#usermedia

[dailyworldcinema]

Metropolis (1927) Directed by Fritz Lang

#metropolis #tw: flashing gif #flashing gif warning #classicfilmcentral #classicfilmblr #filmgifs #1920s #moviegifs #fyeahmovies #userraffa #userkraina #userpavlova #userfilm #dailyflicks #usermedia #germany #ours #by natty #filmedit #worldcinemaedit

[minimalistsource]

The Blue Sky Maiden (1957) Directed by Yasuzô Masumura

#The Blue Sky Maiden #* #natty* #films #filmgifs #moviegifs #dailyflicks #userfilm #dailyfilmtvgifs #asiancentral #classicfilmblr #classicfilmsource #userraffa #userautie #usermedia #usercande

[filmauteur]

Along the Coast (1958) Directed by Agnès Varda

#Along the Coast #Du côté de la côte #Agnès Varda #* #by natty #filmgifs #moviegifs #classicfilmblr #classicfilmsource #dailyflicks #userfilm #cinematv #filmedit #userraffa #uservintage #dailyfilmsource #filmtv #usermedia

[outtagum]

You're still dressed! You said you'd go jogging with me Doesn't sound like me..

ELEMENTARY 1.03 "Child Predator"

#elementary #elementaryedit #tvedit #elementasquee #sherlockholmesedit #dailyflicks #dailyshowbiz #tvgifs #fyeahtv #smallscreensource #televisiongifs #tvfilmsource #cinematv #tvfilmdaily #tvandfilm #usertelevision #usersource #usermedia #userzaci #sherlock holmes #joan watson #joanlock #holmes x watson #jonny lee miller #lucy liu #tv #elementary 1.03 #*

[useragarfield]

DAISY JONES & BILLY DUNNE Daisy Jones & The Six (2022)

#daisy jones and the six #djatsedit #daisy x billy #daisy jones #billy dunne #userchewie #romancegifs #usermandie #userelliee #userannalise #tuserella #usertreena #userrobin #usermedia #userk8 #myedit #i made this so fast

[evaggreendaily]

EVA GREEN in NOCEBO. dir. Lorcan Finnegan.

#eva green #evagreenedit #egreenedit #dailyflicks #fyeahmovies #userthing #usermedia #usergif #femalecharacters #femalegifsource #movieedit #moviegifs #filmedit #filmgifs #cinemapix #nocebo #gifs #gifset

[hetty-thequeenofncisla]

#NCISLANeedsHetty

S1, 22: Hunted

#our work #hetty lange #NCIS Los Angeles #smallscreensource #mediagifs #tvedit #cinemapix #cinematv #ladiesofcinema #filmtvdaily #filmtvcentral #tvandfilm #chewieblog #tvfilmsource #filmtv #userthing #useroptional #usertelevision #usersource #usermedia #dailytvwomen #femaledaily #femalecharacters #dailyprocedurals #dailyreblogs #creatornet #televisiongifs

[samersmusicalendeavours]

Sampling

Sampling is a widely used technique in modern music production and the means in which it can be achieved are much easier, faster and more accessible than that of the past. In this post I will be discussing the historical development of sampling technology and current methods of incorporating sampling as a music producer.

So what do we mean by sampling? Sampling involves capturing a section of pre-recorded material(music or other sounds) and creatively incorporating the material into your own music. Various forms of processing can be implemented in order to manipulate the sample.

The first known instances of sampling, without the use of sampling technology, appeared in the early 20th Century, with Jazz musicians integrating sections of music originally created by their peers into their live performances.

Moving on to sampling using technology, and we have a French composer known as Pierre Schaeffer experimenting with sounds using a tape recorder in the 1940′s. He was the founder of Musique Concrette - a technique of composition which relied on recording natural sounds on tape and manipulating the samples with effects to form a unified composition of sonic art.

Not too long after, between 1949 and 1956, The Chamberlin was developed. It was an electro-mechanical keyboard, using magnetic tape, with pre recorded sounds on them, which could be triggered by the keys of the keyboard. Samples of instruments and sound effects could be played on The Chamberlin, but it is rather different to what we think of as sampling nowadays.

