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blackdiamonddsblog · 1 year

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#vertical ombre #press ons #nailsale

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simstrouble · 2 months

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Maggie Hairstyle (4 Versions) by simstrouble

Base Game Compatible

24 Swatches

All LODs, Hat Compatible, and All Maps, 16k poly

Ombre Accessory found in Face Paint: 24 swatches + Color Wheel.

4 versions are shown below

Update, February 17th: Fixed V3 and V4. There were disconnected vertices on the right side, which have since been fixed. Redownloading is recommended 🙏🏼

Download (Patreon, Free) | Instagram | Pinterest

#simstrouble #s4cc #ts4cc #s4mm #ts4mm #ts4 #sims 4

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highladyluck · 4 months

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Said it before and I’ll say it again, I love love love the Accepted sleeves.

Look!!! Tiny embroidered flames in multicolored ombre stripes to represent all the Ajahs! They look cool as hell, genuinely attractive, and like something I’d want to wear.

All the fanart has the stripes horizontally instead of vertically and as solid bands of colors, much more ‘Star Trek uniform’ and less ‘Magic lady society where the highest signs of rank are idiosyncratically embroidered scarves and stoles’.

Also you can see (not so much in my bad cropped screenshot, but in the show) the contrast between the everyday fabric Egwene’s novice dress is made of, and the silk(?) or at least much nicer Accepted dress fabric.

#wheel of time #wot on prime #WoT on prime s2e4 #costuming

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profesionalpartyguest · 2 months

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1 mesh fix + 1 conversion! Leahlillith Palais - original conversion by @kolkins-sims2, i fixed the tf stage so the whole scalp isn't poking out the back. CF-EF, 24k polys. i also made some afterglow recolors + some ombre'd ones (to match the og). texture is original + afterglow, naturals (the ombres are: black-red, brown-volatile, blonde-platinum, red-purple). Download here. @casual-sims Liam Hemsworth - converted by me! textures are afterglow + original, tm-em. 9.7k polys & 8.5k vertices (lowered from 30k+),4 afterglow naturals. Download here. credits: leahlillith, kolkins/honeymoon-cc, casualsims, antoninko, @kairisu for the hemsworth sim. also tagging the @the-afterglow-archive.

#sims 2 download #ts2 #s2cc #ts2cc #sims 2 hair #sims 2

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prismasaryn-sims · 5 months

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[x]

:thumbsup: more fem hairs, we needed that, right?

|Anto Miranda - Original| Converted by Microscotch(XHT-F) & PlatinumAspiration [x]. 10102 Faces/8636 Vertices. TF-EF. Clouds texture. Has Customs. Had I known Anto originally included colored bangs I would've made some myself.

|Okruee Calliope - Original| Converted by miniculesim [x]. 13737 Faces/15369 Vertices. CF-EF. Antoninko's texture [x], which I think is the original textures? It was already in volatile at least. Has Customs.

|Nightcrawler Mango - Original| Converted by Nykteia [x]. 17603 Faces/10616 Vertices. CF-EF. Io textures.

|Simpliciaty Becca - Original| Converted by Entropy-Sims [x], poly reduction by PolygonBeach [x]. 13298 Faces/9549 Vertices. CF-EF. Io textures. Has 8 ombre recolors.

|Nightcrawler Ardesia - Original| Converted by Entropy-Sims [x], poly reduction by PolygonBeach [x]. 13063 Faces/12456 Vertices. TF-EF. Io mostly, only used iCad for the hairline bit. Has graying recolors, but done through hair binner this time (so they're binned, but not familied and the elder stages are in the custom bin somehow).

|Jujujam Tia - Original| Converted by Evannamari [x] 13879 Faces/11104 Vertices. CF-EF. Io Textures. Has Customs.

|Anto Naomi - Original| Converted by Entropy-Sims [x] 9702 Faces/6732 Vertices. CF-EF. iCad/FurbyQ blend. I left the psd in there since I'm sure someone will probably want to use that texture.

