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#wanted to cool down with some comfort media podcast

flanaganfilm · 24 days

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howdy!! do you rewatch your own work? if so, how often? im wondering if it has the same "artist just sees faults with what they create" thing, or if youre able to appreciate past projects the way they deserve

I don't, typically... usually, by the time we're finished with post production, I've seen the thing so many times that I'm thrilled to stop watching it. I'm either sick of it, or just feeling like it doesn't belong to me anymore. There are other reasons, too - Hill House was a traumatic production for me, for example, I have a lot of complicated emotions woven into it, so I haven't felt ready to rewatch that one since before it aired. Maybe in a few more years.

Somewhat recently, I've revisited a few of the older movies with my eldest son, who is 13 now. He's basically as old as my career itself. We've watched Oculus, Hush, The Midnight Club (which he LOVED, proving it worked for our target audience) and Ouija: OOE together, and each of those screenings was a really cool experience. His reactions and questions were really fascinating, and I felt like I was able to see those movies anew through his eyes. That's the closest I've come to feeling like I was really seeing them, and that's only because so much time has gone by for those. I watched the Director's Cut of Doctor Sleep a few years back at the Stanley Hotel in Estes Park Colorado. It was part of a live NoSleep Podcast event, and that was the first time I'd seen that movie since it was released. It was also the first and only time I'd ever seen the Director's Cut with an audience. That was a really special screening and it meant a lot to me.

I haven't yet had the guts to revisit any of the TV series other than Midnight Club. As my kids get older, I'm sure I'll watch them all with them. The one I'm most excited to see is Midnight Mass, which remains my favorite of the shows. I haven't seen it since before it came out - I remember the last day of post on that show, watching down each episode with final mix and color. That's a series I wish I could actually watch like a viewer at home, and while I'll never truly be able to do that, I look forward to looking at it with some real distance.

There are a few of the older projects I'd be curious to watch now. I wonder how Absentia holds up - I was such a baby when we made that movie, and it's been so long. I imagine I could watch that today and have a really trippy experience. I also haven't revisited Before I Wake in a very long time, and I always really loved that script. The movie was a rough road, and my feelings were mixed by the time it finally found its finish line (Relativity Media really beat that one up), but that could also be a really interesting viewing experience at this stage of my career.

But generally, each of these movies is a journey, and once the journey is over it's tough to ever really go back. There's little point, and moving forward feels like a matter of survival. The "finished product" is only the tip of a large, deep, labyrinthian iceberg for me. It's impossible to only see what's on the surface, no matter how hard I try.

(Interesting side-note: The only exception I've found to this rule is The Life of Chuck. We just finished post production on the movie, and I've watched it dozens and dozens of times now - but I've never grown tired of it, not even a little bit. That movie is something special, and I am eager to watch it again - and again - and again. I don't know that I'll ever want distance from that one; in fact, watching it brings me a sense of joy, comfort, and safety.)

#midnight mass #the fall of the house of usher #the haunting of hill house #the midnight club #doctor sleep #the haunting of bly manor #ouija origin of evil #oculus #before i wake #absentia #ouija: origin of evil #gerald's game

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candlecoo-sideb-art · 7 months

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so who are these ocs? What’s going on with them? They seem pretty cool

Awe thank you!!!

These characters are for a project me and a friend has been discussing. It's still unnamed, definitely a work in progress and everything's subject to change (and has previously)! I'm hoping to make it into a podcast at some point or another media if I can't pull it off as a podcast.

The watered-down premise has to do with aspects of dreams, how they influence people and our perception. All wrapped up in a Sleep Study that is more then it appears to be.

I don't want to give too much away. But I can introduce you to the main cast;

From left to right we have Griffin, Furkan(Khan), Bo, Ophelia and Tou.

Each of them signs up for the study for different reasons and hoping to find a solution to their problems, but also because the study pays well!

Also cause I can I'm gonna give a fun fact about each of them!

Griffin spends more time perfecting his look than either of his sisters combined and is always late because of it.

Khan while looking like a snarky asshole is actually very kind and willing to help others, but he is still a bit of an asshole and is liable to complain.

Bo has a bit of a strained relationship with their family and spends alot of their time helping out at a community garden. Though won't admit to it unless they are comfortable with you.

Ophelia was terrified of the Disney film Alice in Wonderland as a child, and though she denies it, the film still makes her uneasy as an adult.

Tou may be the most put together now but she had quite a rocky period a few years back, but is now in a healthier state and happily married to her former neighbor Shirley with her son Marc.

I hope you enjoyed this lil sneak peak!

#unnamed project #digital art #my art #art #oc artwork #ocs #original content #original character #original art #my oc #my ocs #my characters #character art #character design #i absolutely adore these losers #they are so silly #i have more alternative outfits drawn out for each of them too but i dont want to make this post too long

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bettyfrommars · 2 days

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Squirrel (a Gutterballs story)

Eddie Munson x betty!Reader

A jump from modern day to the early 1990's when we meet a young, aspiring rockstar Eddie Munson at the heart of the Seattle grunge scene. I had the huge honor of being included in the Tattoo Cover-up Valentine's Day Special episode of Gutterballs by @dr-aculaaa and I'm still emotional about it, to be honest. This wee contribution is dedicated to Drac, as well as all of the Gutterballs friends I'm proud to know because of this fandom (coming for you, Daria.)

word count: 1.4k

18+, smoking weed, the term 'bitches' used affectionally, mention of heartbreak, allusions to mental illness, a supposed one-night stand that became more, mention of addiction, that one friend who can find anyone online, hurt/comfort. Reader (Betty) has a good friend named Shelby, which is actually my cat in real life.

------

You picked at the label of your beer, waiting impatiently for your friend to pull up something on her laptop.

It was the recent episode of Gutterballs that had spurred your Sherlock Holmes friend into action. You said something in passing about how it’d be impossible to find the rest of Eddie Munson’s lost loves that were mentioned on the infamous podcast, and then she’d lost sleep wanting to prove you wrong.

“So. Here’s Abi and Chelsea,” Shelby motioned for you to come and look over her shoulder. She clicked on search tabs one at a time, including one for Ashley, causing a melancholy smile to quiver at the side of your mouth. “Pretty,” you nodded. “Eddie always knew how to pick ‘em.”

“This one looks dangerous,” she pointed to Jo, adjusting her glasses. “They all seem totally cool, actually.”

You scanned the various results from her internet sleuthing. “Which one is that?”

“Oh, that’s Meg,” Shelby clicked on a social media profile, and then pulled up a video of a chef with purple hair preparing something on the morning show.

“Fuckin, Meg,” you said under your breath in your best Eddie voice.

“Doesn’t she own that restaurant in Chicago we couldn’t afford to go to?” Shelby pinched her joint from the ashtray and took a drag, enlarging photos from their menu, concentrating. “I wonder if they accept Groupon.”

You stealthily followed Abby on social media from your private account and planned to buy some of her watercolor paintings. Funny enough, you already knew Emily. The two of you had been part of a mutual friend group for years, and so when Eddie mentioned them being a bitch you had to snort a laugh because…yeah.

“Nice work, Columbo,” you patted Shelby’s shoulder. “You found all of them in under 24 hours. I shall make you a commemorative plaque out of dry macaroni.”

Checking her phone, your sleuth friend mumbled to herself as she went down a rabbit hole of social media comments.

“Not all,” she slipped her bottom lip through her teeth a few times. “Took me a while to find Rose, they go by a different name on social media. The drawings they do are badass, and they like that same actor you do, the one with the Minecraft head.”

“So, I’m the only one out of all of them who didn’t do anything with my life? Nice.”

“Hey,” she said in mock scorn. “I bet none of these bitches can say they’ve had absolutely every career that’s ever existed. It takes a special kind of ingenuity to change jobs every 6 months. Plus, you wrote and published a whole-ass novel.”

“It only sold 37 copies,” you muttered. “Ten of which were to you and mom.”

You held your breath after that, watching the screen, waiting for the one name you hadn’t been able to connect a face to yet, but instead, Shelby slumped on the barstool with a defeated sigh. “Daria might be the one that got away. Haven’t found even a crumb for who or where they might be.”

“Damn,” you said softly. …where are you, Strigoi?

“How does Eddie even pull partners this hot?” Shelby asked, turning to dig for her Visine. “Wasn’t he the one who bragged about being able to burp the alphabet?”

Laughter bubbled in your throat at the memory; the type of laugh that immediately made tears burst from your eyes. You wiped your face in a way that was more of a slap and turned to stare at the gloom settling into the pines outside the window.

“He has a way about him I suppose.”

“I think you should call him,” she blurted, offering you a hit off the purple kush, but you waved her off. “If only to figure out the Daria mystery.”

