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#unintelligible rants
lottachaos · 9 months
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GOOD OMENS SEASON TWO SPOILERS
Ok I’m gonna be deeply ranting and analyzing the kiss scene (mostly just the kiss itself) because OH MY GOSH THERES SO MUCH TOO IT
First of all here’s a gif of it:
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And also I don't have a gif of it but when Crowley releases Aziraphale, what struck me was that he didn’t make them burst apart he gently and almost sadly just stepped back. And then watched. Now. One of the biggest things I’ve been thinking about in this (because I’ve been obsessively watching it over and over) is how Crowley is kissing him. It’s a long kiss. It’s not sensual. It’s not eating each others faces. It’s intimate and very romantic. Crowley missed Aziraphales lips by a hair and is slightly kissing his chin. Crowley holds him there as they sway back and forth slightly. I can’t see if his eyes are open or not. But the thing that strikes me about this is how much all of Crowley’s body language and everything just scream about how much he doesn’t want to move. He finally kissed his angel and he wants to stay pressed up against him, finally locked in the embrace he didn’t realize he needed for so long. He just stays there. He doesn’t kiss deeper. He just stays pressed against him, not wanting to deal with how Aziraphale will look at him afterwards.
then he has to break apart. He does it gently, but suddenly. Like he had to force himself but doesn’t want to . He wanted to stay, but he knows he can’t. So he steps back with his heart breaking more than he thought possible.
now onto Aziraphale.
Aziraphale is shocked. His eyes go from open to closed to open to closed. He leans back so slightly you almost can’t see it. He doesn’t seem to know how to feel.
And then his hands go around Crowley. It almost seems like it’s an unconscious motion, given how he looks after they break apart. It looks like for a split second, he lets himself melt into Crowley, as his hand wraps around his back and slides across it. But then he hesitates again abd takes his hands away. He thinks he can’t melt into Crowley. But there was the one moment where he broke.
after they break apart, Aziraphale looks shocked, upset, desperate, and to me, even a little disgusted. Probably because he doesn’t know how to deal with it. He licks his lips and moves his mouth around abd seems uncomfortable. But then after Crowley leaves he presses a hand to his mouth. He holds it for a second and starts crying. He realized he liked how it felt. He realizes everything he’s been missing. He loved the feeling of Crowley’s lips on his. Most importantly, he loves crowley.
on the topic of people hating on Aziraphale and saying the metatron did something to him, I disagree. This seems completely in character fir Aziraphale. He’s not an arsehole, he’s in conflict. He thinks he’s not allowed to love Crowley. I get him.
ok Thanks for coming to my Ted talk hehe bye
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prismartist · 6 months
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cleo: hey bdubs, where's your boyfriend?
bdubs, without missing a beat: etho's uhhhh….
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rabbidrabbitt · 7 months
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I feel like not enough people talk about the Spot being able to eat and taste using the hole in his face.
We’ve seen it function as a portal like his other spots and it’s also able to shrink and stretch around a bit to emulate emotion (not as much as in his concept work, but a fair amount) but from the gum scene and the scene in mumbattan where he is shown to actually eat and taste the food we are clearly shown he can in fact eat.
But it makes me have so many questions. Does he still physically need to eat?? Can the other holes also double as “mouths”?? Does the food actually just come out of another portal or does it somehow go into a magical digestive track that the portal just knows to connect to???
ALSO I’m fully aware these are pointless questions. This is a movie about people with spider powers for gods sake and The Spot is a literal man melded with dark matter. BUT ITS STILL FUNNY TO QUESTION. WHAT IF HE IS JUST PRETENDING TO FEEL HUMAN. LIKE????? wait that’s just sad actually—
OKAY GOODNIGHT
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albaqae · 9 months
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NIMONA SPOILER RANT!!!
Soooooo I watched it a bit ago and OH MY GOD???????
The way they gave nimona a more pear shaped body as a kid really meant a lot to me, u don’t see that many kids like that in media, and as a child it felt like because I wasn’t like kids on tv i took up more space than I was supposed to (the good old “why do my thighs look like that when I sit” and “why are my shoulders wider” and ofc! The “why isn’t my face as thin as them?”) IDK I HAVENT SEEN LOTS OF PPL POINT IT OUT BUT IT MEANT THE WORLD TO ME??????
