okay so:
the year is 2021. the month is june. the new season of hermitcraft, season 8, has just started, and everything is great! the hermits are all messing around, having fun, building insane things within the first week of the server being active, and generally having a good time. everyone's collected themselves into little factions, pranking each other, and it's all the fun, lighthearted, mostly-vanilla content hermitcraft is known for.
and then the split between minecraft versions 1.18 and 1.19 is announced. the delay of new terrain, and especially of new mobs like the warden, considerably disrupt several of the hermits' plans. but it's fine, they'll figure something out, they're professionals, and it mostly goes unnoticed.
about two weeks later, on november 9th, grian turns to mumbo jumbo in one of his episodes, and asks the famous question that would seal hermitcraft season 8's fate:
"mumbo, is the moon... big?"
suddenly, the fans panic. they search back through videos and streams, and realize that the moon had been abnormally large and stuck in a full-moon phase since october 30th. the Moon Big event has begun.
this is where the roleplay really starts. once the moon's size has been brought up, the hermits start a weird combination of scrambling to figure out why the moon's growing, and how to stop it- but also of ignoring it, hoping it won't be a problem, hoping someone else will deal with it. the moon keeps getting bigger, more hermits start realizing it's going on, and a creeping sense of dread starts to grow. but it's fine. it's fine, right? they do little plotlines like this all the time. they'll figure something out, the moon will go back to normal, and we'll laugh about it when this is all over. it's fine.
and then, blocks start flying away. just floating up out of the ground, and falling right back down! like for a moment, a square meter chunk of dirt has decided it's a ballerina and leaped out of the ground! but it's fine, right? the blocks are coming back. no lasting harm is done. they're going to fix it all... right?
the moon gets bigger. it's growing every day- local hermit weirdguy joe hills measures it every stream. the blocks start flying higher. gravity starts getting... weird, with players getting the slow falling effect at random, and being lifted off of the earth themselves. the players form cults and rituals and whatnot to try and appease the moon, convince it to leave them alone, making plans to escape. nothing works. things keep getting worse, and the moon keeps getting bigger. but it'll be fine. these storylines never leave lasting harm, or at least they never have before. they'll be fine.
and then the blocks stop coming back, just floating into the sky forever. the players have the slow falling effect more than they don't now. the moon is now so big it's visible even during the day, and fills the entire sky at night. they start planning their escapes in earnest, and say their goodbyes. some hermits jump into a void hole in the overworld (it was the centerpiece of their village). some flee to the End, some to the nether, some just fly with elytras and hope they can get far enough away in time. one brave hermit, tango, flies himself to the moon in a futile attempt to blow the whole thing up before it can crash.
but in the end, the moon crashes into the server, and everything they'd built was destroyed. and the whole time, there'd been nothing any of them could've done. season eight was over, a full six months before anyone had expected it to end, and season nine wouldn't start until about three months later. and im still not okay about it.
(here's a cool animatic of the moon's crash! honestly i dont think you need too much hermitcraft knowledge to get the gist)
(also the moon crash happened on the day before my birthday lmao.)
….
holy shit
725 notes
·
View notes
So I watched Glass Onion. And I have some very fun obversations turned info dumping turned (positive) ranting to do about the brilliance of this movie. Warning for SPOILERS
• Benoit Blancs husband (Phillip I belived) had flour/dough on his face when he opened the door, insinuating he's a messy baker. Just an extra detail I noticed that really shows the effort put into the movie both by actors and writers
• The very real incorporation of covid into the movies universe. That was an interesting thing for me. Adds for some funny gags (like the among us scene, not getting over that ever actually) and some real insight to the characters shitty personalities (Birdies mesh mask, and the fact that Miles was probably pretending to have a vaccine just so he could get them to take off their masks since that man never created anything on his own)
• This is probably my own mind spinning things up, but the name Miles for a billionaire who got everything through stealing ideas? And taking the credit? By "walking a mile in their shoes" but not really? Or he could just be an asshole with the most generic white guy name ever idk
• You could clearly tell there was a class thing going on. Birdie only stopped flirting with Blanc when he mentioned being a buyer of her product. Not as if to say, how I've seen other people point out, only gay men wear sweatpants so she suddenly decided she couldn't flirt with him oops my bad. Moreso, it was Blanc lying (or telling the truth, who knows maybe he does buy them) about wearing her brand simply so he can divide the line between them socially. As if to say, "I know you'll stop touching me if I clarify I'm not anywhere near your status. I am your target market. Something you don't give a second thought about." Between that and how Peg clearly didn't fit despute having hung around that group for 10 years as Birdies assitant, a lot of this movies positive and negative energy depended on who was interacting with who and if they were "good enough" for the others gaze
