors on the side and the one behind him turned into eight, then sixteen, then thirty six. The hallway stretched on both ways, reminding Mark of a hotel’s eerily empty and long hallways. He silently stepped towards the door next to Cesar’s, attempting to open it, only to find the doorknob remained unmoved.
Mark’s breathing clouded the cool air in front of him as he looked down the hallway, seeing a white, square shaped light at the end of the expansive hall, the sound of the bells ringing in his ears, joining the sound of static in the overwhelming choir, making Mark let go of his necklace just to cover his ears. He walked down the hallway, seeing the light slowly grow closer with every step. He wanted to scream, though deep inside he knew it would only result in a wheezy whisper and nothing more. He wanted out of that damned hallway, the many doors feeling so familiar yet so alien at the same time.
His wet socks hit the wooden floors as he walked, all until the wood felt oddly soft, and warm. He looked down, seeing that the wood grain of the floorboards was beginning to twist and look less like wood and similar to-
Mark didn’t want to think of what the veins meant.
Mark looked up, seeing where the light was coming from clearly; an analog television, resting on a table half sunken into the ground. The bells had finally grown silent, and the static was all that remained. Mark waved his hand by his side as he attempted to push down the overwhelming nausea he felt from the putrid smell, as well as desperately trying to brush off the feeling of being followed. He stood in front of the TV, raising his hand towards it, pointing a finger towards the power button, and clicking it. The screen shut off, delving the hall in darkness as Mark gasped, trying to turn the TV back on, only to find it unresponsive.
“Fuck…fuck…please…” Mark whimpered as he stood still, hearing his own heartbeat in his ears, unable to ignore how it sounded like a ticking clock. He wanted to wake up, knowing it was nothing but a nightmare. Please fucking wake up.
“You’re always welcome here, Mark.”
Cesar’s choked whisper into his right ear felt like it was burning itself into his head.
Mark awoke with a gasp, feeling the shaggy carpet under his body and face. He was drenched in sweat, his breathing heavy, and his body feeling even heavier. He felt the carpet stuck to his face as he pushed his upper body off of the floor, feeling the heaviness begin to wane, even though his arms felt weak. He looked up, eyes widening when he saw something towering over his prone body; the grandfather clock. Mark scrambled to his feet, staring at the clock as he shook off the exhaustion and heaviness in his body. His chest heaved with every harsh breath as he grasped his necklace tightly, glancing through the kitchen to see the back hallway, where Cesar’s bedroom was.
Mark pushed open Cesar’s door, his silhouette blocking the hallway light as he stared into the room. Darkness cloaked his form, his face concealed in blackness, with only two faint dots of light from his eyes visible. He stared at Cesar’s still, unconscious body before he slowly approached Cesar’s bed, lifting an arm over him before speaking quietly, yet urgently.
“Cesar.”
Cesar’s eyes flicked open as he breathed in harshly, feeling Mark’s hand rest on his shoulder before he quickly sat up, smacking the arm away and staring at Mark with wide eyes, only letting out his breath when he saw it was him.
“M…Mark?” Cesar mumbled.
“Yeah?”
“…What? What fuckin…time is it?” Cesar asked, happy when he began to make out Mark’s face in the darkness, no longer just seeing the shines of his eyes.
“I don’t know.” Mark responded with a trembling voice. “C…Can you come with me for a second…?”
Cesar stared at him, watching Mark back out of the room before Cesar slid out of bed, following Mark through the hallway and into the living room. Mark stopped in front of the clock, pointing at it with a shaking hand before looking back at Cesar. “W-What…do you feel looking at this?” Mark questioned.
“…What?”
“Please, just…a-answer the…the question, Cesar.” Mark stammered over his words, not making eye contact with Cesar as he talked.
“I…I-I don’t…know?” Cesar responded.
“Please, you…y-you have to feel something looking at it, right?” Mark looked towards Cesar for approval.
“Mark, what’s going on with you, you’ve been talking about my house nonstop every time I’ve seen you for, what, a month?”
“Yeah, and I-I’m fuckin’ tired of you just…ignoring me,” Mark said, brows furrowed and his shoulders tense. “You told me that you’ve heard the breathing too, felt like you’re being watched, yet you keep pretending that I’m just out of my fucking mind!”
“Mark, I just wanted to hang out with you; a normal night for ONCE.” Cesar said, walking in front of the clock, blocking Mark’s view. “What the fuck is going on; you refuse to fucking tell me anything!”
“Cesar, there’s something seriously fucking wrong here,” Mark snapped. “I’ve told you EVERYTHING I’ve felt about this place, yet you refuse to just LISTEN to me!”
“Mark, calm down—”
“NO, I’M TIRED OF THIS,” Mark stepped towards Cesar as tears ran down his cheeks and his speech became slurred. “YOU THINK I’M FUCKING CRAZY, DON’T YOU?!”
“Mark—” Cesar felt Mark shove him away, stumbling backwards before hitting the clock, cracking the glass covering the cavity holding the pendulum before he fell to the ground. He laid on the ground, pressing a hand against the sore part of his back as Mark glared at him; all before Mark’s stare began to soften. Mark grimaced, trying to hold back tears before covering his face, sobbing into his hands.
“Fuck…Cesar, I’m…so fucking sorry.”
“Get out.”
Mark looked through his fingers to see Cesar staring back at him, the glare feeling like twenty daggers piercing his heart.
“…Cesar?”
“GET OUT.” Cesar repeated loudly, making Mark flinch as he pointed towards the front door. “If you don’t like this place, GET OUT!”
Mark stumbled backwards, looking at his suitcase, which sat by the couch as Cesar continued. “I’ve…had enough of this SHIT, Mark.” Cesar spat. “No…no I don’t think you’re crazy, I think you need THERAPY.”
Mark chest heaved with every sob, the one arm not clutching his sweat-stained shirt shaking in front of his torso. “I-I…shit…fuck…I-I-I—”
“I’ll see you at school, Mark.” Cesar stated, standing up. “Go home. Get help.”
Mark turned away from Cesar, storming towards his suitcase and grabbing its handle before freezing, feeling a pit in his chest. He could smell something similar to copper, or old coins. He shook his head, not bothering to grab anything he may have left behind before bolting towards the door, swinging it open and walking outside, slamming the door shut behind him.
Cesar glanced at the clock, seeing the cracked glass and the small shards of it breaking off of it and falling to the floor. It smelled of iron in the room, and when Cesar looked up at the clock’s face, he saw something running from the grooves around it, dripping down the wood before Cesar hesitantly wiped it off with his fingers. He looked at the liquid on his fingers, rubbing it with his thumb, staining his hand with red. “…W…what?”
Mark threw open the back door of his car, tossing the suitcase inside without much trouble as he stifled a sob. He closed the door before opening the driver’s side door and sitting inside. He closed the door, and buckled his seatbelt before grasping the steering wheel with enough force to make his knuckles pop. He grimaced as tears ran down his cheeks. Way to go Mark; you lost another one. Maybe you never needed Cesar anyway, Mark. Maybe you never needed—
“FUCK!” Mark shouted in his car. He slammed his hand against the wheel, causing the horn to blare for a moment before he crossed his arms on the steering wheel, lowering his head and pressing his forehead on it. “…Damn it. God damn it…”
 Cesar woke up later than he normally did the next morning, finally waking up around 11 in the morning, rather than his normal 8 AM. He was wrapped and buried in his blankets, barely visible from beneath them before he heard a knock on his bedroom door. He stirred awake, pushing the blankets off of his head as he groggily stared at the door as it opened, revealing his mother. “Oh…sorry for waking you up, have you seen Marco?” She asked.
Cesar blinked at her, sighing before turning over onto his side. “He’s…he left.” He mumbled tiredly. “…Last night.”
“Did he tell you why?”
Cesar thought for a second, or as much as he could while half asleep. “…No.”
“Oh…are you alright?” Ms. Torres stepped into the room, folding her hands in front of her as she looked at Cesar worriedly.
“…Y…I dunno.” Cesar responded. “Just…weird.”
