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flapapers · 1 year
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Campeonato Carioca 2023 - Final - Flamengo x Fluminense wallpapers
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Varela Font
Varela is a sans-serif font that is free to use for personal projects. It was designed by Joe Prince. Use this- https://www.freefontdownload.org/en/varela.font
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adrianvarelablog · 5 months
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London City Orchestra autumn concert
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This autumn I was invited to guest conduct the London City Orchestra, a fabulous, well-run orchestra made up of professionals, amateurs, and high-level music students, in their 10th anniversary year. The programme was big and varied: Ravel’s ‘La Valse’, Britten’s ‘Sinfonia da Requiem’, and the 8-movement version of Tchaikowsky’s ‘Swan Lake’ suite, to which we added the Finale to round things off, the famous tune thus bookending the ballet music.
The LCO and I have known each other for a few years now, with me coming in sporadically as a coach for different sections, and the occasional tutti rehearsal. But this was the first time they’d entrusted me with an entire project, from 1st rehearsal to public performance on Remembrance Day, which -we couldn’t have known at the time the schedule was drawn up -happened also to coincide with the largest Humanitarian/Ceasefire-in-Palestine march in the UK’s history. Trying to find unblocked roads through the capital on my rented bike with the scores and baton in the basket after busses, tubes, and taxis proved unavailable, I was half an hour late to the dress rehearsal.
This project was a good opportunity to implement my Orchestra Redefined approach. At its heart, the source of the approach is respect and love for others. If this seems like a dreamy, mystical claim and the reader would prefer that I spoke more technically or pragmatically, I’d say that my conducting, orchestral, and rehearsal techniques are merely the outward manifestations of a core that seeks to plunge into the orchestral players’ musicianship, outlooks and life experiences, and help them bring them out, channelling them into their playing as part of a large team. Contextualising the music, and relating it to our own experiences, from the most exalted to the mundane -often at the same time- is key.
The conductor here is one quite literally, a primus inter pares; no longer a despot, or at the very least, the archetypical figure of total power. A good degree of power the conductor may be perceived to end up with, in this approach, comes through the relinquishing of it to the players; in creating avenues for the individuals’ expression in concert with those around her/him/them: a kind of anti-power, more a Zen modus operandi.
Naturally, I have a firm, as-informed-as-possible artistic vision of the works we’re engaging with, and I’ll straighten the orchestra out whenever they need to be. I tell them off if I have to, and never accept anything less than the absolute best they (or any orchestra) can give. I always insist, albeit with kindness, empathy, relaxed humour, pulling their leg, self-deprecating, or other means, whichever fills the need on the spur of the moment. But the more collaborative pathway, with highly trained orchestral musicians, often for the first time in their lives, being both invited and then shown ways to bring their hard-won musicianship into the symphonic context, reaps a joyous musical-human garden of sorts. The people within the players emerge, their voices are heard, their experiences and outlooks are validated, and this is shared with others and with myself in musical conversation. The artistic results are of a very high standard, the people behind the instruments being happy, motivated, and engaged, with a sense of being valued.
The concert, with a brief speech from me relating our music to the day’s commemoration as well as current events, was a powerful, joyous affair that received a standing ovation. Later, the orchestra kindly wrote some of their thoughts on the term’s work. Their most used were: thanks, love, inspiration, fun, energy, passion, joy, insightful, relaxed, personable, and dynamism, and many mentioned how much they had learned. To them, and for the opportunity to share all of this with them, I am deeply grateful.