Altho Merida rlly helped me out w that but kids are still rude!
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Bal also put out so many questions, like why do we feel we need to prove ourselves to other people? And why does it tend to take up a bigger seat than our morale? And the way it started to erode off his character was so realistic I feel also because they were so throughout with it, they didn’t just show the viewer “love urself” they actually DEMONSTRATED how that position FEELS
It felt like it was happening to YOU
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And I really love they made a character gay without making it a CONFLICT, it feels like whenever people try to make movies about queerness, they can get lost in the homophobia and conflicting gay identity, and it can sometimes overshadow over the characters themselves (their intentions, feelings, etc replaced by labels and social customs so much that the character is just lost), and in the end of it, it leaves me super unsatisfied because I never KNEW who this was even about!!!
But here yes it was a plot point, but the characters felt real, like they actually loved each other, it made this conflict between feeling like one has to choose just a million times more important
I CARED about what happened to these characters
I feel that a part of that is how they made goldenloin the screentime of him regretting what he was going to bal, like u saw the raw, unresolved conflicts in his eyes every time he cornered him and ofc the “im fine, commander” scene REALLY just completes it all
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If this movie was around when I was a child, I think it would’ve saved me a lot of heartache and maybe would’ve made me feel a bit better about being “too much”
And a lot more if I saw it when I didn’t know what my identity was (fun fact- I still dunno!)
And THE ANIMATION. THE ANIMATION. THE ANIMATION.
Ima just say- I’ve never seen characters melt onto each other that well, and even LESS in 3D ANIMATION??????
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Also nimona’s unapologetic feral energy and how it both brings her up and throws her down- I just discovered a lot of myself in her and idk i guess I’m trying to be kinder to myself and ruder to those who aren’t kind to me (??)
I’m still figuring it out lol
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aluynx · 10 months
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i don't think i grieve right.
a few weeks ago, my dog was put down at the age of ten after suffering from cancer. i have cried twice. once a few days before, the second whilst he was being put to sleep. i stopped crying a few minutes after and i haven't since. i miss him, but i am not sad all the time. my heart aches, but only sometimes. both of my mothers cried for days after, barely moved or did anything, just sat and spoke about him until the tears came again. their grief was more poetic then mine, i couldn't understand how they were so physically taken by this. it confused me, almost irritated me. how physically upset they were. how i couldn't grieve with them because i couldn't keep up. like they felt more love then i did. they still tear up if they speak about him for too long. but i'm not like that. for years i was so scared about how i would be once he died, as he was there for just over half of my life and saw so much of it, but i am scared how unaffected i seem to be.
i feel like i am waiting to be hit by a freight train, waiting for the reality and the grief to splatter me and smash me into pieces. those big feelings terrify me, but the lack of them scare me more.
to clarify, i did love my dog, as what i am writing seems to imply the opposite. when i stroke and hug my other two dogs, their coarse coats scratch my skin and makes it itch and for a second, i yearn for my merlin to come back. i want to cuddle his warm, soft fur whilst he rests his head on my knee or my shoulder, his eyes fluttering closed as he falls asleep. kiss his head. scratch the bridge of his nose and the one spot on his chin that made him rabbit kick. he is etched into my heart and soul forever but i can't be sad in the way i should be. the grief doesn't paralyse me or take the oxygen from my lungs, its like i rarely ever feel it. it's there, but it rarely makes itself known to me.
my parents won't understand. either they will jokingly call me lucky, and i will feel ashamed for my lack of tears, or they will judge me, and think i never cared as deeply as they did. and i am scared that could be the case. my voice doesn't even waver whilst talking about him. his ashes and pawprints came home today, and i spoke about it casually whilst my parents were choked up. i felt like a freak and a robot. i could feel them judging me, calculating my sadness and judging it against theirs. i was too. i don't think i grieve right. something feels off.
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lunatheseus · 9 months
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The lack of female friendship scenes in Harry Potter (and what I personally would suggest) - an investigation
One thing that I wished was different in the Harry Potter series is all of the girl to girl relationships! We need more scenes! We need to dive deeper into these relationships!
