some random linguist in the 21st century: weird… hey, did you know that the pet name ‘angel’ has really suspicious origins?
the demon crowley, eavesdropping, made everyone think it was a pet name on accident in 62 BC, nervously sweating:
972 notes
·
View notes
Sorry i got Jotaros big honkadoos on the brain recently also Jotonio has been on my brain like a tick thanks to eve indulging my ramblings and vision for them in my head. Tonio seeing this underweight muscle man and saying, not on my watch.Tonio sending Jotaros ass on a quests of a summer of healthy weight gain and mental healing
just a buncha big boys in my head, big fat hairy men in there whosaidthat
[Commission Prices][Etsy][Buy me a Kofi]
222 notes
·
View notes
funniest aa villains
1. kristoph gavin
-took him seven years and two attempts to poison ONE little girl. she doesnt even die
-one of the first sentences out of his mouth is what gets him convicted in turnabout trump bc he wanted to look smart
-dog called clam
2. manfred von karma
-announces his pin number to the courtroom
-retrained a parrot the night before a trial
-tases people in a police evidence room where there are definitely cameras. even funnier that he doesn't get caught but that ones mostly on phoenix for never mentioning it
-this isn't canon but I love how in the press buttons and talk playthrough his objection just devolves into a grunt
3. shelly de killer
-offers phoenix a job (as an assassin. in court.)
-gets excited to say classic kidnapping lines
-just all of the walkie talkie sprites i love them
1K notes
·
View notes
thoughts on hisui
I just need to verbalise
----------
I can't unsee a moment in the comic where Peach is running for her life, like, literally pegging it as fast and as far as she can go, barely dodging, even being clipped by attacks being fired off by something VERY persistent.
Her mind tracks back in the chaos of the moment to Plum, they would go running, it was always such a chore for Peach but she joined in to humour her, even though she wasnt built for that, and she'd hear Plum nag her that sometimes running away is your only option, fighting everything will get her hurt, or worse killed. Greys there saying his gears good, really good! But it can't block it all, and that Plum is right.
Peach should have listened to them, should have run more, built up her endurance to long distance sprinting, Plum always outran her on flat terrain, and here she was, once again nearly being outrun by something, no gear, no protection.
When she finally gets away, whatever luck falls upon her to escape in sort of one piece, she starts running every morning. plum was right. Grey was right. sometimes running is the only option. She could stand to learn that a little better.
This gives a glimpse into the things shes missing the most, confronted with her loved ones not being there, them being right and her accepting that now, the fear of dying in the past and not seeing them again. She can't let that happen.
Readers will get a rare peak at behind the veil, why fighting so hard has a purpose for her.
Eventually Rei joins in with her running every morning with her pokemon, he's like Plum, has a nack for it, long legs, and it takes him little time to gain the stamina, overtakes peach in a flat race after 4 months. She looks at him ahead of her on the trail they run, he'd looking back laughing, joyous, and she sees Plum and Grey in him.
Rei's warm and jolly like Grey, and cocky and speedy like Plum. It's a weird realisation that Peach's pulled someone so similar into her orbit.
It's that moment that she realises exactly why she'd kill for the kid.
115 notes
·
View notes
This is probably outside of your purview, but do you think the fights in RWBY have gotten worse, or just different from what came before?
i think there has been a shift away from tightly-choreographed showcase fights toward a more naturalistic approach prioritizing setting and character over rhythm and composition. whether or not this is aesthetically preferable is a matter of taste, but it is absolutely to the benefit of the narrative as a whole.
there’s this beat during the group fight vs tyrian in volume four where tyrian kicks ruby and her aura ripples out from the point of impact in such a way to create the illusion of deeper motion: it looks like her ribs buckling as that force moves through her body, it feels like we’re seeing this formidable new adversary break her fucking ribs after throwing JNR around like ragdolls. it isn’t shot with any particular artistry or stylistic finesse; the shot is instead lined up to emphasize the violence.
that serves a more important narrative purpose than aesthetics: it makes it believable that ruby just cowers in dread after taking this hit, it viscerally drives home how dangerous tyrian is, building tension, setting the stakes for the upcoming fight with qrow, and thus it also underscores the contrast between tyrian’s wild brutality and qrow’s discipline when they fight and qrow tips the scales not because he’s stronger but because he doesn’t let tyrian rattle him… it’s doing quite a lot of work for a mere handful of frames.
compare, say, the nevermore fight, which is beautifully shot and choreographed but doesn’t have a lot to say: ruby can plan elaborate tactics on the fly and communicate them to her team well enough to execute the whole thing flawlessly, and… that’s kind of it. RLR2 does all the narrative heavy lifting. and that’s fine, to be clear, because this is a point where the story is still setting up the board and introducing us to these characters.
but the nature of rwby as a story is that the fight scenes cannot stay that way. and this isn’t even a “monty/not monty” thing, you can see the experimentation with using fights as a medium to develop character and theme starting early in volume two: ruby calling out team attacks and narrating yang’s semblance during the mech fight, splitting up the team on the train so wby can each duel an opponent who represents their personal struggle*, doing the battle in breach as a sequence of character moments, etc.
(*weiss feels disgusted by what the SDC has become and wants to reclaim the schnee name -> she faces a white fang officer who loathes her for being a schnee; blake is torn up about not knowing how to solve all these big social problems and reeling with the emotional fallout of leaving adam’s white fang -> torchwick tries to push those buttons; yang feels rootless and hollow and worried her current outlook is unsustainable -> she has to fight somebody she literally cannot touch and her increasingly frustrated attempts to punch through get turned against her the instant she overextends.)
in early volume two it all feels a bit clunky and uncoordinated in part because the mech fight is still so stylized. the fights on the train and the battle in vale are less so; you still get those tightly-choreographed sequences, but balanced out with moments that are more raw and real—the fake-out “slow-motion killshot” that turns out to be just weiss’s time dilation catching up, followed by the lieutenant grabbing her face and yanking her out of the air, is a particularly effective example with the grapple being shot with the same intention as tyrian kicking ruby in the chest—and also just more grounded in who the characters are (weiss gets in trouble trying to be fancy, yang’s frustrated determination is both a strength and a weakness, blake takes torchwick down with brutal efficiency because she’s used to fighting people but she also lets him say his piece before knocking him out because that matters to her).
so like—waves hands—volume two sets the course that is followed in the latter volumes where the fights become increasingly less about style and more about substance. the style is very much still there, it’s just not The Main Event anymore. it’s garnish on fight scenes you can write robust character analysis about.
89 notes
·
View notes
My name is Liana Dimitrescu, at least my new name. I don't remember my old name. Not even my old life. I live with my mother and sisters in a castle in Romania, that's where I come from. Forever the age of 25. Forever young and bloodthirsty.
⸻ 𝐖𝐇𝐀𝐓 𝐇𝐀𝐏𝐏𝐄𝐍𝐄𝐃? ⸻
𝐉𝐔𝐑. Te voi face să suferi în moduri pe care mintea ta rea nu și-o poate imagina. 𝐈'𝐥𝐥 𝐬𝐥𝐢𝐜𝐞 𝐲𝐨𝐮𝐫 𝐭𝐡𝐫𝐨𝐚𝐭 𝐚𝐧𝐝 𝐬𝐭𝐮𝐟𝐟 𝐢𝐭 𝐰𝐢𝐭𝐡 𝐰𝐨𝐫𝐦𝐬.
84 notes
·
View notes