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#vogue editorial
fashiontimeless · a day ago
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La Dolce Vita Christy Turlington by Steven Meisel for Vogue US, December 1989
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gingerbaci · a day ago
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Pat Cleveland as Josephine Baker, photographed by Alan Kaplan for Vogue Italia, 1978 - via x
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luvsigil · a month ago
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Julia Fox for VOGUE Czechoslovakia
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skirtmag · 9 months ago
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frackowivk · 4 months ago
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adut akech and bella hadid for vogue us, april ‘22
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elevatedgothic · a month ago
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Abbey Lee Kershaw for Vogue Russia, 2019
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hfashionmess · 6 months ago
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Vogue China January 2022
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parasiteicons · 12 months ago
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like or reblog
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vogueasylum · 2 months ago
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imtiazsam · 3 months ago
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“Wild at Heart” US Vogue September 1991 shot by Peter Lindbergh.
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mulabby · 2 years ago
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“I’m a Black woman. I come from a Black woman, who came from a Black woman, who came from a Black woman and I’m going to give birth to a Black woman.” — Rihanna
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fashiontimeless · 5 months ago
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LA COUTURE NATURE, Devon Aoki and Lara Belmont by Satoshi Saïkusa for Vogue Paris, March 2000
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gingerbaci · 3 months ago
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A model wearing a mink coat and a jumpsuit by Emeric Partos entering a 1965 Cadillac de Ville. Photographed by Gene Laurents for Vogue, 1964 - via x
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newestcool · 2 months ago
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Naomi Campbell for Vogue Arabia November 2018 ‘’Naomi’s World’’ - Photographer Chris Colls Fashion Editor/Stylist Jenke Ahmed Tally Makeup Artist Pat McGrath Hair Stylist Ro Morgan IG
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skirtmag · 4 months ago
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skirtjournal · 5 months ago
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Whilst many may overlook fashion editorials or photographs of this nature, it is important to appraise their significance in communicating ideals and concepts in new and progressive ways of self-expression. These ideals always eventually become adopted by the greater public over time and become codes and symbols of everyday life. This adaptability is something we can all gain from, as many of us end up identifying personally with these ideals if they manage to resonate with us. This resonating aspect of expressions can only exist when these ideas are effectively communicated by the people who conceive and project them, such as models and photographers, highlighting the importance within the jobs of those who create these campaigns. The significance of their projects is undisputable, especially when the subjects of these campaigns can go on to be such familiar fixtures of our daily lives which we are okay with seeing on large billboards and magazines, etc. Edita Vilkeviciute is one such fixture. The essence of her work as a model communicate ideas which I can recognise or identify with. This is something I find to be a pleasurable and reassuring association. This is an association not as mush influenced by the visual element of these ideas, but a cultural/ conceptual connection that is often established by an engaging with a radical/idealised form of expression of these ideas. Therefore, there is an undisputable respect that can be attached to the work of a remarkable model such as Edita Vilkeviciute, who can project the ideals of several brand identities. It is incredible how she can be both understated and communicate many brand essences.
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lovelostfashionfound · 8 months ago
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Loane Normand - Vogue China May 2018
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