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Exhibit A: Cho and Ginny's "rivalry"
They're both iconic and amazing in their own right, and I feel like they could have had such a great friendship!
Not only did they both absolutely kick ass in quidditch, they both risked their lives to join the Hogwarts war efforts! Cho was already graduated by the 7th book, but she chose to come back and help out! Ginny literally was one of the main leaders of Dumbledore's army!
The only reason why JK Rowling would make them rivals is because of Harry and how he liked Cho, but Ginny liked Harry? LIKE- GIRL- not the girls hating girls because of some GUY... seriously??
We need those scenes where they pat each other on the back after a quidditch match to congratulate each other on a good game. Female empowerment moment, yes? Maybe they show each other tips and tricks on their brooms.
There should be a scene where Cho teams up with Ginny during battle! Where they fight death eaters together!
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Exhibit B: Hermione and Ginny's friendship
The only thing that bothers me about this one was that Hermione became friends with Ginny because they were forced to share a room as there was not more space in the Weasley Burrow. It was convenient. While I don't love that, it's ok, it makes sense logically.
There should be scenes where the two girls relate to each other, more scenes where they giggle about boys and talk about the latest books they've read. Maybe they can both complain about Ron and Harry to each other. They practically lived together for a while, so maybe we could get more scenes of them being more sisterly and having a sibling-esque relationship.
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Exhibit C: Luna and Ginny's friendship
Correct me if I'm wrong but these two became friends shortly after Ginny was saved by Harry in the Chamber of Secrets. I feel like at that point, everyone kind of shunned/was scared of Ginny, and Luna was the only one who would talk to her. This is fine and all, but there's no in between fluff about how they built up their friendship from there.
We need more scenes where Ginny defends Luna from bullies, or when Ginny ditches her boytoy to comfort Luna. Maybe there's a scene where Luna misses her mom, and Ginny is there to talk it out with her! There is so much potential in this friendship! When Luna gets kidnapped, how does Ginny react?
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Regardless, I know that there are other female friendships in HP (like the slytherin ones), but these three are probably the most relevant when it comes to the actual story.
Don't even get me started on how Molly, Hermione, and Ginny all hated on Fleur, or when Molly assumed Rita Skeeter's articles about Hermione being a player were true! Like- did none of the girls really have each other's backs?
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stitcherofchaos · 11 months
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A Defense of Maglor
Maglor is my favorite character in the Silmarillion. I know there are people out there who loathe him and there are people out there who love him. I know he murdered, that is a fact. There is also the undeniable fact that he chose to take the oath and burn the ships. There is the fact that he was deathly loyal towards his family.
But I have to say this...
Whoever says that he turned around and became self righteous or delusional, clearly didn't read The Silmarillion as how it ought to be read. These are pretty darn bold words but the reason I like Maglor's character is because of two things.
1: He is fictional. I think if you use his name alone, you can misconstrued him subconsciously into a real life person (but I am going to use his name because saying ‘Maglor’s character over and over drives me nuts) the point is, this essay is about CHARACTER not a real person.
2. He raised Elrond into the elf we see/read in The Lord of The Rings. I'm pretty sure if Elrond was abused in any way by him, he would not be the same great elf lord. Not to mention Elros was a mighty and gentle king, as if I don't know who THAT'S reflecting.
3. He was the only son of Feanor to throw away a silmaril, and regret sorrowfully (now tell me if he is so 'self righteous' or 'delusional', why is he so sorrowful and regretful canonically?)
I had to say these things because Maglor hate makes me physically nauseous (and for pete's sake, I'm exaggerating). Now, you may think I am a hypocrite for taking one's perspective alone on a character so seriously. But I am a self made writer myself; I am not trying to force my opinion on anyone. But when someone misunderstands a character from how they themselves view them instead of seeing the character the the author intended to write, that bugs me greatly.
And yeah yeah, there are people out there who just don’t care and writer whatever that heck they want due to their fanon ideas….
Why don’t you go and write about your own character from those ideas and create your own story instead of leeching off from a famous author?
I like Maglor because the way Tolkien rewrote several drafts of the silmarillion to create characters into the way he saw them.
