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loneberry · 6 months

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Luchino Visconti, Death in Venice (1971)

#Morte a Venezia #film #luchino visconti #visconti #death in venice #thomas mann #literature #art

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hayaomiyazaki · 23 days

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Czech film poster for Death in Venice (1971) dir. Luchino Visconti. Art by Karel Lastovka.

#death in venice #visconti #queer cinema #op

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telefonamitra20anni · 12 days

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Esistenzialismo, alienazione, incongruenza.

Lo straniero.

Meursault è un uomo apatico e distaccato, un antieroe sociale, incapace di provare emozioni genuinamente profonde o di conformarsi a schemi dogmatici e labili consuetudini sociali. La sua indifferenza nei confronti degli eventi più cruciali della sua vita lo lascia inerme, inetto, conducendolo a compiere scelte del tutto discutibili, culminando nella sua condanna a morte per omicidio.

Marcello cattura in modo straordinario e fervente l'essenza di questo personaggio così complesso e controverso trasmettendo al pubblico la sua apatica freddezza, adornata da un' inquietante calma, anche dinnanzi alla tragedia e all'ingiustizia, contribuisce al dono di un contrasto acceso, sottolineando un tratto di fatua e delicata sensibilità.

Lo straniero è un excursus esplorativo attraverso temi profondi come l'alienazione, l'assurdità distopica della vita e la mancanza di senso nell'esistenza umana e delle sue discutibili convenzioni sociali, nei suoi confini emarginati in regole da perseguire, per porsi il "dovere di essere" perfino quello che non si sente di essere. Mersault, resta ben lontano da tutto questo, scegliendo distintamente di camminare controcorrente, trascinato, emarginato, inetto, a suo modo elucubrante di un concetto ben più semplice, più asciutto, avulso da ogni sovrastruttura esistenziale, del tutto conscio di non essere l'unico a permeare il ruolo di un uomo alienato in una convenzione sociale e morale.

#marcello mastroianni #movies #best actor #luchino visconti #visconti #telefonamitra20anni #film photography #mastroianni marcello #mastroianni #cinema italiano #cinema icons

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annoyingthemesong · 1 year

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SUBLIME CINEMA #641 - L’INNOCENTE

Visconti’s last film, made several years after a stroke which left him incapacitated, but no less intent on being productive with his work. His movies were rarely about ‘ordinary’ people - he loved over-the-top period pieces, aristocratic lifestyles, operatic tragedies and the rises and falls of family dynasties. His movies are things to behold.

Alain Delon was intended to be cast in this, but the actor had his reservations about working with Visconti while he was in such poor health - he would die the year this was finished.

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rachelmygod · 1 year

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Ossessione (Luchino Visconti, 1943)

#ossessione #Visconti #luchino visconti #neorealism #massimo girotti #clara calamai #james cain #1943

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prplocks · 2 months

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✧❁ wallpaper 〴 isidor visconti ˗ˏˋ ´ˎ˗

reblog if you save ➳

༶•┈┈┈┈┈┈୨♡୧┈┈┈┈┈•༶

#wallpapers #isidor visconti #visconti #isn't being a wicked woman much better #isn't being a wicked woman much better manhwa #isn't being a wicked woman much better manhua #manhwa #manhua #manhwa lockscreen #manhwa lockscreens #manhwa wallpaper #manhua lockscreen #manhua lockscreens #manhua edit

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federer7 · 1 year

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Rue Visconti, Paris 1954

Photo: Inge Morath

#Inge Morath #paris #1954 #visconti #Rue Visconti

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kingparsifal · 1 year

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youtube

dailymotion

#ludwig ii #movies #ludwig wittelsbach #bayern #king ludwig of bavaria #visconti #sabin tambrea #helmut berger #1955 #1973 #2012 #ludwig: requiem for a virgin king #sisi #elizabeth of austria #Youtube

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ciaossu-imagines · 2 months

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So, for Day 11 of the event, I’m using prompt 4, #88 for Katekyo Hitman Reborn. Instead of using the prompt verbatim, I’m kind of spinning off on a theme the prompt could suggest, so I’m going with which KHR characters might have issues with premature ejaculation!

“Did you just…finish?”

So, I will say that cumming really quickly is a very normal issue for a lot of men losing their virginities or when they’re just really starting to have sex. I do think this would ring true for a great many characters when they did lose their virginity, so I’m not factoring that into anything and the thoughts are more about who consistently does face the issue.

