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#unnamed horde clones
edge-lorde · 1 year
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Hello folks! Brothers Unnamed comic is now fully updated on ao3!
come find me! pluckyducky on AO3!
All of the comics ive posted here, ive posted there. come read them in an organized fashion, all in one place! I've even fixed a few typos!
Transcriptions available upon request! I have them all up on Deviantart . and AO3, but i think the text is only visible with a screen reader there.
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Do you have any Horde Prime origin headcanons
Space Bat who went a little nutty
Evil entity who took on physical form
I've even heard that the First One's monster thing was his OG form and that the first ones like tormented him and stuff and he got his revenge. But also went nutty. Thus ironically making the First One's still the ultimate evil of the She-Ra universe.
Honestly, Spop’s version of Horde Prime can come from anywhere.  One of the predominant fan-theories is that he was an eldritch being that came from the same dimension as that thing that Shadow Weaver summoned with the Spell of Obtainment.   Another popular theory is that he used to be a spacebat who went nutty.  I’ve seen people come up with the idea that the space bats were created by the First Ones as a servant-race and that Prime was a spacebat who rebelled and led a revolution, and then wound up just kind of taking over / thinking only he had the right ideas for the universe, hence cloning himself and making the Horde.  A theory I’ve seen a lot is “Spacebat, a scientist happily working on the spacebat homeworld until his experiments in dimensional portals brought an eldrich being to him, it posessed him and there you go.”  I think this was in Gossamer Threads by @entrapdaknation but I do not know if I am remembering the fic right.   I like all of the theories and will play with whatever floats my boat at any particular time.  Currently, my brain is chewing on the idea that the First Ones created many beings for the terraforming / inhabiting of different planets and as sub-races and / or servant-races and that the spacebats were an uplifted race that they created from bats or bat-like creatures or mixing human / humanoid and bat, until there was some kind of a split / civil war and that Prime went off to do his own thing / fight against them - It’s kind of based in my early ideas for where the Horde came from (before we even knew the clone-thing, some of my Season 2 fics hint that the First Ones and the Horde were people from an unnamed planet - in my brain, Earth - who modified themselves) and just something I was spitballing in my Hordak-origin story (along with origins of the Scorpions), was kind of inspired by the 2010s reboot of Thundercats.  Then again, my brain also briefly played with the idea of “a bunch of religious fundamentalists create an Ultimate King for themselves.”  I think in more fics than one, I just had “they’re an alien species with their own planet and everything until Prime, the eldritch being, came and “uplifted” them / took them over in a manner similar to the Changelings to their various subservient races in Star Trek: Deep Space Nine.”    Free Real Estate all around.  I flow with whatever plot idea I get at any given time for whatever fanfic I want to write.  Very few of them are connected. I don’t have a solid mythos of where Horde Prime came from set in stone like some other authors do.   I basically play “Wheel O’ Origins” for fun. 
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insomniac-jay · 2 years
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Canary II
Full Name: Rie Kanaria
Hero Alias: Songbird Hero - Canary (II)
Age: 26
Gender: Female (Cis, She/Her)
Nationality: Japan
Description:
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Design notes:
As I have stated before, her hair is meant to be canary yellow, not blonde. She is not blonde, she has yellow hair.
The only jewelry she takes off are the two other necklaces and the chain earring. The mini hoops and choker stay.
Bushy brows bc yes
Personality: Rie is a brash and in your face person. She is always straightforward in her talk and doesn't hold back her true feelings. Not that she really wants to, but she's more than willing to stand up for what she believes is right and won't back down.
She's a fighter so don't expect to knock her down after one punch. In a fight, Rie is driven and determined to be the last one standing. Of course, she will pick and choose her fights if necessary but most the time she runs head first into them and usually ends out coming on top.
Rie is a learner-- when she goes through or witnesses something, she takes the time to learn it. This makes her not only a disciplined and sharp fighter, but also helps her have a sort of guide on how to react to certain situations.
