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even-disco-baby · 1 year

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SMOKER ON THE BALCONY — “Hello again, gendarme.” He smiles at you— not from his usual post, but from one of the cafeteria tables. A small sketchbook is laid out in front of him, along with some odd gray sticks.

ENCYCLOPEDIA — Compressed graphite. Not quite as bold or blendable as charcoal, but certainly less messy.

EMPATHY — Garte will appreciate it.

“I’d like to talk about the case again.”

“You moved! I didn’t know you could do that.”

“What are you drawing?”

SMOKER ON THE BALCONY — “That’s the question, isn’t it?” His smile turns a little rueful. “I found one of my old sketchbooks and thought I’d like to fill the last few empty pages, but I’m finding myself a little… uninspired.”

CONCEPTUALIZATION — The accursed artist’s block. Staring down an empty page only for it to stare back, mocking you.

EMPATHY — He is unsure of himself. He said this was an old sketchbook. Maybe he’s afraid of drawing something new beside his old work and seeing that nothing has changed.

“Ah, yes. Artist’s block. I know it well. In fact, I don’t know when the last time that I actually *made* any art was.”

“You could draw the cafeteria.”

“You could draw one of the other diners.”

SMOKER ON THE BALCONY — “A life drawing exercise, huh? And who would you pick as a subject, gendarme?”

“I don’t know. You’re the artist.”

“Maybe Garte? The skua could be a fun challenge.”

“You should draw the guy with the wig and sunglasses over there. He looks pretty funny.”

“Lena! She’d probably love to model for you. It would take her mind off things.”

“Kim, how about you pose for him?”

[Suggestion - Medium 10] “Why not me?”

KIM KITSURAGI — “No.”

He has nothing more to say on the matter.

“Aw, why not? You’d make a great model!”

Let it go.

KIM KITSURAGI — “I do not get paid to model for portraits. I get paid to solve murders. Such as the one we came here to investigate. Several days ago. Which has not been solved yet, for some mysterious reason.”

ESPIRIT DE CORPS — In case you couldn’t tell, that was sarcasm.

“Come on, Kim. You’re the perfect subject! A true man of the people. And there’s this sort of radiance about you… I can see the portrait already, just looking at you. Really clearly, actually.”

Maybe don’t say that. He’s just not gonna get it.

SMOKER ON THE BALCONY — He shrugs. “Sorry, gendarme. It’s not right to use someone’s image without permission, you know? Maybe some other time.”

KIM KITSURAGI — “No.” And then, a little awkwardly, “But thank you.”

“I don’t know. You’re the artist.”

“How about Garte? Though, you’d have to draw the skua, too…”

“You should draw the guy with the wig and sunglasses over there. He looks pretty funny.”

“Lena! She’d probably love to model for you. It would take her mind off things.”

“Kim, how about you pose for him?”

[Suggestion - Medium 10] “Why not me?”

CHECK SUCCESS

YOU — “Why not me?”

SMOKER ON THE BALCONY — He considers you with some amusement, but still, he does consider. “You’re not too busy?”

“On second thought, you’re right, I have some work to do right now. Another time, maybe?”

“Nope. Not at all.”

KIM KITSURAGI — The lieutenant sighs audibly.

ESPIRIT DE CORPS — What did I *just* say?

SMOKER ON THE BALCONY — He chuckles to himself, apparently quite tickled by the little comedy act you two are making of yourselves. “Beautiful. Why not? Have a seat. I’ll try not to keep you too long.”

KIM KITSURAGI — “Much appreciated,” he says drily.

YOU — [Take a seat.]

SAVOIR FAIRE — Time to strike a pose. Let’s go with something cool. Something that really captures what you’re all about.

ENDURANCE — But make sure it’s something that you’ll be able to hold comfortably.

Wink and shoot him your signature finger guns.

Look at him with big sad eyes like a shamed puppy.

Look thoughtfully into the middle distance, as if contemplating your own future masterpiece.

Stare straight at him with eyes that have seen how this world will end.

Hold your head up high. With *honor.*

Just sit and act natural. No need to put on airs.