• I think a lot of people caught the symbolizm between all of the famous paintings being incorporated into the movie (Helen's smile at the end reminiscent of the Mona Lisa, Miles scream at the painting being destroyed a life like recreation of the painting Scream, everyone sitting at dinner like The Last Supper in multiple shots) but I thought it was worth mentioning again for the sheer brilliance
• Miles' tantrum he throws while calling Helen a child, despite her having been probably one of the most adult people in the entire movie. Mind you Miles was the same person who minutes ago was shaking in rage at his previous car—the very same car he had rode in to kill Andi in—smashing through his glass ceiling
• Plus, a rich guy with an all glass house barefoot? He truly belived nothing could ever go wrong in his perfect world; his perfect mic-mansion house. That nothing would be broken or shattered for him to potentially step on later. And I mean that both metaphorically and litteraly
492 notes
·
View notes
If you are looking for a great movie about isolation, love, generational trauma, space, and giant spider I really can’t recommend Spaceman (2024) enough
35 notes
·
View notes
There’s this ridiculous thing that I think is a big part of a lot of pre-egg-crack trans journeys and certainly was for me: “Just because I hate being a man and wish I could be a woman, or a totally different person, doesn’t make me trans, because I’m not already transitioned.” Which is absurd, but you invent ways to protect yourself from what will be a trauma. You’ve learned through subliminal and not-so-subliminal codes that your family or your friends or your culture are telling you, “Don’t blow up your life like that.” Repression, in this really sad way, is a survival mechanism. I don’t know that I would be alive if I had my egg crack in 1998 in my childhood bedroom. That would have been too dangerous a thing to realize about myself then.
[Making] the film was a very raw and scary journey toward becoming comfortable with myself as an artist. I always thought of myself as a “professional fan”: someone who could get really excited about other people’s art, but, for whatever reason, the idea of making my own art always felt shameful. The process of working on the film and saying to myself, “Yes, I’m trans, and I need to transition to have the life I need to live,” are all one thing. It happened while I was writing the script, and that is the shame I’m unpacking in this movie. When Casey first talks to JLB, she says, “For a lot of people, I know the change that you go through when you take the World’s Fair Challenge is a really big change, like you turn into a clown or an evil vampire”—these simple genre metaphors that we see in body horror movies. But Casey says about herself, “It’s not like that for me. It’s making me different. It’s making me bad.” And the word “bad” is a really important key to the film, because it’s not as simple as Casey role-playing the person she wishes she could be. She is expressing a part of herself that has a level of catharsis and autonomy denied to her in her IRL life, but she’s not at a stage yet where she can explore that outside of fiction and detangle that from feelings of disgust at herself.
Jane Schoenbrun speaking to Sam Bodrojan for Filmmaker, “Portal to Portal: Jane Schoenbrun on We’re All Going to the World’s Fair,” April 14, 2022.
1K notes
·
View notes
Happy Queer Media Monday!
Today: I Dream In Another Language (2017)
I watched this movie a few weeks ago, and it STUCK.
(Don Evaristo and Don Isauro just before their first interview to record Zikril together.)
I Dream in Another Language is a Mexican magic realism movie about the death of a culture. It documents the efforts of a linguist trying to save the (fictional) language Zikril, spoken only by three old indigenous people. When one of them dies, the studies come to a halt, as the other two, Don Evaristo and Don Isauro, have not spoken to each other in over fifty years and categorically refuse to have anything to do with each other. As he looks further into this, the linguist discovers that the real reason for this feud is their past relationship and an awful lot of internalized homophobia.
Zkril is an artificial language, created specially for this movie out of respect for the people who still speak the endangered and disappearing languages today. The fact that it has seemingly magic powers, and that its speakers appear to be living on after their death, clearly puts the story into the magic realism genre.
This is NOT a happy movie. The internalized homophobia part is no joke, and the main theme of course is the loss of a language, and the culture that comes with it.
But it damn sure is leaving an emotional impact.
I strongly suggest that everyone who is even vaguely interested in this subject read up about languages and language conservation. The Wikipedia page of this movie is as a good place to start as any, since there are related articles linked in the references list. I also would like to thank @celluloidrainbow for bringing this film to my attention.
Queer Media Monday is an action I started to talk about some important and/or interesting parts of our queer heritage, that people, especially young people who are only just beginning to discover the wealth of stories out there, should be aware of. Please feel free to join in on the fun and make your own posts about things you personally find important!
62 notes
·
View notes