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#unsaid promises
dumblr · 4 months
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I promise.
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sillypiratelife · 3 months
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From the spoilers I know from one piece the thing goes like this:
Luffy -> Saved Zoro and Sanji from dying when they met (and several other times).
Zoro -> Gave his life for Luffy and Sanji (he didn't die in the end, but he had the intention to so—).
Sanji -> Wanted to give his life for Luffy and Zoro (Luffy and Zoro prevented it in both occasions).
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thepetesimp · 10 months
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So, there's this fic I want to write for months now about the first time Pete says "I love you" to Vegas and it made me want to make a post about it as well. I truly believe saying that phrase is a huge deal to Pete and I want to explain why.
Starting with the fact that I loved, loved, LOVED that in the show, he never said it. Not directly, anyway. He didn't shoot Vegas when he had the chance, he shot Vegas when it was necessary to save him, he told him he was right there, he told him he was hungry, he told him he's following his heart. All of those things are different ways of saying "I love you" but it's not the phrase itself. And that's important because it truly showcases the core aspects of Pete's character.
Pete isn't like Vegas. Both of them are very emotional but the way they express their emotions is almost the complete opposite. Vegas is letting them get out of control, spilling out of him, while Pete is keeping them deeply locked up inside him until they eventually explode and he can't contain them anymore. Both of them at first are unwilling to recognise how they feel about the other, the changes that are happening inside of them but Vegas comes to the realization quicker than Pete and tells him so. All of this is why Vegas saying the phrase out loud in contrast to Pete never saying it makes perfect sense in the narrative.
I truly believe that Pete has this feeling in his chest which he isn't even sure what it's called or even if it's what most people would call it but it's so strong for Vegas that he knows he can't live without it so he decided to chase after it. There's this incredible fic by LuckyDiceKirby called "even the clearest water" that has an exchange between Vegas and Pete, in which Vegas asks him if Pete loves him and Pete replies with this:
"I don’t know. How could I know what that feels like? I’m not that kind of person. You make my teeth ache. You make the world bright, like it’s real. It hurts. It’s hurt since I met you, but that means I can never forget I’m alive."
I cannot tell you what I even felt when I read that. It was a mix of pure awe and enlightenment, because it was what I had been thinking after watching the show but was unable to put into words.
Now, as I was writing this post, a thought popped into my head related to this and I want to express it. I think the fandom unanimously agrees that Vegas has the capacity for kindness and softness due to Macau, the wonderful, perfect, sweet little gremlin angel of my heart. Macau is the reason Vegas even knows what love is, otherwise starved for it because no one else in his life gives it to him in any way, share or form until Pete comes along.
This got me thinking: who does Pete have in his life to show him what love and affection is?
At first glance, Pete's environment seems fine and way better than Vegas'. He has people that care about him, he has friends, he has a nice room, his grandma sends him meals that he's allowed to eat in his room. Is this actually true though? Is the main family as kind and sweet and full of affection as it seems?
Well...no, it's not. All of this is superficial. Pete got forgotten the moment Kinn had Porsche in his arms (and bed). No one remembered him except Tankhun, who we could argue also loves Pete superficially and doesn't really view him as a person (I love Tankhun and I say that affectionately. I think post canon he has the potential to change his way of thinking and behaviour towards his bodyguards).
But what about Pete's grandma?, I hear people say. Well, she is the only person Pete says "I love you" to but is this enough to claim that he knows what love is? When he doesn't live with her, doesn't have the ability to physically touch her for comfort whenever he needs to, can't talk to her freely without surveillance? He only gets a glimpse of it and if we also include the fact that he works for the main family for years, he's been deprived of love almost all of his life. No wonder the poor man is confused and doesn't realise what he's feeling for Vegas. He wasn't even a person until the safehouse.
The environments Vegas and Pete grew up in shaped them into who they became and it's evident if you think about it in the way I described above: Vegas' environment is cruel and unforgiving with a speck of actual love in the form of his brother and Pete's is presumably kind but devoid of substance. I'm oversimplifying this of course but I think the core aspects of how he lives in the main family play an important role in Pete's character.
All in all, Pete is a brilliantly written character and I want to thank the writing team and Build for giving him to me. I truly hope that when I manage to write this fic, I'll do his character justice.