SMOKER ON THE BALCONY — He looks you up and down, thumbing his bottom lip. His eyes look brighter and more alert than you have ever seen them. And then, he picks up his graphite and begins to work.

His eyes dart between you and the page, his hand sweeping across the page in bold, practiced strokes. All traces of his earlier hesitation have vanished.

VOLITION — Sometimes, a little push is all we need.

SMOKER ON THE BALCONY — Every now and then, he pauses to look up at you, and it’s almost unnerving to be the subject of whatever calculations are going on behind his eyes. He holds out his graphite, squinting just slightly.

VISUAL CALCULUS — This is called sighting. He’s roughly measuring the relative proportions of your figure and checking them against his sketch.

KIM KITSURAGI — Even the lieutenant is watching now, interested in spite of himself.

“Are portraits your specialty?”

“Have you been drawing anything for school lately?”

Better not distract him.

SMOKER ON THE BALCONY — “Hmm…” He ponders this for a moment, not looking up from his work. “Not exactly. I’m more interested in the graphic arts than this sort of thing. But it’s best to build a strong foundation before branching out, you know?”

YOU — “Graphic arts? Like what?”

SMOKER ON THE BALCONY — “Printmaking.” A small smile tugs at the corner of his mouth as he speaks, seemingly without him even noticing. “Monotype, especially.”

ENCYCLOPEDIA — Monotype is a printmaking technique that is singular from other techniques, in that it produces only *one* unique print, rather than an edition of multiple prints.

YOU — What, really? What’s the point of printing it, then?

ENCYCLOPEDIA — I don’t know. I didn’t invent it.

“Why monotype? Wouldn’t a different technique be more… practical?”

“I see.” [Drop the subject.]

SMOKER ON THE BALCONY — He shrugs slightly, smudging a bit of graphite with a bare finger. “Depends on how you define practical, I suppose. If I had my own studio, and I was selling my prints, then maybe. But we make do with what we have, gendarme.”

EMPATHY — And what he has is very little.

SMOKER ON THE BALCONY — “Besides, I think monotype has its charms.”

The young man does not elaborate, instead focusing on the work at hand. He picks up an eraser that has been shaved down to a point for fine detail work, and begins on what are likely the finishing touches.

EMPATHY — He has already talked at uncharacteristic length about this. It’s making him a little uncomfortable.

SAVOIR FAIRE — He doesn’t like to share too much about himself because it makes him feel *uncool.* He prefers to maintain an air of mystery.

RHETORIC — It’s safer, too, that way. He’s learned that passion exists to be exploited. False promises and admiration are the offerings of Sunday friends.

“If you say so.” [Back off.]

“What kind of charms?” [Press on.]

SMOKER ON THE BALCONY — His eyes flit back to you, sizing you up now in a different way. And then he looks back down at the page with a quiet bre ath.

“Well, it doesn’t take as much time or labor as other methods. Or expensive tools, or dangerous chemicals. Just paper, a plate, ink, and something to apply it with. And I can use the same plate over and over again, even use it to create different layers for the same print.”

RHETORIC — In other words, it’s cheap and can be done from home. An attractive option.

SMOKER ON THE BALCONY — “And with monotype, it’s not so hard to go back and change your mind. You can start over as many times as you’d like, right up until the moment you lay the page on the plate.”

INLAND EMPIRE — That really does sound attractive. To be able to wipe the slate clean, over and over again…

SMOKER ON THE BALCONY — “There aren’t as many limits on what kind of textures you can create, too. Brushstrokes and fingerprints… They can really come out beautiful.”

His brow creases a little, and he picks his graphite back up to rework a particular area.

DRAMA — He’s still holding out on you, sire. Too self-conscious to admit what he really likes about the medium.

YOU — Which is what?

EMPATHY — Fragility.

CONCEPTUALIZATION — An image which is only complete after being mirrored and translated, never to be recreated except as a ghostly afterimage. An exercise in surrendering to chance. What will be, will be. And then the moment will pass, and it will be time to start the next piece.

VOLITION — This man knows disappointment intimately. It is his closest companion. He has learned to make peace with it. He passes the time with his Sunday friends, lays his paper on the plate and hopes, despite himself, for the best.