Maglor is not perfect, he is morally ambiguous at best and evil at worst, but who was the one who saw the Star of Earendil and had hope? The fact that he's not a perfect character or the 'good' or 'nice' son of Feanor is the reason I like him so much. Tolkien did say he inherited his mother’s more gentle temperament. Again, an ignored fact in canon.
At least I am not one of the greater hypocrites who gives his good traits to Maedhros and Maedhros's bad traits to Maglor. Is it because Maedhros is hot? You can be honest with yourselves. Everyone wants to find excuses for the handsome ones.
I don't find excuses for Maglor. Whether anyone in this site wants to admit it or not, finding excuses for a morally ambiguous character is a toxic trait. It is not a healthy way to go through life.
That being said…
Who has ever thought of the idea that Maglor's soul was ripped apart when he realized he was the enemy all along?
Tolkien was a Catholic first and foremost. I believe that when he wrote that Maglor could not withstand the pain of the silmaril, he meant the great spiritual pain of his soul being torn apart by the guilt and regret.
((I also have a headcanon that his body became a husk afterward and did eventually fade, it was like in a catatonic state where he could only walk and sing. Also, that you can hear his voice along the cliff sides or caverns of the beaches, he was known as the mighty singer, it's not because he's still around, but because of the eternal echoes that still haunt the beaches.) I like solid explanations before anything too abstract.)
Also, another thing. Who the heck thinks they themselves are self righteous enough to decide whether to forgive the feanorians or not? They are FICTIONAL. And besides, that's the Teleri's job. If someone asked me whether or not I would look Maglor in the eyes and forgive him. I would tell that person that I had no right because it was not my business. Some people hate Maglor/the feanorians so much to the point where you would wonder if they actually believe that they were personally effect by the feanorians. If you’re one of those people, please either get some therapy or touch some grass (I’m trying to be as gentle as possible so forgive me if I offended you).
The reason I like Maglor, it's actually a pretty deep and personal reason. But, who cares, it's not like he's real or that anyone else on this site cares about self preservation or privacy.
I read the Silmarillion during a darkplace in my life. So when I read about a character who was loyal, merciful, imperfect, ruthless, and regretful... I admired him. Someone who gave up his morals to protect and serve his family, that is admirable. Though his loyalty should have been with his morals, it was still fierce and bright like any son of feanor, or any more so than any of his brothers.
I like him, because he taught me what you should do in times of hardship and crisis and what you should not do, which is basically what I was going through during that time, and even now. That is, despite circumstances, remain hardy and stick to your morals because doing so will give you a prosperous ‘harvest’. Stay close to your family with loyalty and charity, but be wary of the family members who use or manipulate you, get out of that kind of situation. Like imagine you have a ‘Fëanor’ parent. Would you rather live with him or your ‘Nerdanel’ parent? Make a better choice than the choose of those seven brothers. They chose wrong and it lead to their deaths.
Tolkien wrote stories to create, and to teach. I don't see why I should ignore these values instead of appreciating and learning from them. It's the reason why I prefer to look at Maglor's character and learn from him rather than hate or search for reasons to hate him.
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omg-snakes · 9 months
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On Selectively-Bred Corn Snake Morphs
Specifically Okeetee and Reverse Okeetee:
I hate them and I hate them and I hate them.
Also, I hate them.
That is all.
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bingsoo-jung · 11 months
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an rating of every piece of arthurian media i have consumed
Hi. So I really like Arthurian mythology. To an deeply concerning and obsessive point. This has led me to consume a lot of Arthurian media, and thus I figured I would give you this. Ratings of all the Arthurian media (up until now) that I’ve consumed.
This is going to be a doozy.
Books!
The Mabinogion. 9/10. It’s less Arthurian mythology and more proto-arthurian. But it’s welsh as shit and goes hard.
Historia Regum Britanniae. 6/10. 10/10 for iconicness. 2/10 because it’s geoffrey of fucking monmouth. This mother fucker cannot write and basically is responsible for the englishfication of arthurian mythology and eventually the frenchification of arthurian mythology. So I rightfully hate his ass.