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lovesosweeet · 4 months
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better left unsaid // cth
chapter forty one
in which orion has leukemia, and calum doesn’t know.
calum hood x fem!oc
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november 21, 2018 san diego, california orion
I wake up at an excruciatingly early hour, incredibly achy and just feeling awful. I knew this would be part of letting my body ride out whatever leukemia has in store for me. That doesn’t mean that I feel any better about how awful I feel. 
It’s not even 5:00 yet. The alarm clock on my windowsill reads 4:48. 
I do what I seem to do best these days, grabbing my phone to scroll on Twitter more than I probably should. 
@ILoveCashton: anyone else feel like cashton is… gone? Idk how to explain it
@5SOSItalia: Replying to @ILoveCashton: no same! something is weird. 
@5SOSNo1: already missing tour! </3 but hope cal can get the time he needs to heal. we can all tell he needed a break by the end.
@5SOSFangirl: Replying to @5SOSNo1: 100%. Cal needs time to separate himself from her, for sure.
@OrixnSux: god i’m so glad they finally broke up @OrixnSux: anyone could see how awful she was @OrixnSux: i met her in the pit at a show once and she was SO entitled. thankfully cal is finally away from her. excited to have our man back!
@CalGirl2011: Let’s cheer @Calum5SOS up! Reply to this using #SmilesforCal and show him how many of us are here for him! 103 Replies
@5SOSFan14672: Oh my god Cal and Luke’s version of Yellow has me on the FLOOR!!!!!!! SOBBING!!!!!
@CashtonGirlie: Replying to: @5SOSFan14672: FUCK THIS HURTS @MikeyPizza4: Replying to: @5SOSFan14672: he deserves the whole damn world
@CalumStan: hate seeing how sad cal is. It hurts seeing someone so special look so hurt.
@ILoveCalumHood5: cal deserves the world. RT if you agree! @ILoveCalumHood5: ori*n deserves to rot in hell. RT if you agree!
@CorionFan: i still can’t wrap my head around the breakup @CorionFan: do we actually have confirmation or is this all just a speculation of sad shit from cal?
@5SOSUSA: Replying to @CorionFan: no we have confirmation. someone asked orion in person and she confirmed.      @CorionFan: Replying to @5SOSUSA: damn. :( 
@5SOSUSA: haven’t ever seen cal this sad. If you see this @Calum5SOS, we love you!!!
The Tweets and the photos posted from onstage and the clips of Calum being silent in interviews all send me into a spiral. I break down and fall into a weird, exhausted, in-between state of crying, sleeping, and crying again. My dreams aren’t restful. It’s always an unrelenting torture session of seeing Calum torn apart again and again by my news. I wonder when the last time I actually had a good night’s sleep was, and guess that it was probably before I broke up with Calum. Long before it.
When Emelia walks into my room around 8:00, I’ve been up for a few minutes and am already crying again. She comes to my bedside, perching on the carpet in front of me with worry written all over her face. 
“What’s up, babe?” She asks. I know that she knows the answer without me saying anything.
“Em,” I whimper. “I... I miss him so much.”
Emelia nods an reaches out to rub small circles into my side. “I know, O.”
“I can’t reach out, though.”
She sighs and looks at me with worry. “Orion, I swear, he’ll answer you.”
I want to believe she’s right, but our last few interactions have me doubting everything about my relationship with Calum. Actually, I can’t say that. I don’t doubt the strength of our relationship a few months ago, it’s just that whatever we’ve been since then is hazy and blurry and the bounds are unintelligible. I know nothing has changed for me, but I don’t know the extent of how things have changed. 
I grab the box of tissues on my nightstand to blow my nose, which is all runny and gross from crying so much. As I blow my nose, I look down at the tissues and groan as blood starts to soak them. Of course my nose would bleed now. Through teary eyes and with fresh tissues shoved up my nostrils, I look at Em, feeling helpless and tired and awful.
“I don’t know how to do this, Em. I don’t know how to get out of bed or eat or fucking breathe anymore. Everything is broken, and I’m the one who broke it.” 
The pity on Emelia’s face makes me unable to look at her. She’s on the brink of tears too. 
“It’s gonna be okay,” she quietly says. She’s trying to be soothing, but it’s not working.
“It’s not, though! I’m going to die! It’s not going to get better, Em. This is it. Nosebleeds and crying in bed and not being able to eat… this is my life.” 
I look back at Emelia and she’s now crying along with me. I hate to do this to her, but I can’t do anything else right now.