YOU — Is that… a good thing?

VOLITION — …It’s hard to say. But we make do with what we have.

SMOKER ON THE BALCONY — “There.” The young man sits up straight, and it’s only now that you realize just how close he brought himself to his work.

DRAMA — His face may not betray him, but the body does not lie. He was having *fun,* my liege.

SMOKER ON THE BALCONY — “All done.” He tears the page from his book and holds it out to you with a small smile.

ITEM GAINED: Portrait of a Disco Holdover

SMOKER ON THE BALCONY — “Hope I didn’t keep you too long.”

KIM KITSURAGI — “Don’t worry about it,” Kim says, rather resignedly.

ESPIRIT DE CORPS — If you’d declined, the lieutenant thinks, my partner would have just found some other way to get sidetracked.

KIM KITSURAGI — Still, he cannot stop himself from glancing at the portrait over your shoulder.

PORTRAIT OF A DISCO HOLDOVER — It’s you! Unfortunately. Not even the most masterful hand could make the Expression less unsettling to look at. Your posture is poor, your face is swollen and blotchy, your hair is thinning, your clothes are shabby and out of place… I could go on.

Oh god, you could?

Please don’t.

PORTRAIT OF A DISCO HOLDOVER — But, you know… it’s nice. The smoker’s technique is bold and rather lovely, broad strokes of graphite intersecting in just the right places to create surprising depths. Somehow, even though it’s you… it’s not hideous.

EMPATHY — Because you’re seeing yourself through another person’s eyes.

CONCEPTUALIZATION — There is an odd tenderness to the portrait. Something amusing in your grimace, a touch of sympathy in your hunched shoulders. With the eraser, he has lifted small spots of pigment from your face, as if it were illuminated by flecks of light from the karaoke disco ball.

There are no disco lights tonight, but still, he sees them when he looks at you. Your moment has passed, but it left quite the impression. A ghost print, superimposed over you.

“Not bad, but the bicep girth is off. Right, Kim?”

“Oh god, is that really what I look like?”

“Hmm. It’s okay, but you should consider a backup career plan.”

“Whoa, you’re amazing! Can you draw me again, but this time in the costume from the cover of Man from Hjelmdall and the Devil Woman? And like, with a really cool warhammer? And Queen Lydiaana standing in the background, all like, ‘boohoo, where will I ever find another man like Ha— I mean, the Man from Hjelmdall?’”

“Beautiful.”

SMOKER ON THE BALCONY — His smile climbs up into the corners of his eyes, warming his entire countenance.

CONCEPTUALIZATION — If you were to capture a portrait of him in this moment, it would be beautiful, too.

#disco elysium #harry du bois #the smoker on the balcony #kim kitsuragi #this one is. so self indulgent. i like the smoker i like to think abt him #and assign him my art student interests #anyway. oh the joy of making art and showing ppl what they rlly look like in your eyes #and oh the beauty of monotypes and printmaking and hoping for the best #GODDAMMIT I FUCKED UP THE FORMATTING AGAIN AND DIDNT CATCH IT UNTIL LIKE 12 HOURS LATER.#if you saw that. no you didn’t.

3K notes · View notes

python333 · 8 months

Note

hi! i’m not sure if you’re taking requests atm but if you aren’t feel free to ignore this!

anyways, i was thinking what would it be like if you were back on base and did something nice for everyone and made their fave coffee/tea while you’re all relaxing after a long mission? like how would the 141 react and what would you make for them?

that’s all but i hope you have a great day and i absolutely love your writings!! they seriously are so detailed and amazing, you do a beautiful job w each one💌

unwind — python333

— — — —

synopsis the 141 + you are back from a super long mission and u make them their fave coffee/tea!!

relationships platonic!taskforce 141 & gn!reader.

word count 3.6k

characters cap. price, soap, ghost, gaz.

warnings 2nd person pov [you/yours/yourself], usage of c/n [code name/call sign], gaz being a little shit.

note thank you so much for the req!! i am taking them right now, but apologies if i post them 2+ days after i get them, my writers block is slowly creeping back into my mind and im fighting it off the best i can! also, thank you for the compliments :3 ilysm youre too nice!! i saw ur reblog of bedbound too and i was so sjdfksdfks!! hope u have a good day too and hope you enjoy this fic, it's all fluff and way too in depth descriptions of making tea/coffee!!