“Oh yeah? Just call him? Just like that? Oh, hey Eddie I know it’s been almost three decades, but what’s new?”

“I mean, sounds legit to me.”

Remember those rainy days, Squirrel? Remember…

You tossed and turned early the next morning, reaching for your phone to scroll and help push away intrusive thoughts. How many things you’d fucked up, how many friends you’d lost to time and death and sloppy choices.

Maybe not all was lost…

Seattle, early 1990’s

“My lady is here with us tonight,” Eddie rumbled into the mic, gesturing to you from where he stood on that rickety old stage in front of a rowdy crowd at The Crocodile Cafe. Alice in Chains had played there, as well as Mother Love Bone and Mudhoney, back before they were household names. “This next one's for her.”

From your seat at the bar, you locked eyes with him, beaming with pride, but also shaking your head. “I hate you,” mouthing the words made his dimpled grin grow wider.

“Betty Spaghetti…. My beautiful Aquarius twin.”

The ink on your matching Aquarius glyph tattoos were still covered in Aquaphor that night. You’d spent the past two weeks trying to figure out how this chatty Indiana boy had managed to become a permanent fixture in your life.

“I don’t want anything serious,” you’d said into his mouth while your hands were all over each other in the dive bar bathroom the first time you met. Bonding over booze, blow, and the shared trauma of losing a parent, you recognized that emptiness mirrored in each other and wanted to fill it.

“Cool, neither do I,” he mumbled, shoving his jeans down his hips.

But he’d been lying through his teeth, and he confessed that to you a month later down on the wharf, handing over a little squirrel made of shells from the pocket of his leather jacket. He’d been sneaky and bought it at Ye Olde Curiosity Shop, a place the two of you liked to go to visit the mummified remains of a dude named Sylvester.

There was no major foundation for giving him the nickname Squirrel, one day it just happened. He was on the couch in his boxers, stoned out of his gourd, shoveling pretzels into his mouth at such a manic rate that his cheeks looked like they were about to burst.

“So, you knew I was the one back then? In a dark bar after 8 shots?”

He looped his arm with yours as you walked. “Uh-huh, still do,” he leaned in closer. “Still do.”

At that moment, during those days, you worried that you wouldn’t be able to breathe without him. You were both so young, too young to fully comprehend the impact of that time in your life in later years, or what a trauma bond even was.

But then the day came that you’d come to realize would always arrive for you eventually, and that was the time to move on: to other experiences, other people.

You didn’t know at the time that it could be done any other way, and so you made a real mess of things.

He made several attempts to get in touch with you, including the time years later when he found out from your mom that you were in rehab. He wrote to you, but you never wrote back, never returned his calls.

He wasn’t trying to stir up the old flames or get back together; by then, that ship had sailed, and the Eddie Munson you knew never stayed single for long. But he did want you to know that you weren’t alone, that you would always have a friend in him. That he’d meant it when he said he’d always care about you.

Returning to the current reality, you chewed at your thumbnail, staring at the phone number Shelby had written down for you on a yellow legal pad. How she’d managed to get a hold of Eddie Munson’s private cell number, you’d never know.

You were about to end the call after the second ring, flustered, thinking it would be better to send a text, when just then—- he answered.

Eddie recognized the area code, but never thought in a million years that it would be…

“H-hey Squirrel, it’s me.”

Dead silence made your heart flop. Maybe you should say it’s a wrong number, maybe this was a mistake. What if he considered you a lost love, but he no longer wanted anything to do with you? He did cover up the tattoo, after all.

“Well, well, if it isn’t my Betty Fuckin’ Spaghetti,” you could hear the joy in his voice, could hear his wide smile cracking into seasoned laugh lines. “I’ve missed the shit outta you.”

#Eddie Munson #Eddie Munson fanfic #Gutterballs

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solkatts-svenska · 8 months

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Hej! Hur mår du? I'm trying to learn swedish for my partner, would you happen to have any tips? Babbel is very useful, but I loved your blog so much I scrolled all the way to the bottom last night so I wanted to ask you. Tack (so? Sa?) Tack sa mycke!

Hej, tack så jättemycket för dina snälla ord! :) I’m really glad if you liked my blog.

I’m not sure I can give much useful advice, but I’ll do my best to describe what worked for me. So, here’s how I’ve been teaching myself Swedish:

I used several grammar reference books at the same time, to get a fuller overview of the language + get to do as many exercises as possible haha. The ones I used were the Routledge essential grammar and comprehensive grammar (as well as one in my own native language but well, that probably won’t be useful to you…). They’re all available as pdfs online. I would pick a grammar topic, scan all my books and do an additional internet search if necessary to compile and condense the information in my notes, then do some exercises. Initially I tried to do one or more topics every day but then found it more productive to alternate “grammar days” with “vocabulary days”

Speaking of which, I approached vocab in a similar way in the beginning: pick a topic, like colours or numerals or body parts, make a list and cram it. For adjectives, I found it an efficient strategy to learn them in pairs of antonyms

I kept a diary in Swedish for some time, which was helpful because that way I learnt and used specific vocabulary relevant to me and my life

I started reading, watching and listening stuff in Swedish quite early on, which I highly recommend to get comfortable with the language. To translate new words, I tried to refer to a monolingual Swedish dictionary as much as possible. Note: I could post a list of particular podcasts/YouTube channels/news resources etc that I liked if you guys want me too! But obviously it largely boils down to what you’re interested in.

Related to the previous point, I follow both teachers of Swedish and Swedish natives on social media to increase immersion

Good old Duolingo was rather nice, especially early on, to get the basic vocab and some grammar down

Quizlet and thematic Tumblr vocab lists proved rather useful too, especially when I wasn’t too lazy to review them

+ Some cool resources I use for Swedish as well as other languages:

Omniglot (a great place to start with any language: basic info + resources)

Glosbe (Reverso context but make it better)

obviously, Wiktionary (useful to look up declensions)

Last but not least, I encourage my followers to add their tips too!

Jag hoppas att det hjälper dig :)

#ask #language learning #language learning tips #svenska #swedish #swedish langblr

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aurumacadicus · 10 months

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A bit ago you asked for podcast app recommendations. Do you have any recommendations for podcasts to listen to?

These are all the ones I listen to, I'll add a little summary for each one if that's alright.

Stuff You Missed in History Class: This podcast has been going for over a decade, starting in 2008. The format has changed since its inception and honestly, you don't need to go through the entire playlist (unless you want to!). Each episode is about a certain event, figure, or theme from history with show notes that cite their sources, and the hosts are very upfront about where and how they got their information. Some of these subjects are two-parters, but that's the exception and not the rule mostly. I enjoy learning about new things from history or, if I know the bare basics of them, I enjoy learning more in depth information. My suggestion is to just scroll through and see what topic interests you.

Criminalia: This is another history podcast, but each season focuses on a certain type of crime, with each episode focusing on someone in that theme. At the end of each episode, the hosts also make up a cocktail and mocktail inspired by the subject that day. (The first two seasons don't have mocktails because they only realized how popular a non-alcoholic version would be after season three where they made mocktails to go with the "imposter" theme and they got really good feedback about it.) Some of the seasons are hit or miss for me, but even if I don't necessarily like the theme, the episode is still good to listen to from a learning standpoint.

DNA: ID: One of my true crime podcasts. I like this one because it focuses more on how DNA testing has solved cold cases using genetic genealogy. I also appreciate that the host doesn't use full names to protect the privacy of a lot of people in the story. She uses full names for victims and perpetrators, and some family, but people who turned out not to be involved in the case are given initials. My only beef is that she does so much research on the cases, but she doesn't extend that to learning how to pronounce some non-English names. However, otherwise, she does treat each case with a lot of gravity and respect, so. Idk. She's recently started interspersing solved cases with cases seeking more information on recently identified Does so that's pretty cool.

Dear Hank & John: It's a comedy podcast about death, where two brothers give you dubious advice and bring you all the news about both Mars and AFC Wimbledon. They're currently on a "we'll update if Hank feels like it" schedule because Hank is currently going through chemotherapy but they have 372 episodes to tide you over in the meantime. I enjoy it a lot because I enjoy the Green brothers' sense of humor, and on the occasions that one of the brothers is away for something, their guest host is always interesting.

Good Assassins: Part historical, part true crime. I've only just started this one so I'm gonna copy and paste the summary because I don't think otherwise I would do it justice: A spy story. A detective case. The mission was simple: to arrange the death of one man. The goal was to send a message to all Nazi fugitives around the world: "we can find you and we can kill you." This is the true story of an undercover mission to hunt down a savage Nazi murderer who helped Hitler’s forces kill 30,000 men, women, and children. The survivors gave him a name after the Holocaust: The Butcher of Latvia. The spies would travel halfway around the world to carry out the sentence. The mission wasn’t for one life. It was for 6 million.