Quirk: Birdsong
Rie can generate powerful ultrasonic soundwaves which can also be used to form solid objects such as weapons, clones, and other constructs. Other abilities include being able to stun opponents, strong enough to tear through metal, and mimicking sounds and other's voices. Rie has full control over vocal cords.
Family:
Unnamed father (Deceased)
Meiko Kanaria | Canary I (Mother)
Character Inspiration(s):
Dinah Lance/Black Canary (DC Comics)
Melissa Gold/Screaming Mimi/Songbird (Marvel Comics)
Elektra/Elektra Natchios (Marvel Comics)
Paired with: Yotomi Kurakimichi | Hell's Belle
@floof-ghostie @calciumcryptid @s0ursop @opalofoctober @elflynns-horde-of-stuff @pizzolisnacks @peachyblkdemonslayer
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solara-bean · 4 years
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Hordak: Behold my brothers!!! * pulls Imp out from behind his back * My finest creation!!
All of the horde clones: * collectively squeal and gush *
Unnamed Clone: Aaaaaaw look his wings!
Another unnamed clone: And his little boots!
Another clone ( seriously name them please ): Oh isn't he just precious!
Redak ( wrong hordak ): He shall be our littlest brother!!!
Hordak: Actually your more like his uncles but that works I guess.
Imp: * loving all of the attention and plotting how he can trick all of them into giving him treats *
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emperorsfoot · 3 years
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The Goddess as depicted in newer MotU comics and her Multiple Aspects
The Goddess is a very interesting part of the Masters of the Universe franchise. In older incarnations of the canon, she is a literal person with a human form that can be cloned, and fights along side He-Man. 
In more  contemporary incarnations of the canon, she is far less tangible. Separated from the physical world of Eternia and acting through the Sorceress as her representative in the mortal world. 
It is this version of the Goddess that I’ll be examining in this post. 
Teela explains the 3 aspects of the Goddess in Eternity War:
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Serpos was mortal’s first concept of the Goddess. She was the patron deity of the Snakemen and was a Goddess of passion, desire, and the more primal or animalistic aspects of mortal nature. 
I find this interesting, as usually the “first” of pantheon, is usually a creation figure. But there is no mention of “creation” in Serpos’ mythos. Nor the parts of mortal life that are related to “creation” such as fertility, child birth, sewing of crops, or reaping of harvests. 
This could be because Serpos is specifically a Snakemen Goddess and the Snakemen do not give live birth but rather hatch from eggs. Neither do they farm land but instead hunt and eat the flesh of humans (and other races of Eternia). 
Either way, it is interesting that this is the First aspect of the Goddess that was felt or understood by mortals on planet Eternia. 
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With the decline of the Snakemen and the rise of King Grayskull and human supremacy on Eternia, the aspect of the Goddess that came to be mainstream was the falcon goddess, Zoar. 
Those of you who are more familiar with the 80s Filmation cartoon might note some similarities between the Goddess Zoar and the Sorceress of that show. 
Zoar is described as “the great preserver”, and that’s also interesting. Teela doesn’t describe this aspect of the Goddess of “life giving” or “peace loving” or any of the other qualities usually associated with a deity of “light”. Instead, Teela uses the word “preserve”, which implies to me that Zoar is not actually the Goddess in her aspect of “love and light” but actually her aspect as an enforcer. An idol to maintain the status quo and the established monarchy and human supremacy on Eternia. 
(If you have a different interpretation, I’d love to discuss it!)
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Finally, our third and last aspect of the Goddess is Horokoth, the patron deity of Hordak and the Evil Horde, and the goddess of destruction, and bringer of darkness. 
Another thing I find interesting about these three aspects of the Goddess is that on one end you have a Destroyer, but at the other end you have no Creator aspect at all. It makes the pantheon of the Goddess’ forms and aspects seem somehow unbalanced and incomplete and I can’t help but wonder if there are other aspects of the Goddess that we just haven’t seen in canon yet, or that Teela felt were unnecessary to explain at the time that she gave up this information. 