As soon as the electric kettle clicks, signaling to you that the water inside of it has been boiled, you unplug it and pour the water into a mug you’d pulled from the cabinets. It still surprised you that there were any mugs left, with how many people kept stealing to put on their desk to hold pencils—by people, you mean Soap, and only Soap—but you weren’t complaining.

You set the kettle back down once the mug is filled up just an inch below the brim and grab the tea bag you’d grabbed earlier, wrapping the string around the handle of the mug a few times before putting the bag itself into the water. Almost immediately, you see small tendrils of dark brown flow out from the drowned tea bag into the originally clear water.

As that happens, you walk the small few steps over to the small fridge from the kettle and open it, grabbing the small carton of cream and closing the fridge shut. You walk back over to the mug and unscrew the cap of the carton, pouring some cream into the mug, adding a half inch of height to the liquid already in the mug before screwing the cap back on and setting the carton down.

You don’t bother to grab a spoon and mix anything yet, instead reaching over to the small terracotta container beside the coffee machine that contained sugar, and taking off the lid.

You think for a moment if you should grab a spoon for this, but ultimately decide against it, instead just tipping the container over the mug and letting what you hope is two teaspoons of sugar spill over into the mug.

Afterwards, you put the lid back on the container holding the sugar and set it back next to the coffee machine, and grab the cream to put back into the fridge.

Once the cream’s been put back, you open the drawers in the counter and grab a small spoon, one that’s just tall enough that it won’t be fully submerged in the tea, and put it into the mug.

You close the drawer and give the tea a few stirs before picking up the mug, being careful of the scalding heat and holding it solely by its handle. You carefully walk out of the snack bar extension of the kitchen and head towards Price’s office.

After a year or two of working with him, you’ve learned a lot about his tea preferences—he likes Yorkshire tea, the original one, not the gold. He only likes cream and sugar in his coffee, just to make it smoother and make it a bit sweeter, but doesn’t like it too sweet.

You vaguely remember him telling you he’d never had honey or any other sweeteners besides a bit of sugar in his tea, and remember more vividly you thinking, God, that’s such an old person thing to say, but not saying it out loud.

Once you’ve reached his office, you knock a few times and Price’s tired voice calls out, “Come in!”

You open the door, careful to keep the mug from spilling in your hands, and walk in, closing the door behind you. Price looks up from his computer, presumably writing a report on the mission you’d all just come back from an hour or two ago, and offers a small smile when he sees you. He’s about to say something before he catches sight of the mug in your hands.

“Did you…” He doesn’t finish his question, but you know what he was about to ask, and you nod in response.

“If it’s too sugary let me know,” You tell him, setting the mug down a safe distance away from his computer, “I can remake it.”

“I won’t make you remake it,” Price looks at you, almost offended, “You didn’t have to make me anything in the first place, but thank you, I really appreciate it.”

“No problem,” You hum, walking away, saying over your shoulder, “Hope you like it.”

You open the door without another word and walk out, closing it behind you, heading right back to the snack bar. Now for Soap.

Soap typically preferred coffee to tea, despite tea’s popularity in Scotland. He’d told you that he really couldn’t taste the difference between different coffee blends, but upon hearing that there was a Scottish blend, he declared he’d only drink that one, because of course he did.

He pretended he could tell if the coffee he was drinking was of that Scottish blend, but you knew he couldn’t. How did you know? You’d only ever given him Scottish roast once. Every other time since then, it’s been French roast.

He’s never really used a coffee machine for himself, going to cafes or coffee shops most of the time for coffee, keeping his usual coffee order written in his notes app because he couldn’t remember it for the life of him.

He’d sometimes modify his order if certain coffee shops didn’t do certain things that he usually got, but his order stays mostly the same every time he gets coffee. Medium (or grande, if he’s at Starbucks) latte with a double shot of espresso.