Knight of the Cart. 6.5/10. 10/10 for iconicness. 3/10 because if I could accuse a man of cultural appropriation who’s dead and didn’t really commit cultural appropriation, I would pick Chretien de Troyes. You’re too french and too annoying and can’t even do chivalric romance well because the french are actually terrible at it. Like go read avicenna you illiterate french peasant.
The Vulgate Cycle. 5/10. It’s good. It’s iconic. It’s french.
Bulfinch’s Mythology. 4/10. It gets what the basics of arthurian mythology is, but fails to understand the actual point of Arthurian mythology and what it’s trying to do and it’s function.
The High King. 8/10. Such a good reference book on Arthurian mythology and the history behind the name and the title and how he came to be.
The Mists of Avalon. 5/10 it’s a solid retelling, and I like the arguably feminist stance it takes. I’m knocking 3 points because of quality, and 2 points because it isn’t gay, and I think the author got a little confused about what Celtic is. Like they clearly know it’s wales, but they seem to have gone for the bad folk etymology that Morgan le Fay/Morgana is somehow related to the Morrigain historically. Which she’s not. Also because the author should’ve gone full ass in on the anti-colonialist messaging. And neither of them did.
Grailquest. 3/10. It’s just… not good enough. Also for some odd reason it’s in Ancient Greece because a spell went wrong? So I think the author was just trying to make it enjoyable for youn boys.
Avalon High (the book). 4/10. It’s just not good enough.
Merlin’s Blade. 1/10. Literally the worst. Merlin is Christain and weird as shit in this. I would give it a 0/10, but I’ll give it kudos for having a blind MC. Even though he keeps talking to God about it and it sucks.
Le Morte d’Arthur. 8/10. One of the og’s. Honestly of the better cycles in the Arthurian canon. You can, and will, read worse than this one.
Legendborn Cycle. 10/10. Perfect. Should literally be added to the actual Arthurian canon. I don’t care if this is an unfinished YA book series that started coming out in 2019. Y’all are fools if you haven’t read this and I fucking laugh at for calling yourself an Arthurian Mythology fan if you haven’t. Literally laugh.
The Once and Future King. 8/10. So I love this book. That being said, this was written in the 40s by a british white man. Like… it fails me. And that’s where those two points have gone. A fun fact is that this book wasn’t published during WW2 because the author really hated war.
Magic Tree House. 6/10. Good. Could be better. I deeply appreciate that the entire series is Morgana and Merlin fighting for a fucking tardis treehouse. That alone makes this worth reading.
Idylls of the King. 0/10. Literal colonial propaganda. Fuck you Tennyson.
The Fall of Arthur. Like a 5/10. Unfinished. Not Tolkien’s better work.
The Green Knight (Tolkien Translation). 5/10. LISTEN I LOVE TOLKIEN BUT THSI ISN’T A GOOD TRANSLATION. He uses such estoric language sometimes that it shouldn’t be counted! As a fucking! Translation!
Camelot Rising. 4/10. Idc what you say and if it’s feminist. It’s not good enough for a higher rating. It also should’ve been gay and thus has been docked points
Once and Future. 4/10. I really really really wanted to love this book. It’s a queer arthurian retelling where arthur is sapphic and arabic. But it so deeply reeks of white queer people who make being queer a central part of their identity to avoid talking about queerness. On top of which, for some odd reason, the like… five thousand year old sorcerer seems to struggle with the concept of genderfluid people to me. Which makes no sense. It’s not good. It’s really bad. I’m giving it 4 stars for at least being gay and not outright offensive. It’s also a decent adaptation
Sword Stone Table. 10/10. IT’S AN DIVERSE ARTHURIAN SHORT STORY ANTHOLOGY. IF YOU DON’T LIKE ONE YOU CAN READ THE NEXT ONE. EXCEPT THEY’RE ALL EXCELLENT.
Once and Future (2019 comic). 7/10. YEAHHHH FUCK BREXIT. It’s just a good comic by my favourite comic book writer. Mr kieron gillen (not to be mistaken with karen gillan).
Gails: Quests of the Dawn. 5/10. I love Neil Gaiman but this short story collection reads like a roster of the white men of SFF. Which makes it mediocre compared to Sword Stone Table. Also OSC.