If y’all indulge my headcanons, I’d like to propose at least one other aspect of the Goddess:
A ram-inspired god, seen depicted in the ruins of Zalesia,
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...and Skeletor’s Havoc Staff (which he coincidentally stole from the king of Zalesia).
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In IRL religions, cattle deities are associated with agriculture, sewing and reaping of harvests, sex and fertility, and creation. The addition of the unnamed ram god associated with Zalesia would fill in the gap in the aspects of the Goddess and provide her mythology with some much needed symmetry. 
And they could explain this ram deity as a “forgotten aspect” of the Goddess since the main civilization that worshipped this aspect, Zalesia, is completely destroyed with no survivors that still follow that form of the religion. 
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acephysicskarkat · 3 years
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Redemption, Forgiveness and She-Ra S5
So just to spite the anon who told me to stop posting my opinions, I’m gonna post another opinion!
This will contain spoilers for SPOP, Avatar: the Last Airbender, The Good Place, and Steven Universe.
So the most common take that I’ve heard about S5 from Catra stans is that it’s a story about redemption and forgiveness and that if I’m in any way critical of it then I’m saying abusers can never redeem themselves.
To which I say: the second part is a strawman argument, and the first part doesn’t help because it’s a bad story about redemption and forgiveness.
Part 1: Redemption
The problem with S5′s stories about redemption is that they are, universally, undercooked.  For things that the fanbase had been wanting for months, they’re surprisingly lacking in meaningful impact.
Catra’s is the least bad, because Catra is at least on-screen long enough to tell us that it seems to be sticking, but it’s still not good.  It’s rushed, it’s weightless, and it feels like they didn’t even check what she’d done in the past three seasons that she would need to find redemption for.
At no point does she meaningfully confront her actions (which, in case you’ve forgotten, ranged from bringing about the death of Queen Angella (S3E6), to repeated attempts to murder or permanently harm Adora (S1E11, S1E13, S2E5, S3E4-6, S4E3), to bullying Scorpia (present throughout but most obvious in S4E6), to taking part in a war crime (S4E8)), nor does she really confront the jealousy and spite that drove them.  Indeed, the episodes that could have been spent showing us her character development are spent showing us that she still has a very unhealthy attitude towards Adora (S5E6) and telling us that she underwent her character development offscreen, while we were distracted by Double Trouble (S5E8).
Hordak’s is even worse, because Catra at least admits she wronged people, even if the focus is put almost entirely on Catra feeling bad about it.  Hordak realises, accurately, that being made into a cog in a machine of conquest is bad (S5E13)...but he never makes the leap onscreen to it still being bad when he did it to other people, as he did to Adora and the other Horde kids (S2E7).  It treats Hordak’s decision to break free of Horde Prime as if it in and of itself makes him good, overlooking that the life he’s trying to go back to was the one where he ruled over an empire of stolen children.
I don’t even want to get into Shadow Weaver.
AtLA gave a compelling redemption arc to Zuko by having him confront the consequences of his actions.  SU gave a compelling redemption arc to Peridot by showing us, in great detail, her evolution from antagonist to ally.  SPOP just kinda tells us that characters are good now and expects that to work out okay.
And the really depressing thing is that both these characters actually could have sustained really compelling redemption arcs!  I would have loved to see Hordak meaningfully realise onscreen that the universe does not consist of him, Horde Prime, Imp, Entrapta, and a bunch of largely interchangeable pawns for him to treat as he sees fit.  I would have loved to see Catra wrestle with and overcome her resentment of Adora, maybe come to understand that being Shadow Weaver’s favourite fucking sucked actually.  The show just didn’t bother, and so what we got was on par with a bad fanfic or the backstory for a D&D character.
Part 2: Forgiveness
For my money, one of the best stories about forgiveness in modern media is in a third season episode of The Good Place called “A Fractured Inheritance”.