“Well…alright; breakfast is ready whenever you want it.” Ms. Torres walked out of the room, quietly closing the door behind her as Cesar pulled the covers over his head. He felt himself drifting off, ready to sleep until noon until the door opened again.
“Oh! Almost forgot, you have that recital this Monday, don’t forget it,” Ms. Torres said. “In fact, I’d recommend you practice a bit before then.”
“Ye…yeah…whatever.” Cesar heard the door close once again, ready to fall back asleep until his eyes shot open. “Oh…shit.” He turned onto his back, pressing his hands against his face; the piano recital. How was he going to concentrate on playing after everything that happened the night before? He wished he could’ve pushed it off another week to give him time to decompress and relax, though it didn’t seem like he was lucky enough for that.
“‘Practice a bit before then’, as if…I haven’t been practicing nearly every day for a month.” Cesar muttered as he sat up. He opened his closet door, seeing his black suit hung up next to the shelves, along with his white dress shirt right beside it. He grabbed a pair of jeans and a simple black t-shirt before closing the doors.
He walked out of his bedroom, turning towards the bathroom to get dressed before flicking on the light. He looked into the medicine cabinet’s mirror in front of him for a moment, pausing before he could close the door, staring at the mirror his brows furrowed. His eyes looked towards the reflection of the hallway behind him, seeing a portion of the kitchen. It was empty, though when he turned behind him, his breathed hitched slightly, as he could see his mother placing plates and food on the table. He turned back towards the mirror, his unease not waning when he saw that the kitchen was still empty in the reflection. He let out a shaky breath as he backed out of the room, deciding to change in his bedroom instead, unnoticing of the figure in the kitchen archway in the reflection.
Cesar quickly got himself dressed, walking out of his bedroom and into the kitchen, staring at the table before his mother noticed him. “Would you like some eggs?” She asked, though Cesar barely looked at her.
“I’m not hungry right now…” Cesar stated, glancing at his mother before walking into the living room, much to her dismay. He walked towards the couch, seeing the sun’s light bleeding into the home from the window, hitting the carpet and even the furniture on the opposite wall. Cesar’s eyes followed the light for a second before they landed on something. He stared at it quizzically, pausing before stepping towards it; the clock. He looked at the glass, seeing the pendulum swing back and forth as it always did, however, Cesar couldn’t help but feel uneasy when he realized that the glass was fixed, with not a single crack or blemish in sight. It was as if the event the previous night never happened at all.
Cesar crouched down, lightly grazing his fingers across the newly-fixed glass before speaking. “Hey, mom, did you fix the clock last night?” He asked.
“…No? Was it broken?”
The answer made a pit form in his stomach as he turned back towards the clock, swallowing his unease and standing up. “N…No, just…curious.”
Mark’s shaky breathing was the only sound in his bedroom, sitting on his knees on his bed as he stared, unblinking, at the wall in front of him. He scribbled with the black marker in his hand, leaving thin, dark lines on the grey drywall. Organic-appearing pictures formed from his mindless drawing, lines branching off like veins, with small, scribbled eyes peeking through them. He didn’t know why he was doing this; he even had a notebook he could draw in, but it wasn’t enough. He couldn’t get out his thoughts in any other way. He had to.
A knock rang from his bedroom door, though Mark barely heard it, continuing to draw even as his hands were stained with ink. It was only when the second knock rang that Mark paused, slowly turning towards the door as he stared at it with dry, bloodshot eyes. Blood oozed down from his nostrils, dripping over his mouth and chin, though he didn’t seem to react to the taste of iron.
“Mark?” It was his mother. “…You haven’t been out of your room in a while, are you alright?”
Mark took a moment to respond, blinking as he regained his bearings. “…Yeah.”
“You sure? Do you need anything?”
“No, Mom.” Mark responded, looking down at his stained hands; he needed to wash them off, the best he can, anyway. “I’m fine, just…tired.”
“Alright, just…remember to take care of yourself okay?”
“…Yeah. I…I-I will.” He looked back towards his drawings, brows furrowing as his eyes grazed over the lines. He shook his head, looking around his room before his eyes focused on something just barely out of view in his open closet; a poster, one of a horror movie he liked to watch. He hopped off of his bed, grabbing the poster, along with a small box of pushpins before climbing back onto his bed, breath heavy as he stared at the drawings, all before he rolled out the poster and held it against the wall, securing it with the pins. He didn’t even want to see them himself, so why would the others?
Mark opened his bedroom door after he finished hanging up the poster, closing the door behind him, seeing the stairway leading downstairs before he turned to his left, where the upstairs bathroom was. He stared into the dark room before flicking on the light, turning towards the mirror and seeing the state he was in. His wavy brown hair was covering his left eye, almost being a blessing, knowing how his other eye appeared. He had a dull purple ring over his sunken eyes, with the eyes themselves being bloodshot and red.  He seemed paler than usual, though he swore he looked better the night before. He was wearing his pale grey sweatshirt, along with his cross necklace of course. He hated the way he looked; he had acne from stress, and his hair was a complete mess. He hated the crimson streaks going down his top lip, with every wipe of his hand only making it smear across his lower face. He hated it.
The faucet was leaking, dripping water as he stared deep into his own reflection. It dripped in rhythm, with every time the water fell onto the porcelain below making Mark want to scratch his ears off with his nails.
Drip.
Drip.
Drip.
Trip.
Trik.
Tick.
Tick.
Tick.
Tick.
Mark’s hands shook as he breathed in deeply, grimacing as he stared at himself. He couldn’t take it, raising a fist before throwing it into the mirror, cracks spreading from the impact as shards exploded onto the countertop. Mark screamed, pulling his arm back and stumbling into the wall, sliding down as he stared at his fist. His knuckles were bloody, with shards half protruding out of his skin, tearing it and causing the crimson to drip down his arm.
He couldn’t find anything to say, only gasping and grasping his wrist as he stared at the blood. He could hear his mother running up the stairs, and he knew he had no explanation to his action. He barely even recognized the sound of the door opening until it hit his foot, hearing his mother’s voice worriedly asking him what happened. It was nothing more than noise to him. He could hear the pulsing in his head again as he sat, unmoving on the bathroom floor. He didn’t know what he was doing anymore, or even why.
He was scared.
--
September 12th, 1992. 6:46 PM.
 Cesar hadn’t slept well the entire weekend.
He could feel his exhaustion creeping up on him as he adjusted the red bowtie around his neck, looking at himself in the mirror as he centered it on his shirt collar. Despite his neatly done hair, combed to the side as best as it could, and his spotless black tuxedo, the bags under his eyes alluded to his less than energetic mood. He adjusted the rose pinned to his lapel until it looked good enough before taking another look at himself in the mirror, taking in a deep breath before letting it go, shutting the light off before leaving the bathroom.
He walked down the hallway as he fidgeted with his dress shirt cuffs, feeling a pressure in his chest; he couldn’t decipher whether he was anxious about the recital in little more than two hours, or the stress he felt creeping up inside of him from the past few days. He hadn’t been able to shake of the nausea in his stomach, though he pressed it down anyway. It wasn’t like he was going to make his mother worry. He was better than that.
Cesar walked into the living room, sighing as he sat on the couch, grasping his knees with his strangely clammy hands. He took in slow, deep breaths, just like his therapist told him, though it didn’t seem to relieve the sinking feeling in his chest. He glanced around the living room, feeling oddly…unnerved by the red wallpaper; did it seem almost…redder than usual? He looked towards the corner near the ceiling, eyes squinting when he spotted something leaking from it, dripping down the striped wallpaper. It was almost invisible, blending in with the wall almost seamlessly. Cesar couldn’t help but wonder if perhaps…Mark was right to be concerned—
“Niño, are you ready?” Ms. Torres walked into the room, dressed in a black cardigan, black shirt, along with a floral skirt. “We’re supposed to be there in a half hour.”
“…I thought it was a couple hours…away.” Cesar asked, eyes still fixated on the strange substance leaking from the walls before looking towards his mother.
“It’s nearly 8 o’clock,” Ms. Torres said after taking a glance at the grandfather clock, seeing that it was 7:49 PM.  “You need to be there by 8:30, remember?”
