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#vogue november 2004
toohardontheknees · 1 month
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For Vogue Italia (November 2004) - selected clothes by Miu Miu, Prada Archive.
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voguefashion · 27 days
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Catherine Deneuve Vogue Covers
Vogue Paris, April 1962, by Helmut Newton Vogue Paris, October 1965, by David Bailey Vogue Paris, December 1966, by David Bailey American Vogue, April 1st 1967, by David Bailey Vogue Paris, March 1968, by David Bailey Vogue Paris, February 1969, by David Bailey Vogue Paris, August 1969, by Jeanloup Sieff American Vogue, February 1, 1971, by Just Jaeckin Vogue Paris, February 1972, by Helmut Newton Vogue Paris, November 1972, by Tony Kent Vogue Paris, September 1970, by Jeanloup Sieff Vogue Paris, October 1973, by Guy Bourdin Vogue Paris, October 1974, by Helmut Newton Vogue Paris, March 1976, by Helmut Newton Vogue Paris, November 1977, by Henry Clarke Vogue Germany, August 1981, by Tony Kent Vogue Paris, March 1984, by Albert Watson Vogue Germany, July 1984, by David Bailey Vogue Germany, August 1985, by David Bailey Vogue Paris, May 1991, by Peter Lindbergh Vogue Germany, February 1992, by Mario Testino Vogue Paris, December 2003/January 2004, by Mario Testino
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erasure-picnic · 2 months
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In honour of both Black History Month and the UK’s LGBT+ History Month, let’s shine a spotlight on a key figure in Erasure’s brilliant stage shows - Les Child!
Child has had a prolific and storied career, working as a dancer, choreographer, and innovator in the arts. He danced with several groundbreaking troupes throughout the ‘70s and 80s, and also founded some of his own–including House of Child, the UK’s first voguing group. In the ‘80s, he branched out into choreography for music videos, which brought him into pop star circles, and at the dawn of the ‘90s, he set his sights on live tours.
According to his CV on HeadNod Agency, the first tour Child ever choreographed was Erasure’s Wild! Tour (1989-1990). Child was fond of Erasure’s music, and told Private Ear in 1992 that “it makes life a lot easier when it comes to choreographing a show if you enjoy the music”. He would go on to do the choreography for The Tank, the Swan, and the Balloon (1992), Cowboy (1996-1997), and The Erasure Show (2005). Indeed, Child seems to have choreographed more tours for Erasure than for any other band or artist. He also starred in Erasure’s short film “Dr. Jekyll and Mistress Hyde” (2003), and forged an enduring friendship with Andy Bell.
Child’s work with Erasure is really special to me. His choreography is undeniably dazzling on its own, and the dancers deliver it with athleticism and aplomb. But I’d also argue that it adds to the music, making it even better. My favourite example is “Love to Hate You” from The Tank. In this performance--which Bell introduces as “the gayest of gay tangos”--two pairs grace the stage: one male-male, one female-female. By the end of the song, they’ve swapped partners multiple times. (Check out video 1 and video 2 to see this in action.) When I first saw this, I was charmed. It was unexpected, yet it seemed natural: a nod to the sexual fluidity that runs through Erasure’s music and art. I feel that Child truly got Erasure, knew what made them “them”, and made it sparkle.
SOURCES: Cover image and CV from Les Child’s page on HeadNod Agency (headnodagency.com). “Ear to the Ground”. Private Ear, Issue 11 (1992). Retrieved via a capture of the official Erasure website (Internet Archive). December 4, 2004. “Erasure - Dr Jekyll and Mistress Hyde (Directed By Vince Clarke)”. Original video from Erasure (Mute Records), 2003. Uploaded by Erasure Música y Amigos, retrieved via YouTube. “Life Drawing with Sue Tilley featuring Les Child as model and muse.” Uploaded by Sue Tilley, retrieved via YouTube, November 27, 2021. Staples, L. “From leather daddies to ‘Drag race’, dissecting the revolutionary history of the queer aesthetic.” British Vogue. July 24, 2021.
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venusimleder · 2 years
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Vogue Italia, November 2004.