Explaining it with as few spoilers as possible, protagonist Eleanor Shellstrop discovers that her cartoonishly neglectful mother Donna faked her death and seems to have built a new life where she’s a good stepmother to a child.  Eleanor spends most of the episode convinced that her mother is running a scam, but eventually concludes that this does appear to be sticking and gives up her plan to reveal Donna’s secret, cautioning her not to go back to how she used to be.  At the end, she opens up to a friend about the trauma she sustained as a result of her upbringing.
SPOP could never.
"A Fractured Inheritance” tells a more compelling story about forgiveness in 15 minutes of screentime than she-Ra S5 managed in four and a half hours because The Good Place cares about Eleanor’s trauma.  It’s portrayed as pretty understandable that she has a grudge against her mother, and working through that takes time and sustained proof that Donna has changed.  More than that, forgiveness isn’t portrayed as a magical button that instantly solves Eleanor’s issues; just because she’s letting go of her anger towards Donna doesn’t mean that the harm she suffered as a result of Donna’s neglect goes away.  Her fear of opening up or being vulnerable, stemming from a childhood of constantly being shat on when she did, is still there, even after reconciling with her mother.
Contrast this to She-Ra S5.  The second Catra says she’s sorry, Adora is willing to forgive her and go across the universe to help her (S5E3), even though in their last interaction, back in S4E3, Adora actively tried to kill her for pretty darn compelling reasons (you may remember those reasons from S3E4-6).  Adora gets, like, a brief rant in S5E4 where she seems to be confused about this, but there’s never a point where she meaningfully seems to process the trauma she’s suffered as a result of Catra’s treatment of her, which we know has been toxic, controlling and unhealthy since they were kids (S5E3).
More than that, there’s never really a point where any of the people Catra victimised in the first four seasons gets to deal with that.  Glimmer seemingly never realises that Catra is why her mother is dead (S3E6), which is especially jarring given that the effects of Angella’s death on Glimmer drove the entire previous season; Entrapta barely remembers that Catra betrayed her and sent her to her presumed death (S5E6); Bow thinks someone who’s done nothing but attempt to hurt his friends for as long as he’s known her is adorable (S5E8); Scorpia forgives her before she even finishes saying sorry (S5E13); and both Frosta decking her in S5E9 and Perfuma’s understandable irritation with the woman who bullied her GF in S5E10 are portrayed almost as jokes, the latter never escalating beyond mild rudeness.
This also extends to Hordak, who, after his tissue-thin face turn in S5E13, gets a baffling montage that tries to portray his picking up an abandoned child and indifferently turning her over to an abusive sorceress (S2E7) as somehow heartwarming and a big bonding moment, and then the notion that Mermista might have some grudges against the guy who burned down her home and displaced her people (S5E7-8) is framed as comic.
I’m not even saying that neither of these characters should never be forgiven by anyone!  Just that the forgiveness they get in the show is lacking in dramatic weight, because the actions that are being forgiven don’t feel like they mean anything.  Catra has hurt Adora, Glimmer, Entrapta, Scorpia, Mermista and countless unnamed innocents, and it’s all treated like it has the same impact as borrowing Adora’s Xena DVDs and forgetting to give them back.  Hordak should be considered Etheria’s greatest monster given the number of people who’ve died as a result of his actions and maybe one person is slightly irritated at the prospect of having to send him a Christmas card this year.
(This is without getting into the fact that Glimmer and Entrapta are expected to deal with the consequences of their actions to some degree, with each getting an episode focused around that (S2E2, S2E4).  It’s kind of wild that Glimmer nearly destroying the world because she took a reckless risk in a desperate gamble to try and save the people she cares about from the Horde blitzkrieg, a gambit that she immediately tried to fix when she realised she’d fucked up (S4E10-13) is treated as something that causes a notable rift in her friendships, but Catra nearly destroying the world because she was just that jealous of Adora (S3E3-6) is breezed past with an “I’m sorry.”  Entrapta building the robots causes the Alliance to hold grudges; Hordak waging 25 years of warfare is [shrug] Just Horde Clone Things.)
3. Salvaging These Plot Points
Now, as I implied above, the notion that I think these characters are irredeemable is a bullshit strawman, a thought-terminating cliche that Catra stans use to dismiss criticism without processing with it.  So how would I go about it?