#mycc #ts2cc #ts2 hair #s2cc

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torchickentacos · 2 years

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How I draw clouds since they’re my favorite thing to draw! Literally nobody asked for a tutorial but I’m making one anyways! Note, I am looking at a reference photo I took which is always recommended in my opinion, but once you get clouds down more you can pretty easily freestyle them. Want to go from a solid sheet of color on your canvas to having trees and shit? this is for you.

Step 1: put a solid sheet of color down. maybe an ombre, airbrush tool is probably the best here. Try to have a canvas size with at least 1k on either end, be it horizontal or vertical. We’re going to want it to look really smooth, not pilexated.

Step 2: I personally never start with white or the lightest color of the clouds. Clouds are pretty white usually, but there’s a lot of grey and blue generally-I like to start with the middle-leaning-darkest shade, like this. Use a waterfolor-y brush or something similar if you can! Just makes your life easier.

Step 3: SOFTEN THAT BAD BOY. Get a blending tool and just go at it. Don;t make it totally flat-you’ll want darker, heavier, defined areas to work off of later when we do more lighting- but make it a lot smoother.

Step 3: Next, decide what direction you want the light to be hitting from. This is arguably the most important part-choose a highlight color (sunsets are so varied that it doesn’t particularly matter as long as it’s fairly warm-toned), figure out where the light is coming from (where the sun is), and work off of that with some scribbles in a soft brush. A lot of times I would use a clipping mask for this but I’ve actually found not using one gives you a lot more control in this situation.

ok cool! So, take where the lighting is- the squiggles- and add to them in a circular motion. Then take that and blend it, becoming smoother towards where the light isn’t. This LOOKS like I skipped a lot but it’s simple- add a light color, blend it backwards. The color will be strongest where the light is hitting it.

Cool! Now choose a lighter color-your highlight- and define your highlights. This should overlap the lighter areas we just made!!!!! Don’t add the highlight to areas we haven’t already lightened! Or do, I’m not the boss of you, but it won’t look right.

Now, we’re going to do the same thing we did with the light earlier- smooth it out, bring it backwards, keep it sharper where the light hits it.

Cool! Except it doesn’t look right to me so I’m going to add a middle tone between the dark and the light. Our light is peach and our dark is a cool blue, so let’s add a cool red. I don’t know color theory, maybe that’s incorrect to do, but I’m doing it anyways. Much like music, I play art by ear- I don’t know technical stuff (I’m trying to learn), and I just kind of throw stuff at the canvas until it works. Slight red added.

Highlight once more.

Blend once more.

Last step, determine if you want to add depth. I don’t always add shadows, but you definitely can to make it more.... depthy.

YOU HAVE CLOUDS NOW!!!!!!!!!!!!!! Optionally, you can add some perspective, which I can do right now. I’ll be lazy and use a branch brush.

leaf it up in here!!!!

in a layer BELOW the dark red leaves let’s add orange, since the light would be coming DOWN. The dark red leaves that are shadowed would be closest to us.

Rinse and repeat with amber and yellow until you realize you like it better with just dark red or dark red and orange oops.

YOU HAVE TREES AND CLOUDS NOW!!!!!!!!!!!!!!!!!!!!!!!!!! WOOOOOOOOOOO! We started here and now we’re here! Great job on your new trees and clouds!!!!!

#taylor's tag #art

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six-costume-refs · 6 months

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Costume Updates: 2023 West End Cast Change

A few notes before I start: - Kayleigh McKnight (Seymour) is currently injured. Gabriella Stylianou (alt A/S) is temporarily performing in her place, including in the preview footage. - As a general rule of thumb, Six has slowly been standardizing the costumes for both US and UK. Most of that has been changes to the UK system/style to make them more in line with the US changes initially made for Broadway (a few changes have made their way to the US from the UK though). There's been a steady rollout of updates over the period post-lockdowns, but with this cast change most of the major holdouts have been changed at once. I'll get to that in a moment. - Obviously it's very early in the run and we haven't seen all the costumes yet, particularly for alts. I'll continue to update as we do.