Cesar stared off at nothing in particular as his brows furrowed. “Yeah…of...of course.” He looked down at the coffee table, his eyes focusing on the stack of papers resting next to the TV. “Schubert’s Serenade” was written above the music notes, a song he was all too familiar with; even remembering how often he practiced made his hands hurt. He sighed, slipping on his black dress shoes before grabbing the stack of papers, hoping the performance would help get his mind off of…everything.
He didn’t expect Mark to show up, nor did he particularly want to see him in the audience. He didn’t need this recital to be ruined by their personal drama.
Cesar’s deep feeling of discomfort didn’t subside, even as they drove down Mandela’s streets, the streetlights passing over their car. He glanced towards his mother, who was focused on the road as she drove, able to see in her face that she wasn’t affected by the strange aura Cesar felt; if anything, she seemed excited for Cesar’s performance more than Cesar himself was. Cesar let out a soft sigh, staring through the windshield as he swallowed the lump in his throat.
“…Do I…have to do this?”
The question made Ms. Torres glance at him with a weird look in her eyes. “Do you not want to? I thought you were looking forward to this.”
“Well, yeah but…just…gah, I don’t know, things have been…” Cesar paused for a moment as he thought to himself. “…Weird, lately…couldn’t this be done any other time?”
“Nervous?”
“…Yeah, honestly.”
“You’ll do great, I can feel it.” Ms. Torres smiled. “I’m sure everyone will love it.”
“Or just…laugh at me.” Cesar crossed his arms and leaned back in his seat.
“Oh, don’t say that,” Ms. Torres let out a nervous chuckle. “Hey, if nothing else, I’ll enjoy the performance. Even though I am a little biased.” She let out a short laugh as Cesar looked towards her, her sunny attitude doing nothing to help his mood. He didn’t have much time to think about getting out of the car and walking home however, as they were already there. As they parked, Cesar looked up at the building, seeing all the cars in the parking lot, the amount of which making his heart sink into his stomach.
“There are…a lot of people here.” He said quietly.
“Niño, look at me,” Ms. Torres looked at him with a soft gaze. “It’s going to be alright, just focus on the music. I’ll be there in the audience, and trust me…I won’t laugh at you.” She smiled softly. “I’m proud of you either way.”
Despite the worry in his eyes, Cesar smiled, taking in a deep breath before grabbing the music sheets and opening the door, stepping outside and following his mother to the front door. He felt the pressure in his chest finally begin to wane, though the hesitation he felt didn’t leave him as he hugged his mother and parted ways to go backstage. He stared at the music sheets, taking in yet another deep breath as he shut his eyes. “Focus…on the music.” He muttered under his breath. “Just…breathe.”
Ms. Torres took a seat in the auditorium, sitting next to a few other parents, presumably there for their own children’s performances along with her. She looked around the large room before placing her purse on her lap, digging through it before pulling out one of the larger objects inside of it; a personal camcorder. She held onto it, looking up towards the front of the room, seeing the large, jet black grand piano resting on the wooden stage. She couldn’t wait, even if she knew there were a few performances before Cesar’s. Sure, she was biased, but she knew Cesar was going to sweep the floor with the others, even if he was less confident in his abilities.
Cesar sat backstage, trying to ignore how uncomfortable the metal folding chair was as he looked over his music sheets, checking over and over that they’re in the correct order. He felt cold, and his hands shook despite the decent temperature in the room. He could hear someone on the stage, performing and playing music that would be calming, if Cesar didn’t know he was next on the list. He glanced up at the clock on the wall, it ticking ever so slightly, nearing 9:00. Despite how quiet the ticking was, each one felt like a drill in his skull. The deep breaths weren’t helping his nausea and borderline lightheadedness anymore, and his leg began to bounce up and down as he tried to push it all away.
“You’ve been practicing for a month now,” Cesar thought to himself. “You know it by heart; it’s going to be fine. You have to impress them. Don’t be a baby about this.”
He pressed his hand against his head as he worriedly stared at nothing in particular, shutting his eyes as he tried to think to himself. The music was fading away, and the sound of the audience clapping tore Cesar out of his train of thought, making him open his eyes and sit up completely straight. He suppressed the urge to hyperventilate as he saw the teenager that was on stage walk into the room, immediately leaving to join the audience, he presumed.
He stood up, holding his papers and approaching the entrance to the stage, waiting for his name to be called. He stood still, able to hear a pulsing in his head, unsure if it was the steadily forming headache, or simply his heartbeat pounding in his ears. He took in a few breaths, exhaling after each one, and as soon as he heard his name, he swallowed his sudden fear and stepped out onto the stage.
It was complete silence as he walked towards the grand piano, glancing towards the large auditorium, the sheer amount of people in there being unclear due to being concealed by the bright spotlights limiting his view. He felt blank; unsure if the seemingly clear mind was due to too many thoughts at once or none at all. He sat on the bench, placing his papers on the music desk of the piano, looking at them, seeing the name “Shubert’s Serenade” at the top as he held his slightly shaking hands over the keys, holding his breath for a moment before playing the first note.
The solemn song echoed throughout the auditorium, the audience silent as they listened intently, with Cesar’s mother filming with a faint smile. Cesar tried to focus on the music like she had suggested, though something was itching in the back of his mind, with the quieter moments of the song making it only try and drown out the serenade he was playing. He pushed through each bar of music, without flaw, slowly beginning to feel his unease wash away. He felt calm, with the music, while gloomy, making him feel more at ease. He approached a quieter section, his hands moving across the keys as he played. He felt a sense of peace, despite the crowd of people to his right.
Tick. Tick. Tick. Tick.
Cesar missed a note.
He glanced to his right, seeing that no one’s expression had changed, nor did anything seem out of the ordinary. He began to wonder if it was just his mind playing tricks on him until he heard it again; faint ticking, coming from somewhere just out of sight. He shook his head slightly, flinching when one of his fingers slipped and hit the note next to the correct one. He could feel his chest become tight again, and he had to suppress the urge to bounce his leg, lest he accidentally hit or let go of the pedal of the piano at the wrong time. He swallowed hard, telling himself that it was only for a few minutes. He played the wrong note again, the action making him grimace slightly.
Someone laughed.
He glanced towards the crowd, seeing from his limited view that none of them were necessarily happy, but he heard murmuring that he couldn’t make out. He tried to continue playing, only missing more notes, each time making someone in the crowd let out a mean-spirited chuckle. Cesar could feel his breathing quickening, hearing faint, otherworldly laughing in the distance as he played, the timing of the song becoming off the longer he went. Ms. Torres looked at him with furrowed brows and a look of concern, wondering what was going on for Cesar to act so strangely, knowing there weren’t any audible distractions she could hear.
Cesar’s jaw was clenched, and each note was becoming harder to play as his hands stiffened and shook. He was slowly losing his grasp on the song, with the notes on the page even seeming to warp in his view despite nothing changing. He felt something behind him, refusing to look back until he was done with the song. He lost track of the bass line of the song for a moment, the action making the crowd in his head laugh again. He could hear the ticking of a clock, pounding in his ears like gunfire. His chest heaved as he looked down at the keys, trying to maintain his composure until—
Something dripped onto one of the white keys; a crimson liquid.
Another drop hit the ivory, Cesar only realizing after being able to taste it that it was blood, running down from his nose. He saw something in both sides of his peripheral vision, reaching towards his head. He Cesar stared at the keys, the song becoming dissonant as the bony hands reached towards his face.
A loud bang of discordant notes echoed throughout the hall as Cesar slammed his hands against the piano, standing up and pushing the bench back as he did so. The audience flinched, letting out surprised gasps before muttering to each other. Cesar swung to look behind him, seeing nothing before turning back towards the piano, grabbing his sheets before storming off of the stage, wiping his rapidly bleeding nose with his hand. Ms. Torres stood up, watching him disappear backstage before she shut off her camcorder, shoving it into her bag before brushing past the concerned people sitting next to her. She walked down the aisle, feeling tight in the chest as she walked around the building, calling Cesar’s name as she looked for the backstage entrance.