Welcome to Night Vale: This was the first queer media I consumed since I watched Tara die in BtVS. I was tired of kill your gays so I simply didn't consume any queer content. This show simultaneously healed me and hollowed me out for all the other shows that could have been this good. I like each story line, I like the additional novels, and I like the weather. This is my comfort show. I start it from the beginning every time I catch up to the recent updates.

Good Morning Night Vale: The official recap show of WtNV. It's hosted by Meg Bashwiner (she voices Deb, a sentient patch of haze), Symphony Sanders (she voices Tamika Flynn, the former teenage militia leader, current City Counsel member), and Hal Lublin (he voices Steve Carlsberg, Cecil's brother-in-law). I feel like I'm hanging out with friends talking about Night Vale when I listen to it. :) I think if you like recap shows, it's a good one.

The Murder Chronicles: Ngl I started this in season one where it was called The Shadow Girls, which I started because it was advertised as a deep dive into the Green River Killer's victims instead of just being about him. I was interested because the host was in the same age range as GRK's victims and she talks extensively about how scary it was for girls her age at the time. She also goes into how the police failed the victims and why, and also how it affected her. It also has a push for one of the victims to get the reward she was promised for turning Ridgway in. It felt like a cause. The second season is more about other true crimes which is... fine. Doesn't have the same heart that the first season did, but does include interviews with the detectives who worked on the cases, though, which I find interesting. Idk it's not really doing much for me anymore so I might drop it.

Scene of the Crime: Delphi: This is a podcast that (ostensibly) focuses on one case per season, but it's literally just one season and then a ton of advertisements from other podcasts from their company. That being said, they went forward with the families' permission, including numbers for people to leave tips to the police. Since they have the permission of the family (and interviews with some family members, even) it's one of the few that I'm comfortable with. That being said, I'm only subscribed to it still in case there's another update in the case. They don't seem to have published any episodes in a while.

These are the ones I listen to on Amazon Music, which are all true crime:

Cold: It's a narrative podcast focused on missing persons cases. It's got three seasons-- Season one is about Susan Powell, season two is about Joyce Yost, and season three is about Sheree Warren. They're well-researched and use recordings from the victims/perpetrators which is very interesting. The host seems to have permission from the families (at least the first season seems so) but even if he didn't, he doesn't make emotionally charged statements. He states the facts. I'd even go so far as to say the most emotion he ever shows is when he talks about why Susan Powell's case means so much to him.

Suspect: It's an investigative series about mislaid justice and the kinds of weighty decisions that detectives, lawyers, and jurors make every day - decisions that, once made, are almost impossible to reverse. Both of these seasons are incredibly interesting, including interviews with people involved in the cases. There hasn't been a new episode since February, but it's still a good show to go back to, I think.

Killer Psyche Daily: This podcast is hosted by former FBI profiler Candice DeLong, who I'd actually heard of (worked on the Unabomber case). It's a short, daily podcast (tenish minutes per podcast) where she draws on her years of experience to break down current criminal cases for laymen to understand, look back on historic crimes, and share insight on how the mind of a killer works. On one hand, it definitely errs on the side of police. However, she was also law enforcement, so it makes sense and doesn't really annoy me. On the other hand, she also has a lot of insight on the psychology of criminals, and she has guests on regularly who also have a lot of information to add to current cases who don't come across as pro-police.

There are a handful of others that I've listened to on and off but obviously they haven't really stuck with me.

#aurumacadicus answers #areufingkidding #podcasts

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chamerionwrites · 5 months

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Tag Nine People You'd Like To Get To Know Better

FAVOURITE COLOUR(s): Rusty red-orange, deep cool spruce green, bright cobalt blue, wine red, the various shades of slate green/grey/blue.

FAVOURITE FLAVOUR(s): Weirdly difficult question, in that what I think I most enjoy about food is the way that different flavors and textures complement each other to become more than the sum of their parts. But I am a huge fan of deep rich fruity-savory umami (sundried tomatoes, a great red chile sauce, things braised in red wine) as well as absolutely any kind of citrus or fresh herbs.

Also, while this isn't exactly one thing and it might be simpler just to say that I like strong flavors, I fall firmly into the These Are A Few Of My Favorite Things camp on a lot of polarizingly funky/briny things (smoked salmon, goat cheese, blue cheese, olives, anchovies, preserved lemons, etc).

Also the taste+aroma of both fresh bread and corn tortillas hot off the comal is imo the human equivalent of catnip, ie "provokes immoderate feral delight on some bizarrely primal level."

FAVOURITE MUSIC: The very sexy Bermuda Triangle where blues/rock/folk bleed into and/or influence one another. Anything else that takes my fancy, including but not limited to a lot of soul, post-punk, and highly danceable salsa or big band swing stuff. Sad jazz. Gratuitously melancholy strings. Great lyrics, great harmonies, deep rich vocals.

FAVOURITE MOVIE(s): I have never in my life been able to pick one favorite book, but Pan's Labyrinth is easily my favorite movie.

FAVOURITE BOOK(s): This is the impossible question to me but The Periodic Table, Signs Preceding The End of The World, The Things They Carried, The Little Drummer Girl, and everything Arundhati Roy has ever written are all on the list somewhere.

FAVOURITE SERIES(es): The Same Sky is exquisitely good and The Night Manager is my id-stroking comfort rewatch. I also loved Andor and the first season of Hannibal.

LAST SONG: I was just going through this tag earlier.

LAST SERIES: Thanks to holiday craft fair season I have had zero ability to do longform TV anytime within the last few months. (Also, frankly, multi-season TV series are the one of the most difficult media formats for my brain to engage with; it's a fantastic storytelling medium when done well, but I personally have a much harder time sitting down for two hours of TV than for two hours of reading and thus getting started often feels like a huge commitment. I am really a 3-6 eps and done miniseries person at heart.)

That said I am a big podcasts-while-working person and I've been listening to a lot of Friends At The Table and Bad Gays recently.

LAST MOVIE: The Wind That Shakes The Barley, which has been on the Somehow I've Never Seen This And I Really Should list for a while. It has promptly been moved to the OFC It's Possible To Make A War Movie That Doesn't Glorify War, Y'all Are Just Fools And Cowards list.

CURRENTLY READING: ...I have to admit that I'm re-reading Kissinger's Shadow (to Mark The Occasion).

CURRENTLY WATCHING: Nothing (see above), though I have ambitions of giving Black Sails a shot.

CURRENTLY WORKING ON: The sketching stage of some linocuts, some experimental worldbuild-y map-drawing (important as Cartography And Its Imperial Misuses are kinda thematically and plottily relevant to the story, at least in its nebulous conceptual form).

TAGGED BY @silkenred (thanks!), and TAGGING (only if you want ofc) @sassysnowperson, @tobermoriansass, @cosmonauthill, @essayofthoughts, and anybody else who feels like doing this. (No really, I'm shy about tagging but please do the thing if you're interested.)

#ask box #about me #my posts

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hiddenwashington · 2 years

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as the height of summer begins to peak, the citizens of washington find themselves having more free time, moments to just relax and have fun. teenagers lounge by the pool and complain that there’s no beach nearby, or wander around the mall for hours on end. kids are running around the playgrounds, and even the older citizens of dc are finding time to do what they love and make some memories. with everything in the city being so unpredictable, it’s best to live while you can and enjoy the time you’ve got.

we are already a little into it, but happy summer everyone! i’m sure there are quite a few of you looking for a distraction from the heat, so we’re here to provide a nice and fun task to sit down and do, hopefully somewhere cool! we’re keeping with the format of some tasks in the past, but with a brand new focus. for this task we’re here to find out about your character’s social media and hobbies!

- as usual there will two aspects to this task, a written part as well as a graphic! we would love to see you implement some parts of both, but of course please feel free to put your focus where the muse is. if that means putting more time into one aspect over the other that’s completely fine, just as long as we see a little bit of both in the post!

- for the visual aspect we would love to see some sort of graphic showcasing your muse’s presence on social media. what that means is entirely up to you! there are a tone of templates out there with a variety of different social media or phone based graphics to showcase. if you need some ideas you could definitely start by checking out these: x, x, x, x, x but don’t hesitate to come to us if you need more help! your muse isn’t really a social media type? that’s totally okay! we’re including day to day hobbies in this task as well, so if a moodboard giving an idea of how they spend their day makes more sense you’re more than welcome to take it in that direction.