Costumes (credits below) - Nikki Bentley's Aragon costume has had a few construction changes to be more in line with the US costumes. No major design differences, though. Not sure on maker yet. - Thảo Therése Nguyễn has the darker green which has been standardized for the last few UK casts. Not sure on maker yet. - Gabriella was previously with Norwegian Cruise Lines as part of Bliss 2.0, but as expected she did get a new costume. Her corset is in the US style/design rather than the UK style (info here, here). I'm not sure who made it and very much wondering if the corset only could be a US-make, but don't have enough information yet to know if that could be the case. I'm also waiting to see what Kayleigh's looks like. - Reca Oakley (Cleves) is another former NCL queen, but as expected she also did get a new costume. It was made by Paul Aspinall. - Inez Budd's Howard skirt has been changed to the US-style construction. This has smaller panels (rather than the old NCL/UK style; post here). However, unlike the US skirts, the vertical stud lines still go all the way to the bottom hem. Per usual, it was made by Ella Dancewear. - Janiq Charles is a standard Parr style, made by Ashleigh Cherry Costumes per usual. - Otherwise, the costumes seem to be in line with all recent UK standardization. - The alts' costumes should match the changes made for these principals.

Wigs/HMU - Nikki Bentley has an auburn tone with a side part and doesn't seem to have bleached/ombre highlights. Curled bob, a little longer than some we've seen in the past. It's a full wig. - Thảo has dark roots with a silvery-toned bleached wig. It's a long wig rather than some of the recent bobs. It's a full wig. - Gabriella has a side part and darker, honey blonde tone. It's pretty mid-range for Seymour wigs but is shorter than some of the recent UK. It's a full wig. - Janiq Charles has the curls pulled over to the side. It's a full wig. - Otherwise, the principal wigs are pretty standard. - No pictures of Naomi Alade in costume yet, but I am expecting her to have braids for all or most of her roles. - We've also seen quite a bit of the makeup so far, which I'll make a post about in the coming days.

Boots @lightleckrereins already made posts about a lot of this (here, here) but for easy access: - The cast seems to be standardized to a shorter heel than prior casts, like the shorter heel Chlöe Hart and Natalie Pilkington both got later in the 22-23 UK Tour run. - They've introduced the double height boots that the US productions have had for a few years now (explanation of the difference here). However, they're still sticking to the regular UK-style boot body with crystals rather than switching to the US-style lattice and studs. Right now it looks like Nikki Bentley (Aragon) and Janiq Charles (Parr) have the double height, while Reca Oakley (Cleves) has the regular Cleves thigh highs and everyone else seems to have regular single height. Of course, that post includes Gabriella Stylianou rather than Kayleigh McKnight so no good look at Kayleigh or other alts yet. - All the boots seem to have interchangeable straps. We first saw these with the US and then UK alts - it allows them to have one pair of boots with a monochrome silver heel and then just trade out their straps depending on which costume they're wearing. This is the first time we've seen that for principals; Sofia talked more about why this change might be happening in the post I linked at the start of this section.

Alt costumes - We've seen a silver alt costume in progress that should be for Meg Dixon-Brasil. (Made by Paul Aspinall per usual) - We've also seen part of a pink alt costume. It could feasibly be either Natalie Pilkington's or it could be one for Hannah Lowther. Judging from Hannah's makeup, she does seem to have their standard makeup pieces for pink alt. - Naomi Alade has orange palette and glitter, so she presumably has the orange alt costume. - We still don't know what costume Natalie Pilkington will have. She has her old principal Seymour/Parr and pink alt system from the 2022-23 UK Tour, and during the 2021-22 UK Tour she had a black alt costume that was a mishmash of old and new pieces. I'm expecting that she'll wear a black alt costume (either entirely or mostly new), but it's possible that she reuses her old pink alt instead (it has been a while since she's worn black alt and most of it was already old). I talked in more depth about some of those possibilities here.

-------------------------- First row for each queen: junka_0.0 Second row for each queen: elliexboleyn (Nikki and Reca), cassie.zhao_ (Thảo), mattstacel (Gabriella, Janiq), Georgia.ccooper (Inez), Boots: crystalledbyjane

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zoomzooml · 1 year

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[Worldbuilding] Protoforms and sparklings - basics.