“I fucked up my life. I’m fucking up your life. I fucked up Cal’s life. I fucked up Ashton’s life and Mike’s and Luke’s and my moms’ and Eri’s and—“
“You’re not fucking up our lives! Sure, you made a mistake — with good reason — with Calum, but you are not at fault for having cancer, O. It’s not your fault.” 
I look at her, tears blocking almost all of my vision. “Ash and Cal aren’t even speaking!”
“That’s not your fault!”
“Yes! It is! I ruined them. I ruined everything, Em. I…” 
I know what I want to say, but I trail off, not wanting Emelia to have to hear it. 
I deserve to die.
Michael’s texts may have hurt to read, but I now think he was far more accurate than anyone else has been. Karma has come around for me. 
Emelia gets in bed next to me and hugs me tightly. “You didn’t ruin everything. We all still love you just the same.” 
Do they? Does Calum? I hate to think it, but he’s really the only one that’s at the front of my brain. He's the only one that really matters.
“I don’t know, Em. I feel so… lost. I used to think I was a good person, but I don’t know if I am anymore.”
Emelia is still crying next to me, and it sends a pang to my chest to know I am making her cry right now, or at all. “You’re still the best person I know.” She sniffles and hugs me even closer. 
We cry together for a while and I feel like my head is pounding. The inevitable sickness is kicking my ass today. 
“Can you get me some Nyquil? I think I need to nap.”
Emelia nods and wipes under her eyes. “Sure, I’ll be right back.” 
Emelia gets up and leaves the room, coming back a few moments later with the bottle of green liquid in hand. She wordlessly opens it and pours me a dose of it, handing it to me for me to gulp it down. She hands me my water so I can wash out the taste. 
We’re both still crying.
“I’ll let you take a nap, okay? I’m just down the hall in the guest room if you need me.” 
She doesn’t wait for me to respond before she leaves. We both need to be alone. I hear her cry quietly as she walks to the guest room and shuts the door behind her. I don’t think she knows that I can still hear her, because what she does next breaks my already shattered heart even more. 
“Ash?” She asks quietly, sobs making her voice wobbly. “Hey, I just… fuck. Everything is so bad. I don’t know what to do!”
I do my best to block it out, not wanting to hear her private venting session with Ashton. I turn on white noise and put a pillow over my head, flipping over to face away from the light and closing my eyes. I do want to sleep, and my body knows that’s what I need.
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emiko-matsui · 10 months
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if anyone has a nick and glenn playlist (or just glenn playlist) and unsaid emily by charlie gillespie isn't on it you need to rectify that like immediately. im so serious
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captainsweet · 1 year
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I know people have talked about this already, but what is it about you guys that makes you love bashing a TMNT group in your crossovers?
Like, there are so many fanfics I've read where people just, show that they probably don't even like the certain show.
The one that has gotten the most of this behavior is the 2012 version. And it's.. honestly ridiculous. Completely and utterly ridiculous.
2012 isn't my favorite, and some of the characters annoy me and there are even some I despise, but, and excuse my language, this is complete and utter bullshit.
You guys need to get your shit together, because this is plain childish. You're writing a whole damn story just to praise how good and wonderful your fav is while leaving the other to rot.
And if you do genuinely like the content of 2012, and you have written one of the stories I'm mentioning, you also need to set yourself straight, because you should know better.
The 'Rise adopts 2012 Mikey', and '2012 goes to 2018' stories seem to be what usually holds the bashing. But there are so many I can't keep count for long.
Though that may be because of my bad memory.
Rise isn't better, and as much as I love it, doesn't deserve to be put on a pedestal built off of hate for their previous versions.
That doesn't mean '12 is better either, so don't get it twisted. '12 has it's own issues that people dislike for their own reasons, they aren't better than Rise and Rise isn't better than them.
And this bashing thing is absolutely insane.
A few, a light few, of the most popular stories are just, Rise being better than '12 because, 'they're a REAL family' and 'they don't @büs3 each other', and it pains me to see it.
You can like Rise without bashing another version on the TMNT. I personally HATED '12 for a while, and even THEN I wasn't writing shit like this.
And now? The story I'm writing doesn't even include any negative points until later. It's just, pure fluff that has like, no drama until the second chapter.
I don't like '12 April, and besides me making a few jokes at her, I still don't bash her. I don't like '12 Splinter all that much either, but what do you know, he's still a good father in the story.
I don't even like Karai because I find her annoying, but woop-de-fucking-doo, she's going to be herself in the story.