- for the written aspect we’ve come up with a list of questions to answer however you best see fit that can be found below. copying and pasting the list directly to answer is absolutely acceptable, or if using them as a guideline for a paragraph fits you better go for it! whatever gives us more information about your character is encouraged! again, if there’s anything you have any concerns about don’t hesitate to reach out to us!

does your muse use any social media? what sites do they use? how much of an online presence do they have?

what kind of accounts does your muse follow online? and what do they post on their own accounts?

is your muse comfortable with a phone or computer? do they use them often? how literate are they with technology?

what kind of profile picture(s) does your muse use on various apps? how often do they change their profile pic/icon?

are they someone who takes a ton of photos when they’re with friends or family? do they end up in a lot of photos?

if given the opportunity, would your muse prefer to make money through an online channel rather than a traditional job?

do they have any hobbies that take up a lot of their time? what are they? are there any special interests your muse has that they like to share with people? are there any that they keep secret?

your muse has a whole day to themselves but not enough time to plan a trip or event. what do they do for that free day?

does your muse listen to anything in particular in their private time? if so, are they more of a music person or a podcast person? what genres do they prefer?

would your muse prefer to go out to spend time with loved ones, or would they rather stay in?

does your muse use any dating apps, or do they prefer to meet people the old fashioned way? if they absolutely had to write a tinder bio what would it say?

as always tasks are encouraged but not mandatory and there is no time limit on when you must complete them by. you are welcome to do the task on whichever muses you want but just keep in mind tasks will count as character activity, since we want to make sure everyone who wants to participate in the task feels like they have the time to. if there’s anything you have a question about or need any help with just shoot the main a message!

finally please make sure to tag your posts with hwtask11 so that everyone can see the great posts you make! please give this a like when you have read it all!! ♥

#hwtask11 #hwtask #hw: ooc #hw: admin #long post tw

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mcrcki · 2 years

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ginny weasley || a phone study

does your muse use any social media? what sites do they use? how much of an online presence do they have?

ginny has a couple forms of socials, she’s got instagram, tiktok, twitter, and a tinder. she uses instagram a lot, twitter is just for work / communicating with parents if she needs to, and then tiktok, she’s posted like 1 thing on it so. she really doesn’t spend a lot of time on socials?? she will occasionally post a story but otherwise she’s gonna post like twice a month. if that.

what kind of accounts does your muse follow online? and what do they post on their own accounts?

a lot of just friends instagrams. she likes to keep her feeds relatively clean and doesn’t want to get bogged down by a lot of celebs and stuff that she just doesn’t care about.

is your muse comfortable with a phone or computer? do they use them often? how literate are they with technology?

yeah definitely!! she uses technology daily so she is very comfortable with it!!

what kind of profile picture(s) does your muse use on various apps? how often do they change their profile pic/icon?

what ever recent picture looks cool ?? she really doesn’t change it that often so, the most recent one is probably from like april or something

are they someone who takes a ton of photos when they’re with friends or family? do they end up in a lot of photos?

yeah she takes a lot of pictures, just of whatever looks nice. she’s got an eye for photography so she tries to take pictures when she can!! i think she ends up in them every so often but not as many as she takes of others!!

if given the opportunity, would your muse prefer to make money through an online channel rather than a traditional job?

probably not?? she likes her traditional job and feels like she wouldn’t be able to have that same kind of meaningful impact on lives if she isn’t teaching / coaching and just making her money from the internet.

do they have any hobbies that take up a lot of their time? what are they? are there any special interests your muse has that they like to share with people? are there any that they keep secret?

ginny’s a big sporty outdoorsy kinda gal, so she will spend a lot of time outside, playing any kind of game, going on hikes and walks, going for runs etc. she’s also weirdly good at hacky sack??? and frisbee. she’s just that sporty person who is always down for some kind of park trip. she probably spends the other half of her time doing the other thing she loves, hanging out with her friends. her and luna have like a movie night schedule and she will do whatever she can to make sure she is there for that.

your muse has a whole day to themselves but not enough time to plan a trip or event. what do they do for that free day?

she’s up at like 6am and going for a run before it’s too hot, she’d probably end up bringing breakfast back for luna, doing some chores and then heading down to some trails to go on a hike and explore the more woodsy areas of dc !!! she’d really just wanna spend whatever free time she can enjoying the outdoors for longer than she usually can during normal work hours.

does your muse listen to anything in particular in their private time? if so, are they more of a music person or a podcast person? what genres do they prefer?

ginny puts on those like spotify playlists that’re like “wanderlust” or “teenage movie vibes” and just goes with those for the rest of the day. she’ll find a band she likes in them and probably explore them a little bit more later on.

would your muse prefer to go out to spend time with loved ones, or would they rather stay in?

another gal who just loves going out and doing things (couldn’t be me)

does your muse use any dating apps, or do they prefer to meet people the old fashioned way?

yeah, ginny definitely uses dating apps. she kinda enjoys both ways of meeting people and sees value in both options! but she definitely uses dating apps lmao

if they absolutely had to write a tinder bio what would it say?

i promise you do not have to keep up with me on a hike until the 3rd date. at least.

#long post tw #food tw #body image tw #g. tasks #g. muse #hwtask11

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rayroa · 2 months

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Hiss Golden Messenger Q&A for Creative Loafing Tampa Bay (2024)

Photo by Graham Tolbert/All Eyes Media

I'm gonna put some ear buds in here then it'll sound a whole lot better.

OK, and let me know if it sounds bad because sometimes it does sound bad on here. I've been listening to Pecker Power today, on your recommendation.

Oh, really? Yeah, follow that. Follow that page?

Yeah, my buddy told me to follow it. And it's great because you forget that it's you. It's just like a picture of a record in your feed. And then you just make a decision for that moment. ‘Yeah, alright. Let me find that, man.”

I love having that weird little Instagram account that's not trying to sell people anything—nothing. I'm just talking about dorky music stuff. It's kind of like my vibe right now.

And you have The Kitchen Speculator, too. It's cool that you have these outlets to communicate. It's like a less cynical version of social media, or iteration…

That's right, man, I'm trying to keep it kind of keep it pure.

Hey, I know that fall is your favorite season, but I can imagine that the winter is kind of beautiful in the North Carolina Piedmont. And correct me if I'm wrong, but I remember listening to a podcast or something where you talked about your mom's felt Christmas ornaments with these bells on them. I was wondering, since we're in January, is yours the kind of family that has a tree still up? And do your kids know the sentimental value of the ornaments?

Do they know the sentimental value of the ornaments? Yes, definitely. I don't know if they see it as heavily as I do, but they definitely are aware which ornaments came from my mom. And no, we don't keep the tree up because I love the pageantry of the season—there's something very nostalgic and comforting about things like Christmas lights for me—but I also really appreciate the moving on of January and the feeling of a fresh start if you need it. I kind of think deep into the season and also I'm ready to move on, so I think we had our tree out of the house like just a few days after Christmas probably.

That's an aspirational thing for a lot of families, so it's cool to hear that you have your house in order to that degree.

It's really how I'm wired though. I'm a little bit of an OCD kind of person. So it kind of is in line with that.

Yeah, you gotta check these boxes. You gotta get through the day. I mean, it's kind of a less sexy version of getting a stone up a hill, you know, let me get this tree down first, and move on to the other stuff.

Yeah, kind of.

By the way, I realize there's no way we can like adequately talk about songs in 20 minutes, and I think a lot of people have said a lot of things about Jump For Joy already, so I'm just gonna let those songs kind of speak for themselves and maybe ask some kind of other questions around the band and whatnot.

You've mentioned that the songs are kind of like a long postcard between you and a younger, maybe teenage, version of yourself. And in a way the record's also kind of recalibration of your songwriting, and you're wearing hope, in a way, on this record, and I was thinking about that word "recalibration." And then I was thinking of the band and the fact that Hiss Golden Messenger doesn't do the same show twice—that's a lesson you learned from elders. I want to ask you about this live set. I know after that initial run, you said that the band is sounding good, and the shows are pretty uplifting for everyone. Especially now. Everything considered in the world. Simple question, and I'm sorry, I don't know the answer already. But who is in the band for this spring run coming to Tampa?

Yeah, the band is and has been for several years: Chris Boerner, playing electric guitar, Sam Fribush on organ and piano, Alex Bingham plays bass, and Nick Falk plays the drum kit.

Perfect, and the Hiss Mobile recording unit will be on tour as well. I'm wondering, to stay on that recalibration, Mike. I know that you unpack a tour after a run. How has that recalibration kind of manifested itself within the context of the band? Can you tell me a little bit about how the songs from Jump For Joy have already changed as the shows stack up? And what have these songs revealed to you about themselves in this context, and this run?

It's interesting to take a new record out on the road because we had played a lot of these songs a lot during 2023 before we recorded them, but not in the way that we have been over the past two or three months. The more times you play a new song, the more you learn about how it's working in that sort of heightened or amplified, emotional, state of a live show. And you also see how it's working for the audience. There might be a song that seems like a home run for the audience, and it just isn't like connecting the way that you thought it would and, and conversely, you're gonna find a song that you might have had a question mark about just in terms of how to present it—and it becomes its own.