She burst through the backstage door, looking around and only seeing the surprised looks of the other performers before she walked past them with a quick “sorry”. She looked up, seeing the door leading outside before rushing towards it, swinging it open as she looked into the parking lot. She couldn’t see anyone there, though when she turned towards the street, she saw the rearview headlights of their car disappearing down the road.
“Cesar?!” She called, rushing down the concrete stairs before running into the parking lot, watching as the car drove away, exceeding the speed limit. She covered her mouth with her hand, trying to conceal her worry and fear. “…O-Oh, no, Cesar…Que ha pasado ahora...”
Cesar pulled into the driveway as soon as he made it across town, shutting it off and hopping out, leaving his sheets in the car as he slammed the driver’s door shut. He muttered obscenities under his breath as he rushed into the house, swinging open the door and closing it when he was inside, all while holding his blood-stained hand under his nose. He walked quickly past the living room, through the kitchen, and into the back hallway, flicking on the light of the bathroom. He grabbed the toilet paper, tearing it off of the roll before pushing it under his nose to catch the blood. His breathing was uneven and his eyes watered, bordering on sobbing as his wide eyes stared at the sink.
“Fuck…y-you fucking idiot, this is the only car you drove there…” He groaned under his breath. He sighed, throwing the paper under his nose into the trash before turning on the faucet and washing his hands of his blood. Red stained water ran down the drain as Cesar felt the nose bleed subside, and as soon as his hands were at least mostly clean, he shut off the water, pressing his hands against the counter as he tried to regain his composure.
He looked up with a deep exhale, staring at himself through the mirror, seeing how red his eyes were due to the crying. His left eye appeared to be covered by his black hair in the reflection, despite it being above his eye in reality. Cesar stared at the reflection, brows furrowing when he realized that the lights in the hallway were off in the reflection, but not when he turned behind him to verify that they were on. “…Wh…” He turned back towards the mirror, eyes widening when he realized that his reflection was smiling at him.
Cesar couldn’t even let out a scream before his shoulders were grabbed by the reflection in the mirror, pulling him through it without struggle. Cesar yelled, feeling himself fall towards the floor, a water-like liquid splashing onto him when he hit the ground. He laid on the ground for a moment, feeling his clothes being stained with the thin layer of red liquid that rested above the tiles of the bathroom. The smell was nauseating, smelling of iron and rust, along with rotting wood and fresh paint. It was completely pitch black past the light of the mirror, the yellow lights from it bleeding into the mirrored room.
Cesar’s panic spiked again as he scrambled to his feet, looking down at his feet to see he was ankle deep in blood, or something that appeared to be blood. He looked back towards the mirror, seeing the bathroom he was used to, and he raised his hands, slamming against the mirror, loud bangs echoing from each impact as he began to hyperventilate. “NO! No, no NO, PLEASE, LET ME OUT OF HERE!” He cried, tears running down his face as he attempted to break the “glass.” “LET ME OUT…PLEASE…please…” He squeaked the last words out, looking through the mirror before a figure emerged from behind the counter, standing up, it’s limbs cracking as it moved. Cesar’s eyes widened in horror as he stared at the figure, his heart dropping at the realization that it was his own face looking back at him.
“A round of applause…” The alternate’s voice was breathy, sounding as if he was out of breath through his wide smile. Its bloodshot eyes stared at Cesar, thick, dark blood leaking from his nose, right eye, and from behind the hair covering his left eye. It was even wearing his suit, albeit torn and hanging together by threads. “It must feel nice…to come home after your performance. Make yourself comfortable, Cesar.”
Cesar grimaced as he curled his hands into fists, slamming them into the mirror as he screamed for someone, anyone to come to his rescue, watching as the alternate flicked the light off, walking down the hallway before closing the bathroom door. Cesar cried, sliding his blood-stained hands down the mirror as he lowered his head, sobbing to himself as he covered his face. This wasn’t happening; it couldn’t be happening. Maybe he would wake up, realizing it was nothing but a fucked up nightmare, and that everything would be okay. However, when he heard a loud, deep creaking from the dark, mirrored home around him, he realized it wasn’t as simple as that. The walls creaked, moving with every groan of the support beams. Tree-branch like marks covered the walls from what he could see, pulsing slightly.
Mark was right. The walls were breathing.
--
September 15th, 1992. 10:56 PM.
 Mark was awoken by his cellular phone ringing. He didn’t even realize he had fallen asleep on the couch that evening, finding himself sprawled across the sofa when he groggily opened his eyes. He sleepily turned towards the coffee table, hearing the ear-splittingly annoying ringtone from his blocky cell phone. He let out a tired groan as he reached towards it, nearly falling off of the couch before grabbing it and holding it up to his ear after accepting the call.
“…H’llo?” He pinched the bridge of his nose as he waited for the response.
“Hey, it’s Cesar; I hope it’s not too—”
“Cesar?” Mark sat up, brows furrowing and his already hauntingly vacant stare becoming more harrowing. “What—why are you calling me this late? You haven’t talked to me in days and you’re calling me now?”
“Yeah, I’m sorry, I just…” Cesar sounded…strangely out of breath. “It’s not me, it’s my mom. She didn’t show up at my recital on Monday—”
“What? I didn’t…even know you had a recital.” Mark murmured as he rubbed his eyes. “You…didn’t…invite me—N-Never mind, fuck, what happened to your mom?”
“I don’t know, but…I’m at the police station to report a missing person, so I just…wanted to ask you a favor?” Cesar continued.
Mark remained silent for a moment, glancing around his empty living room with furrowed brows. “After…ignoring me for so long, you want me to do a favor for you?”
“Look, I-I know it’s been…rough lately, but I really need just this one thing,” Cesar sighed. “Can you please at least…listen?”
“Listen to you?” Mark scoffed. “You barely listen to—”
“You know the cameras we installed after we were robbed?”
Mark let out a sigh as his statement was once again pushed aside. “…Yes, what about them?” He asked with barely disguised annoyance.
“I was wondering if you could…turn them on. I’m worried that while I’m gone something might…happen?”
“Fuck no.” Mark’s tone darkened. “I already told you, I’m not going back to that fucking house. Besides, I thought you didn’t want me there anymore.”
“I was just…angry, okay, but I’m better now. Besides, I checked everywhere, and there’s nothing here.” Cesar responded. “Please, can you do this? Just this once? I promise I’ll make it up to you.”
Mark absentmindedly scratched his neck, staring ahead blankly. “…I…God…” He thought intently for a moment before speaking again. “Alright. I’m just going to go in there, turn them on, and then leave though…that’s it.”
“And that’s all you need to do.” Cesar said. “Thank you for this, really. I appreciate it.”
“…No…n…no problem.”
 Mark felt empty as he drove to Cesar’s house. No thoughts ran through his head, as much as if felt like there should’ve been, and his stare remained blank, fixed on the road in front of him. His hands were clamped on the steering wheel, grasping the leather hard enough that it hurt. His breathing was deep, yet quiet, feeling oddly calm knowing the circumstance. It was as if he felt like he made the right decision, though deep inside he wished he didn’t take the offer, no matter if it helped he and Cesar’s friendship or not.
Mark glanced down at his hand, seeing traces of lazily washed off doodles drawn on his forearm before he grasped his sleeve, pulling it over the organic looking drawings. He shook his free, bandage-wrapped hand for a second, and then pushed his hair out of his face before grasping the wheel once again. In and out. Go in, turn on the cameras, and get out. That’s all he needed to do.
Mark parked on the other side of the road, opposite of the home before he stepped out of the vehicle. His hands shook by his sides as he hesitantly walked across the street, his sneakers hitting the pavement then eventually the driveway being the only sounds he could hear for miles. Not even the crickets seemed to be chirping that night, and the air was still and cool. Mark couldn’t help but feel a chill go up his spine as he approached the front door, reaching for the doorknob before pausing. He raised his other hand, clasping his necklace before taking in a breath, and opening the door.
He felt like he was going to throw up when he heard the grandfather clock ticking again. He let go of the door, keeping it open as he carefully looked around, looking up at the living room ceiling before spotting the first camera. He walked towards it, avoiding eye contact with the clock before reaching towards the camera and locating the switch. However, when he saw it, he paused; the camera was on, and the red light was switched on as well. He lowered his arms, turning towards the archway leading to the kitchen to look for the next camera.