Plays + Operas + Music
Spamalot. 7/10. Not as good as the movie. Two extra points were given for Tim Curry as King Arthur. Yes. Local queer icon Tim Curry gets two points by his lonesome.
Camelot (Philippa Soo Broadway). 5/10. I love Philippa Soo. She does a really good job in this role. But she looses all the camp of the original versions.
Tristain und Isolde (Wagner). 3/10. I’m not a fan of wagner.
High Noon Over Camelot. 1/10. This is a bad retelling and I dislike the Mechanisms music. It’s also obnoxiously white.
Movies + TV Shows
Camelot (the movie). 7/10. It’s camp as fuck and there’s a song called the lusty month of may. Which is just about fucking. And i think that’s actually perfect.
Avalon High (the movie). 7/10. When I tell you that this movie rewired my brain and truly ignited my passion for Arthurian mythology? I mean it. This set me down a hole for years. Sure, is it gay? No. Is Arthur a girl in this though? Yes. And that makes it better than the book
King Arthur: Legend of the Sword. 2/10. I fucking hate this movie so fucking much oh my god. I DON’T CARE WHAT PEOPLE SAY IT’S NOT GOOD. THIS IS A BAD ADAPTATION.
The Green Knight. 9/10. I loved this movie! Weird as shit. But I did really love this movie. And Dev Patel is hot.
The Last Legion. 3/10. It’s a fine movie. But it’s a 3/10 as an arthurian adaptation because while I appreciate the attempt at historicity. It’s actually just bad at that.
The Sword in the Stone. 8/10. It’s less racist than the book which gets it points. It’s also not as *good* as the book.
Shrek 3. Both a 9/10 and a 2/10. Terrible Arthurian adaptation. But Shrek movies are so fun anyways.
Monty Python and the Holy Grail. 9/10. Unironically one of the best Arthurian adaptations ever. It’s so funny and ads and discuss the canon in a fantastic way.
Knightriders. 8/10. It’s a Romero film, who lowkey *invented* the zombie film. But it’s also… anti-capitalist? And gay? Also trying to not be racist? (Trying. It’s the 80s. But p successful). They are also REN FAIRE ACTORS ON MOTORCYCLES.
The Sorcerer’s Apprentice (2010). 4/10. I like this movie, but it’s, say it with me, a terrible Arthurian adaptation.
Transformers: the Last Knight. 2/10. I will not speak further on this.
The Kid Who Would Be King. 6/10. Bad movie. Decent adaptation with fun characters who understand their point in this story.
Merlin. 9/10. Honestly a really good Arthurian adaptation that understands it doesn’t need to be source accurate. Also while it doesn’t commit to the gay. It’s still gay-tinged.
Camelot. 3/10. I hate the lighting and everyone in this is weirdly angsty and incestual.
Cursed. 5/10. It’s not good enough to be more. It’s just not good enough. But I do appreciate the diversity and Nimue as the MC.
Stargate SG-1. 0/10. Racism. I hate stargate because it’s just so obnoxiously racist.
The Librarians. 3/10. It’s not a great arthurian adaptation and it drops all the arthurian bits after a while. But it is a 9/10 tv show.
Trollhunters: Tales of Arcadia. 6/10. Solid Arthurian adaptation. I just think it was a bit weak and put them in there to give credence to it’s magic things and system without having to justify them further to the watchers. Which makes this not really arthurian.
Fate/stay night. 8/10. I haven’t watched any of this. But Arthur is a woman who was called a man in this version because of sexism. And she’s kinda fruity. So that gives this an 8/10 in my book.
Hellboy. 4/10. I like Hellboy a lot. It’s just their Arthurian deal is just a single lone sad merlin.
Quest for Camelot. 2/10. It’s really just not worth watching.
A Kid in King Arthur’s Court. 1/10. I don’t even hate this one. It’s just so painfully mediocre it’s amazing.
Legends of Tomorrow. 7/10. It’s a really really good show and I like that it’s implied that King Arthur is Sara Lance who is just here to fuck.
TTRPGs + Video Games
Pendragon. 3/10. I appreciate it’s structure having read this entire game. It’s just… not got a great structure.
Runescape. 5/10. It’s fine. It’s just fine. It’s iconic. And it’s fine.