A song like "Jesus Is Bored " on Jump For Joy. I love that song. I have a super-deep connection to that song; in a lot of ways it kind of feels like a thesis for the record, but it's not the loudest song, it's not the fastest song. I just didn't quite know what kind of quality it would take on live, and it's taken on a really beautiful thing that kind of unfurled really slowly and in a really extended fashion. That's not something I was anticipating at all, but it went there, and I was like, 'This is how we play this song for people.' That's one example of how stuff has started to exist off that record.

That's awesome, and I like hearing your talk about feeling the audience and being aware of it. I think some people would assume that some performers kind of blackout and I guess, to some degree they do on stage, but it's cool to hear that you still get to live in that moment of the live experience that you're creating in this space.

It's a transcendental state for me. So my experience of it is, like I said, is heightened for sure—emotionally, physically. But at the same time, I can feel the energy in the room even if I'm not looking at the audience directly in the eyes, I can feel what the energy is. I would say I'm usually pretty on the money about what an audience wants, what an audience needs, what an audience can take. This is just stuff that, when you spent enough time on stages in front of people, you start to learn how—you can read it.

In that vein, and that kind of context, transcendental memory in that state, are you able to remember anything about geographic locations? Like can you remember, how crowds in Florida have made you feel or is it not like that?

Oh my god, that's a good question. I mean, I want to be diplomatic about it.

I mean, it's OK to be forgettable man.

I don't want to be that dude in the paper that's complaining about the place that he's playing. That's not a good look at all.

Listen, there's a lot to complain about in Florida from a legislative standpoint, historically there are some things...

You don't need more from me. OK, I'll put it this way. I'm fascinated with Florida. I'm not against Florida, you know what I mean? And the last time we played in Tampa, I think, was at a festival many years ago.

It was called Gasparilla Music Festival.

Yeah. And I had a fucking great time. I thought it was really cool. And I thought, 'Tampa seems cool. I'm into this place.' So if I had to talk specifically about my experience with Tampa, that's what it would be: I had a great time in Tampa.

And Tampa has changed a lot, I think as much in the same vein as it has up there with you guys as far as people's concerns about affordability and who matters and what voices get amplified and acknowledged and conversations from a civic standpoint, and things like that. So I think our regions have experienced similar growth.

No doubt.

I want to ask you about November 27 Kitchen Table Speculator. You opened with poems from Diane di Prima and Joy Harjo. You talked about the possibility of a sunset on an empire and whatever this collective thing is that we're witnessing, but then you also talked about holding on to joy and pain and magic and fear all at once—you know, back to getting that stone up the hill. Sorry to kind of bring it down here, but I think I heard somewhere that in spite of all this narrative about joy and this album, in some ways, you're still like the same depressed guy, but you kind of alluded to how the band is bringing some joy and happiness. I'm wondering chemically, or in the inner wiring, how and in what fashion does it change you to play these "happier less cynical songs" every night? Or does it all stay up there, then you get back to the world when it's over.

I mean, this is a multi-part question. First of all, I wouldn't say that I'm the same old depressed guy. And I don't know that I ever would have described myself like that. I definitely struggle with depression and probably always will in some fashion, but also think of myself as a very fun, funny person that can be as light and easygoing or as heavy as the situation calls for. Probably, if you were to ask my bandmates, "Is Mike as heavy as some of the songs might make them feel?," they would say like, "Not at all." So that's that part.

I think that Jump For Joy, in so many ways, is totally consistent, thematically, with the music that I've made all throughout my life as Hiss Golden Messenger. I think that I was working really rhythmically and thinking a lot about tempo for Jump For Joy, and that was very intentional. But in terms of the way the songs exist, the chords that get used, the things that were troubling me, or bringing me joy and peace—that stuff on Jump For Joy feels like it's pretty consistent with the rest of my work. I feel like what people are reacting to when they think of this record as more joyful, which I would agree with, is just the musical feel of the record, if that makes sense.

No, it does. I think from the get go—even on your lo-fi recordings, which I spent some time listening to in the run up to this interview, and revisiting those—there is still this devotion to groove throughout the whole thing.

That's what I'm saying, man. Even the Hiss Golden Messenger songs that are at the slowest tempo, everything always grooves. That's always been almost the most important musical quality of what I do as Hiss, I think. Everything has to feel like it's in the pocket, it's in some kind of pocket, you know? That's really important to me.

Now that you're saying that kind of that out loud, I think of my first—you know, you only get one first time listening to a band—but those first few listens, I think, is interesting how Hiss music does kind of embed itself within whatever tempo you have going on in your life and sometimes Hiss music doesn't fit with whatever's going on in your day at the time, and you realize that, "Oh, this isn't the record for me right now. I gotta find something else." So I've always appreciated that about your music, for sure.

I want to ask you about mystery. I think you've talked about kind of craving mystery and this time of digital media, and endless access and over exposure in a way. What is your mind wandering and wandering about and around today?

I'm working on a lot of projects right now that are Hiss adjacent. I feel like I am just starting a quest—and who knows how long it's gonna last—to find my way back into not knowing, if that makes sense. I'm trying to find my way back to a feeling of mystery and magic. I want that to be the first feeling that I feel when I pick up an instrument. And I'm not saying that I don't feel that already, but it just occurs to me in this moment of our time, that that feels almost like the most important part of music, both as a listener and as a creator—the mystery. So I'm really honing in on that feeling whenever and wherever I can find it. I feel like certainly, part of this year for me is going to be about encountering the mystery, the not knowing, the freshness, the experimentation—encountering it wherever I can find it.

And it's such a wonderful excuse to really work on you're listening, too, whether it's physically listening with your ears or just body listening and emotionally trying to be quiet and tune in.

That's right, man. That's right.

By the way, I liked that you mentioned that you're probably funnier than people might think you are because when I found out that Johnny Fritz was in your “Nu-Grape” video, I immediately went to it because I think he's like, the funniest and best like songwriter with a replaced hip out there.

I mean, that guy is so fucking funny.

But you met the moment in that video. I feel like you two had good, parallel, complimentary performances that were rooted in humor.

Oh, dude. He made that video. I don't even really know Johnny that well, but I'm a fan. It feels like we know each other kind of well now. But before that video, as we were conceptualizing what it was going to be, who, all that stuff, I was like, "We're gonna get Johnny Fritz. It's really like the only way that this concept works, or someone like Johnny Fritz." But I couldn't think of anyone else. I love being with him because he's so funny, and has so many different characters, but he's also a super deep, super smart dude—he's not turned on like that all the time. He's also like a real deep cat.

The songs really mess you up when you're listening to him. He's got those records that like they'll kind of hit you on like the eighth or ninth kind of listen, and you're like, "What did he just say?" You thought it was a song about riding in a tour van, then you realize that he kind of deconstructed this emotion inside of you about abandonment and things like that and it feels intentional once you kind of see it. know?

And I'm sure it is. He's an extremely astute person.

I know we're kind of getting short on time. Mike. I want to kind of go back to happy songs, sad songs, and I want to talk about how those emotions are kind of complex in their own way. Some would believe those emotions are complementary. I know that there is an art to finding the language to write songs about happiness. You mentioned you know, "Jesus Is Bored" as a song that's kind of transformed for you in the live setting, but do you feel like there are songs on Jump For Joy that include both happiness and sadness, in a way, and using language that you're pretty proud of? As far as being a songwriter and being a person?

I think every song on the record is a combination of both at the same time because I've always wanted that to be my mission as a songwriter: to be able to convey like the fullness of being a human—as grandiose or as lofty is that sounds—to convey the fullness of being a human in a song. Part of that, for me, feels like this idea that not everything is either happy or sad. My experience of the world as I walked through it is that everything is both of those at the same time. I mean, not everything, but you know what I mean? My experience mostly is that I'm feeling both at the same time. And I've really chased that ambiguity intentionally over the years with some very specific things that I do technically, from tuning a guitar in a certain way to like leaving the chords very undefined. So yeah, it's a little bit of a cop out answer, but I really think my best songs are songs that feel happy and sad at the same time.

That's a great answer, especially for at the end of a short interview, which I know we're at the end here, and I wanted to kind of leave with this question, maybe. You mentioned you know this mission for this year about encountering that mystery, that not knowing the freshness, that experimentation, and trying to touch it wherever you can find it. Can you maybe tell me—I don't know maybe from a mechanical standpoint or practice standpoint—what does getting small and quiet look like for you? Like, how do you get there?