The next camera wasn’t much better; red light was flashing, and the switch was on. He growled in annoyance, wondering in confused silence why Cesar asked him to turn the cameras on when they were already active. If anything, it was wasting both of their time, though nevertheless, Mark decided to try his luck with the other cameras. He looked around the room, spotting the basement door, before he turned towards the back hallway, freezing when he saw the camera above the bathroom door, finally seeing a camera without its red light on.
Mark couldn’t help but notice the pit forming in his stomach as he approached the dark hallway, eyes fixed on the camera above him. It felt oddly cold as he walked further into the hallway he swore was shorter, feeling as if the floorboards were less firm than they used to be. He looked up at the security camera above him raising his left arm to find the switch, only to see it wasn’t near the back with the wires like the others, making him furrow his brows as he grazed his hand across the metal searching for it. Finally, he found the switch, being on top of the camera, where he could barely reach. He was done; at least he hoped that the others were already on as well, so his job would be short.
He tried to stand on his flat feet, no longer standing on his toes until he felt a dull, hot pain in his left hand, as if it was burning. He winced, trying to remove his hand from the overheating camera, only to find that it didn’t budge. He stared at it, jerking his arm back, though the action didn’t free his hand either, even as the pain began to increase in intensity. He muttered curse words under his breath as he pulled his arm away, all before the camera broke off of its base, the wires that didn’t sever coming with it. Mark let out a yell as he looked at the camera in his hand, beginning to fabricate stories to explain the broken tech, until he turned it around. His heart stopped beating for a moment when he saw why he couldn’t move his hand.
The skin of his hand looked as if it was melting, fusing with the metal of the camera’s casing as if they were one entity since the beginning. He could see his veins becoming one with the wires, and his skin was becoming pale and thin near the fusion point. Mark tried moving his fingers, only able to see his bones and tendons move slightly under his skin. His breathing was becoming frantic as he pressed his right hand against it, attempting to free himself as he let out surprised and horrified yelps.
“Hello, Mark.”
Mark’s gaze snapped towards the noise, seeing a figure at the end of the hallway like a living shadow. “C…Cesar?” Mark’s voice shook as his eyes adjusted to the darkness, backing away into the corner and pressing his right hand against the wall for stability. It wasn’t Cesar; he could see it.
It was tall, and malnourished, with its limbs bent oddly, as if they barely held up his body. His smile was stretched wide across his face, his one right, bloodshot eye unblinking as it stared at Mark with glee. Mark looked towards his left eye socket, feeling as if he was about to vomit when he saw that the eye wasn’t even there. Protruding from the socket was many dull colored veins, almost like wires in a machine made of flesh. The veins and arteries fused with the skin on the left side of his face, as well as wrapping around his head and fusing to the back of his skull and neck. His skin almost looked dead, a paler version of the real Cesar’s skin tone. The look of it made Mark sick, the feeling of dread overpowering the burning he felt in his right hand.
“You seem tense.” “Cesar” said softly, his smile not once fading. “Why don’t you relax? You’ll be staying here for a while.”
Mark stared at what was left of the alternate’s face, his eye wide as familiarity rushed over him. The smile Mark saw in the mirror, the tall figure he saw in his dreams; even his voice felt like a jackhammer in his skull. He could hear the ticking and beating of the clock everywhere, steadily growing louder as he turned around, seeing that his right hand was immovable, and slowly sinking into the wall. “Y…You…WHAT DID YOU DO?!” Mark shouted, eyes full of fury as he tried to free his arm, noticing that his right leg was hard to move as well.
“You…make things so…difficult for us.” Cesar tilted his head. “It chose you! You should be honored to be such…an esteemed guest.”
“Wh…What chose me?!”
“It just wants the best for you, don’t you realize that?” Cesar asked calmly. “These walls, the rooms and halls; they’re safe. Secure. I don’t understand why someone would want to leave Home like you seem to.”
Mark remained silent, looking down to see his shin halfway in the wall. The burning sensation rushed over his body as it fused with the drywall and wallpaper, all while he felt a heartbeat that wasn’t his own. He screamed, both in pain and horror for anyone to hear, hoping someone could free him despite his own flesh and bones deconstructing.
“Welcome Home, Mark.” Cesar said. “All its guests welcome you.”
White hot tears ran down Mark’s face, feeling his head throb with every tick of the clock, trying to pull himself out of the wall; away from his fate of being consumed in the belly of the beast. He stared at “Cesar” with hatred, the smile on its face making him burn with anger. “YOU FUCKING BASTARD!” He screamed, his throat shot and his nose gushing with blood. “I HATE YOU! I FUCKING HATE YOU!”
Cesar didn’t even flinch at the yelling as Mark thrashed around, all attempts to free himself being fruitless. He stared at the replication of his friend as he shouted and sobbed, all until Home took away his mouth and eyes too.
Rest, my dear.            
Welcome Home.
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starbuck · 4 months
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Real Emotional Labor Hours
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decaflondonfog · 3 months
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day 19/30 of 30 microfics in 30 days
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screaming crying throwing myself into the sun etc etc. this prompt was an obvious request for pain and boy oh boy ;_; thanks amity i hope THIS HURTS YOU AS MUCH AS IT DID ME lmaoooo 
KEVIN/JEAN• GUILT for @amityillustration
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cactuseri · 2 months
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baby came to the fence for pets today
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draagu · 7 months
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Hear me out...
Cherrybush :D
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ok maybe I will do ship doodle requests for any ship
I wrote an essay in the notes is should've probably wrote here but lazy to copy and paste
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cmdonovann · 6 months
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got IMPATIENT (havent had time to actually sit at my desk and draw on my tablet like a Real Artist) so i colored a sketchbook sketch of my new d&d character on my phone. his name is raz'elen and and he's a half-elf cleric and he's catholic and terrible and i love him already. yes i know i am deeply predictable, shut up
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bikkinibottom · 10 months
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ERICA!!!!! its brin and i just wanted to say hey and i hope youre doing good!!! hate that im never online when you are i miss you
BRIN!!!!! hi beloved I miss you too! I am doing swell and I hope you are too <3
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shima-draws · 2 years
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Highlights from tonight’s Game Grumps live show!! If you’re going to the live show this month and don’t want any spoilers or giveaways about what it’s about please stop reading here 💕
Also apologies for my crappy photo quality but I was sitting kinda far away also my phone is old but I WANTED TO SHOW THEM ANYWAY
-Arin came out in a dress and Dan came out in a knight outfit
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-Dan called for Matt to play sexy music they could strip to. Matt played the Chicken Dance song. Dan and Arin proceeded to sexily strip to the Chicken Dance song.
-The audience was split into two halves; the grump side and the not so grump side. We proceeded to chant for our respective side for the remainder of the show
-Dan asked one of the audience participants to describe Arin’s ass in one word. She said “dainty”. Arin turned around and shook his ass at the crowd and said “My ass is juicy as fuck!!” The crowd started to chant JUICY AS FUCK. JUICY AS FUCK. JUICY AS FUCK
-There was a rhythm game at one point and Arin and Dan sung the 2nd BEST Zelda Rap Ever!!!! It was INCREDIBLE
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-CHERRY VANILLA AND ROCKY ROAD
-An ongoing gag was the villain of the show (a sentient hamburger named Burgie) revealing that he’d kidnapped PRINCESS MUSTARD and PRINCE PICKLE to which Arin and Dan revealed they were dating them. The royals then revealed they were dating each other so everyone is dating everyone I guess
-Also Burgie kidnapped Matt Mercer who also revealed he’s dating Arin and Dan
-Burgie reveals he was the one who made Arin accidentally end the game in their Battle Kid playthrough out of jealousy
-As a boss fight, Arin was forced to play Battle Kid and beat the Lotus Guardian while the audience (and Dan) cheered him on
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-Arin was able to win and he picked Dan up and swung him around in circles in a hug 🥺
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-Burgie came back for a Final Boss fight, Arin and Dan fought against him using the audience’s cheers as power. Arin and Dan’s fursonas did a literal fusion dance together (their last pose being filtered with an explicit warning LMAO) and fused into an EPIC DAN-ARIN FURRY to defeat Burgie
-They also faced off against smaller bosses like one of their many Links and David Cheeseman and Frank from House Party which CRACKED ME UP
-Since this was their third show on tour, Arin and Dan were actually tied 😳 But Dan’s side won tonight so now the score is 2-1!