Ph. Richard Burbridge
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tabitchitha · 1 year
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miu miu vogue italia november 2004
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arscriptura · 2 years
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Angela Lindvall and Erin Wasson, photographed by Mark Holgate for US Vogue November 2004 
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tilda1954 · 1 year
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If You Can't Beat Them, Influence Them
Alexandra Grant had her first solo gallery show in at least five years in 2019. (I'm being generous because her 2014 show in Texas, Century of the Self, did not include all new work, but was an expansion of work she has already shown with Honor Fraser in Los Angeles and elsewhere). She also announced that she would participate in the Marfa Invitational in April 2020 (postponed in the event to 2021 due to the pandemic).
These two events are linked, because Marfa is one of a number of art fairs that requires that artists who participate do so through their galleries - no gallery, no booth. And in fact, Grant's participation was in jeopardy for a period of time because Lowell Ryan Projects, the gallery that hosted the Antigone 3000 show, did not continue to represent Grant after it's close. Fortunately for Grant, Ochi Projects (where she had a personal connection) stepped in and represented her -- but only for the fair.
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This was in effect a relaunch for Grant - most of what she showed in solo or group shows or donated to auctions between her last Honor Fraser show, Bodies, in 2010, and 2019 was old work. Other things she lists as solo shows such as Interior Forest were in effect overseen by her but consisted of public participation drawings accumulated into a mural.
Effectively her public fine art career was on pause (assuming she was developing the new concept art for Antigone in the studio but not exhibiting) from 2010 to 2019. You can, however, see the work in the background of the Scott Lipps photos used to illustrate a Vogue Spain interview with Reeves (and Grant) in November 2016.
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The development of social media, and growth of new ways to promote your work, and your media profile advanced considerably in that decade. Grant used Facebook effectively to fund raise and promote her documentary, and the Love House, and now uses Instagram to promote all of her activity streams. (I posted a set of Tumblr screenshots of this article previously.)
You can find a fair number of her "dialogues" and "conversations on YouTube, and of course there are more and more on-line versions of existing news organizations, and stand-alone websites hungry for content. [For example: Gawker 2002, Facebook 2004, YouTube 2005, TMZ 2005, Twitter 2006, Instagram 2010] This use of live and recorded media goes back to at least 2013, when KCET did a series of programs focused on her 18th Street Residency.
I can almost hear you, dear reader, protesting: "But she's not really very good at it!" "But it's precisely the Internet that allows us to track the distortions and falsehoods that her public image is built from!" The point is not that she is an expert user of social media, if anything it seems clear that she could benefit from hiring a competent social media manager. The point is that she became aware of the potential for manipulating this new media environment to raise her public profile and marketability and appears to have opted out of the conventional art world career path in favor of manufacturing a person based on her "art philanthropy project" and association with an A-list actor.
The piece above seems to confirm that Grant's campaign to leverage an association with Reeves began as early as 2016. The writer basically argues that the "revelation" of a relationship beyond business partnership claimed by the press in November 2019 was no such thing -- that the photo shoot from the November 2016 Vogue Espana interview were already available to suggest that they were a couple. (Please forgive the awkward machine translation)
"For our part, we will only say that back in 2016 we already had the couple on our pages and that, since then, we follow Alexandra Grant through Instagram; A renowned and award-winning artist who explores the use of language in media such as painting, drawing, sculpture, film and photography to investigate ideas about translation, identity, uprooting or social responsibility. Hence, none of this has really caught us by surprise. If there is irrefutable proof that virality is nothing more than a pantomime, this is it. Because if you're a fan of Keanu, you already knew this."
(emphasis is the author's, not mine).
I'll look more closely at her claim -- that "this is irrefutable proof that virality is nothing more than a pantomime," in more detail in following posts. For now, let me make clear that while Ms. Valera's article is staking a claim for Vogue Espana's "scoop" about their relationship in 2016, I'll be laying out a claim that Vogue Espana's article is evidence that the pantomime is the relationship claims, not the reveal.
I've already analyzed the evolution of the story of their meeting and collaborations in an earlier blog post. For now, review the version pushed by Grant's British Vogue interview from March 2020.
Did it indeed, take someone "out of the ordinary" to break Reeve's isolation, or just someone who "gave herself permission" to engage in self-promotion using Reeves as her calling card.