Well, getting small and quiet isn't the same for me as encountering the mystery because I've actually been doing a lot of work with a lot of different musicians lately. It has been kind of cacophonous in a way. But to answer your question of what it means to get small and quiet, I mean, I think it means me going back to the room that I write in, with a guitar or whatever instruments, and a notebook and, seeing what happens. Sort of surrounding myself with the creative input that still fuels me. There's tons and tons of poetry in this house, there's tons of records, and this is just my place. There's tons of guitars and amplifiers. It's just my place to be sort of quiet and meditative, I guess.

Well, Tampa will be grateful when you get out of that place and come visit us for a few and I think we would all like to join you on the Kamayo Cruise but we'll let you eat cruise food for three days on your own there.

Cruise Food. That's a good name for a band.

It is a great name for a band—that should actually be the sequel to "Nu-Grape," just call it “Cruise Food.”

Haha, that's funny. OK, dude. Well, thank you so much. Thanks for the good questions, actually, they were great.

I really enjoyed talking to you. And thank you for making the time for me and thank you for all your music. It's, been great to have in my life. So I hope you have a great week.

Thank you, brother. Thank you, I appreciate that.

Of course. Bye.

#Hiss Golden Messenger #Mike Taylor #Creative Loafing Tampa Bay

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frogsandfries · 2 years

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I love migraine days

I got basically none of the diamond painting done that I intended to do today. However!

I did, this evening, finally bridge the gap between the old thumbnails and the new lineworks and I am so grateful to have this script because honestly, that is really me doing the job of lineworking for myself. Now I'm just going through the new lineworks and making sure that they also line up with the script, like I did with the lineworks from the old thumbnails. I'm getting pretty close to the end of the issue, so it's also getting to be time to find my transition to issue three.

Hopefully I'm feeling better tomorrow so I can take a really thorough crack at finishing the diamond painting.

Anyway, while I'm here, I saw an article this evening which reminded me of something I've been wanting to reflect on, but by the time I've had time and it's been on my mind these last few days, I've been too tired to actually think on the topic:

I've felt out of things to watch on YouTube, out of cool, interesting or inspiring podcasts to listen to while I work on my graphic novel. As a result, I've been watching like sketchbook tours and stuff like that. It gets me wishing that I had a YouTube-worthy, vlog-worthy sketchbook, filled with cool, colorful watercolor explorations or experiments in gouache.

I suppose I could definitely make/purchase a sketchbook just for doing like, 100 animal challenges and 100 face challenges and I could buy watercolors and colored pencils (or heck, watercolor pencils) and gouache and stuff and do line of motion studies improve my style and anatomy.

But I don't need Mermay or Inktober to inspire me or tell me what to draw. I already feel quite overwhelmed, creatively speaking, by trying to write and illustrate this absolutely gargantuan graphic novel.

Maybe one day (I doubt it), I'll need something like Mermay to inspire me and get my hand and mind moving. Maybe one day, I'll want to improve my anatomy and my style and filling a sketchbook with page after page of line of action and five-minute studies will be requisite.

Additionally, on the one hand, I don't think anyone really wants to see my linework sketchbooks or maybe it would be more of a Patreon reward kind of thing, since I'm miles ahead in linework of where I am in computing, never even mind posting. At the same time, it would definitely be fun to splash some watercolor down to break up the monotony of plain white pages. It would be fun to use colored gel pens to make my linework, instead of constantly using plain, boring black ink. I could probably even print patterned paper, but I guess I can't lose too much sleep over something that's meant to be utilitarian. The sketchbook is just a sketchbook, it's not an art journal.

And that really boils down my whole philosophy on sketchbooks. For me, sketchbooks make it easier to keep track of things like sticker/pin/patch or even poster ideas, but I'm just not really the type for little stickers or gluing in ephemera or using color in my sketches. I'm not even really comfortable with color media.

I would like to give it a try. I would kinda like to print all this stuff for my next project, but I literally probably have hundreds of pages of like, base pages and stuff to cut and layer. I was thinking about making this, I guess artist journal, the project itself, so I'm honestly not quite sure how that would go--almost might as just well make this sketchbook digitally anyway, right?

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sonechkaandthedynamos · 2 years

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hiii so i'm studying german and as a fellow german learner i wanted to ask you if you had any good media/resources/advice in general about what helped you. thank you! <3

hi!! <3

I don't use a lot of resources meant for language learners anymore, I usually just read books/articles or watch films/tv shows or listen to music/podcasts made by and for native speakers, but some of the resources that I have used recently that have really helped me are the following (starting with the ones that are freely available online)

- DW Deutsch Lernen: for all levels. There are podcasts and videos with transcripts, exercises, vocabulary lists, etc.

- Deutsch für dich: from the Goethe Institut. It's a similar format, but the podcasts and videos are usually longer, and there is a forum where you can talk to other language learners and ask for help. I'd also recommend Goethe Institut's Onleihe, if you want to read more in German.

- Easy German: I still watch their videos and they have really helped me understand spoken German. At first I couldn't understand much without the English subtitles, then I slowly began to rely just on the German subtitles and now I can listen to them as a podcast.

- The Hueber Verlag "Deutsch üben" series: from A2 to C2. There are books that help you practice grammar and vocabulary, speaking and listening skills and reading and writing abilities. There are more, but those are the only ones that I have used (for B2 and C1 level) and they are very good, although when it comes to the speaking and listening textbooks, DW Deutsch lernen and Deutsch für dich are just as good in my opinion. They are not free, but I have found some of them online as a pdf.

- LeMO: this isn't technically for language learners (it's the website of a history museum), but it has lots of articles and explanations about German history and it's very easy to navigate, so if you're interested in history but don't think that you could read a history book yet, this website is a very cool place to start :)

These are the only ones that I can think of now (that I didn't regret using or buying of course).

I don't know if I feel too comfortable giving advice because I am still learning myself, but I'm going to break down what I learned by skill:

Grammar and vocabulary: if you're a beginner, it's better to take your time to fully internalise all the new structures (as well as the gender and plural of words) instead of rushing to the next thing, because if you don't you'll have to learn it all over again and it sucks :/

Listening: Easy German videos helped me a lot, because they allow you to improve gradually, and they are very short. Now I can watch German TV shows and films, listen to podasts and listen to people speak IRL without any issue (or any linguistic barriers anyway).

Reading: read a lot, there is no secret to this one. I guess maybe it would be useful to bear in mind that you don't need to know every single word, so only try to memorise the more important ones. You'll get to the other ones some other time, it's important to prioritise.

Writing: same thing, write a lot and have someone correct it for you. Bear in mind that the goal is to get your point across, to communicate, and not to show off or overcomplicate your writing, so only use vocabulary and phrases that you are already comfortable with and expand that list little by little (so if you find a list of expressions for disagreement, for instance, you don't need to learn all of them, stick to one or two until you've fully internalised them and then add more).

Speaking: I am still struggling with this, but I am trying! I signed up for a language exchange program where I get to speak German and I tried to speak to some German people in my city. I hate how hard it is for me to communicate naturally or as I would in the languages that I speak fluently, but there is no way to go around it, I just have to speak. I know someone whose German is worse than mine because they have only been learning it for a couple of years, but they speak it with such ease that they can always get their point across efficiently and effortlessly even when they make mistakes, so don't do what I did, and speak with as many people as you possibly can.

#german #ask #hope this helped #feel free to add more if you like #this helped me reflect a little bit so thank you anon

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time-to-write-and-suffer · 2 years

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Random collection of YT channels, stuff for comfort/background watching

Here’s a list of a few entertaining/informative/interesting stuff that I’ve enjoyed a lot and come back to often to rewatch or have in the background when I draw or play games or feel a bit down and need something funny to distract me. Mostly about media analysis and commentary. Many of these are NSFW for language.

Drawfee - Four artists take turns drawing fun and weird stuff based on random prompts. Mostly for entertainment, sometimes they post drawing tips. Very wholesome and fun crew, it’s like a visual podcast, 10/10 would recommend. They also make Drawtectives, a mystery roleplaying campaign that involves drawing that’s very funny. You can pretty much look at their video library and pick out whichever video appeals to you and doesn’t include the word “more”, because that signifies a sequel video to a previous concept, but if you want, you can start with some of my favorites: Three Artists Try Drawing Pokémon from Memory, Artists Make Scenes From Random Shapes, Artists Turn Random Poses Into Characters.

I did a thing - Weird but attractive Australian man endangers his life for entertainment and sometimes to make pointed political and social commentary. Sometimes NSFW, often literally as in actually dangerous work environments. Very soothing voice, not very soothing when you see him dance on active heavy machinery. Some faves: Ranking the Weird Aussie Animals In My Yard!, Can You Bite Off Your Finger like a Carrot?, Following a Cookbook I Stole From North Korea!

