if anyone needs some laughs, please look at this stupid comic i drew for v!mic and forgot about for ages
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Bonus:
Tsukauchi: So could you describe the villain for me?
Aizawa: he had blonde hair tied into a messy bun and had lots of sound related gear, his quirk is voice based and it was too dark to see his face clearly but i think he had a mustache and some sort of tattoo or marking on his face…healsohadveryprettyeyes.
Tsukauchi: what was that?
Aizawa: ahEm he had heterochromatic eyes.
MERRY XMASSSS!!! Heres my non xmas related gift to yall :D this comic doesn’t rly hav any plot cos it started as an action sequence prac but i promise i actually have sortof a plot for once :) hope yall enjoy!!!
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Next HS part, whoot whoot!
Hatstealer AU: Part 1 / Part 2 / Part 3 / Part 4 / Part 4.5 / Part 5 / Part 6 / Part 7 / Part 8 / Part 9 / Part 10 / Part 11
Rise and Fall of a Star
PLEASE DON'T REPOST
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" don't look at me that way. " (From Villain Mic <3)
He glared at his old friend, hands gripping his capture device. "How am I supposed to look at you? Aren't you at least a little bit ashamed in what you've become? In what you've thrown away?"
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I was working on this last year, but never finished it, and it’s still not finished, but I figured flats were good enough to post.
Everyone who does Villain! Present Mic is so quick to put this man in a suit of some kind which is not only boring as fuck, but also just not???? what hizashi??? would do???? I don’t even watch my hero academia and I know this man would put on the tackiest shit BECAUSE HE ALREADY DOES!!!
What’s the most evil genre of music? Rock, of course.
Design decisions under the cut
He has speakers on his neck piece in his regular costume, so I didn’t want to get rid of them, but I also needed to move them into something that fit with the aesthetic. What did people like back then for obnoxious rock costumes? Shoulder pads baby!
The straps aren’t so much for bondage as they are for any of his evil counterparts to snatch him out of the way in case someone tries to fight him in close range combat.
Everything else speaks to the aesthetic. The wrist bands were a must.. The animal print was a must and so was the crop top. Nothing screams old rock genre more than neon pink, tiger print, and spikes where you can fit ‘em.
Platform boots and tall mohawk are for MAXIMUM HEIGHT FOR MAXIMUM MAKING AN ENTRANCE. And also sunglasses so you can’t see how sad he looks when he fights Aizawa.
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you know, we talk a lot about characters and/or relationships (of all kinds) being 'doomed by the narrative' around here, and how haunting and gut-wrenching that can be, especially when it so often takes the form of death and destruction and tragedy.
and we should keep doing that, obviously. death and destruction and tragedy kick total ass.
however. can we please spare a thought for the clowns trapped in that same (burning) room?
after all, what is a comic relief character if not doomed by the narrative to always act like a buffoon despite any and all circumstances, all for the sake of relieving narrative tension?
how must it feel, to have everyone around you dropping dead, losing limbs, losing loved ones, and otherwise being on the receiving end of unending torment - and all you can do is stand there and prattle off another zinger at your allotted time?
and what if you lose a loved one yourself, o jester mine? what if - hear me out - you lose multiple loved ones? what if it never ends? what will you do then?
well, if you're lucky, you'll get to mourn for all five of the seconds you're allowed to before the size thirty shoes go back on and the narrative moves on to other, more plot-central characters.
if you're not - well. it's a good thing clown makeup is waterproof, isn't it?
anyway, shout out to all my comedy kings out there doomed to play perpetual funnyman to their more plot-central counterparts despite being in undeniably comparable pain. you may be doomed by the narrative, but you are beloved by me <3
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