It's so easy to just write them as themselves that none of you have an excuse. If me, a previous '12 hater and now a person who watches it, can pull my shit together enough to write a crossover that tries it's best to put bias away to be fair to other characters and make a non bash fic, you can too.
Now please don't make me have to make a part two of this post, I'm tired and just want to see the Rise boys have fun with their counterparts, is that so much to ask?
I made this post because I saw yet another bash fic pass my dash, and I'm just.. tired. So tired. I don't care if it ends up being that five people made these, because these stories are popular, and that's a problem.
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orcelito · 10 months
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Surprisingly not that into the "uncanny Vash" trend. Bc like while I am an unrepentant monsterfucker & I LOVE when he gets super inhuman in appearance. A lot of these "uncanny vash" things just... don't feel like him. It feels like knock-off horror portrayals slapped onto his face.
For the ones that actually work with what he is, I LOVE it. But the ones that r just trying to make him some unrelated horror caricature... I'm just not into it.
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ziracona · 1 year
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I know I say this every time I read my own work, but Speak for the Dead really is the best chapter in ILM.
“Well, you know for the first time in a long time this actually feels like fall?”
Jane Romero was smiling at him, sitting propped up against a tree in what had sort of become her usual ‘therapy’ corner in the past almost two weeks. And she was right, it did feel like fall. The air wasn’t as sharply cold as normal, and honestly ‘sharply’ cold was a nice break in and of itself when it happened—usually the weather here was somehow just cold—cold with no adjectives attached. But today it was nicer. It was the kind of waiting fall cold that came when it wasn’t biting outside yet, and it was almost pleasant. A promise of a change in the seasons. Tapp wondered why.
The trees hadn’t started to change color with it, or fall in piles, and as far as he’d gathered there weren’t seasons in here. Everything looked the same. Tall, thick woods, undergrowth and moss and rocks and fallen logs, a slight breeze on and off. Dark sky overhead, full moon, at this point long since throwing off everyone’s idea of what day and night were supposed to mean. All the usual. Except, somehow, the kind of cold in the weather. Who knew, maybe nothing had changed. Maybe they had just started to feel better.
LIKE. Those opening lines mean nothing but environmental flavor when you read them. But they’re a lead in for the thesis of the entire chapter.
“Well, you know for the first time in a long time this actually feels like fall?” - A promise of a change in the seasons. - Who knew, maybe nothing had changed. Maybe they had just started to feel better.
Like that’s it. Speak for the Dead is about a lot of things, but at its heart it’s about healing. It’s about forgiveness and healing, that exists between the living and the dead. It’s about how you can only speak for them, by speaking for them. Not how you want to punish yourself or live for them, but by how you know they would forgive you, or would ask you to live. Very little other than exchanges of information happen, but so much happens at the same time. All of it significant. It’s hope. It’s about how Tapp (and Meg) have spent every day here fighting in their own way to cope with the agony and failure of their lives, and the loss of people they couldn’t save, and have only dug their wounds deeper. About love. About nothing stoping the lambs from screaming except accepting that they want to let you go.
#god I love this chapter so much. literally I can start reading ANY part of it and get hooked. Me every time I re-read the one time in my#life I hit script perfection for an entire chapter straight: 💕💕💕💕💕#in living memory#in living memory (fic)#Speak for the Dead#I’ll never write something that good again maybe and that’s ok. perfection is perfection god I love that chapter#there so much said and so much unsaid. the way he buries Mandy. Adam trying to help. the fact literally never after in the story /does/ Meg#find out that she almsot died in a Jigsaw trap because she was judged for cutting? never. not post fic either. Ace and Tapp silently both#decide to never tell and she /never/ has to know. the way Meg asks if Michael knew Tapp loved him more than the job and that question is#not answered. she just says ‘he loved you’ and accepts that as a more significant one. the whole Jane discussiom. the way Tapp says ‘yes’#/only/ to ‘did it haunt you?’ when asked serious questions and usually just says ‘I don’t know’ if it’s probably true? the way he talks#about himself? the Saw references??? the dead people’s actions existing like ghosts in the script helping charcaters on a meta textual level#bc I only wrote Tapp surviving with a pen tracheotomy bc Peter Strahm did it? the The Silence of the Lambs thing?#all the ethical discussions that are so conceptual and simultaneously concrete in different ways. even the ethics are the dead and the#living mixing together. the way Tapp’s argument the only thing you can do for the dead is to finish their story for them-to do what they’d#been trying to do—doesn’t change? just what that means to him does. the way the entirety of In Living Memory itself is Philip finishing#Vigo’s story because Vigo is dead? and ILM literally /is/ Vigo’s ghost in the void chronicling these events to watch over and to tell this#story about how Philip is a good man. in which he is fulfilling Philip’s goals for him when Philip no longer can. the entire book is about#love and loss and no chapter in as deep a way as Speak for the Dead captures that on such a literal level#the book is the living speaking for the dead. and the dead speaking for the living. & a hope from that. a promise of a change in the seasons#literally. when they make it in V.S. from the eternal october. to finally November.