Catra
I would start by having Catra and Glimmer be in the same escape.  Having her attempt to sacrifice herself in S5E3 had some weird thematic issues given her previously established self-destructive streak (S2E5, most of S3).  If we have to keep the bad plot point where Adora recovers the friend who loves and cares for her and immediately goes “well, we gotta leave our friends back home to deal with a colonial invasion while we charge across the universe to save my abusive stalker ex who’s never respected my personhood or autonomy”, I’d probably look at the two biggest missed opportunities in the season: S5E6 and S5E8.
S5E6 is terrible, and should just be expunged mercilessly with fire for its baffling endorsement of the sentiment “yes i abused u but now u hate me so i’m the victim really”.  Its replacement should probably be focused around Adora genuinely processing the harm she’s sustained as a result of Catra’s treatment of her, probably deciding at the end that she’ll accept Catra’s help but is still understandably suspicious of her given the established mistrust (S1E8) and hostility (S4E3).
S5E8 is easy to fix, though; instead of it mostly being the characters bumbling around a haunted house, I’d make the setting actually do stuff for the characters’ arcs.  We already know that First One ruins can bring up memories, so I’d turn it into a reversal of S1E11 where Adora and Catra’s friendship can actually be rebuilt, probably culminating in Catra saving Adora from falling off a cliff as a symbolic rejection of the resentment she would have been struggling with throughout the episode.  This is probably where Adora starts to actually believe that Catra has become a better person.
Basically, the goal here is to show the audience that Catra is working to overcome her issues and become a better person, instead of telling us that it happened offscreen.
Hordak
The problem with Hordak’s face turn is that at no point in the show, including after we’re supposed to treat him as Good Now, does he seem to give a shit about anyone not on a list that contains maybe 4-5 names.  I’d probably put in some scenes earlier where his experiences seem to be actually changing him for the better: maybe his response to Entrapta asking him to spare Catra isn’t to commute her sentence to a suicide mission, or he feels a sudden sympathy with a captive Etherian after the fall of Salineas, as the shared feelings of loss line up, and orders their release.  Basically, the idea is to put in some groundwork so that it actually feels like he might be safe to have around, instead of him betraying his tyrannical overlord because he misses his life where he was, himself, a tyrannical overlord.
I also would not play the idea that people might be a little bit suspicious of a man with a 25-year history of ruthless oppression, colonial violence and unprovoked warmongering as a joke.  Just one of those personal quirks.
4. Summary
In conclusion:
S5 is a bad story about redemption because it doesn’t give the characters being redeemed engaging or compelling redemption arcs, favouring a blind rush to the ending, and it’s a bad story about forgiveness because it treats the actions that are being forgiven as though they don’t mean anything, even when episodes or entire seasons have been built on the effects of those actions.  It’s not that these ideas are bad in general, that these characters axiomatically couldn’t be redeemed or that forgiveness is problematic; it’s just that the execution is bad.
Anyway, thanks, jackass anon, for inspiring me to set down my thoughts in detail like this!
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fictionkinfessions · 4 years
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i kin at least 3 separate horde clones and one is noncanon,, i kin regular hordak, wrong hordak, and... unnamed horde clone number 33 i guess
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immedtech · 4 years
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Messaging app ToTok is reportedly a spying tool for the UAE
It's no secret that some messaging apps are favored by authoritarians, but one app may be explicitly designed with spying in mind. Unnamed US officials speaking to the New York Times say that the chat app ToTok is believed to be a surveillance tool for the United Arab Emirates. According to a classified intelligence report, the UAE uses ToTok to follow users' conversations, track locations (under the guise of weather), determine social connections and look at media. Most of the app's million of users live in the UAE, but it's popular elsewhere in the world and has seen a surge of demand in the US.
