[ID: pulp magazine illustration of a woman with two snarling wolves. Text reads "Inside you there are two wolves...wait--you got them out? hey, I don't want to get mauled, I'm gonna back away now" ]
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With Yellow Feathers In Their Hair
And Dresses Cut Down To There!
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Happy to share a special pulp influenced alternate cover card for Faridah Àbíké-Íyímídé's new book 'Ace of Spades'. This is an exclusive pre-order bonus! Faridah is an exceptional talent, so do yourselves a favour and scoop this book up! #aceofspades
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La Belle Fleur Sauvage (1989)
"I'll live yet to see him
Regret the dark hour
When he won, then neglected,
The frail wildwood flower"
- "Wildwood Flower," American folk song written by Maud Irving, best known as performed by Mother Maybelle Carter.
[Epigraph from La Belle Fleur Sauvage]
The fifth Strange Trails story is one of George Ranger Jonhson's most plain-cut romance novels. As he mentioned after the publication of Lullaby, he’d been wanting to write more “of tender things.”The story this time around comes to the patrons of George's Place from Remy Fusil, the Cajun Cowboy - a character who appears fairly little in the whole rest of GRJ's oeuvre, unless you believe certain theories of second identities (you'd be hard-pressed to find a character who doesn't have those!)
In retrospect, despite his seat in the hallowed pantheon of Strange Trails narrators, alongside such heavy-hitters as Frankie Lou and Buck Vernon, Fusil was a means to an end - that end being the introduction of Lee Green, who would play a major role in the whole rest of Johnson's works, develop from the sweet young flower of the Michigan woods she's portrayed as here, to, in the end of ends, that half-real eye-of-the-hurricane phantom haunting moonlit Mt. Monroe.
But we're getting two series ahead of ourselves. For now, in this book, GRJ deftly weaves together Remy and Lee's hesitant and, perhaps, a touch unreliably narrated romance, with the timeless legend of an unobtainable alpine flower - a legend that Remy swears is Cajun, but in other books we're told it might be Basque, or American folk. In other words, it's a story that comes from everywhere, and everyone. Maybe that's why this old tale's themes of obsessive pursuit ring through almost every page that GRJ ever set his pen to. Behind the kisses in the moonlight, there are always mountains unclimbable, withering flowers picked for ephemeral beauty once held, fools for love lying in the drifting snow, in the wind, lost in time and space, who'd give it all to pluck that fleur.
Oh yes, and we end with another cliffhanger. As Remy leans back in George's Place, having finished his tale of romance, he lights up a cigarette and a Bob Dylan tune comes on the jukebox. No one, he says, could ever challenge that his love was the purest. And then, to a galloping 4/4 beat, he hears footsteps approaching.
Keep following this blog for more insight into Johnson's work through the years.
May you live until you die!
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