-Arin said his side was the sexier side even tho we lost
-Dan kept complimenting people in the audience and things he noticed about them and it was so sweet…….
-Also Dan calling Arin his best friend 🤧
-There were CROWNS in our seats!! I have a Grump crown because I was on the Grump side for Arin
It was SUCH a fun show and I’m so glad I got to go see them!! And I guess it’s been a long time since they’ve come to Denver so they seemed pretty excited and so did the audience haha
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maulfucker · 5 days
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The design of Henilenoi is making my brain go HRRRRRRRggggGgg in a good way and I would love to know more about them.
But if you don’t want to answer non star wars asks on your star wars blog that’s fine too
:)
I am absolutely always up to talking about my ocs !!!!!
I originally created Neon as part of a character design class I took in college, they were conceived as the villain of the hero/villain duo we had to make, but she's never really been a villain. The two of them are part of an original world I have where there are different types of magic (which are defined by birth world and/or species), and some types are rarer than others, much like some species are also rarer than others. Neon is a light magic type, which is pretty uncommon, and they are one of the biggest space pirates of all time. They have an entire fleet of pirates under their command, and they're pretty famous. But their big reason for having such a huge crew is not for the fame or the riches - it's because they love to meet rare species and magic types. They want to have the coolest most unique pirate crew ever of all time. That's their whole motivation for becoming a pirate. This of course means they know their crew very well, they talk to everyone often and are usually very enthusiastically positive about things that people tend to be insecure about in themselves, so people really enjoy working for them. They are taking over space through sheer charisma and curiosity.
Their pirate empire eventually grows big enough that they have an entire nomad planet that they use as a base, it's like an entire city of mechanics who work for parts, scientists who help with developing independent tech and fuel production in exchange for funding for personal projects, families, retired pirates, and pretty much anyone who wants to stay there. At some point one of Neon's ships captures a diplomatic ship by mistake (they don't attack ships from certain worlds or interfere with humanitarian aid, but this ship was flying with no flag), except the leader of the diplomatic mission was a bored diplomat who decided to stay with Neon's crew in exchange for them letting the rest of her crew go. This bored diplomat ends up becoming a sort of ambassador in Neon's name and negotiates the recognition of Neon's pirate fleet (and planet) as a sovereign nation.
And that's why they are the eventual first space pirate emperor.
As for fun random facts...
they are ~9'10" not counting the horns
their "skin" is actually an exoskeleton
they have an internal skeleton as well, and their bones are black. their cybernetics match their bones.
they could grow "hair" but they prefer to shave (it looks kinda like hot pink moss growing on top of their head)
they have pet "rats" and they often carry one around (Neon acts as if they're all the same single pet but they very obviously have more than one. It's kind of a bit they're doing)
and a final fun fact they are orange-themed because while coming up with their design I found out that the real neon color is only the orange, the other "neon" colors are other elements (or just an adjective)
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b4kuch1n · 1 year
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the legends speak of it as a kind of enthrallment: the life ended by the tiger is tied to the tiger. in this way there is a line of souls following the beast, for no reason except to show that they were killed. that they could be saved - if only the beast would die [...] in the dark of the wood you see it walk, shadow to shadow, followed by loss after loss after loss, a tail trailing seemingly into the deep death of night [...]
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todayisafridaynight · 9 months
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I wanted to write in about my thoughts on Jo as a CSA survivor separately for a couple of reasons:
I already more or less have what I have to say on the topic in order thanks to talks with @starssystem and another friend [<3]
This is a massive tonal shift from anything else I could be discussing
This Is Massive In General For The Love Of God PLEASE Help Me
Obvious CSA CW for anyone else reading; I only discuss statistics, psychology, and the aftereffects seen in survivors here, but it's worth a warning.
With the disclaimers out of the way… I'd mentioned before I've only ever added one thing to Jo's background, and you were right: this is it! To me, there's so much thematic overlap in Jo's narrative with the experience of surviving CSA it's worth it to examine his character through the lens of that being the case. Of course, there are clearly-stated reasons for it all that Aren't That, but…
It's the pervasive guilt and shame, the lifelong secret that becomes too unbearable not to tell, the faulty coping mechanisms aimed at burying the trauma without having to face it, the reluctance to be sincere [vulnerable] and the lies and half-truths used to maintain the facade of invulnerability, the pursuit of power and control and the knee-jerk anger response when it's threatened, the pursuit of mastery over his body and the indifference to what happens to it. And the way a lot of it really does stem from a deeply traumatic childhood sexual experience from before either he or Ikumi understood what they were getting into, from before they could give informed consent.
Statistically, the further below the average age someone is for their first time, the likelihood of [at best] having been introduced to sex inappropriately and [at worst] having been abused at the time or earlier rises exponentially. Jo was 15 when Masato was conceived--possibly 14, since he was saying he "met" Arakawa at 15, and by then Masato was already born. To put this into perspective, since what ages register as concerning is largely cultural, the average age in the US and UK is 16-18. But in Japan, it's over 19.
To a Westerner [or even a heavily Westernized non-Westerner], having a kid at 15 is unfortunate, but not untenable; you've seen it on TV, you might know people like that, you might even be that kid or that parent. But in Jo's case, with him being 4 or 5 years younger than average, it's like if someone told you they had their first time--had a /kid/--at 13 or under. That's the equivalent discrepancy. That /is/ concerning, to me.
It's also something that's linked to negative outcomes in adulthood, partly because of the likelihood of forming bonds with poorly-adjusted peers. Jo specifically states he and Ikumi were only together because others who came from backgrounds like his own were all he had back then. [As an aside, it's interesting to see him instinctively seek out a relationship where his pain would be understood without having to say anything--or one where he could assume it would, at any rate.]
When it comes to his relationship with Ikumi, I've always felt there was this "adult dynamic" between them--in the sense it feels like one that'd be more fitting for adults to get into than a couple of teens. It was, based on his wording, a primarily physical relationship neither of them expected to last even if they were living together. To me, it's one thing if you're fully convinced you're in love or you're experimenting or whatever and that results in an unplanned pregnancy, but it's another thing entirely to have such a bleak yet objective outlook on your relationship so young.
And it didn't have to be that way. He could've been just like Arakawa, head-over-heels in love with this girl who was The Only Good Thing He Had Going, or something like that. But the sheer contrast between how Arakawa was crazy about Akane and never forgot about her for the rest of his life, while Jo more-or-less-clearly didn't have feelings for Ikumi and can't bring himself to remember her name after living with her for at least a year and experiencing life-changing events with her…
It's notable to me that Arakawa maintains an interest in women while nearly every in-character interpretation I've seen makes Jo averse to women. Obviously, we don't really know that; it's probably just based on his general attitudes, his contrast with Arakawa, and maybe his immunity to Charm. But I think there's a reason a lot of people pick up on it and tie it to trauma rather than/in addition to a lack of interest in women.
I've talked about this through the lens of comphet already [and Jo being gay or ace or both would present other difficulties], but I can't overstate how notable it is on its own. We see Jo's response to traumatic events, and it's to become preoccupied with them, to investigate further if he has any leads. That's why he remembers every minute detail of the night Masato was born and the time he saw Arakawa attempt to comfort Masato when he was crying and hitting himself. I think it's also why he gets as far as he does when looking into Arakawa's death, and why he entrusts the search to Ichi. He never seems to manage to block them out, even if that's what he'd rather do--even if that's what he thinks he's doing.
So if he "[doesn't] even remember" the name of the mother of his child, I get the feeling there's something more going on. Like I've [probably] said in the past, Jo genuinely sounds traumatized by the relationship as a whole. More than anything else he's been through, and he's been through a lot. It's often the case that CSA survivors who are also survivors of other trauma view it as worse than anything else that happened to them.