Typically, he’d get some shortbread too, but you didn’t really have any in the base, so he’d have to do without it today.

Once you enter the snack bar, you grab another mug from the cabinets above the counter and place it under the coffee machine. You open the cabinets right by the ones that contained the mugs and grab a bag of ground French roast, pulling it out and putting it on the counter.

You open it up and find that there’s conveniently already a small cup in there to scoop the coffee grounds up, and use your free hand to grab a new coffee filter from the same cabinets you got the coffee grounds from, swiftly putting it into the machine.

You use your other hand to scoop up some coffee grounds and put them into the filter, closing the top of the coffee machine afterwards and turning on the machine. You’re grateful there’s more options listed on the small digital screen that lights up on the machine than just plain black coffee, not really in the mood to try and steam milk right now.

You tap on the ‘latte’ option and watch as the screen changes and hear the coffee machine start to whir.

As it does that, you put away the coffee grounds and open up the cabinets that contained mugs once again, pulling out a small espresso glass and setting it onto the counter.

You wait patiently for the coffee to brew, and once you hear the small beep sound from the machine that signals that it’s done, you pull away the steaming hot coffee and set it down right next to the coffee machine.

You quickly put the espresso glass under the machine and start it up again, this time tapping the ‘espresso shot’ option—surprised that’s even an option, honestly—and hearing the familiar whirring noise start up again. It doesn’t take nearly as long as brewing the latte did, the small beep coming much sooner than it did just a minute or two earlier, and you pull away the small espresso glass from the machine almost immediately after you hear it.

You pause for a moment, looking at how much the latte part had filled up the mug, and look around for a moment before opening up the same drawer that contains the eating utensils and grabbing a straw, putting the straw in the still hot latte—is that a good idea? No. Did you do it anyway because you physically can’t think before you act? Absolutely—and taking a long sip of it.

You pull the straw out once the liquid in the mug is at a good inch below the brim and then pour in the espresso shot, setting the glass down after you do so.

You look around for a second for a trash bin and find one just a few steps away from you, quickly throwing out the straw you’d used and then walking back over to the empty espresso glass, picking it up and setting it down by the sink. God forbid we get a dishwasher in here or something, You think absentmindedly as you pick up the mug and carefully walk out of the snack bar with it, Would it hurt to at least get some dish soap in here or something?

You make it out of the snack bar without burning your fingers and start the much longer walk to Soap’s sleeping quarters. You’d caught him walking out of his office in that direction earlier, so you can only assume that he’d gone there.

Once you make it there, you knock on the door a few times and wait for Soap to call out to you and allow you to come in before twisting the door knob and opening the door. He’s laying on his back on his bed, thumb paused on his phone screen as he looks over at you as you enter. He notices the coffee and sits up a bit, grunting as he does.

He wasn’t really as talkative after long missions like the one you’d all been on earlier—usually it took him a day or two to be more social and back to himself, so you didn’t take much offense to him not greeting you as loudly as he usually did.

He nods at the coffee, “Is that for me?”

“Mhm,” You hum, handing him the mug, “Be careful, it’s hot.”

“Got it,” Soap carefully takes the mug into his hands, and softly blows on it before looking at you again and grinning at you, “Weel, thank ye for this. Ye really didnae hae tae.”

“Price actually said the same thing,” You muse, almost to yourself, before speaking a little louder, “No problem.”

“Oh did he?” Soap asks, raising an eyebrow, before his expression shifts and he feigns confusion, “Wait, how come he got a drink afore me?”

“Because his office was closer to the snack bar,” You explain, crossing your arms.

“… Nae, it’s definitely ‘cause ye hate me,” Soap disagrees, shaking his head in mock disappointment, “And tae think I thought we were friends.”

“It is no— you know what?” You begin to argue, before sighing and rolling your eyes, “I do hate you, and we were never friends, you ungrateful piece of shit.”

Soap laughs, quieter than he usually does but it’s still a genuine laugh. He looks down at the coffee again and back at you, before saying, “Thank ye. Again.”

“No problem,” You replied, walking back towards the door and opening it, walking out of Soap’s sleeping quarters and closing the door behind you. Now for Ghost.