From the Arcobaleno, I do see this being an issue that Verde faces, not all the time, but regularly enough for it to affect him. It’s just that he honestly doesn’t routinely have sex. He can easily go months, even a year (sometimes even longer) between having sex and having sex for the first time after so long is something that does ensure he doesn’t last really long. However, he does try to make up for it by either ensuring his partner reaches orgasm before penetration or getting them off afterwards and he’d be game for trying things that would help with the issue, both in terms of toys or medications.

Small Gia also had that issue during life, and as Bermuda never lost his virginity, that would be a pretty big issue for him as well if he ever did.

Oh, I actually see this being a huge issue for Simora. He gets really frustrated with it and his wife actually had extramarital affairs because their sex life was so unsatisfying. It was the main source of anger in his life, especially as he did truly love her more than life itself, which is why he always forgave her. His Guardians? Not so much.

Visconti has this issue ONLY when he and his lover are separated for a while. It’s guaranteed that at least the first couple times of being with his lover again after having been sexually dry for at least a month, that he cums quick. However, he does last longer the more often he has sex and is capable of multiple rounds a night so his partner doesn’t really complain about it much.

While not exactly ‘premature ejaculation’, it’s stupidly easy to make Haru orgasm, sometimes to the point of squirting.

Mochida struggles with this throughout all of his adult life and he uses cock rings a lot to help with the issue.

Levi A Than definitely has premature ejaculation issues and while he wants to satisfy his partner, his own orgasm makes him so lethargic afterwards that he can have issues with it. He’s also really embarrassed about this sexual tendency of his so his partner bringing it up can often cause some issues and fighting. However, he is the type who really cannot bear the thought of losing his lover, so if it does become enough of an issue where he thinks his partner might leave him because of it, he is willing to put his own pride aside to try anything they want.

#unrequested prompts #katekyo hitman reborn #khr #khr headcanons #avalanche of spice #spicy headcanons #levi a than #haru miura #visconti #simora #vongola sesto #bermuda #small gia #verde #headcanons

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senso1954 · 2 years

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senso (1954), dir. visconti / the coherence of gothic conventions (1976), eve sedgwick / luchino visconti and the fabric of cinema (2021), joe mcelhaney

#raph.txt #senso #films #visconti #the veil

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detournementsmineurs · 6 months

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Silvana Mangano dans "Mort à Venise" de Luchino Visconti, 1971.

#films #style #hapeau #dentelle #perle #Mangano #Visconti #Mann

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postcard-from-the-past · 6 months

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Visconti street in the 6th district of Paris, France, during the 1910 Great Flood

French vintage postcard

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telefonamitra20anni · 7 months

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Marcello, andata e ritorno.

Marcello era la disintegritá morale, in una onestà perfettamente integrata in sé stessa. Era l'accettazione di un limite convenzionale, lo stupore infantile dinnanzi ad un errore, ad una sofferenza. Era l'ambigua emotività, alla ricerca di calore, di un istinto. Era il suo stesso istinto. Marcello non era il compromesso, la pazienza, il raziocigno e l'ostilità. Era l'esplosione costante, l'accettazione di un limite, il riconoscimento dello stesso. Era il viaggio e il ritorno, l'egoismo puerile e adulto, la furbizia bambina, era la sua meraviglia e il disincanto, la libertà. Marcello era il suo stesso schema, dove ci si rintanava per generosa vigliaccheria. Era l'osservatore acuto, il turista alla ricerca di se, e di mille altre cose, che nemmeno lui sapeva. Marcello era libertà gentile, inopportuna per la sua opportunità, come una nota stonata in un lento jazz ma opportunamente adeguata per fare la differenza. Era metà del peccato, e del peccatore aveva coscienza. Lui era quello a cui credeva, assenza vivace e presenza generosa. Marcello, era andata e ritorno perché nel mezzo c'è spazio aperto per l'attesa, alimento di istinto, passione, emotività, passività. Era fedeltà non canonica, dogmatica, antica. Era lucidità morale vestita da immoralità agli occhi altrui. Era cinismo felice, che scuote, contrasta, ammazza lo schema; dirompente nella sua apatia, era il giusto risultato di un equazione non risolta, rispiegata, rivista e rinnegata. Era contrasto acceso non lasciato al caso, il "si per sempre" a cui non credere, era la stoicità e la viltà, era un viaggio celebrale, seduttivo che si lascia fraintendere, era Edipo e la Sfinge, un mondo da attraversare con la leggerezza di un viandante che vorrebbe restare. Era l'abbandono e la rivolta, la meta a cui dava la scelta: prendere o lasciare.

"Accettami così come sono, la vita è una festa, viviamola insieme" cit. 8½