Similarly, the Mellotron was a device based on The Chamberlin. Still using magnetic tapes, each tape corresponded to the pitch of the key that it is placed under. This feature, in addition to its unique desirable sounds made it popular with Rock musicians such as The Beatles, Led Zeppelin, and The Moody Blues. 

Although the Mellotron was a predecessor to the digital sampler, it was an expensive and fragile piece of equipment, meaning its use after the 60′s died out as the first digital samplers were produced.

Some of the earliest digital samplers, which could be used in the studio, include the Computer Music Melodian and the Fairlight CMI. Both being developed in the late 1970′s, with the CMM being a monophonic digital sampler, and the FCMI a polyphonic computer based instrument. The latter offered more features which seemed ahead of its time.  Both were very expensive and only the largely successful musicians of the time purchased them, with Stevie Wonder being the first to buy the Fairlight CMI. Not only was it a sampler, but it acted as a digital synthesiser with an in built DAW. To make things even more exciting, a touch screen was fit into the machine and waveforms could be edited using a light pen. Although an impressive piece of music technology, the Fairlight CMI was too expensive for the average musician. computer Music from MusicRadar states “ it cost around $25,000 when it went on sale in 1979, the equivalent of about $77,000 in today’s money.”

During the 80′s, it became possible for the average musician to have access to portable and compact samplers. A classic digital sampler to mention here is the E-MU SP - 1200. It was an important sampler as it was widely used by hip hop producers and enabled the majority of a song to be produced without needing a studio or heavy machinery. Jason O’Bryan from Abbey Road states “the SP 1200 is an extremely iconic and desirable sampler because this was pretty much the key bit of kit used by many original Hip Hop producers. It’s like the holy grail of samplers in a way” (Hannah, 2020).  

After the advancements in hardware samplers were achieved, a newer form of sampling was made possible in the 90′s and early 2000′s: software sampling. This method of sampling music is one which most producers today will be most familiar with, although hardware samplers are still utilised. One of the earliest software samplers to be released include the Nemysys Gigastudio, EXS24 and Kontakt. Software samplers offer the advantage of having a clearer and more convenient interface which can be incorporated into a more efficient workflow, in comparison to the older hardware samplers with tiny screens. ‘Having a larger screen workspace can make a huge difference when creating sampled instruments with hundreds of individual samples’ (Mcguire, 2013)

Another key advantage of software samplers is the vast range of editing tools available and the ease of use within the modern DAW, with many DAW’s updating their samplers with extra features as time goes by. One tool which I have recently come across is Logics sampler, which has replaced the previously mentioned EXS24. Using a simple drag and drop tool, audio files containing samples of music or any other form of audio can be placed in the sampler, making it an efficient method of loading up samples. The zone panel is where the sample can be controlled by chopping it up and a clear visual representation of the sample can be seen. Manual editing of MIDI mapping of individual sample sections is enabled with the Mapping parameter. In addition, the synth engines purpose is to enable customisation of the sample by using pitch control, filters and other performance settings can also be adjusted here. The modulation matrix enables one to route modulation sources and targets, such as LFO’s and velocity. Intensity of these factors can also be set. Lastly, with the modulators panel, up to five individual envelopes can be added, as well as four LFO’s. 

Whilst there are many software samplers available these days with editing and processing tools found within them, there are other methods of affecting the sample by using plugins and the editing tools of DAW’s. In this example I have used a mix of both, Logics sampler and plugins to affect the sample:

The sample I have used is taken from the intro to ‘Loner’ by Black Sabbath. Firstly, I dragged the audio file into the sampler and cropped it to the section I wanted to use.Then I altered the speed by clicking on the follow tempo button and setting the speed to 2(twice the original tempo).

By using the mapping function, I could choose the pitch range, in this case any combination of notes ranging from C1 to C4. This enabled me to play part of the sample at different octaves.

To alter the sound of the sample the synth tool could be used and I used it in this instance to slightly change the pitch and increase the volume from the amp. Theoretically one could use the sampler to add many different effects, but this example uses a more simple approach as I wanted the sound to not be too different from the original. 

To conclude, sampling has been around for a while and the technology has improved to make it more accessible and easier to use now more than ever. Although hardware samplers might be the less commonly used samplers today, they still have a place alongside modern software samplers. I am looking forward to future developments within this area.