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musedelsa · 1 year
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Mui Mui for Vogue Italia November 2004
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charlottee5 · 5 months
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10 Stars Who Flew The Flag For Sustainable Fashion In 2021
2021 has seen the fashion industry ramping up its efforts to reduce its impact on the planet. But it’s not just brands that are taking action, with a number of celebrities, too, flying the flag for sustainable fashion this year. Whether by wearing vintage or opting for an eco-minded designer, A-listers have a powerful role to play in influencing our shopping habits, and making conscious fashion the norm.
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Bella Hadid
Bella Hadid is well-known for her love of vintage, with her penchant for archival Jean Paul Gaultier, Comme des Garçons and Stella McCartney-era Chloé only continuing to grow this year. She’s also added some more unexpected brands into the mix, including a micro skirt from Noughties favourite Abercrombie & Fitch. 
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Kendall Jenner
Another JPG obsessive, Kendall Jenner has given us some of our favourite vintage looks of the year, including this printed sheer number by the French brand. The model is also a fan of eco-conscious brand Havre Studio, which restores and refits vintage men’s suits found at flea markets in Mexico City.
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Rihanna
From Chanel to Dior by John Galliano, Rihanna’s shown off a series of envy-inducing vintage pieces in 2021. She’s also continued to champion New York-born and London-based designer Conner Ives, who repurposes vintage jerseys and silk scarves as part of his approach.
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Angelina Jolie
Angelina Jolie is known for her environmental work, so it’s no surprise that the actor and activist has taken a conscious approach to her wardrobe this year. For a trip to Paris in July, she opted for looks from both Gabriela Hearst and Chloé, the latter of which gained B-Corp status this year. Later on, her children appeared on the red carpet wearing past looks from her wardrobe, including her 2014 Oscars gown.
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Emma Watson
Another star known for her environmental activism, Emma Watson has also championed a number of eco-minded brands this year. The actor wore an upcycled Harris Reed dress to the Earthshot Prize ceremony, while opting for an Emilia Wickstead look made using recycled yarn to meet Al Gore. Watson also later chose a full-look by Scandi upcycling brand Rave Review during Cop26, the United Nations climate conference, in November.
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Zendaya
Zendaya has delivered some of her best looks to date in 2021, including a series of vintage pieces – ranging from ’90s Versace to Noughties Roberto Cavalli. With the British Vogue October issue cover star revealing she’s creating an archive with stylist Law Roach, it just goes to show how a slice of fashion history can make a real statement on the red carpet.
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Timothée ChalametIt’s no secret that Timothée Chalamet sets the internet alight with every look he steps out in – which is why it’s great news that he’s been championing sustainably-focused brands. They include Stella McCartney, a favourite of his, as well as pieces from Prada’s Re-Nylon range – made from discarded fishing nets and other plastic waste.
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Lorde
Lorde showed her commitment to sustainable fashion by wearing not one but two eco-minded looks on the night of the Met Gala. First came the embellished separates by Emily Bode, which celebrated craft and featured charms, beads and pennies dating back to the 1890s. Then, there was the after-party dress by Collina Strada (a brand that she also chose for her “Solar Power” video).
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Jaime XieBling Empire star Jaime Xie made a point of wearing vintage during fashion month, including an instantly-recognisable sculpted dress from Balenciaga spring/summer 2008, a printed dress from ​​Versace’s menswear spring/summer 2005 collection, and a Dior spring/summer 2004 silk dress, from when the house was under the helm of John Galliano.
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The Duchess Of Cambridge
Arguably the most famous repeat-wearer out there, the Duchess of Cambridge chose to rewear two Jenny Packham gowns (including one that was a decade old) for her appearances at the Earthshot Award ceremony and Royal Variety Show this year. Away from the red carpet, Kate also championed sustainability, opting for a recycled vest from Ganni during Cop26, and a top-handle bag from British brand Tusting earlier on in the year.
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miu miu vogue italia november 2004
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Givenchy my brand research-
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Video links-
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Harvard referencing-
Mark Holgate. (March 10, 2004). Givenchy Fall 2004 Ready-to-Wear. [Online]. Vogue Runway. Available at: https://www.vogue.com/fashion-shows/fall-2004-ready-to-wear/givenchy [Accessed 21 November 2022].
Seunghee Suh. (2017). Memorable Looks for Givenchy. [Online]. allure. Last Updated: February 2. Available at: https://www.allure.com/gallery/most-memorable-givenchy-looks-riccardo-tisci [Accessed 21 November 2022].
