Tumgir
#userjack
leonardbetts · 2 days ago
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FARGO (1996) dir. Joel Coen
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monroe-marilyn · a day ago
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THE NORTHMAN (2022) dir. Robert Eggers
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dailyflicks · 22 hours ago
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THE NORTHMAN (2022) dir. Robert Eggers
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tyrone-power · a day ago
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joy’s 1K follower celebration: 💜 + Billy Crudup for @cliffbooth, @orla-mcool, & @wexler-mcgill
Billy Crudup as Will Bloom in Big Fish (2003), dir. Tim Burton.
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kosem-sultan · 9 months ago
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Period dramas + Art (parallels)
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buckybarness · a month ago
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#i would like to thank not only god but also jesus for this thrilling triology of events
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filmgifs · a month ago
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WHAT WE DO IN THE SHADOWS (2014) dir. Taika Waititi & Jemaine Clement
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ansonmount · 9 months ago
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WHAT WE DO IN THE SHADOWS (2014) + letterboxd reviews
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thebabysitter · 8 months ago
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patrick-stewart · 3 months ago
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Pirates of the Caribbean: Dead Man’s Chest (2006)
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monroe-marilyn · 25 days ago
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Want to see a quokka eat a leaf?
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dailyflicks · a day ago
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JACOB'S LADDER (1990) - dir. Adrian Lyne
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userscream · 5 months ago
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BROKEBACK MOUNTAIN 2005 | dir. Ang Lee
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tennant · 4 months ago
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— Anyway, happy New Year. — And you.
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buckybarness · 20 days ago
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WOMEN IN HORROR + 😊 🩸
The Witch (2015) • dir. Robert Eggers The Texas Chain Saw Massacre (1974) • dir. Tobe Hooper Hush (2016) • dir. Mike Flanagan Ready or Not (2019) • dir. Matt Bettinelli-Olpin & Tyler Gillett Carrie (1976) • dir. Brian De Palma Freaky (2020) • dir. Christopher Landon A Classic Horror Story (2021) • dir. Roberto De Feo & Paolo Strippoli The Love Witch (2016) • dir. Anna Biller Scream (1996) • dir. Wes Craven Jennifer's Body (2009) • dir. Karyn Kusama
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filmgifs · a month ago
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CHICKEN RUN (2000) dir. Peter Lord & Nick Park
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redbelles · 2 months ago
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THE MUMMY (1999) + letterboxd reviews part two ↳ part one | insp.
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magnusedom · a month ago
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MY OWN PRIVATE IDAHO (1991) dir. Gus Van Sant
The centerpiece of River’s performance, and the film, is a campfire scene with Reeves. Scott Favor takes Mike Waters on a road trip (on a stolen motorcycle) to visit Mike’s brother. At night, sitting by a fire they’ve made, they discuss their respective childhoods: “If I had a normal family and a good upbringing, then I would have been a well-adjusted person,” Mike insists. What’s really on his mind: he’s in love with Scott, and he’s terrified of saying so.
 “I only have sex with a guy for money,” a reclining Scott tells him. “Two guys can’t love each other.”
 A miserable Mike says haltingly, “I could love someone even if I, you know, wasn’t paid for it. And I love you, and you don’t pay me.” Curling up in a ball, he tells Scott, “I really want to kiss you, man.” The scene ends with Scott gently holding Mike, stroking his hair.
“This is the best part in the film,” Van Sant said, “and was chosen by River to be his big scene.” At River’s request, Van Sant scheduled it for the last day of shooting. River rewrote it himself, making it more lyrical and making his love for Scott explicit (in Van Sant’s original script, the relationship was more ambiguous).
 “‘I love you, and you don’t have to pay me’—I’m so glad I wrote that line,” River said. “I think that in his private life, Mike was probably a virgin, so he only relates sex with work.” River had spent some time thinking about situational virginity, and the emotional consequences of having sex when you didn’t want to have it.
— Last Night at the Viper Room: River Phoenix and the Hollywood he left behind by Gavin Edwards
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chrstinepalmer · 10 months ago
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RACHEL WEISZ by Greg Williams for Esquire UK, 2010.
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dafoes · 2 months ago
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TOM CRUISE as LESTAT DE LIONCOURT INTERVIEW WITH THE VAMPIRE (1994) dir. Neil Jordan
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