And that's not to implicate Ikumi at all, I don't think it's a case of COCSA--everything I've said holds just as true for her, and she had to suffer the additional trauma of an unwanted pregnancy and childbirth, at that. Rather, I think it would make sense for something like CSA, which often incontrovertibly reconfigures one's relationship with sex and love, to be a factor in why they rushed into a something physical before they were mature enough to handle it.
Some victims end up having perfectly healthy experiences, some victims end up avoiding them, some victims end up re-victimized, and some victims end up with a mixed bag--there's a lot of variation. But some victims do end up having relationships like this and making mistakes like this, because that's all they know, or because they want to heal but don't [or don't know how to] go about it in a healthy way, at a healthy pace. And I definitely think if you recognize that's what the basis of your relationship was, that it all comes back to something you'd rather forget, it'd make sense to want to forget the relationship as a whole.
To that end, it's possible to come away from a relationship traumatized even if no one did anything wrong. I've [probably] talked about how the way Jo comforts her at the station feels like he's doing it for her sake and pushing his own feelings down, but neither of them is really buying it. If that's a pattern in their relationship, perhaps he wouldn't have been able to communicate if maybe what they were doing was dredging up bad memories, if he wanted to stop but didn't think she did. So to go through with it, then get the news months later…
Either way, the fact Ikumi couldn't bring herself to tell him she was pregnant until nothing could be done would, for Jo, invariably cement the feeling he has no control over what happens around him. I think the sense of powerlessness he felt is why he blew up at her when she told him, because it's really the only time we see him lash out like that at her. At the park, he objects to going back for Masato, sure, but he's passive. And I think that unbroken pattern of powerlessness in his life [which CSA would only compound on] is why he's so reactionary, why he's so emotionally dysregulated, why he expresses his rage through what basically amounts to power-tripping.
But I do think Jo does have a great deal of awareness. A lot of his wording when he's telling Ichi about it borders on poetic, or at the very least candid and effective. That requires both prior reflection and a command of language. I think there's a lot he understands deep down, at least after sitting with it for long enough, but he isn't capable of voicing--or doesn't know how to voice--what's on his mind, most of the time.
So when he joins the Arakawa Family, when he rises the ranks and has that control back, his control has to be near-absolute. If it's undermined in any way--such as, for example, a certain someone failing to answer a call within two rings--he loses it. On the other side of the coin, I do feel a lot of why his devotion and gratitude towards Arakawa goes to the extent it does, why he's so comfortable with him, is because Arakawa gave him the safety of the Arakawa Family, gave him back his autonomy, gave him the environment--and treated him with enough humanity to give him the reason--to learn to regulate himself, to better himself.
And Arakawa /gets/ trauma. He really does. Aside from his own abusive background, literally the only time the word trauma comes out of any character's mouth in this series, it's Arakawa's. It comes back to Jo saying others who came from backgrounds like his own were all he had; that never changed, did it?
Lastly, For Funsies [<- LIE. COMPLETE LIE. TURN BACK NOW] I wanted to go through the items on this [CSA] Survivors' Aftereffects Checklist I could check off with near-certainty. 19/34, by the way, give or take. Now, as I said at the beginning, there are existing concrete reasons for why he has many of these experiences… but it's like the trans allegory with Masato, To Me… If I can check off over half the list based on a very limited backstory and an hour of screen time total, that's indicative of a notable overlap… TO ME…
Note that the book this list is from was published in 1990 and focuses on women's experiences. It was a huge step forward in giving survivors a voice back when a lot of existing research indicated CSA had neutral or even positive effects on children, but it's definitely a product of its time. With that out of the way…
Wearing a lot of clothing, even in summer […]
To be fair, most male characters in RGG are fully-covered and have near-unchanging designs, and it's winter in both 2000/2001 and presumably 2019, but… when it comes to Jo, it feels a little different.
He does have Some Heavage in his twenties [although the necklace takes the attention off of his actual chest], but as time goes on, he shows less and less skin and adds more and more layers. When he has the gloves on, it leaves no skin exposed at all, and there's this direct symbolic correlation with secrecy that isn't there for other characters. And if you're wearing three layers of leather [or even one], you can neither feel what you're touching nor feel anything touch you.
Pure Speculation, but I just can't really see him underdressed for any occasion… That's why his fit in Day with the Sun is funny as hell but also… yeah…
As a behavior, if it's rooted in anything, it's probably rooted in having to hide signs of physical abuse, of course--but then he kind of already had an excuse, with how he was constantly getting into fights. I guess it depends on the specifics, but I think it's interesting to consider this as one way CSA victims attempt to regain control of their bodies, avoiding emotional discomfort at the cost of physical discomfort.
Self-destructiveness
It's nothing super overt, but I see this most clearly represented in his second boss fight in particular; his willingness to wield a blade bare-handed while using enough force he could very well render his hand useless. I think it's potentially also evident in how he has severe cataracts he chooses to ignore and allow to worsen, despite having the reasons and resources to undergo surgery to restore his vision. In doing so, he literally and figuratively blinds himself to so much.
I also kind of think the assassination of Hoshino/the anonymous call and The Eye Scene are examples of self-sabotage. I mean, he literally was sabotaging himself in the former, but it's also the specific way he feels the need to be physically taken down in order to be stopped--possibly a holdover from RGGJo, who's only too happy to be beaten into a coma.
I don't know… It's hard to pinpoint, but I feel like he would be averse to most of the more "obvious" self-destructive behaviors--especially when he has people in his life who might notice and worry, like Ikumi and Arakawa. That and because many of them are addictive. He's seen what that's done to his father, and he's also developed this incredibly rigid sense of discipline he can't maintain if he doesn't have a clear head.
From how he talks about himself [as having lost his humanity and lived a half-assed life], I definitely think he's at the very least unkind to himself, but I also think he does externalize it by provoking others to harm him [in the case of physical fights] and reject him. Like he needs some kind of proxy perpetrator. For some abuse victims, this specific manifestation of self-destructive behavior is a way to regain control--whether or not you "deserved it" back then, you do now, as a direct, logical result of your actions.
Need to be invisible, perfect, or perfectly bad
I think each of these needs manifests in different ways for Jo. The need to be invisible can be seen with authority figures (mainly Aoki, but also Arakawa in The Yubitsume Scene, a little; how drastically he pulls back and tries to act "normal")--this relates to what you were talking about with being reluctant to intrude or take up space. If you fall under the radar, maybe you won't get hurt.
The need to be perfect can be seen in his seemingly "impossible" standards, I would say. Of course, because we see things from Ichiban's perspective, we tend to see them as unfair and often arbitrary demands. But they aren't arbitrary to Jo, are they? They're standards he holds himself to through and through. If you're good, maybe you won't get hurt.
The need to be perfectly bad can be seen in and relates to much of what I discussed under self-destructiveness [The Eye Scene and the way he antagonizes Ichiban specifically by making himself out to be worse than he is]. If you must get hurt, it can at least "make sense"--be "deserved."
Suicidal thoughts, attempts, obsession (including "passive suicide")
Obviously he's not like… Mine Levels Of Overtly And Consistently Suicidal, and he doesn't attempt suicide himself, but at the same time, I have to note his total ambivalence towards Aoki seeing him as a "bullet" (a kind of hitman sent on suicide missions). He agreed to what he himself viewed as a suicide mission and he didn't care what would happen to him afterward, as he says to Joon-gi, Zhao, and Adachi.
Aside from that, I certainly feel he's at least had passive thoughts like wanting to disappear or wishing he'd never been born. Y'know. Nothing concrete, but reflective of his mental state, and just as detrimental to dwell on long-term.
I think there's a sort of childishness [for lack of a better word] to thoughts like these [in that they're impossible], but also a level of maturity in that it probably doesn't escalate to something more actionable because he understands he has responsibilities he can't abandon. I think if he was ever seriously suicidal, it would be at the points of his life where he really didn't have any responsibility to anyone, like between Ikumi leaving and him joining the family, or after he was arrested.