Ghost typically liked tea more than coffee, but you think that’s just the British in him talking. Realistically, you could give him either or, and he’d say a polite ‘thank you’ and move on.

From years of being apart of the 141, any preferences or additives he liked to put in his tea or coffee slowly dissipated and instead he just drank either one plain. Which should make the tasks you’ve forced yourself to do today easier, but knowing you, you just couldn’t take the easy route with this.

You remember a conversation with him that happened several months ago where you had been talking about your own tea and coffee preferences. Ghost had commented that he didn’t often put any additives in his own hot drinks anymore, but back before he’d joined the military, he liked to drink keemun tea occasionally with nutmeg in it.

Keemun tea—which was fucking expensive by the way, costing around sixteen pounds for twenty tea bags in every store you could find them in—wasn’t too hard to find, so the next time you went on leave after that conversation, you’d bought a box of bags of keemun tea leaves and some ground nutmeg.

You didn’t let Ghost know about it, and kind of forgot about it just a week after you bought it, but now the memory of you buying it and storing it in the snack bar behind a few other boxes of tea bags has resurfaced and it’s the only thing you think is appropriate to give Ghost at a time like this.

You get back to the snack bar and almost robotically you pull a mug out from the cabinets above the counter and set it down on said counter, deciding to grab another one just so that you wouldn’t have to do it later, and setting that one down right next to the other. You open the cabinet beside that and move some of the boxes out of the way to find the keemun tea box in the very back, right where you last left it.

You snatch it out of the cabinet and open it, pulling out a small packet and opening it up to pull out the tea bag inside. You go ahead and put the tea bag inside of the mug and put the tea box back in the cabinet, closing the small cabinet door afterwards.

You then grab the electric kettle that’s right by the sink and pop open the lid, putting it under the faucet and turning said faucet on, waiting until the water fills a quarter of the kettle. Once it does, you turn off the faucet and put the kettle down right by the outlet on the wall.

You put the lid down and wait for it to click into place before you plug the kettle into the outlet and press the small button below the handle to turn it on, and listen as it starts to make a small whirring noise. You don’t waste too much time just standing there, waiting for the water to finish boiling, instead putting the other mug you’d pulled out from the cabinets under the coffee machine and turning it on.

You tap on the ‘decaf flat white’ option and watch the digital screen change and another whirring sound starts up, now coming from the coffee machine.

You were starting to make Gaz’s while making Ghost’s drink because Gaz often made the mistake of drinking his coffee before it was cool enough to not burn his tongue, so if you made it earlier, it’d have more time to cool, and Gaz wouldn’t have to wait as long before drinking it, therefore solving the whole ‘burning-his-tongue-because-he’s-impatient’ problem he has.

Gaz liked simple flat whites, and sure, he liked tea too, but nothing could top a good flat white for him. He’d get them anywhere and everywhere he can, and you honestly admire his dedication to getting a flat white everywhere he goes.

The coffee machine finished up quickly, a small beep sounding from the machine as it stopped its whirring and a few more drops of coffee made it into the mug before it completely stopped. You pull the mug out from under the machine and set it aside for now, just waiting for the water to finish boiling in the kettle.

Once the kettle clicks and the whirring from that machine stops, you unplug it and pour some water into the empty mug you’d picked out for Ghost, waiting until it’s filled up about a half inch below the brim of the mug before taking the kettle away from the mug and pouring the rest of the unused water into the sink.

You set the kettle down beside the coffee machine where it belongs and check the drawer below the one that held the eating utensils, looking through some of the spices and drink additives in it before finally finding the ground nutmeg you needed.

You unscrew the cap and tilt the small spice jar over the mug, letting some of the powder spill into the mug before tilting it back and screwing the cap back on. You put it back in its spot and close that drawer, now opening the drawer above it and grabbing a small spoon, closing that one after you’ve grabbed the spoon and putting the spoon into the mug to mix the spices in it around a bit.

You leave Gaz’s mug on the counter, hoping that nobody steals it while you’re away, and instead pick up the mug meant for Ghost, carefully walking out of the snack bar with it.

