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#void mother
mysmilie · 8 months
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lassieposting · 6 months
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Concept:
Post-tadpole, Tav offers to help Astarion find a way to walk in the sun again, and she starts by going to different libraries and repositories and archives around the city to look for books that might be relevant. Astarion, obviously, has to stay in the rental room with the shutters closed during the daytime, so he can't come with her.
At some point, this takes her up to the posh part of the city, where the fancy ✨ scholarly ✨ archive is. She remembers most of the walk - it's not too far from the graveyard Astarion took her to, in the neighbourhood where he once used to live.
And like, it's never actually occurred to her that he could still have Actual Blood Relatives still living? It's not a topic she's ever thought to raise with him. But she has to sign in and out of the archive, and she just happens to notice the name three or four lines above hers: an initial and a surname she recognises.
Ancunín.
The same name from Astarion's gravestone.
A parent? A sibling?
A niece or nephew Astarion has never even met?
Thus begins a secondary quest of trying to reunite a broken family. Astarion is willing enough to talk about the few memories he still has of the thirty-nine years he had with his family before turning - a drop in the ocean compared to the 200 years spent suffering under Cazador - but he shuts down when she nudges him towards the likelihood that Mr & Mrs Ancunín are still alive. He retreats back behind the selfish, catty survivalist he was when she first met him and claims he has no interest in ever reconnecting. The pain in every clipped syllable says drop it, so she does.
But then he asks her, very quietly, several days later, what the initial was. He doesn't really react when she tells him - there's no obvious recognition, and he doesn't ask any follow-up questions or try to discuss it further. He just goes back to his book. She watches him out of the corner of her eye though, as she skim-reads her own giant tome of magical artifacts. A very long time goes by before she sees him turn a page.
For a good long while, the family issue gets put firmly on the back burner. They have other shit going on. Sometimes, it's following promising leads on a possible workaround for Astarion's sunlight allergy. Other times, it's the kind of ugly, ragged-edged breakdown that so often follows a period of relative safety and stability after a major trauma. He's been running in survival mode for two centuries, and now he's finally starting to feel secure enough for the rest of his mind to come back online, and all the trauma he couldn't handle at the time, all the pain and fear and tangled emotions survival mode was protecting him from, is catching up to him. During those sporadic episodes, trying to keep him from falling apart is her top priority and, well, time gets away from them and by the time he brings up his parents again, months or more have gone by, and they have a fairly good idea of what artifact of daywalking they need to find.
By the time it comes to actually meeting with them, still more months have passed, and they have already found it.
It's horrible, and heartwarming, and heartbreaking, and healing, and hurting, and so many other conflicting things that for a while - a long while - Tav doesn't know whether she actually did the right thing encouraging him to reach out to long-lost loved ones. It's a mess of moments that makes her heart ache for a dozen reasons. She finds out that Astarion looks most like his mother, but has his father's nose. She holds him for hours while he shakes and sobs into her shoulder because they never even left the city, they were here the whole time, and they never found him - and he's so angry and full of grief he doesn't know what to do with himself. She accompanies him to the home he was raised in, and the once-familiar surroundings jog memories he thought lost for good - he's glassy-eyed, recounting them to her, but she's fairly sure it's the good kind of glassy-eyed, so she doesn't mention it. She tries to make conversation at family dinner while he stares at his hands in his lap, dissociated, looking even more uncomfortable than she feels, utterly lost in a world that once fit him like a glove. There are a lot of feelings to try and mediate. They are all hurt, all damaged, all afraid, all looking for the ghost of a loved one in the face of a stranger.
But, eventually, there is a day where she overhears Astarion having a conversation with his father, and he sounds like himself - not the persona he puts on in public - and his father laughs at something he says in a way that's entertained rather than awkward. There is a day where his mother reaches out and he doesn't shake his head or step away - he lets her hug him goodbye. They have not slipped back into the graves they crawled out of in each other's lives - they are all very different people now - but they are learning new ways to fit together, and he seems to be pleased about it.
So she thinks, yeah, it was worth it.