Apologies for any translation errors. I'm doing my best to avoid them, but due to the fact that I'm a sleep-deprived human disaster they can still occur. Sorry!

PROTOFORMS

How are they created?

[Text under picture]

Vector Sigma in the depths of the planet creates a new Protoform and gives it a spark. The protoform is a primitive mechanism, resembling a mechanical larva, whose main purpose is to protect the spark during its first period of life.

The protoform digs its way to the surface. The tunnels they leave behind are barrenly small and usually collapse back quickly.

The protoform, after getting to the surface, leaves the underside in the soil, sticks to its place, and grows "roots" that will take up minerals and resources needed to build the actual organism.

The armor becomes a cocoon that grows as the organism inside grows and develops. As the mechanisms and organs of the body become more advanced, it begins to be called Sparkling.

The protoform can also build a cocoon on vertical walls; extremely rarely and only under exceptional conditions on the ceiling.

A fully built sparkling hatches from a cocoon. It is already at its maximum size (not including artificial expansions, rebuilds or upgrades) and has a full range of natural and instinctive abilities, such as transformation or movement.

Medical units with appropriate training perform hygiene and initial examinations and clean up the cocoon's shell, which will later be recycled.

It's worth noting that there were places on Cybertron where emerging organisms were a large percentage of the whole lot. Maturation Centers* were placed there. They were in charge of taking care of the sparklings in the first months of life to detect developmental anomalies, censusing the hatchlings, bringing them into the system and giving them identification (usually numerical), and looking for suitable places to send the young ones, which would provide further care and upbringing.

[*Maturing in terms of physical independence and presence in the census and institute’s system.]

Cursory information about cocoons and protoforms.

TAKING CARE OF THE COCOON

If the cocoon nests in an unsafe place, with nutrient deficiencies in the soil or simply threatening to be trampled, the cocoon should be moved. The first choice should be to transplant to a relatively better, safer place.

However, if the cocoon shows signs of disease it should be quarantined. If it shows difficulty in extracting materials from the soil, it may be necessary to place it in an incubator.

A malnourished or diseased cocoon can be recognized by a dull color of the armor, slowing or stopping of growth or discoloration. The shade of the armor may go gray and/or become covered with pinkish or yellowish spots. The armor may weaken and delaminate, and the roots may wither. The body proper of the protoform (the blob inside armor) also becomes discolored, grayed or yellowed.

If the cocoon is not threatened by anything, it should be left alone, being checked from time to time.

SPARKLINGS

After hatching, sparklings are noted for their many colors, which are usually pastel or near-pastel. As they age, the colors mostly dim or are covered with another color of choice, for aesthetic, cultural or regulatory reasons.

Individuals with several colors appear, usually in ombre-like form. However, they are rare.

The colors of protoformal tissue, like the face, can range in grays (also called blues), reds or, in rare cases, golds.

Probable colors of optics can be found almost anywhere on the color wheel, usually in bright and light shades.

Behaviorism

Young sparklings precociously observe and analyze. They will stay still observing surroundings. At the beginning many of them will not show emotion with their body, face or voice, most likely because they are not yet familiar with function of this and action. If the phenomenon they are interested in moves, they will follow it with their gaze, but they will not move their head unless absolutely necessary. Their staring may be repulsive to some. Learning about the environment seems to take priority over learning about the extent of their own body and capabilities.

Sparklings have full control over their body, but as some actions are instinctive and already coded others must be learned.

When this perennially quiet period of their lives is over the so-called period of heightened activity usually begin, in varying intensity. Now that they've learned the basics from observance it's time for experimentation, experience and exploration, which usually manifests itself in sticking their noses where they shouldn't, touching what they shouldn't, dropping and throwing objects, entering strange, theoretically inaccessible spaces and the like.

For the young, vocalization is rarely the first choice for communication. Rather, they rely on the simple language of the electromagnetic field for their initial period of life, sometimes reaching far into the period of heightened activity. This contains the means for very simple communication and is often supported by body language.