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snuffstitches · 11 months
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I'm trying not to isolate myself from you right now, but I don't want my feelings to get in the way of our friendship. Maybe I'm overthinking things again. I'm trying so so hard right now for you. I love you. Please don't blame yourself if you see this. I'm doing it to myself, I just don't know how to stop it. But I'm trying. I really am.
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compatiissante · 1 year
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klaus is 6ft
Send your character's height and I'll compare it to mine.
left, klaus, 6'0 || right, maya, 4'11
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"y'know, instead of towering over me and trying to be all intimidating and shit, you could-- i'unno, go away? i'm tryin' to eat snacks here, i don't have any alien bullshit answers for you tonight."
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zmbiicrsh · 1 year
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season one episode 13 you will always make me cry.
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i am so normal about finales in musicals
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xdfsfkns84 · 1 month
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(xdfsfkns84.tumblr.com) Hot and nice fuck for the sexy teen Kira Thorn with Lutro. CONTINUE...
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kuroshirosb · 3 months
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POKEMASHE KUROSHIP IS SO. GRAGGHHHH
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jamminvroomvroom · 10 days
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hi babe i’m here from the dms but. speaking of brain rot, thinking abt fwb lando again where u stay the night after and wake up in the morning expecting him to be gone already for smth work related or what not but he’s still in bed absolutely clinging to u. and then more soft sleepy morning sex 🫠🫠
play pretend.
ln x fem!reader
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in which it’s time to stop pretending…
just a little blurb to say…. HAPPY BIRTHDAY @lavenderlando !! sorry i made you wait like 6 months for this lmfao i love u girl, u mean the world to me and i hope this hits the spot 💖💖 lemme know what y’all think, more 4k requests will be worked on asap (it’s exam szn ew)
songs to set the mood: denial by james marriott, real love baby by father john misty, can i call you rose? by thee sacred souls
warnings: 18+!! minors go away! smut, morning sex, friends to lovers, best friend!reader, friends with benefits type relationship, fluff, unprotected sex (don’t be silly…)
1k words
cool air casts goosebumps over your bare skin, the open window letting in the morning breeze. you tug at the grey bedsheets, dragging them higher over your frame where you lay. you eyes are cracked open, hazily taking in the sight before you.
he’s still here.
you often expect lando to be gone when you wake up. sometimes it’s because of work, sometimes it’s because you’d promised not to do this again but alcohol had then rendered the both of you irresistible to the other, and it was too awkward to have yet another jarring conversation about how you’re such good friends.
but he’s there. and he’s looking at you.
“hi.” he croaks, soft and low. you revel in his morning voice on the rare occasions you get to hear it.
“hey.” you mumble, leaning in closer to him.
he pushes the duvet up and away, inviting you into his arms, and you wriggle towards him. he’s a human heater, and you’re cold, that’s the only reason you snuggle up, tucked between his arms.
“you’re still here.” you whisper into his chest, purposefully quiet, almost as if you don’t actually want him to hear you.
“couldn’t leave you.” he mutters quietly.
you crane your head to look up at him, eyes blown wide at the admission.
“why?”
“i hate leaving after.”
the ‘after’ hangs heavy in the air between you for a second. he’s eyeing up your lips and you’re returning the gesture, sleepy eyes flitting between his and his plush lips.
this never happens. usually, the night starts with too many drinks too quickly, progresses to his hands dropping dangerously low on your waist, leads to the pair of you mentally scarring an innocent taxi driver, and ends with you underneath him. or, on top of him. and then, he’s gone.
“for the record, i hate it when you go.” you reply, and the space between you dissipates. there are so many unsaid words being traded between you, an intense charge of energy. you’re anxiously sliding your hands up his sides, itching to feel impossibly closer.
“maybe i should stop going then, hm?” two of lando’s fingers grasp your chin, tilting it up to bump his.