There appear to have been attempts to cover up ToTok's roots. It's officially developed by Breej Holding, but that's believed to be a front for DarkMatter, a cyberintelligence company run by UAE intelligence officials and former operatives from the NSA and Israeli military intelligence. The software is also linked to Pax AI, a data mining company linked to DarkMatter that operates from the same building as the UAE's signals intelligence agency (shown above) -- and a place DarkMatter called home until recently. the software itself is believed to be a lightly modified clone of a Chinese app, YeeCall.
Breej, the UAE and the CIA have declined to comment. The FBI said it wouldn't comment on a particular app, but stressed that it wants users to be conscious of the "potential risks and vulnerabilities" they can pose.
Both Apple and Google have pulled ToTok from their respective app stores. Google said the app violated unnamed policies, while Apple explained that it was still researching the chat client. However, the damage might already be done when hordes of people already have the app. The tactic is also disconcerting by its very nature. If this is accurate, the UAE effectively convinced millions of people to hand over their information to spies without a fight. It underscores the importance of using encrypted apps -- they not only keep outside intruders away, they often prevent developers themselves from tracking your activity.
Source: New York Times
- Repost from: engadget Post
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iron-blood-tattoos · 5 years
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DDOOOOOMMMMMM .... Do you know what Doom is ?? No ?? Don't worry I'm here to help !!! Doom is the first big dick daddy of all FPS ... so you COD and Fortnite players ... SHOW RESPECT TO YO DADDYY !!!! . . .. . . . . . . Doom (typeset as DOOM in official documents and stylized as DooM in other media)[1] is a 1993 first-person shooter (FPS) video game by id Software. It is considered one of the most significant and influential titles in video game history, for having helped to pioneer the now-ubiquitous first-person shooter. The original game was divided into three nine-level episodes and was distributed via shareware and mail order. The Ultimate Doom, an updated release of the original game featuring a fourth episode, was released in 1995 and sold at retail. In Doom, players assume the role of an unnamed space marine, who became popularly known as "Doomguy",[2] fighting his way through hordes of invading demons from Hell.[3] With one-third of the game (nine levels) distributed as shareware, Doom was played by an estimated 15–20 million people[4] within two years of its release, popularizing both the business model of online distribution[5] and the mode of gameplay, and spawning a gaming subculture. In addition to popularizing the first-person shooter genre, it pioneered immersive 3D graphics, networked multiplayer gaming, and support for customized additions and modifications via packaged files in a data archive known as "WADs". As a sign of its effect on the industry, first-person shooter games from the genre's boom in the 1990s, helped in no small part by the game's release, became known simply as "Doom clones". Its graphic violence, as well as satanic imagery, made Doom the subject of considerable controversy. . . . . . . . • • • • • • • • #ironbloodtattoos #nexus #tampa #florida #tampabay #art #tattoos #tampabaytattoos #tattooartist #tattoing #nerd #videogametattoos #videogameart #tampafloridau #japan #japanesetattoos #otaku #otakutattoos #harrypottertattoos #portait #portaittattoos #animetattoos #drawingtattoos #seminoleheights
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edge-lorde · 1 year
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[image description: A hooded horde clone from 2018 she-ra speaks into the mouthpiece of an old-timey wall phone. He twirls the curly phone cord in his fingers and gazes down at the mouthpiece under hooded eyelids, a peaceful expression on his face and single white tear running down his cheek. His uniform is colored with dark blues and pinks. Text behind him in a lime green speech bubble is in teal and white cursive and reads: "Group gentle weeping begins in eight beautiful minutes." /end description]
"yeah namaste and amen or whatever"
really happy with how the coloring turned out!
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All those pointy-eared ghosts...