Nick DiRamio - They mostly do heavily comedic movie and TV-show reviews. Absolutely hilarious and inventive insults, lovely personality, some social commentary every now and then. Some starting points: Shane Dawson's "Not Cool" (2014) is Highly Offensive, All Gabbie Hanna Music Videos are the Same..., GOD'S NOT DEAD: The Most Casually Racist and Sexist Movie from "Christian Netflix" (PureFlix).

Kennie J.D. - The Bad Movies & A Beat series is her doing her makeup while talking about shitty movies. The Passionflix reviews are the best and funniest IMO, but she’s great overall and the whole series is quality content. Starters: AFTERBURN AFTERSHOCK HAS LEFT ME WANTING MORE FROM PASSIONFLIX, PASSIONFLIX IS DOING SUPERNATURAL ROMANCE NOW? “WICKED” REVIEW, “SHOWGIRLS” IS BAD IN A WAY THAT IS HARD TO EXPLAIN.

Watcher - Y’all know this one. Puppet History is edutainment and brilliant, Are You Scared? is pretty decent horror content, and there’s more spooky stuff on the way in the form of Ghost Files if you’re into that.

Polygon - Unraveled and Monster Factory are cultural milestones and you can’t convince me otherwise. Good series also include Peacecraft and Awful Squad. If you can stomach N!ck R0binson, Car Boys and Touch the Skyrim are good content as well. Also, shoutout to my mans Patrick Gill and his ballsy idea for Anthem. You’ll agree with me.

Allison Pregler - Her Baywatching videos are a must-see. Very funny commentary about the Baywatch show, also there’s a lot of content there so it’s perfect to binge or to fall asleep to. Also recommend her videos on Charmed and Tremors.

Quinton Reviews - Home of the 4-5 hour videos dissecting Nickelodeon shows. Does a lot of other great stuff as well, mainly about shitty documentaries and dead internet memes. My faves: The Decline of History Channel, That Time the World Ended, Bad Nazi Documentaries.

Super Eyepatch Wolf - Mostly focuses on horror media, but also analyzes different weird fandoms and subcultures. Very interesting videos and engaging presentation style, but can get heavy and unsettling at times, so keep that in mind. Not “comfort” watches per se, but can easily take your mind off things just by being weird and engrossing. My faves include: What The Internet Did To Garfield, The Bizarre World of Fake Psychics, Faith Healers, and Mediums, What The Internet did To Undertale.

Noah Caldwell-Gervais - Extremely long videos talking about various video games from pretty much every aspect you could talk about video games. The presentation can be a little messy at times, but still good for having on in the background.

FILM CRIT HULK - Few videos, but those that are there are very good.

Folding Ideas - Analysis of movies, conspiracy theories and other fun stuff. Recently went viral with the NFT video. Also good: The Nostalgia Critic and The Wall, In Search Of A Flat Earth, Jamie Oliver’s War on Nuggets.

And that’s about all I can bother mentioning and linking! Sorry if your faves didn’t show up here, but feel free to leave recommendations in the notes!

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koalatydm · 3 years

Text

Hot Brown Morning Potion Podcast Episode 5 - The Deluxe Elf Interview with Devon Giehl and Iain Hendry

Transcription Part 1 of 2 (includes Wonderstorm questions and Kuno's questions)

[Transcriber's Notes: This took me SO LONG to transcribe, like multiple hours and I'm only halfway done... But I will make it through at least this one episode because I want fellow Moonfam enthusiasts to have a text source, not to mention make it easier for deaf/HoH people to follow along. I guess I'll tag @kuno-chan since she said it was OK at the beginning of the podcast, sorry if I'm bothering you!]

KUNO: Hi guys, so I have a personal request for this particular podcast episode if you guys could tweet, post, both at least one piece of information that you learned from this particular episode, that you love, that inspired you, that you thought was cute, whatever. Like, I really—one thing that really tends to happen is that people listen to the podcast and they kinda just go about their day. We don’t actually see the information circulate through the community, which we really try to have creative questions—questions that are fun and explore the characters in different situations. And it would just be really, really cool—it would mean a lot to me to see this actually circulate through the community, actually circulate through the fandom, and see, you know, it would be awesome to see it be inspired—to inspire fan works, fan fiction, fan art, especially fan art. I just—we talked like a solid hour at least—really like a solid hour about Runaan, Rayla, Ethari, that family, um, and Moonshadow elves a lot. We talked a lot about that. And I think this is information that a lot of people really wanted, even if it’s in largely headcanon form. But Devon and Iain were so gracious and we talked so much about that family, and including Ruthari, and of course some Rayllum in there. So if you guys could live tweet, or even just one tweet, at least one tweet. Tag us, tag me, tag Hailey, tag @HotPotion, even if you send it directly to me on Tumblr, that’d be awesome and we’d retweet, reblog all your stuff. It would be good for the podcast and I just really want to see this information circulate through the fandom, so at least one tweet. Alright, um, let’s get to the episode though. Thanks! Hope to see you guys on social media about this.

—————

KUNO: Alright, hey everyone, this is the Hot Brown Morning Potion Podcasts with your hosts Tamika and Hailey, and we are here with Devon Giehl and Iain Hendry, two writers on The Dragon Prince at Wonderstorm, and Devon being actually the recently announced lead writer at Wonderstorm, so say hi everyone!

DEVON: Hi!

IAIN: Hi, this is Iain…

DEVON: Hi, I’m Devon… (laughs)

KUNO: And so we have a ton of stuff to get through today, um, a lot of questions, so—but we’re going to ask Iain and Devon a little bit about themselves first, since I think—I’m not sure if this is the first interview they’ve really had, personally, so uh, Hailey do you want to start—head that?

HAILEY: Um, yeah, sure. Uh, could you tell us about your roles at Wonderstorm?

IAIN: Uh, sure, uh—I’m also a writer at—official title “Senior Writer” at Wonderstorm. I was one of the writing team on the show, not quite as early as Devon, who was basically employee 1 after the founders but um, I joined sort of, end of 2016 when season 1 writing was really starting to get rolling, and was you know part of the process all the way through all the seasons. Uh, and since this—it’s such a small start up company, all the writers take a bunch of other, like, production roles on the show. Like, throughout all three seasons we’ve done, like, continuity notes work, we’ve given feedback on like every step of the production process. And then the other kind of side things we have, like you know, very top secret game that we’re making in here. And like, kind of straddle the line between the show writing and the game so that that’s all kind of on point and feels like it’s in the same universe with the same characters as The Dragon Prince, but ah, can’t say too much about that just yet.

DEVON: Iain does a lot of—a lot of secret work (laughs). Um, yeah as for me, I’m also a writer on The Dragon Prince and my—I was a Senior Writer until very recently, and now I’ve been made into a Lead Writer, which means I just get to flex a lot. Um, but I started in, I think the very, very end of 2015 when Wonderstorm was first getting off the ground as like a tiny, tiny startup. And we were basically four people in a room about, I don’t know, like 20 ft by 10 ft. It was really, really awful—

IAIN: Really smelly.

DEVON: Really smelly, really tiny, like only a skylight for a window, it was great. And I—so I was involved in like the earliest of brainstorming for the show. I helped sort of like put together a lot of the pitch deck when we you know took it around to studios and like, I named like most of the characters—is like my most self-indulgent claim on the show cause I got to do a lot of really silly stuff. Um, but yeah, and then I like help out on a million other fronts at Wonderstorm too because we’re a small company and—yeah, the funny thing about the—the small tasks we have, like you mentioned continuity checks. Um, we often had to make sure that Callum’s backpack and book and Rayla’s bindings were always correct, and that was kind of, the funniest and most intense, like, stage of production ever. Cause you would, you know, watch one shot and then the next shot would come up and Callum’s backpack would have disappeared. So we had to be like, “OK, let’s give Callum backpack back on.”

IAIN: Yeah, and it’s not just for accuracy, but like, the way fandoms operate, like, we just knew if Rayla’s binding reappeared sometime, it wouldn’t be viewed as an error. People would be like “WHAT DID THE KING GET UNKILLED WHAT HAPPENED OVER HERE”.

DEVON: No it was just the—

KUNO: Oh, yeah.

IAIN: Woo!

DEVON: —continuity’s way harder than anyone thinks it is (laughs). It’s a lot.

KUNO: Oh bless you guys for knowing that though cause we—we totally would. Like, think, there was a point I remember saying that they changed Viren’s eye color because they didn’t want too much continuity with Rayla’s eye color and I feel like we were really that close to having a ‘Viren is Rayla’s real father’ issue. We really were. Somebody had to have thought about that issue (laughs).

DEVON: I actually think there is—there’s still at least one shot in the show where Viren has the wrong eye color and if you can find it, congratulations (laughter in background). That’s where we missed—missed it. So it’s in there somewhere.