“yeah.” you breathe.
it’s like he’s tugged an invisible string, and you’re melting into him, his lips slotting immaculately over yours, as if they were sculpted by god to rest against yours. he tastes familiar, it’s rare you get to kiss him sober and in the light of day. you bask in it, finding the messy, loose curls tickling the back of his neck, threading your fingers through the thick, brown strands. he groans, parting his mouth just enough for you to slide your tongue over his.
“want you. now.” you gasp urgently into the space where your lips part, your body rolling hungrily against his.
“i always want you, drives me crazy.” lando grunts, grabbing a handful of your ass and pulling you even closer.
lando slots his thigh between your legs, and you search for friction, rutting against him. you’re both naked from the blurry night before so you can feel everything, each part of him so ready for you. you’re slick for him already, can feel the way it’s painting your inner thighs. you hate how easy it is to lose yourself in him.
“take me then.” you whine, your forehead collapsing against his shoulder.
lando smirks, flipping you over so that your back is to his chest, like you’re nothing. he hooks your top leg over his, sliding himself closer to where you’re aching for him.
“can’t keep pretending.” lando whispers against the shell of your ear.
he slides deep, then, filling you to the hilt. it knocks the air out of you, your back arching at the sensation of him hitting every single spot that mattered.
“then let’s not pretend anymore.” you choke out, your head rolling back against his shoulder.
“yeah, baby? wanna be all mine?” he teases, thrusting deep and slow, the slide of him shooting pleasure over your body like the slow, satisfying drip of warm honey.
“already am, all yours.” you sigh, totally and utterly content as your nerve endings pulsed with pleasure.
“good girl.” lando praises, his voice fucked out and lovestruck.
as if he’s rewarding you for your admission, the pad of his finger slips down your navel, finding your clit. you’re soaked for him, wet and warm, and he traces circles into the bundle of nerves, each touch sending you keening back into him.
“so close.” you sound like you’re begging, pleading for him to let you finish all over him.
“gotta say please.” he nips the skin of your shoulder and you squirm, toes curling.
“please, lando.” you writhe, canting your hips back against him.
“sound so pretty for me.” he coos, peppering kisses down your neck.
his fingers speed up against your folds, working you perfectly to a sweet release. everything is still blurred by sleep, your body overly sensitive from the cool air pouring in through the window and the slumber still lodged in your bones.
“cum with me.” you slur, your eyes squeezing shut. you almost turn into him, convulsing in his arms to the point where you’d be staring into his stormy eyes if you could manage to pry yours open.
“let me see those eyes.” he commands, your entire body shuddering. you blink, staring up at him, and you both fold, meeting your ends. he looks fierce, starved, completely enamoured with every single way your face moves.
your jaw hangs agape, a choked cry stifled in the back of your throat. it’s all too much, and just about enough, huge, calloused hands roaming your body as your shake, spilling all over him.
“god.” you breathe, flopping limply against him. he stays buried inside of you, his face lost to the damp skin of the crook of your neck.
“i never would of left all those mornings if i knew this is the good morning i’d get.” lando laughs, the sound deep and wholesome. you cosy yourself up even closer to him.
“not letting you leave from now on.” you murmur, smiling to yourself when you feel his lips press against the back of your head.
“you couldn’t get rid of me if you tried.”
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sorry this is soooo bad lmao i felt the urge to write something short n sweet xoxo
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coruscatiio · 1 year
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tag drop, master goldmine / og goldmine (according to brent)
001.  GOLDMINE. but i have promises to keep (in character)
001.  GOLDMINE. we cannot become what we want by remaining what we are (headcanon)
001.  GOLDMINE. it’s the wild ones who will set you free (drabble)
001.  GOLDMINE. an invention of darkness (aesthetic)
001.  GOLDMINE. what matters most is how well you walk through the fire (isms)
001.  GOLDMINE. my heart‚ like a clenching fist (esque)
001.  GOLDMINE. something i've thought that i can't outrun (thoughts)
001.  GOLDMINE. we're leaving things unsaid‚ we sing ourselves to sleep (music)
001.  GOLDMINE. we have spoken of everything short of love (&porlyusica)
001.  GOLDMINE. there's really no way to reach me 'cause i'm already gone (&makarov)
001.  GOLDMINE. they said we'd understand when we were older (&bob)
001.  GOLDMINE. and days die young when you're gone‚ and you're gone (&team)
001.  GOLDMINE. freedom means to live in the present (&quatro cerberus)
001.  GOLDMINE. sometimes the hardest thing and the right thing are the same (main)
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