photo credit: @tradephotographer
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zanephillips · 1 month
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Àlex Monner and David Varela Unauthorized Living 1.04
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m-ultraarticles · 11 months
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The casting of Jorge Almirón in the new Boca is now wearing Alan Varela
The midfielder would be left out of the starting team against Argentinos despite having complied with the suspension date. Jorge Almiron is performing a casting luck in his first days in Boca. AND from the rehearsals he gets positive and negative things. Conclusions, in short. The first thing he tried was to plant a line of five defenders to face Saint Lawrence in his debut and it didn’t work.…
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aktitudrock · 1 year
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#Repost @trenloco_oficial with @let.repost • • • • • • ⚠️Atención #Varela FECHON!!!⚠️ Seguimos presentando nuestro nuevo album "Prisioneros de la tierra" y los esperamos a todos el día 𝗦𝗔𝗕𝗔𝗗𝗢 𝟮𝟱 𝗗𝗘 𝗠𝗔𝗥𝗭𝗢 a partir de las 𝟮𝟬𝗛𝗦. donde vamos a estar compartiendo escenario con @horcasoficialok en: 📌 @reinasrock | Av. Eva Perón 3555, Florencio Varela. 🔥Bandas Invitadas: • @restaurador_oficial • @kingdrago025 • B.E.S.T.I.A. ⚠️ 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 | +18 AÑOS ⚠️ 🎟️Mercado Pago en: flow.page/tren_loco 🎟️ Puntos de venta: • 𝙇𝘼 𝙀𝙎𝙏𝘼𝙆𝘼 | Quilmes. • 𝙓𝙀𝙉𝙉𝙊𝙉 | Quilmes. • 𝘾𝙐𝙇𝙏𝙐𝙍𝘼 𝙇𝙐𝙏𝙃𝙄𝙀𝙍 | Florencio Varela. ¡LOS ESPERAMOS A TODOS! 🍻 @zombie_gauna @in.dany_ @isopowilson @danywolter @pablogsoler #eltrennopara #prisionerosdelatierratour #florenciovarela #zavalaporsiempre (en San Miguel, Buenos Aires) https://www.instagram.com/p/CoQm97PJw8K/?igshid=NGJjMDIxMWI=
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hetapti · 1 year
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Desde motochorro hasta las sicarionas de varelaa, bajen el ruido a esas motos un rato jajaaa #alcorte #cumbia420 #motos #varela #motoy420 #laondabro #manija #altoque #alpiqueenrique #altoqueroque https://www.instagram.com/p/Ck9VWF3u3-_VPDrnuTH9t9EQJgPBTkk56YgyYI0/?igshid=NGJjMDIxMWI=
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coffeenewstom · 2 years
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Samiotisches Kaffee-Tagebuch: Ano Vathi
Samiotisches Kaffee-Tagebuch: Ano Vathi
Jetzt haben wir noch ein kleines Highlight vor uns: Ano Vathi, das obere Vathi, auch Paleo Vathi genannt. Kommt man in Samos Stadt an, führt einen die Wegweisung nach Pythagorio zuerst über einen Kreisel und dann den Berg hinauf. Hat man den Kamm fast erreicht, führt eine unscheinbare Straße nach links in die Altstadt, die man zwar auch von der Meerseite erreichen könnte, nur wohl größtenteils zu…
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dsirmtcom · 2 years
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Fiche de lecture - Félix Varela, Miscelánea Filosófica - #6. Patriotismo [Patriotisme]
Fiche de lecture - Félix Varela, Miscelánea Filosófica - #6. Patriotismo [Patriotisme] #Philosophie #Filosofía #Cuba #SamediCestPhilosophieCubaine #SabadoEsFilosofía #Varela #Patriotisme #Patrie
Philosophie – Fiches de lecture – Essais philosophiques cubains Fiche de lecture n° 44 Éléments biographiques Félix Varela y Morales (1788-1853) est une des figures majeures de la philosophie cubaine, avec José Agustín Caballero et José de la Luz. Prêtre, il enseigne le latin, la rhétorique, la philosophie et le droit constitutionnel au Seminario de San Carlos, institution universitaire située…
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thecollectibles · 11 months
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Mermay 2023 by Raquel M. Varela
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jareckiworld · 2 months
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Cybèle Varela — The Passage (oil on canvas, 1988)
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adrianvarelablog · 1 year
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Emerging artists
Cromwell Place Art Gallery
28 Jan 2023
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By Adrian Varela
In 1892 Dvorak landed in the USA, newly appointed director of the National Conservatory of Music of America, in New York City. During his three years in the USA, he was also tasked with the job of spearheading the synthesis, or creation, of a truly (North) ‘American’ musical form of expression. Though still a post-colonialist viewpoint -widespread quintessentially North-American music already existed in the form of the music of black and native peoples- the choice of Dvorak, as a composer who might be able to do this was within the realm of art music, was an inspired one. Dvorak had for years made music of his native Bohemia an integral part of his compositional output. Children of this effort include his symphony no.9 ‘From the New World’, the cello concerto, and the ‘American’ string quartet, performed tonight.
At the Conservatory, one of his black students, singer, composer, and arranger Mr. Harry T Burleigh frequently shared black, and other native music, with Dvorak. It was through Burleigh that Dvorak came to feel that much of this music was (as still is much native music in many other parts of the world) based on the pentatonic scale. Every theme in the ‘American’ string quartet is pentatonic, as is the anonymous negro spiritual ‘Deep River’.