Depression (sometimes paralyzing) […]
I'm trying not to over explain going forward because I Have BEEN Overexplaining It Is SUCH A Disaster… he's depressed If You Have Eyes And/Or Ears… I'll leave it at that…
Anger issues; inability to recognize, own, or express anger; constant anger […]
Lol
Rigid control of one's thought process; humorlessness or extreme solemnity
Relates back to what I was saying about how disciplined he is [and expects everyone else to be], but in general, he's incredibly, incredibly serious and focused. I don't think he's /entirely/ humorless [but then again, very few people are]; I just think his specific sense of humor is. Like. What Is Your Problem [I Know What Your Problem Is I Have Been Discussing It In EXCRUCIATING Detail But What The Fuck Is Your Problem]
Trust issues; inability to trust (trust is not safe); total trust; trusting indiscriminately
That's why he was planning on taking his secret to the grave, isn't it? It was only when faced with the realization it would soon be too late to say anything that he was able to tell Ichiban. He could've trusted Arakawa, should've been able to, but… in his mind he never could.
This book [and this checklist] is about "incest" actually, but it redefines "incest" to mean any instance of CSA perpetrated by any individual the victim trusts or has an expectation of being able to implicitly trust. Which… is most CSA as we understand it today, so I've edited some parts to just say that.
Anyway, I've never given much thought to the specifics of what Jo might've experienced--who did it, what happened, how long it went on, etc.--so there's no conclusion I can draw here [and elsewhere, I'm sure]… but even without that, to grow up unable to trust the one person who should be in his corner, his father, and to have his trust betrayed by Ikumi, it's no surprise Jo ended up like this either way. So… I'm happy he had the courage to tell Ichi, in the end.
High risk taking ("daring the fates"); inability to take risks
I think these are supposed to be mutually exclusive, but to me, Hoshino's assassination and Arakawa's assassination represent both sides of the coin, although they're not the only examples. There are risks Jo won't think twice about taking and risks that paralyze him.
Boundary issues; control, power, territoriality issues; fear of losing control; obsessive/compulsive behaviors (attempts to control things that don't matter, just to control something)
Lol…
Guilt, shame; low self-esteem, feeling worthless; high appreciation of small favors by others
Lmao Even…
Feeling demand to "produce and be loved"; instinctively knowing and doing what the other person needs or wants; relationships mean big tradeoffs (love was taken, not given)
I actually think this encapsulates a lot of what I've been saying about his work ethic, his ideas of discipline, and his relationship with Ikumi, but I also think it's why Masato took a liking to him. His attentiveness. It ties back into wanting to be perfect; when you're abused--especially long-term--you become attuned to observing and responding to any shifts in mood or tone. This is another area where I can't draw any conclusions relevant to my point, but it does certainly relate to his father's abuse, at any rate.
Abandonment issues
Kind of contentious… The anticipation of being abandoned by or losing someone he cares about appears to be worse than the actual experience. He's fine with Ikumi leaving him, and he's… not Fine With, but able to come to terms with Arakawa's death and Aoki's abandonment of him. At the same time, he really does try to make Ikumi's stay in his life comfortable, and he spends almost forty years doing his damnedest to keep his family together, whatever the cost. If I were to extrapolate from RGGJo, though, /he/ does have an obsessive, unhealthy attachment to Arakawa.
Blocking out some period of early years (especially 1–12); or a specific person or place
Ikumiiiiii that's what I'm SAYINGGGG
Feeling of carrying an awful secret; urge to tell, fear of its being revealed; certainty no one will listen; being generally secretive […]
Rofl Perhaps…
Denial; […] repression of memories; pretending; minimizing ("it wasn't that bad") […]
He admits to it himself. Not much else to say. Though I don't think he necessarily minimizes what he's been through by dismissing how bad it was; rather, he tends to overestimate his ability to move past it.
Pattern of ambivalent or intensely conflictive relationships (intimacy is a problem; also focus shifted from [CSA] issues)
Also kind of contentious… we don't see a pattern of romantic relationships, as I assume the author meant here, but at the same time, the romantic relationship and non-romantic relationships we do see fit this pattern. I guess I'd say I definitely think intimacy /would/ be a problem, and he /wouldn't/ be ready to address his issues.
Limited tolerance for happiness; active withdrawal from happiness, reluctance to trust happiness ("ice=thin")
The quote that prompted this ask in the first place. It's sort of connected to the point about humorlessness and extreme solemnity; if that was the "what," this is the "why." He doesn't know how to relax ["holidays don't exist" and all], he doesn't have much to be happy about, but even rarer is the occasion where he doesn't feel too conflicted in the moment to be able to enjoy himself. That's just how I see him.
[…] verbal hypervigilance (careful monitoring of one's words); quiet-voiced, especially when needing to be heard
EXACTLY what I was talking about in this ask, so I'm leaving that one up to past me…
......
... That's It That's The Essay I'm going to hibernate until Infinite Wealth comes out and somehow refutes my points but UNTIL THEN. Farewell, take care, and once more, don't worry too much about matching my energy… Like I Said if I were the one receiving this ask I'd just delete my blog, so… I'll just be happy to know you read it :] If That lmao
ok i read it :) 👁️👁️ READMYTAGSTHERESMORETHEREIPROMISE
#long post#cw csa#doublin up to add cw warnins in the tags just in case <3 lemme know if i should throw more tags down here..... im bad at cw tags....#i forget my bookmark tag for asks from you i stg if i cant find this ask in the future im kmsing (in minecraft) immediately#snap chats#THE SNORT I MADE AT THE DEADPAN 'LOL'☠️ maybe i SHOULDVE put text In The Main Text i have A Lot of Thoughts..#im leavin the main text empty since. ngl i was just gonna compare/contrast to myself again... and say a lot of what weve said b4..#UNFORTUNATELY a lot of the things listed here uhmmmm Hm <3 Uh Oh <3 i do understand. Dare I Say personally. just a bit#I DO HAVE TO DISCLAIM ive never been a survivor of THOSE circumstances or really. any abuse tbh- brain just sucks and im a baby#and i cant say no BUT ANYWAY I HAVE REASONS FOR BEIN AN EGOTIST I SWEAR its cause I Somewhat had those exps/i understand them#i can REAAAALLLYY easily see where your points are coming from.... very easily even... like very in-depth..#even if i didnt cry bout spilled milk every other day it IS clear to see the signs of abuse in sawashiro once you know them#i've def talked bout those aspects of him whether in tag rambles or in streams or have Attempted to express it via fics#so really the bits to chew on for me esp this time round is the more CSA aspects#tbh when it comes to bein unable to see him intimate or 'underdressed' i agree: incredibly hard for me to imagine#the thing with 'symptoms' of abuse is that they kinda overlap i guess ??#in that regard it can either be a need to impress or protect himself/needing to be seen less#when it comes to doing certain things because of CSA i could see it as a result of another abuse too. if that makes sense#THOUGH THAT ISNT TO DISCREDIT THE IDEA nono cause there still exists the Now That I Think About It circumstances of masato#even if we look at it through Western Norms(TM) two- essentially homeless- kids having. A Kid is still bizarre#cause again teen pregnancies generally happen as a result of Bein Irresponsible With A Schoolmate- not that other situations cant exist#but thats the most common innit so. def an aspect to consider. All Things Considered. esp jo's self-separation from ikumi#BUT YEAH i feel like if i try to respond im just gonna end up typing up a textbook bout abuse since. UNFORTUNATELY#childhood psychology is my field of interest. and aint no one readin THAT phat thing. esp when ill prob repeat myself or you ☠️#tbh remindin meself of when i said id write psyche papers on mine and/or jo.... oops 👀💋👀 savin this to steal notes from LOL#i hope yo know i WAS thoroughly intrigued reading this. As Ive Said childhood psyche is Literally My Field and this is v thorough and good#so im always interested in readin bout How X Caused Y in Z... very interesting many MANY things to think about.. ty...#forever cursed to be an idiot cause i really wish i could talk better and say somethin of substance.. ik you said its fine but still..#im always open to chat bout this more if youd like PLEASE dont think my lack of Main Text is disinterest Im Just Stupid. But We Know That
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