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vietlad · 21 hours

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Sandra Oh in The Sympathizer (2024) - S01S02

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hotvintagepoll · 4 months

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Throwing in some more Fredric March propaganda because he is seriously SO hot in this movie: https://www.tumblr.com/vietlad/733886590196318208/fredric-march-in-dr-jekyll-and-mr-hyde-1931

Three hours left, it's very nearly tied:

Fredric March vs Lex Barker

#propaganda #fredric march

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byneddiedingo · 2 years

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The Tarnished Angels (Douglas Sirk, 1958) Cast: Rock Hudson, Dorothy Malone, Robert Stack, Jack Carson, Christopher Olsen, Robert Middleton, Alan Reed, Alexander Lockwood. Screenplay: George Zuckerman, based on a novel by William Faulkner. Cinematography: Irving Glassberg. Art direction: Alexander Golitzen, Alfred Sweeney. Music: Frank Skinner.

CinemaScope and black-and-white are an odd combination. The former was developed and premiered in 1953 as a way for exhibitors to give audiences something they couldn't find at home on their television sets, which were black-and-white. It was meant for color and spectacle, and hastened the making of films in color toward its now default status. But although Douglas Sirk was noted for his use of color, and although The Tarnished Angels has scenes that would have benefited from both color and the CinemaScope extra-wide screen, such as the Mardi Gras sequences and the airplane races, he chose to make the film in black-and-white. And it works: It imposes a kind of film noir chiaroscuro on the story, which could easily have devolved into yet another routine action melodrama. The Tarnished Angels was not well received by contemporary critics: Bosley Crowther in the New York Times called it "badly, cheaply written" and "abominably played." (It might be noted that Crowther wasn't paying too close attention to those abominable players: In his review he misidentifies Jack Carson as Jack Oakie.) Today, however, the film has benefited from the wholesale reevaluation of Sirk's oeuvre, and it feels like the work of a master, if one not always fully in control of his art. Sirk creates a shadowy milieu for the story of barnstorming pilots in the Depression, including the shabby interior of the apartment to which Devlin invites them. And there's a wonderfully creepy use of Mardi Gras masks as motifs. On the other hand, is there any way to excuse the ridiculously fake and exploitative scene in which Dorothy Malone is forced to dangle from a parachute against a process screen while an unseen wind machine blows up her skirts? None, except to blame it on the insistence of producer Albert Zugsmith, who followed up this film with a series of exploitation flicks starring Mamie Van Doren, like High School Confidential (Jack Arnold, 1958) and Sex Kittens Go to College (Zugsmith, 1960). But Sirk mostly managed to steer clear of Zugsmith's bad taste. It's true that Rock Hudson is miscast as the alcoholic, chain-smoking Times-Picayne reporter Burke Devlin, a part that demands someone who can look less healthy and strapping than Hudson does. But he gives one of his best performances, emphasizing Devlin's vulnerability. Sirk chose to use long takes in the scene in which Devlin delivers an impromptu eulogy to Roger Shumann in the newsroom, beginning drunkenly but gradually sobering as he warms to the topic. Hudson rises to the acting challenge beautifully. Malone doesn't allow the studio's determination to show off her legs to prevent her from also showing the weary, hard-bitten side of Laverne Shumann. Of the leads, I find Stack's performance the least satisfying: There's not enough ambiguity and conflict in Roger's decision to prostitute Laverne to Matt Ord so he can fly Ord's plane; as Stack plays him, Shumann just comes off as an irredeemably obsessive shit. The Tarnished Angels is based on Pylon, one of the lesser-known William Faulkner novels, but Faulkner reportedly said it was his favorite among all the films that have been made from his works. That's not saying a lot, I fear: Faulkner has been sadly mishandled by filmmakers. But judging it purely as a study of characters enduring what life throws at them, a favorite Faulknerian theme, the film stands on its own.

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#The Tarnished Angels #Douglas Sirk #Rock Hudson #Dorothy Malone

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vietlad · 13 days

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