Already at the moment of hatching, the Transformer has information about its alt-mode and the ability to transform. In most cases, it will use this only after it enters a period of heightened activity. The alt-mode information is one of the primal codes, analysis of them is one of the evidences of the evolution of Transformers.

UPBRINGING

The vast majority of offspring are raised in the brood, and raising them is a communal task. Typically, multiple caretakers take turns caring for them, sometimes fulfilling different upbringing functions. If a sparkling manifests unusual talent in a certain field, it may receive individual upbringing by a specialist(s) in that field. [An extension to the topic is planned.]

FROM ME

The colors of these scribbles are completely different on the laptop and on the phone, so I don't know if they are as I think they are. Sorry if I accidentally hurted anyone's eyes lol

#Transformers Cheesy Fan Continuity #TFCheesy #transformers #maccadam #worldbuilding #cybertronian biology #cybertronian culture #long post #sparkling #protoform #my things #plant babies lol

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streetkittyclaws · 2 years

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🍨🐅1st attempt @ vertical ombre french design🐅🍨

((using 04 and 14 from the Born Pretty dusty rose collection))

#self taught #manicure #nail art #cute nails #pretty nails #nails #gel polish #born pretty #born pretty gel polish #nail inspo #ombre #ombre nails #pink #brown #hand painted #gelx #gel manicure #vertical ombre nails #vertical ombre french nails

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maelstrom007 · 9 months

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I've got the @ghouljams Fae!au brainrot, and I needed to write more about my OC Mal. This time, featuring ghoul's OC Love, and Fae!Ghost. Thank you so much for letting me borrow them! I hope I do them justice, and they're not too out of character. While it's implied that Mal already knows Witch (I think their friendship started well before this) I thought this was an interesting way to bring Mal into the darlings and 141's sphere of influence.

I hope you enjoy!

Mal stood at the far wall of their crafting space, studying their old leather bound notebook. It was an account of every project they’d ever undertaken here at the shop, filled to the brim with notes. Currently, it was open to the last commission on their list for this quarter, someone wanting a garment that would fill them with confidence after a particularly difficult time in their life. Before them stood several cones of yellow and orange cotton that they had dyed with this intention in mind. Now to decide what it would become. Mal closed their eyes, imagining the customer in their head, how their shoulders had hunched and neck sunk involuntarily. They needed something to straighten up, bring some height back into their frame. A jacket would do them nice.

Mal took the cones to their warping board, a square frame with pegs hanging on the wall, and readied the yarn. Before they began Mal closed their eyes once again, taking deep breaths and pressing their bare feet firmly into the floor as they grounded themselves. Once they were settled, they imagined in their mind what their customer would look like in this new jacket. How their face would be full of warmth and joy, how much taller they would stand, the swagger and spring in their step as they walked. Mal let the feeling wash over them, filling themselves up with the giddy confidence. Full of energy, Mal began the warping process, tying an orange yarn to one peg and wrapping it around sequential pegs until it was as long as their fabric needed to be, then doubling back and following that same path back.

Maintaining this confident headspace Mal continued on, occasionally switching between colors to create a shimmering ombre across the warp. This warp will act as the vertical threads when they weave the fabric later on tonight. Already they could see the gentle halo radiating off of the threads as the intent gets buried deeper and deeper. By the end it’ll be radiant like the sun.

The slight jostle of someone attempting to open the front door made Mal accidentally skip a peg, breaking them out of their concentration. Immediately the halo of the current length they were working on dimmed, forcing them to backtrack and do their best to bring themselves back into the confident headspace. They didn’t really care if someone was at the door, there was no reason for anyone to be there and thus no reason to give them the time of day. Pick up was always reserved for the last week of the month, and they hadn’t pulled aside the heavy curtains hanging from the gutters that prevented humans from seeing the shop, and warned Fae from entering without an invitation. No, those get pulled when Mal’s commission list was empty and ready for new customers. Which it wasn’t.

The jostle returns again and only a well timed breath keeps the bubbling anger from making its way into the warp. They tied it off and stepped away with a sigh. They couldn’t afford to keep having their concentration disrupted by the mystery person at the door.