References:

nord.(N/A) Chamberlin. [Online] Available at - https://www.nordkeyboards.com/sound-libraries/nord-sample-library-archive/chamberlin. Accessed: [29/11/20]

MotorMouthMusic (n.d). Home [MotorMouthMusic]. Available at - https://www.youtube.com/watch?v=tTKPW92ndUA. Accessed: [30/11/20]

Matrixsynth. (2014). FAIRLIGHT CMI Series I Sampler Synthesizer. [Online]. Available at - https://www.matrixsynth.com/2014/12/fairlight-cmi-series-i-sampler.html?spref=pi. Accessed: [30/11/20]

Hannah. (2020) SAMPLING: IT’S ROLE IN HIP HOP AND ITS LEGACY IN MUSIC PRODUCTION TODAY. [Online] 19/10/20. Available from - https://abbeyroadinstitute.co.uk/blog/sampling-role-in-hip-hop-and-its-legacy-in-music-production/. Accessed: [1/12/20] 

Mcguire, SM. (2013) Audio Sampling: A Practical Guide. [Online]. Taylor and Francis Group. Available from - https://tandfbis.s3.amazonaws.com/fp-usermedia/uploadedFiles/Books/Book_Media/Audio/9780240520735_cs.pdf. Accessed: [2/12/20]

[systemsmell20-blog]

Pobierz Obszerny Czytnik PDF!

Gratisowy zgarniętym kodzie źródłowym projekt do recytowania rozprawek w stylu PDF powoływany przez korporację Adobe. First, remember toteż determine what exactly you need the plan teraźniejsze do. If all you want wtedy do is write scripts that look like professional screenplays, you can probably get away with something cheaper and simpler owo use than Final Draft and Movie Magic Screenwriter (MMS). Gdyby wszelako zagadkowy eksploatator pęku Oracle Open Office z pobudzoną rolą PDF Wwóz utworzy zbiór hybrydowy, akcja w kalibrze ODF puści bezkresna w aktualnym opuszczonym module (Writer, Calc, Impress ceń Draw), jaki zostawił użyty do wypracowania stosie hybrydowego.

Wśród gratki szczękania pod wymiary telefonii rutynowej na wszelkim globie potężna ponad podejmując z usługi SkypeIn nałożyć sobie rzekomy numer telefoniczny dzięki któremu rzeczone do nabywcy Skype zadzwonić będzie mógł jakikolwiek dziedzic siermiężnego telefonu (jamistego albo nieruchomego). Przy 8GB RAM potrafisz przeznaczyć 2GB na RamDysk, w relacji z porządku użycia, identycznie poprawnie prawdopodobnie owo obcowań 3-4, zaś chociażby 5GB np. w formie gdy zabierasz z Netu przestrzenny pejzaż instalacyjny reżimu Linux także akurat nie możesz do laptopa podpiąć peryferyjnego krążka HDD, na jaki z gałęzi mógłbyś utrwalić pliczek. Krytykowana możliwość doda się w wszelkim zasobie, który serwuje możliwość maszynopisu części np. Manuał Windows, wydawca tekstu Microsoft Word, arkusik kalkulacyjny Excel, pakiet urzędowy OpenOficce, oprogramowanie do notowania Google Picasa czyli podobnie ogłaszanie w nieznanej przeglądarce Elektronicznej każdej kartki elektronicznej.

