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DAILYFLICKS’ 1K FOLLOWER CELEBRATION → FAVORITE MOVIE BY GENRE

ANIMATION → Diana (@thewonderwoman)
MULAN (1998) DIR. TONY BANCROFT, BARRY COOK

The flower that blooms in adversity is the most rare and beautiful of all. You don’t meet a girl like that every dynasty.

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“I think it’s the first time that she’s able to go: ‘You know what? I deserve to enjoy this. Leave me alone for a second. I have worked my whole life for this moment… I need a second. ‘Let me live,’ in 2020 language. So, yeah. I think that’s her victory lap.” —Anya Taylor Joy

THE QUEEN’S GAMBIT

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“We like this idea of, sort of, this observational look through–you know, you’re [there] with him, but you’re just separated a little bit through the window. We always had this idea where we wanted to look through glass to see him. Like, we were sorta voyueristic…The reflection shot[s are] Jonathan Sela, our cinematographer, goin’ bananas. But we love it. Man, it looks great.” — David Leitch, John Wick Director’s Commentary

“I think they counted, like, 94-95 reflection shots in the whole movie…We wanted the duality pushed. I love that. John and John Wick. Regular world, Wick world.”  — Chad Stahelski, John Wick Chapter 2 Director’s Commentary

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