Opening the door reveals a girl, smiling brightly, “Hey, I think your doors locked.”

“It’s not,” Mal replies. Not in the physical sense anyway. Witch’s wards are strong and clever like that. Although they will have to check up on the curtains outside. Nobody should have been able to find their shop with them pulled shut, although now there was a clear section that was pulled to the side where the girl seemingly forced her way through. Those damn Moth’s were probably nibbling on it again.

The girl stares at them for a moment, as if expecting them to say more. Evidently the silence becomes too long as she presses on, “Aren’t you going to let me in?”

“Why would you want in?”

“Because you’re a business? And I’d like to do business here?” The exasperated look on the girl's face is enough to set Mal’s teeth on edge.

“Pushy aren’t you?”

“Yes. Now come on, I want to get something nice for my boyfriend and he’s going to pick me up any minute now.”

Something about the girl’s big, insistent eyes made Mal’s resolve crack, “Fine. You’ve caught me in an indulgent mood.” Mal turned around, walking back towards the counter, “What are you thinking of?”

When the girl didn’t immediately follow they turned around again, only to see her seemingly stuck mid stride, foot unable or unwilling to touch the hardwood floor of the storefront. Curious. The girl seemed perfectly human to them, but looks could be deceiving.

“You’re welcome in, for this transaction,” her foot fell with a solid thump, and she continued walking in as if nothing had happened.

“So I’d like to get something for my boyfriend.”

Mal settled in and flipped their notebook to a new page, “So you’ve said.”

“Yeah, well I know that he likes to cover up a lot, but recently his gloves have been falling apart and what with Winter coming up I don’t want his hands to be cold-”

As the girl talked, Mal kept a close eye on her chest, watching for any tethers that shone brighter than the others. Humans, and sometimes Fae, had a hard time deciding what their real intent was for a gift, and sifting through their tethers was always easier than getting it out of them through words. Except that the more this girl talked, the more her chest started to light up like a god damn christmas tree. She was tangled and pierced and snared on so many hooks it was almost distressing, and one in particular burned so bright it almost hurt Mal’s eyes to look at.

“Excuse me,” Mal interrupted her, “but may I?” they said, pointing towards the brightly glowing tether at the center of her chest.

“Uh, sure,” she said, slightly confused but trusting all the same.

Reaching out they gently snagged the tether with the tip of their pinky finger. Even with that small amount of contact all they could think of was LOVE LOVE LOVE. So much love, and passion, and desperation, and protectiveness.

Within the next second, Mal’s ears popped as air that used to be in the space behind the girl forcibly vacated in favor of someone apparating there in its place. Mal stumbled back, eyebrows raised in shock as the absolutely massive fucker came into focus. Piercing brown eyes peered out through a pale white skull mask, with one hand wrapping protectively around the girl's chest and the other landing solidly on the table creating an effective barrier between them and Mal.

“What’s wrong, Love?” The man's voice was deep, and although he was addressing the girl, (the capital L was obvious in his tone) his eyes never left Mal’s.

“Well I was going to get you a surprise gift, but I guess that’s not happening anymore.”

“Why were they touching you.”

Mal straightened, “I received permission, if that is your concern. I was only attempting to see what her true intent was for this gift.” Despite the way he was glaring, Mal could tell this man didn’t think they were a threat, at least not physically.

On closer inspection the guys gloves did look as if they were threadbare, ready to fall apart if a stiff breeze came through. He was fae, no doubt about it, and even his human form commanded respect. Mal could see the shimmery effect of the fae’s obscura, hinting at a much larger and much more. . .sinister silhouette. They could do better, break up the outline of his body like camo on a soldier's fatigues, but something told them that he wouldn’t appreciate being upsold at the moment.

“And what was my intention?” Love looked almost giddy to know, leaning over the counter top with a manic grin on her face.

Mal quickly looked between Love and the man, trying to gauge the pro’s and con’s of this whole interaction.

“Go on,” he said.

“Well, it seemed like Love here wanted to stake a claim on you. To possess and protect you as much as you do her.”