Most of my OCs are dead.   It’s just this weird fact I’ve been thinking about when it comes to my She-Ra original characters for my fanworks.  Most of my fan-characters are clones / spacebats and... most of them are dead - posthumous characters, or in the context of any given fic I am writing (or accompanying artwork) are...doomed.  Part of this is because my main, recurrent spacebat characters are traveling clone-undertakers, so they meet and uncover the personal stories of the dead - so with their series, meeting dead people comes with the territory. It just started with an idea of a couple of freed clones wanting to give their nameless brothers names for one random post-canon fic and the idea kind of mushroomed.  (And even THEY get killed off in a future-set story, because I was in a dark spiral and processing a lot of emotions at the time and decided to write something depressing, but that’s a “takes place 100+” of my “canon”).  But then... I go and write a Hordak-origin story in which I created seventeen - 17! - original clones!  I had to create that many because I wrote the fic based on an arc-number, 18, based on Hordak’s (wiki-listed) birthday.  I gave them various degrees of fleshing-out in the story.  A couple of them remain unnamed (crash victims), others have some random names that felt right and are barely sketched out and others in the story become main characters.  I love them all so much, and loved them dearly as I was writing them, even though I knew that they were all doomed because as of She-Ra canon, Hordak is the only spacebat on Etheria.  Yes, I even loved Stern, despite him being a colossal dick.  He was as he needed to be.    So, it’s like... I have a veritable horde of spacebats and most of them are gone and buried and my recurrent for multiple stories living clones are of a number I can count on one hand.  There are my undertakers, a couple of friends they saved and one gruff ex-soldier formerly under the command of one of my undertakers.  So, there’s that. I have a couple of one-shot random clone ocs that show some promise if I want to develop them, but not yet, especially since one’s story may involve me having to craft an entire fantasy religion (not Prime’s) because I wanted a post-canon clone-priest to exist just to be contrary to most ideas that go around about post-canon clones.      I just think it’s weird.  Most people in this fandom who handle the bats have Entrapdak-fankids or adjusting-to-life post-canon clones and I’m over here with a lot of ghosts.  
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insomniac-jay · 2 years
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Jack Frost
Birth Name: Yukito Toshiba
Hero Alias: Polar Hero - Jack Frost
Age: 28
Gender: Non binary (AMAB)
Race: Mixed
Nationality: Japanese
Ethnicity: Swedish/Japanese
Description:
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Design notes:
There are tints of silver in Yukito's hair so it's not entirely white. They will become more prominent as he ages.
His natural eye color is a blue with a silver center, but turns entirely blue when using his powers. It was inherited from his paternal grandmother. The blue also turns darker as he ages.
An occasional smoker; mostly when he's stressed.
Personality: Investigative | Intelligent | Thinks he knows what's best for others | Pushy | Lone wolf | A fighter
Quirk: Snowman
Yukito can turn his body into snow, shoot icicles from his fingertips, freeze opponents with skin to skin contact, and even start blizzards. When he goes into his "snowman" form, it's humanoid but he is able to avoid injury from others (unless you're his sister). He can also use this form to cause small scale storms that he can hide in.
With some further training, he is able to create clones of himself using ice and/or snow. He can also use his powers to heal wounds later on in the series.
Family:
Unnamed father (Deceased)
Unnamed mother
Fubuki Toshiba | Frostbite (Older brother)
Elsa Toshiba | Permafrost | Lady Frost (Younger sister)
Masui Toshiba (nee Kayama) | Sleeper (Brother-in-law)
Tomin Toshiba (Nephew)
Sarubia Yamaniwa | Scarlet Sage (Love interest; future wife)
Yukihana Yamaniwa (Future daughter)
Aobara Yamaniwa (Future daughter)
@floof-ghostie @calciumcryptid @labgoth @opalofoctober @elflynns-horde-of-stuff @pizzolisnacks @peachyblkdemonslayer
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edge-lorde · 2 years
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silly idea i had back when the ear socks thing was trending but never got around to.
for the HAT panel i want you to imagine the thx logo sound lololololololo
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edge-lorde · 11 months
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(for the ask meme) 7 and 9 for the unnamed trio^^
7. What's one way your OC has changed since you first came up with them?
originally, i only made 2 clone ocs for short one off comics. These characters eventually became funny clone and mom clone, but without shitty clone, mom clone took on both roles as the 'straight man' in the comedy duo, he was both exasperated older brother and more responsible figure. splitting the two roles into separate characters to make shitty clone made mom clone sadder i think :c. shitty clone is a more active character and so he gets more screen time, leaving poor mom clone out of the loop more.
funny clone started off as a purely comedic character and is now more well rounded, at least to me. 🥺
9. Do you have a specific lyric or quote which you associate with your OC?
mom clone: hymn for a scarecrow by tally hall.