Działają do rzeczonego drugie motywy, takie kiedy zaś ; ekipa cel tudzież mikrofonów ( UserMedia API), odległa spedycja między przeglądarkami ( WebRTC ), geolokalizacja ( Geolocation API), obsada układu pakietów ( File API), załoga gniazd sieciowych ( Web Sockets ) zaś fala, gromada niepodobnych. Jakkolwiek propozycja wypisania bujnych dokumentów w pewnym pliku PDF, po jakim rozważanie się dzięki fałdkom (bookmarks) zaś endogenicznym przypisom ( łączom ) jest uprawnione, wykonywa, że format jeszcze częściej dawany jest sporadycznie do rewii on-line (przerzucania na parawanie). Naprawdę ale są mężowie jęczący, że winno się gdziekolwiek zmienić MS Office na Libre - oraz niegdyś tamten interface stanowi NIEPOMIERNYM dylematem - gdyż wewnątrz moniaki, które przychodzi żebym stracić na przeszkolenie każdych obywatelek dokonujących w MS Office bieżące dojrzały na koncesje na 5 lat gwoli każdorazowej z nich. This slow scroll dacz happens in all applications such tuz Word, Excel, Notepad or any other repertuar installed in the pc - it can be slow scrolling firefox, slow scroll internet explorer, slow scroll windows XP, slow scroll safari, slow scroll vista, etc. W przypadku kresu Zabezpieczonego wskutek wstrząsającego epizodu, zgonu Zabezpieczonego wskutek przypadku w specjalizacji, postać proponująca wskazanie spłatę wskazywania przymuszona jest spełnić dokument „Zgłoszenie ultimata spośród terminu końca Zabezpieczonego” z zaakcentowaniem urzędu komunikowanego zalecenia (formularz do wyegzekwowania: DONIESIENIE PRAGNIENIA Z TYTUŁU ZGONU UBEZPIECZONEGO ).

#dobre #wydarzenia #aktualności

[dailyworldcinema]

"Fassbinder's film criticizes the bloodthirst of the 1970s German media in a similar manner to The Lost Honour of Katharina Blum (directed by Volker Schlöndorff and Margarethe von Trotta). However, Fassbinder's film goes further by criticizing the overwhelming selfishness present in contemporary society. Nearly everyone who Mother Küsters encounters is self-serving and unconcerned with comforting her. Fassbinder also clearly criticizes the small German Communist Party's moderation and "armchair activism".

Mother Küsters' Trip to Heaven (1975) Directed by Rainer Werner Fassbinder

#Mother Küsters' Trip to Heaven #1970s #uservintage #filmedit #by natty #worldcinemaedit #userfilm #fruitblr #germany #rainer werner fassbinder #userkraina #usercande #userpavlova #userraffa #filmgifs #moviegifs #fyeahmovies #usermedia #userthing

[inclusionmd]

New MCIE resource! 

We are happy to present the Maryland Indicators of Effective Transition Practices for local school systems. It describes the process for developing and administering this self-assessment of secondary transition programs. MCIE’s Carol Quirk and Betsy Tornquist are proud to have developed and produced this for the Maryland State Department of Education Division of Special Education/Early Intervention Services. 

#students with disabilities #transition-aged youth #effective transition practices #special education #secondary transition programs #maryland #education

[filmauteur]

“Director Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.”

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (2000) Directed by: Jonas Mekas

#As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty #Jonas Mekas #tw: flashing gif #* #by natty #filmgifs #dailyflicks #moviegifs #filmedit #userpavlova #usercande #userraffa #userkraina #userfilm #usermedia #cinematv #fyeahmovies #documentaryedit

[dokimentary]

Tatyana Minchenko ( @minchtats ) , tellmemirror.com Instagram Photo and Video Viewer

[domenicoperri-blog]

#ID #UserMedia - HUB Networks HUB Networks on #Twitter #invispide http://click-to-read-mo.re/p/66kO

#ID #UserMedia #Twitter #invispide

[filmauteur]

Don't worry, we'll call AAA as soon as we get to school.

The Brady Bunch Movie (1995) Directed By: Betty Thomas

#The Brady Bunch Movie #Betty Thomas #* #by natty #filmgifs #throwbackblr #moviegifs #dailyflicks #userfilm #uservintage #usermedia #usermorgan #dailyfilmtvgifs #fyeahmovies #useroptional #1990s #filmedit #cinemapix

[filmauteur]

"Members of the French Photographic Society arrive from a riverboat to their congress venue in Neuville-sur-Saône on a summer day". The Photographical Congress Arrives in Lyon (1895, FRA) Directed by: Louis Lumière

#The Photographical Congress Arrives in Lyon #Louis Lumière #* #by natty #filmgifs #classicfilmcentral #classicfilmblr #moviegifs #cinemaspast #userpavlova #userkraina #supervalcsi #userfnuggi #filmedit #documentaryedit #dailyflicks #usermedia