Like a seesaw, Love rocked backwards into the man's embrace, wrapping her arms up around his neck and giggling, “Yeah, I guess I am a little obsessed with you.”

For once he looked a little bit out of his depth, and once again Mal almost had to shield their eyes from the sun that seemed to light up between the two. Jesus these two were co dependent as all hell.

“So,” Mal said, desperate to get this conversation over with, “any design you want in particular?”

“Oh, right, I think his gloves should be dark black, with white details that look like finger and hand bones. And can you make them really warm and soft? Am I asking for too much? You’ll tell me if it’s too much right? Also-”

Mal dutifully took notes, not even attempting to get a word in edgewise as Love rambled on. Briefly looking up, Mal saw the masked man curled contentedly around and over top Love’s much smaller form like a mountain sized cat. It was hard to find him intimidating now that his eyes were full of love and adoration.

What a strange pair indeed.

#fae!ghost #ghouls fae!au #fae!au #oc: mal #maelstrom007 #maelstromsfic #cod mw2 #cod mwii #simon ghost riley #call of duty #I imagine that Mals energy and vibe #is really neutral when they're not crafting for something #they're basically like a vessel for intent #theres another version of this that's more angsty #where Mal doesn't get permission #and ends up getting a hook in them similar to when Konig went snooping on Love wayyyyy back when #i think i like this version better though #i hope you like it ghoullllllllllllll #cod fanfic

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operafantomet · 5 months

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Hello Anéa excuse me to bother you again but do you have pictures of korean star princess dress and boots is for my cosplay thank you

Oh yes indeed, both previous look 2001-2002, 2009-2010 (Australian/World Tour costumes) and current look (UK costumes).

For the Australian/World Tour costumes they wore short bodices with rounded tabs, bold colours in clear pink and blue, and blue bodice ruffle which transformed into small puffed sleeves. They were fully beaded with crystals and pearls in different sizes, and fan-shaped pearl fringe in front. The skirts were usually paler than the bodices, and not fully circular, and the top layer had a pattern or silver stars or silver flowers. The boots were baby blue with silver outlines. The tiara was fan shaped with small silver stars on top, and the mask on stick was transparent with shooting silver star, and a handle on the side.

Huh Jin Sul and Hye Kyoung Lee, 2001-2002:

Kim So Hyun, 2009:

Choi Hyun Joo, 2009:

In the 2023 production they wear UK based costumes, albeit without the top ombre pink layer. But the boldly coloured bodices are in the same shape and with similar decorations as the West End revival ones, meaning only vertical lines, and front-based appliquées and ruffles. The blue tiara with silver embroidery is also the same as West End, while the mask on stick is a silvery web-like structure with handle on the side instead of in the middle. The boots are bright blue and with silver outlines.

Here's Kwon Ga Min:

Song Eun Hye:

Son Ji Soo:

I hope that gave you what you were looking for!

#star princess #phantom of the opera #huh jin sul #hye kyoung lee #kim so hyun #choi hyun joo #kwon ga min #song eun hye #son ji soo #poto south korea #maria bjørnson

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doomhope · 11 months

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great news: as it turns out, i really love loom weaving! i just started but i'm already obsessed. i used this loom to knit a messy but cute little produce bag and the first piece shown below will be hopefully be finished and attached to the bottom of that bag tomorrow :)

[ID: Two woven textiles. The first is a round, flat, woven surface made from white twine. The edges are unfinished and it remains attached to a circle loom. The construction involves several bands radiating out from the center, formed by patterns of braids, knots, parallel strands, and strategic gaps and holes, and the layers all wrap around the center. The second textile shown in the last two images is a smaller, circular, bowl-shaped textile made of an ombre string in purple, blue, and white. This one is made up of many small bands radiating from the center, with no gaps - on the outside (image 2) it's mostly one smooth surface except for the very edge, which is braided, and the center, which is uneven and lumpy. On the inside (image 3) there are ridged vertical lines that connect the center to the edge, which is unfinished with many strings dangling from it. End ID]

#personal #my art #textile art #weaving

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maurosempre · 3 months

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