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voidvendetta · 9 months
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I need to replace my heart with a boombox I need music in my bones right now 
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cloud-ya · 3 months
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we're not doing particularly okay guys
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kaymarie-bell · 10 months
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Diasomnia Spoilers
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Lilia is Silver's dad reveal (to Yuu and Grim)
The Knights mistake Silver for someone else ??? (👁👁)
Malleus' parents are called Levan and Malenoa
Prince Levan left some time ago and hasn't come back, so Lilia is in charge of protecting Malenoa and her egg (Malleus)
It should only take 2-3 years for a dragon egg to hatch...
If Lilia 300 years old during the war and the current one is 700, plus Malleus being only 178...does that mean that Malleus was inside the egg for over 200 years? 😭
Sebek is sad about Malleus growing up without his parents
Sebek starts to believe that if this reality allows Malleus parents to live and keep Silver and Lilia together, it's better to just stay there. He's almost taken by the darkness but Silver's necklace shines and saves him.
Silver talks him down and Sebek remembers that his true dream is to be a perfect vassal for Malleus
Sebek apologizes to Yuu and Grim for causing trouble and he finally uses our names
[from Lilia's new SSR] Maleficia raised Lilia because he was an orphan
Lilia was childhood friends with Malleus' parents
Lilia wasn't looking forward to babysitting Malleus. He didn't really like kids, and wasn't planning on having his own ever 😭😭😭
This update is making me so sad 😔
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pain-is-my-game · 1 year
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It's terrible knowing that if I ever show sadness or show anything emotion that's not positive towards anything whether it's my fault or not I'll either get blamed for it or told that my emotions are irrational.
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nenasspot · 11 months
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casting lee dohyun in the good bad mother is maybe one of the best castings ever... because put that man in a suit with his hair done and he's stern. he's powerful. he's undefeatable. he's 35.
but make him smile his dopey ass heartstrings-pulling wide smile with his hair down and he's young. he's meek. he's adorable and sweet. he's 7.
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lotus-pear · 2 months
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every single time a bsd artist forgets to draw chuuya’s belt choker or dazai’s bandages lives are lost
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rosedeleca · 1 year
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I love both the MC's in this game and I'm really sad that they can't both exist in the Canon at the same time
So in my head I've already crafted an au where Kafka and silver wolf find twin stellarons that freak out and start causing disasters if you try to separate them, like the only start destabilizing and causing problems around them if they're too far apart. So Kafka and silver use both the male and female receptacles and put the stellarons inside.(maybe one receptacle simply can't handle two stellarons at once)
Stelle and Caelus really don't like being separated for some mysterious reason, like if anyone tries they both woozy and anxious and they're not exactly sure why. They do bicker like siblings though and fight over trash like raccoons.
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panntofolaio · 11 months
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Tired of this body..
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soft-girl-musings · 2 months
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my mom doesn't like how stoic pedro is on my calendar, she tries so hard
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wingedblooms · 3 months
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Three sisters witches
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Thank you to @offtorivendell, @silverlinedeyes, and @psychologynerd for our discussions which inspired this theory. This is a Maasverse post, and as such, there may be spoilers for all Maas series. Please proceed with caution.
“All three sisters blessed by fate and gifted with powers…” (Amren, acosf)
The acotar series begins with three sisters: Feyre, Nesta, and Elain. Given their ironwood origins and the fact that Ironteeth witches in Erilea use it to carve their brooms, many of us suspect the sisters have witch heritage or are connected to witches in some way.
The room was large enough for a rickety dresser and the enormous ironwood bed we slept in. The sole remnant of our former wealth, it had been ordered as a wedding gift from my father to my mother. It was the bed in which we’d been born, and the bed in which my mother died. In all the painting I’d done to our house these past few years, I’d never touched it. (acotar)
In Midgard and Erilea, witches worship the Three-Faced Goddess, and she is sometimes conflated with Fate…
Again, Manon felt that ebb and flow in the world, that invisible current that some called Fate and some called the loom of the Three-Faced Goddess. (hof)
In this quote, Manon feels an invisible current that goes by different names. That current sounds a lot like Urd in Midgard, Wyrd in Erilea, and the divine trio (Mother, Cauldron, Fate/Forces That Be) in Prythian. All of which sound like different forms (usually three) of the same higher being. The Fae believe this being controls fate, including fated bonds. Bonds, like spells, are described in terms of threads. Does this being weave threads of fate together with her loom, like witches seem to believe? She (they?) appears to be inspired by the Norns of Norse mythology, one of which is named Urðr (Wyrd). Together, these wise women preside over fate. In some folklore and literature, they are considered witches, like the Three Witches or Wyrd (Weird) Sisters in Shakespeare’s Macbeth, who deliver a prophecy.