The British-Sri Lankan composer Yshani Perinpanayagam has based her ‘We Folk Disquieten’, here a world premiere, also on the pentatonic scale; or rather, several. There is really only one pentatonic scale, which can be anchored to any given note, ie played ‘higher’ or ‘lower’. Perinpanayagam, giving each instrument a distinct pentatonic scale, represents the local voices of different peoples in different parts of the world, gathering them in a single, powerful, unified voice as the work unfolds.
‘Pyramid in an Urban Landscape’ by the Mexican (hence North American) composer Diana Syrse is given here its UK premiere. In it she combines the use of traditional string quartet instruments with pre-Columbian ones. At first, one may wonder why these pre-Columbian shapes and sounds are irrupting into the old, established order of the string quartet- until we realise it is the ‘West’, the colonisers, who have encroached around the pyramids, the ayoyote, the ocarina and the shaker, all of whom were there first.
The title of the concert, ‘Emerging’, evokes the idea of the new: new music, new paintings, new art. But these final expressions cannot be understood without also delving somewhat into the different processes and cultural environments, which lay out the conditions in which artists work, to generate this new art. We invite the audience to join us in being a part of the process that underpins the genesis of some of the works we perform today.
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k-wame · 1 year
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ÁLVARO RICO as Polo Benavent MIGUEL HERRÁN as Christian Varela via ELITE · S1·EP6
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ulisesbarreiro · 2 years
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Boca Juniors ganó y clasificó
DEPORTE
2 de mayo de 2022
A las 6.30 ya estaba completo un 60 % en estadio, no importaba para la parcialidad boquense la serie de negativos resultados en el último tiempo, al jugador Nº 12, tanto al organizado como al espontáneo, no le importan esas cuestiones. Por Ulises Barreiro
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Su lugar en el mundo es alentar a su equipo en todos los espacios donde las remeras con el color azul y amarillo, y ese bello escudo este compitiendo. No importa, si se trata de torneos oficiales o si son torneos interclubes el legendario jugador n12 esta presente, y las almas de todos y todas las socias que ya no están también, desde Tomatito Burgos Sosa hasta la de Toto Cafarena.
Ya siendo las 7pm comenzó el partido  Boca presionó y el gol llegó a los 4 minutos de la mano de la leyenda Darío Benedetto, un hermoso gol. 1 a 0 para el xeneize. El segundo gol vendría a los 15 del 2º tiempo, otro golazo de tijera al estilo de Martín Palermo… Partido liquidado después de ese gol. Pero pasemos a la estructura táctica del equipo que es lo más importante. El cambio de Varela y el posicionamiento  de Romero por derecha casi como un falso extremo mejoró el equipo, le dio salida más clara y pase para adelante con Varela permitiendo que Pol Fernandez pueda jugar más adelantado llegando más al área y generando juego para los delanteros conectado con Romero sumándose por derecha, bien por Seba en esa !!!.
El problema continúa sobre la Izquierda, Ramirez no termina de ser el conector del tándem Villa-Fabra. Lo que hace que Boca al recostar mucho el ataque por la izquierda por la presencia de Villa se vuelva previsible. El partido tuvo de todo, penal no cobrado para el xeneize, gol anulado por posición adelantada. Pero, el VAR dijo gol, entonces, gol al final. 2 a 0 para el xeneize y el VAR como pocas veces pasó en la historia del xeneize estuvo a favor de Boca Juniors. El ingreso del Pulpo Gonzalez en ese sector fue una solución para el DT. Se vieron cosas muy buenas, se clasificó a la fase eliminatoria del torneo. Bataglia debería tomar nota y sobre esta base encarar el partido en Bolivia en el que Boca se juega la clasificación a 8vos de la Copa Libertadores. Hubo un gol anulado para Barracas. El VAR  a cargo de Dario Herrera y Mariana De Almeida, luego de analizar la jugada, determinó que había posición adelantada  y finalmente todo siguió 1 a 0 a favor de Boca Juniors. Una vez más Boca Juniors demostró que juega a ganar, acompañen o no los resultados, el xeneize está formándose en el juego colectivo y su comunidad de socios y socias lo entienden y acompañan en gran medida esos tiempos.
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terminusantequem · 6 months
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Cybéle Varela (Brazilian, b. 1943), Image, 1974. Lacquer on hardboard, 102 × 69 cm
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