Ghost’s office is fairly far away, but you still manage to get there without burning your fingers or anything on the mug. You knock on the door a few times and wait for Ghost to call out permission for you to come in before you open the door and walk in.

Ghost immediately looks over at you and spots the mug in your hand, but ignores it for now, instead opting to ask, “Did you need something, [c/n]?”

“Not really,” You shrugged the best you could while holding scalding hot tea, “Just needed to give you this.”

You set the mug down on Ghost’s desk before he can say another word, and watch as he eyes the mug with curiosity and confusion.

“What’s this?” He asks, carefully picking up the mug, holding the top up to his nose to smell it. Before you can answer his question, you see his eyes widen and he questions a little louder, “Is this… keemun? With nutmeg?”

“You can tell just from the smell?” You ask, mildly impressed, watching as Ghost’s gaze turns into one more in awe of the mug.

“Yes, I can,” He mumbles, smelling the brim of the mug again, before looking over at you, “How did you know I liked keemun with nutmeg in it?”

“You told me about it, like, a few months ago. Six months ago, maybe? I dunno.”

“How do you remember a conversation from six months ago?”

“It was an important conversation, I guess?” You shrug, crossing your arms.

You watch in silence as Ghost eyes the tea and you take that as your sign to leave, walking towards the door, stopping right in front of it to twist the knob to open it before you’re interrupted by Ghost.

“Wait—” You turn your head and look at him over your shoulder, and immediately upon seeing his face, you think, oh my God is he tearing up? “Thank you, [c/n]. I really appreciate it.”

You offer a small smile and reply, “Yeah, no problem. Enjoy your tea.”

You open the door without another word and close it behind you, taking a deep breath before continuing down the hall back to the snack bar.

You’re relieved when you get there and see the mug, still steaming a bit, still on the counter. You quickly walk over to it and pick it up, walking right back out the door with it and heading straight for Gaz’s sleeping quarters. You remember him being so tired from the mission—you don’t know whether to hope he’s asleep and getting some rest, or to hope that he’s awake so you can properly hand him his coffee.

Once you make it to his sleeping quarters, you knock on the door, and there’s no response for a few moments, making you think he might actually be asleep, but then you hear Gaz’s drowsy voice call out, “You can come in!”

You open the door and see him rubbing the sleep from his eyes and sitting up on his bed, looking over at you. His lips twitch up into a small smile once he sees you and he lets his hand drop into his lap.

“Hey, [c/n].” He looks over at the mug you’ve brought with you, before raising an eyebrow, “You brought something for me?”

“Very bold of you to assume it’s for you,” You close the door behind you and walk closer to him, “But yes, it is.”

Gaz perks up a bit at that and happily takes the mug off of your hands once you hand it to him, and his smile grows significantly bigger once he sees you’ve brought him a flat white.

“It’s decaf, don’t worry,” You say, as if reading his mind, “I figured you’d still want some sleep after drinking it.”

“Always so considerate,” Gaz sighs teasingly, raising the mug to his lips like you’d thought he would. Thankfully, his tongue doesn’t burn this time after he sips the coffee, and you let out a small sigh of relief at the fact.

“You know me,” You respond dryly, crossing your arms as you watch Gaz take a few more sips of the coffee.

“Thank you for this, by the way,” Gaz thanks you, taking another sip of the coffee before stating, “I hope you know you’re my favorite now.”

“Your favorite what?”

“Just my favorite, in general,” Gaz hums, “This is the best flat white I’ve ever drunk. Ten out of ten.”

“Thanks,” You thank him flatly, “It was made with love and a coffee machine I learned how to use yesterday.”

“I can just taste the love in it.”

“Not the coffee machine?”

“Well, it’s a bit concerning if someone can taste the coffee machine in their coffee, innit?” Gaz raises an eyebrow at you before taking another sip of his coffee.

“Not if it’s the one I used.”

“Whatever you say,” Gaz mutters, taking yet another sip of his coffee, making you huff out a small laugh.

“You enjoy your coffee,” You say before walking back over to the door, closing the door behind you as you walk out and letting out a tired breath, starting to head back to your own sleeping quarters.

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