Daniel Simon. (1998). Esther Canadas at the Givenchy show. [Photograph]. Paris: Alexander McQueen
Lewis Findley. (.). The History of Givenchy. [Online]. William George. Last Updated: .. Available at: https://www.williamgeorge.com/blog/the-history-of-givenchy [Accessed 21 November 2022].
François Guillot. (2004). The Givenchy Fall/Winter show. [Photograph]. Paris: Julien Macdonald.
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waterlilyfashions · 1 year
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Pierre Balmain and the Balmain House
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Harvard referencing:
Lebourg, C. (2020) “BALMAIN / CHRISTOPHE LEBOURG,” Pinterest. Available at: www.pinterest.fr/CLebourg/balmain-christophe-lebourg/ (Accessed: November 14, 2022).
St-Amand, K. (2016) Balmain - Weebly, BALMAIN. Available at: https://karinenstamand.weebly.com/uploads/2/6/0/3/26032481/marketing_-_collaboration_hm_x_balmain.pdf (Accessed: November 14, 2022).
Masetti, A. (2015) Model wearing a gown by Pierre Balmain for Vogue Paris, 1951, The Fashion Commentator. Available at: https://www.thefashioncommentator.com/2015/02/starry-dresses.html/model-wearing-a-gown-by-pierre-balmain-for-vogue-paris-1951 (Accessed: November 14, 2022).
Mckinny, K. (2021) “Pierre Balmain,” pinterest. Available at: https://www.pinterest.co.uk/pin/495325658986880997/ (Accessed: November 14, 2022).
Caldwell, P. (2019) “Lost in Vintage Fashion on Instagram: ‘Evening dress by Pierre,” pinterest. Available at: https://www.pinterest.co.uk/pin/18295942222261973/ (Accessed: November 14, 2022).
Elite, F. (2017) Christophe Decarnin, Fashion Elite. Available at: https://fashionelite.com/profile/christophe-decarnin/ (Accessed: November 14, 2022).
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kate-bashford · 1 year
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FAS3000 Reference list
Bjarnestam, Eva Atle. (2013) IKEA Design and Identity. Italy: Litopat S.p.A., pp. 82-83.
DB, Dora (2012) maurizio anzeri: embroidered photographs. Design Boom. Available at: https://www.designboom.com/art/maurizio-anzeri-embroidered-photographs/
[Accessed 13 October 2022]
Friedrich, Caspar D. (1822) Woman at a window. Berlin
Kokin, Lisa (unknown) Sewn Found Photos. Available at:  http://www.lisakokin.com/sewn-found-photos01.html [Accessed 19 October 2022]
Iabel, Gallery (2018) Jamie Reid No Feelings 1977. Available at: https://www.tate.org.uk/art/artworks/reid-no-feelings-t12836 [Accessed 25 October 2022]
Ormiston, Rosalind (2019) William Morris: Artist Craftsman Pioneer. New edn. Unknown: Flame Tree Illustrated
Slater, L (2005) Opening Skinner’s Box. Unknown: Bloomsbury Publishing PLC
Taylor, Rachel (2004) Bridget Riley Evoë 3. Available at: https://www.tate.org.uk/art/artworks/riley-evoe-3-t11753 [Accessed 29 September 2022]
Unknown (unknown) Cecil Beaton- an introduction. Available at: https://www.vam.ac.uk/articles/cecil-beaton-an-introduction [Accessed 22 September 2022]
Unknown (unknown) Linder. Available at: https://www.tate.org.uk/art/artists/linder-10844 [Accessed 11 October 2022]
Unknown, Product Stories 1970s. Available at: https://ikeamuseum.com/en/digital/the-story-of-ikea/1970-product-stories/ [Accessed 27 October 2022]
Willoughby, Allison (unknown) Allison Willoughby Available at:
https://www.alisonwilloughby.com/ [Accessed 3 October 2022]
Yamusangie, Joy (unknown) Blue Glass Fortunes. Available at: https://joyyamusangie.com/Blue-Glass-Fortunes [Accessed on 16 October 2022]
Yotka, Steff (2020) Harris Reed Is Harry Styles’s Secret Fashion Weapon—And They Can Be Yours Too. Vogue, November 2020
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venusimleder · 2 years
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Vogue Italia, November 2004.
Ph. Richard Burbridge
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