Sonic and the Black Knight. 1/10. Because I do actually have something against this. I hate the fact that Sonic is King Arthur and thus will be cuckooed. It causes me physical pain to think of this.
And that is literally every Arthurian adaptation I have consumed to date. I plan on reading Spear after I read this indigenous anti-colonial dragon fantasy book. I’m wary of Spear because although it’s gay, the author set it in ireland. And arthurian mythology isn’t fucking irish. Have respect and do what the rest of us do and set your arthurian adaptation on a different fucking continent.
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The grief is a box theory is bullshit—just so you know. Grief isn’t linear. It doesn’t follow a track. It doesn’t lessen. There’s no sense in it, so forget the logic.
Because sometimes I hear a song on the radio, and then I’m with her again for 3minutes and 43 seconds—and because of that, I have a dream, and another, both fantastic until I wake up and they transform into nightmares with my reality’s fresh dawn.
Those nightmares linger all day like shadows, and like weights. My friends are too busy to hang out, too married, too tired because they’re parents, and so so tired of hearing the same thing over and over again.
They can’t understand these complex feelings because they’ve never been there. I don’t want them to ever be there, but there’s a bitterness in the loneliness because without fail I always end up alone in it. In that headspace, in a different place, and with her, and that grief input into a box swells because once more the gap she left is in my peripheral and I can feel it, I can see it, but I can’t do anything with it.
And it happens so randomly—as random as a shuffle queue, as random as someone with her name, as untimely as someone’s funny memory of her, as chaotic as a Snapchat memory from 5 years ago.
If grief were a box, it’d be torn to hell and ripped to shreds because grief is not compact. It can’t be folded over. It can’t be shrunk. It’s formless just as people are formless; it’s as unique as the person.
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Today at work, I accidentally let my inner lizard goblin self out, and I may have been too much for some folks. It's not like I regret it. I hope some of those people went home thinking about the weird girl running the tea counter who asked them what their favorite kind of bear was. I hope some of those people got the weird songs I was singing stuck in their heads. Hopefully, that little kid thinks about our talk about rattlesnakes.
My boss definitely thinks I'm obnoxious. But I came home with a lot of tips today. Life is too short to tone it down all the time.
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lottachaos · 9 months
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WHAT IS IT WITH THE PEOPLE ON THIS APP AND LEAVING THE BEST LITTLE GOLDEN NUGGETS IN THE TAGS??? CAN YOU NOT JUST SAY IT????!!!!
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prismartist · 1 year
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and on your right you'll see 99% of the server in chaos, dying, trading, and murdering each other relentlessly, and on your left you'll see jimmy bigb and pearl acting out a legal drama over the ownership of a frog, a storyline that is so divorced from the rest of the server that literally none of their allies seem to know about it.
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hollistercrowley · 10 months
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weirdcore/traumacore mashup??
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saminthecan · 11 months
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Going Back Into the Closet (/j)
Random and eligible for future deletion but like I think the reason I was so eager to identify as trans was because a lot of things about me were and are not “traditionally feminine” and I felt like that made me less of a girl, but now that I think about it I don’t feel like.. not-a-girl, at least not right now. So at one extreme possibility I’m cis, and on the opposite extreme I am genderfluid. To be completely honest I don’t care enough to solidify it (🥁💥) I’m just me and and. That’s all goodnight Tumblr
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hey, issue with a TON of movies out there (specifically ones with romance elements). i feel like too many of them give us this idea that people are overly codependent, and that no problem can ever be solved without someone swooping in to save the day. sure, the support of others is very important and i get it. and many problems are hard to face on your own. but, then that gives us this feeling that we absolutely *need* someone to be there for us. the main issue is when these people end up becoming love interests for the mc. it's repetitive, its dumb, and its unnecessary. i want to see someone make a movie about being independent and being able to overcome things yourself, and maybe that could show people that they have the power to do exactly that and aren't in need of a knight in shining armor. i want to see a movie where the knight in shining armor does NOT become a love interest, and instead an amazing, supportive, and trusting friend.
and if anybody knows ANY movies that are like this, PLEASE tell me. maybe i've been looking in the wrong spots for good movies. that's probably it .-.
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