Farmer Jim hums when he's all alone He may imagine you heard and he knew You wouldn't hear what he might have known
I wonder whether he wonders if you ever wonder!
shitty clone: be nice to me by the front bottoms.
You say I'm changing Sorry I didn't know I had to stay the same Can we talk about this later? Your voice is driving me, driving me insane
funny clone: come along by cosmo sheldrake.
There's no such thing as time to kill Nor time to throw away So once for the bright sky Twice for the pig sty Thrice for another day
sorry if these are all really blorbo-y songs i dont know that many artists ^^; i tried to pick serious 'real' songs for each of them.
Thanks for the ask!
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edge-lorde · 2 years
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For the ask meme: 1, 30, 34, 35 and C! For any of the brothers unnamed ( or for all four of them if u feel like it c: )
ill answer for all of them just cause c:
What’s the maximum amount of time your character can sit still with nothing to do?
'mom' clone- probably a day or two. hes definitely used to the old way of receiving orders where the clones just do them without asking questions, just standing around doing nothing included. without the hive mind to keep his mind from wandering though, he's used to being on his feet all the time and would eventually get antsy without a project.
'baby'- probably a few hours at most. this clones doesn't have the experience of doing orders without questioning them and would find something to do once he got bored/didnt think there was a good enough reason to be doing nothing.
'funny'- also potentially a long time depending if it was an order. if he knew his job was to stand in one place by himself for a certain number of days he might be able to do it by zoning out and entertaining himself with his thoughts (like me in high school tee hee hee). if he was just on his own or with his brothers then like 20 minutes.
'shitty' clone- like 10 minutes lol.
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30.  Who do they most regret meeting? 
shitty clone grouses, and mom clone is tired, but i dont think any of my boys regret meeting each other or anyone else. baby clone kind of regrets sitting next to shitty and funny clone right now, but not meeting them in general.
34. How hard is it for them to shake a sense of guilt? 
(: very lol. it would be easiest for baby to do this, not having the same level of hordolic guilt as the others. next easiest is probably mom clone, who is comortable enough in his identity to keep a lot of personal guilt at bay because he actively is trying to keep the horde afloat, and doesnt think anything the horde did is wrong, and is too busy to be thinking about himself... then funny clone who is more likely to ignore his guilt and just keep going even if it never fully goes away. it would be the most difficult for shitty clone, who feels all emotions very strongly and then feels guilty about feeling them.
35. How do they treat the things their friends come to them excited about? Are they supportive? 
mom clone- yes. hes a little stuffy and doesnt always understand where the others are coming from but he always tries. even if its against horde custom-- he wont discount it out of hand and hes not a snitch.
baby- is wary at this point lol. he has a significant disadvantage when trying to tell if someone is messing with him and a lot of older brothers.
funny clone- he would be excited and giddy, if a little bit of a troll at times. he would be happy for the attention and is very easily entertained.
shitty clone- hard maybe. he would probably mock whatever the thing was but can usually be coaxed into having fun with something anyway. however he IS a snitch lol, will still snitch even if he is supportive.
C. Did you have trouble figuring out where they fit in their own story?
for these main boys, no! coming up with an active character like shitty clone is what made the comic-- his arc and funny clones arc are the whole story. i had the idea for baby clone later but his arc is about as thought out as the other 2's. mom clone is the only one im having trouble with. i see him more as a character who represents something, his arc doesnt move the plot, but it is related to it... im still trying to find a way to give the poor boy a break!
in the early pre-plot comics i had some where he got to be more happy and silly, id like to bring some of that back... but now it has to make sense in the timeline or something :P
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edge-lorde · 1 year
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I got all of part 1 of brothers unnamed (my horde clones comic) up on ao3... I haven't been drawing because I've been busy transcribing everything....
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