The Three-Faced Goddess is also known, albeit rarely, as the Three-Faced Mother:
Manon couldn’t look at them, couldn’t do anything but close her eyes and pray to the Darkness, to the Three-Faced Mother as she held her hands over the bleeding gashes. (koa)
I’ve talked about links between the Archerons, witches, Three-Faced Goddess, and divine trio (Mother, Cauldron, Fate) before, so this isn’t new, but something caught my attention when reviewing the text recently. Ironteeth witches believe that they return to the Three-Faced Goddess when they die, and they are reborn within her womb. It’s called the Mother’s Womb.
“We’ll collect the dead tomorrow,” Manon said, her voice low. “And burn them at moonrise.” As both Crochans and Ironteeth did. A full moon tomorrow—the Mother’s Womb. A good moon to be burned. To be returned to the Three-Faced Goddess, and reborn within that womb. (koa)
This belief reminded me of the three sisters’ rebirth, particularly Nesta and Elain. We gain insight into this experience in Nesta’s book:
In the beginning
And in the end
There was Darkness
And nothing more
She did not feel the cold as she sank into a sea that had no bottom, no horizon, no surface. But she felt the burning.
Immortality was not a serene youth.
[…]
They would pay. All of them.
Starting with this Cauldron.
Starting now.
She tore into the darkness with talons and teeth. Rent and cleaves and shredded.
And the dark eternity around her shuddered. Bucked. Thrashed.
She laughed as it recoiled. Laughed around the mouthful of raw power she ripped out and swallowed whole; laughed at the fistfuls of eternity she shoved into her heart, her veins.
[…]
Wrapped in black eternity, Nesta and the Cauldron twined, burning through the darkness like a newborn star. (acosf)
While Feyre is not reborn in the Cauldron, we do get insight into her experience. When telling the Bone Carver about what appeared to her after death, she said this:
But if he knew … I turned again to the boy-creature. “There was a choice—in Death,” I said.
[…]
“I knew,” I went on, “that I could drift away into the dark. And I chose to fight—to hold on for a bit longer. Yet I knew if I wanted, I could have faded. And maybe it would be a new world, a realm of rest and peace. But I wasn’t ready for it—not to go there alone. I knew there was something else waiting beyond that dark. Something good.”
[…]
“I knew there was no coming back from what I’d done,” I said, wondering if the blue flame in the Carver’s eyes might burn my ruined soul to ash. “And once I broke their curse, once I knew I’d saved them, I just wanted enough time to turn that dagger on myself. I only decided I wanted to live when she killed me, and I knew I had not finished whatever…whatever it was I’d been born to do.” (acomaf)
Feyre was broken, but she wasn’t finished with whatever it was she had been born to do. Nesta also chose to fight in the Cauldron like a warrior. When we finally get insight into Elain’s rebirth, I am willing to bet that she fought with her own brand of strength.
It’s clear the dark womb of the Three-Faced Goddess is the same divine trio (Mother, Cauldron, Fate) the Fae in Prythian worship. When discussing the sisters in acosf, Amren emphasizes, nothing is a fluke, and the Cauldron—like the invisible current Manon described—can influence others without their awareness, especially those it has reforged. The sisters are blessed by fate with immortality and rare gifts for a reason. What plans does it have for them, and who would it enlist to help them on their path?
“May the Immortal Light shine upon thee, sisters,” said the pale-robed young woman directly in our path. (acolyte, acotar)
From the beginning of the series, various religious influences have played a role in the sisters’ journey. Children of the Blessed are the first religious influence we see, and they are largely reviled as religious fanatics by humans. The acolyte who blesses the sisters wears pale blue robes like Fae priestesses, and it is this blessing that serves as foreshadowing for their immortal fate. The acolytes’ imitation of Fae priestesses also makes me wonder if they are part of the priestesses’ extensive spy network.
Like witches, Fae priestesses worship the divine trio, and in their full garb, they represent the Voice of the Cauldron:
Ianthe had shown me once what the panel looked like when down: only her nose and full, sensuous mouth visible. The Voice of the Cauldron. I’d found the image unsettling—that merely covering the upper part of her face had somehow turned the bright, cunning female into an effigy, into something Other. (acomaf)
Their powers stem from their rituals and they can be deadly, if desired:
Among the High Fae, the priestesses oversaw their ceremonies and rituals, recorded their histories and legends, and advised their lords and ladies in matters great and trivial. I hadn’t witnessed any magic from her, but when I’d asked Lucien, he’d frowned and said their magic was drawn from their ceremonies, and could be utterly lethal should they choose it. (acomaf)
It was a High Priestess who informed Hybern about Feyre’s sisters, leading to their eventual capture and rebirth. Hybern also possessed the Cauldron at the time—did it influence him and Ianthe, weave their actions like threads in a tapestry?
Lucien’s face had slackened. “She sold out—she sold out Feyre’s family. To you.”
I had told Ianthe everything about my sisters. She had asked. Asked who they were, where they lived. And I had been so stupid, so broken … I had fed her every detail.
“Sold out?” The king snorted. “Or saved from the shackles of mortal death? Ianthe suggested they were both strong-willed women, like their sister. No doubt they’ll survive. And prove to our queens it can be done. If one has the strength.” (acomaf)
According to the Bone Carver, dark makers created the Book of Breathings and used the Cauldron to make terrible things. The Book of Breathings can control or nullify the Cauldron, and because like calls to like, only someone who is Made can speak the spells and wield its power.
As three Made sisters with potential witch heritage, were the Archerons chosen to wield the divine trio's power, a Three-Faced Goddess in the flesh? Each sister is associated with a different kind of light, so could they be light makers? And is that ultimately what it means to be Starborn? Blessed by fate, their purpose written in the stars or woven into the Goddess's loom...
The weaver went on, "I have to create, or it was all for nothing. I have to create, or I will crumple with despair and never leave my bed. I have to create because I have no other way of voicing this." Her hand rested on her heart, and my eyes burned. "It is hard," the weaver said, her stare never leaving mine, "and it hurts, but if I were to stop, if I were to let this loom or spindle go silent..." She broke my gaze at last to look at her tapestry. "Then there would be no Hope shining in the Void." (acofas)
...to be threads of Hope shining in the Void.
In acosf, priestesses continue to remain directly in the sisters’ path. They help Nesta in various ways, including scrying and locating the Harp during their dusk ritual. It belongs to the Dread Trove and it is the Trove that Nesta uses to save Rhys, Feyre, and Nyx. Was the divine trio pulling the threads here as well, and if so, to what end? To help another world defeat an old enemy? Combat an ancient death-god and sorcerer? Bring peace and healing through a different sort of world?
Now that Nesta has tracked down three Trove objects, and we know the Cauldron can be used alongside them by those who are Made, it seems inevitable that we will see it again.
“Shall I tend to my little garden forever?” When Nesta flinched, Elain said, “You can’t have it both ways. You cannot resent my decision to lead a small, quiet life while also refusing to let me do anything greater.”
“Then go off on adventures,” Nesta said. “Go drink and fuck strangers. But stay away from the Cauldron.” (acosf)
In the original trilogy, we learn that the Cauldron gave Elain such powers and found her so lovely.
The Cauldron seemed to realize what she’d done, too, as his head thumped onto the mossy ground. That Elain … Elain had defended this thief. Elain, who it had gifted with such powers, found her so lovely it had wanted to give her something…It would not harm Elain, even in its hunt to reclaim what had been taken. (acowar)
Her story might bring us even closer to the divine trio, witches, and priestesses with her gift of Sight. Among the Ironteeth, Bluebloods were especially known for their connection to divine Sight and even had their own priestesses:
“I see now,” Manon said softly, “why my Blueblood sisters still worship you.”
“Do they, now?” The spider remained motionless, but the three behind her crept closer, silent and observing with their many dark eyes. “We can hardly recall the last time the Blueblood priestesses brought their sacrifices to our foothills. We do miss them.” (Manon to the valg spider, hof)
Like a Blueblood, Elain is different from her sisters. She has a different sort of strength. Manon comments that the Blueblood Matron, who represents the maiden aspect of the Three-Faced Goddess, is more priestess than warrior. Her heir, Petrah, is similar to Elain: she is gentle and caring and is rumored to have her head in the clouds. Their clan is full of oracles, mystics, zealots, and they supposedly require more iron to remain tethered to their world.
Elain’s connection to the Cauldron—marked by a mental, iron crown—mirrors her unique strengths and gifts.
She had no mental shields, no barriers. The gates to her mind … Solid iron, covered in vines of flowers—or it would have been. The blossoms were all sealed, sleeping buds tucked into tangles of leaves and thorns.
[…]
If Elain’s mental gates were those of a sleeping garden, Nesta’s…They belonged to an ancient fortress, sharp and brutal. The sort I imagined they once impaled people upon. (acowar)
Rather than a brutal ancient fortress (the Prison?), Elain’s iron crown is covered in vines and sleeping buds. It is peaceful and lovely and full of budding life. So, what might this mean for her role? With her oracular and mystic sight, Elain might be able to move and influence like the divine trio, a rose among the thorns. She could use her gifts, or the Cauldron itself (the flower of life), to weave threads of Hope through protection, healing, and creation. Both Feyre and Nesta have used raw magic to heal and create, weaving their own threads of Hope. Elain may also participate or learn a ritual in the dawn service to help her channel her powers. It’s no coincidence that we’re told about a dawn ritual called groundings before her story. Not when she is described like this:
But even the silence weighed too heavily, and though the shadows kept him company, as they always had, as they always would, he found himself leaving the room. Entering the foyer. Soft steps padded from under the stair archway, and there she was.
The Faelights gilded Elain’s unbound hair, making her glow like the sun at dawn. She halted, her breath catching in her throat. (Azriel’s bonus chapter)
And there she was, a vision of hope and healing, glowing like a new dawn during the longest night of the year.
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If you’re interested in related posts about Elain, the divine trio, witches, and Archerons, here are some of my favorites:
Murky Realm of Dreams (Elain's connections to oracles and mystics)
Seer. Wise Woman. Witch. (Elain’s connections to witches, shifting, sight, herbs and healing, rituals, etc.)
Forbidden Secrets (Elriel mapping the secrets of the sister peaks and healing the land)
Sister-Glass Caverns (Prythian’s underground caves behave like sister-glass)
A Rose in the Thorns (Elain moves like the Cauldron)
Elain and the Flower of Life (The Cauldron is the flower of life and Elain is a gardener on a larger scale)
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melouthechalk · 1 year
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Daily Desert Duo yippie
We have fluff
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And now angst too
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Mother Void: Stop dating my son, take that curse
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rewritingcanon · 3 months
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considering how attached scorp was to astoria, i feel like their relationship is HEINOUSLY under-explored by fandom. if anything astoria’s impact on scorp is just used as a minor plot device to give scorp some temporary angst in fics. which makes sense bcuz the cursed child play wasnt much better at making astoria seem like a fully fleshed out presence. but shes still there. yes, scorpius followed albus through time for him, but what was his first hope when coming back to his own timeline? was it about cedric? no, it was about her.
its not a leap at all to say that she was the person he loved most in his life at that stage, not albus or draco. she was his whole world the way only a mother can be, her kindness shines through him, her influence makes scorpius the character that he is and the personality that we love. and i feeeeel like fandom should be aware of that when writing scorpius’ character.
mmmm something something “when your mother is your first love you can search to the ends of the earth and never find any love comparable”
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cloud-ya · 11 months
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happy mother's day
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apollos-boyfriend · 2 months
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i think about it constantly but i’ll never get over the middle name system in (at least) america. you’re telling me you just pick whatever name you fucking want??? like some of them don’t even have a significance your parents just thought it sounded cute with your first name??? it literally haunts me it feels so lawless
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