KUNO: Xadia CSI (IAIN laughs). So you two are married, um, can you tell us what it’s like being married writing partners?

IAIN: You wanna go?

DEVON: Um, yeah, I mean it’s—we actually knew each other professionally before we dated, so it wasn’t like we—it’s sort of like, it was easy for us to—to remain work partners because that was how we existed in the first place. Like I met Iain when I interviewed him for a job and I—he was great (IAIN laughs), he was fun, he was all right.

IAIN: Apparently I passed.

DEVON: But um, so yeah we had a professional relationship before we had a dating—‘dating’ relationship. Um, so it’s strange because a lot of people will say like, “Oh, that’s probably terrible. You probably, like, become absolutely sick of each other” but somehow we’ve managed to—to have like, two relationship patterns where when we’re at work and we’re working on writing stuff we have this very professional thing going on and then at home, we’re just married idiots and we have a lot of fun. So like, I don’t know, I’m never tired of you, personally.

IAIN: No, (DEVON laughs) yeah I mean when we’re writing it’s generally like, Devon’s the one on the keys uh, you know, putting the words in and so on, and it will kind of bounce back and forth between like, I’ll have the idea for the—how the scene should flow and I’ll kinda narrate bits and then we’ll go back and smooth things over. But I mean, I could imagine that with some people it would get tense, but I think Devon and I, we’re just absolutely the most comfortable with each other and neither of us takes it personally when it’s like, “that line that you pitched isn’t working” or “this joke could be funnier”, anything like that.

DEVON: It’s usually Iain who’s—cause I usually type cause I type really too fast.

IAIN: She’s really too proud of her typing (laughs).

DEVON: I type super fast, it’s my only real talent, but—like I’ll just sort of go off on some sort of like incredibly unnecessary, long description of something and Iain will sort of let me get about like four or five lines into this unnecessary nonsense and he’ll just sort start going like, “OK so like, do we really—do we need that? I mean, you know, could we sort of parse this down a little, a little less, a little less”. And then I, just like, “Ugh, fine” (laughs).

IAIN: But um, every word she writes is great.

DEVON: Mmm (skeptically)

IAIN: It’s perfect.

DEVON: Completely not true. Also in our scripts I think like—

KUNO: Aw.

DEVON: —in terms of the way that we work professionally, I think like a lot of my strengths are in—in really almost self indulgent levels of drama and he can kind of pull me back from being too indulgent on those fronts. And then I think that Iain is objectively absurdly funny and so when you kind of look at our episodes usually everything that’s pretty funny and lighthearted and like the sense of levity often comes from you and then if there’s anything that just feels really painfully sad it’s probably me?

IAIN: I’m the funny one.

DEVON: (laughs) It’s true.

KUNO: Aw, I feel such a connection to you Devon, because I’m actually, episode 3 was actually one of my favorite ones because I love all that like domestic stuff. I love just kind of like—oh, I don’t know what you call the trope, like a safe house trope where you go somewhere, you’re still kind of in the adventure but we’re in a space right now, a narrative space where people are safe, if that makes any sense. Like you—if you’ve ever seen How To Train Your Dragon, like (T/N I don’t know what was said here, sorry!), the base is the safe place, that kind of thing. So, I totally get that, I actually see—episode 3 was one of my favorites outside of pretty much every episode where Rayllum was a thing. (laughter from multiple people)

HAILEY: The whole season basically (laughs).

KUNO: Pretty much the whole season, um. I think there was one more question about two.

HAILEY: Yeah sooo.

KUNO: Before we get to the elves.

HAILEY: Yeah, definitely. Uh so it was mentioned that you’re now lead writer, Devon, and can you tell a little bit more about what that entails if you can, and how that’s been going?

DEVON: Yeah, I mean… I actually don’t know what I can say about it, um… I think it—it means that uh, for future Dragon Prince stuff I’ll sort of like take a bit more of an active role in leading the—the development and the storylines and things like that. It also means that from a company perspective um I’ve been kind of involved in some other side stuff that Wonderstorm is quietly looking into developing and um I help a lot with other IPs that we would love to make a real thing someday and that’s kind of all I can say about it I think or I’ll get in trouble.

HAILEY: All right, that’s great, that’s good to know, thank you.

KUNO: The Dragon Prince 2 (laughter from multiple people). I’m totally joking everyone that’s not a thing so don’t take that for—

HAILEY: Wow.

KUNO: I’m joking.

IAIN: Two dragons.

DEVON: The Dragon 2 Prince.

KUNO: Yeah. OK also if there’s anything that you guys say that you want redacted this is probably not going up for another week because I have to get our reaction episode out. So anything you guys think about that you’re like, “Maybe I shouldn’t have said that” just message us and we’ll redact that. Yeah, cause we know that—

HAILEY: Or just say it. Just tell us, like, what’s—

DEVON: Hopefully we have some self-control but—

KUNO: Okay, so we are going to get really indulgent here and I think this is going to be really in Devon’s wheelhouse. We have a lot of questions and a bunch of the scenarios so try to get through as much of it as possible. Um so the first question is can you tell us more about the Silvergrove? What is the government system like in Silvergrove? Who runs it? If you could tell us that is that the only—at least like the leadership role? Um, is that the only Moonshadow elf village? And also do they actually get any real daylight because I noticed when the illusion thing happened it just got shady and I’m like, “They might be taking this Moonshadow thing too far”. Like the elves—do they really like that much? So like tell us about the Silvergrove and where Rayla grew up.

IAIN: So I guess it’s probably worth just starting off with a kind of blanket like, ‘if it hasn’t been in the show, we can’t say it’s 100% fact. A lot of this is just gonna be what kind of we thought, rough shape of things happen in our heads—‘

KUNO: Yeah, absolutely.

IAIN: —going into the writing and so on. So you know, don’t come after me with any, uh, fandom lawyers, anyone. But um yeah, I guess like it’s sort of—it’s most useful for us to think about it in comparison to how the Sunfire elves, like clearly they have very structured society. They have a queen, obviously, and they have large cities and so on whereas we think Moonshadow elves live in, as you saw, much smaller communities. And I think the Silvergrove is not the only one of those, it might be one of the better known ones where clearly the best assassins come from. But uh, I think are other ones out there, um, and maybe even Moonshadow elf people do not know where all the other ones are. Obviously the Silvergrove is hidden and maybe they don’t even have access to all the other ones. So I think there’s a sort of community run vibe to things. I think you know when they decided to—to ghost Rayla, and before that Rayla’s parents, I think that was probably a ‘let’s all come to a consensus before we make a decision about something like this’. I think, Devon, if you want to talk about the kind of like sunlight vibes things, because that was a big part of your driving force behind how this episode looked and felt.

DEVON: Um… well… first, I will say that it was potentially from the top down a complicated visual decision to have episode 3 take place in a Moonshadow elf shady forest grove and also the kingdom of sunlight.

IAIN: Yup.

DEVON: It created a couple production problems in terms of like the way we wanted the Silvergrove to look was very like evening themed and cool colors and you know shaded. And I had this really sort of self indulgent thing where I really wanted it to be as close to night time as possible and yet the story line in Lux Aurea was clearly taking place in the middle of the day. So we came to this sort of compromise that you know it is technically daytime through the whole day and there is enough tree cover that it’s already pretty shadowy but also I think there is some magic at play that’s sort of like generally um shrouds the whole thing in more of like a night time vibe. And my inspiration for that was I’m a big World of Warcraft player, or was I don’t super play a ton anymore but I really loved Ashenvale and some of the night elf regions and they had that similar thing that no matter what time of day it was it always felt like at least dusk or like this sort of like ever—ever shaded feeling. And I indulgently kind of wanted that to be where Rayla came from. So that’s what that’s about.

IAIN: Yeah and I think they’re magical beings. They don’t need vitamin D from the sunlight or anything like that. They’re totally fine if they just get moonlight every so often.

DEVON: But yeah, don’t write a script that has, you know, moon themed place and sun themed place at the same time. It was a… questionable choice (laughs). But I think it turned out—

KUNO: Yeah, ‘cause I was wondering—I was wondering—I was like “Okay” because a lot of the stuff you run through—you run the okay, if I were to write a fanfiction how do I use this. So it’s like, do they just never like—if they like—if Callum were to say live in the Silvergrove would he just have to get used to the fact that like it’s just never totally bright daylight or unless you leave the Silvergrove in the forest, uh, and like—that type of—is that what’s kind of like going on, they just like their shade?

DEVON: I think they like their shade. It’s like Scotland in the winter.

IAIN: Oh yeah, except we all get miserable by around about February when we haven’t seen sunlight in several months. But um yeah, I think it’s kind of like yeah, a combination of ‘oooh, magic’ and also just extremely, like, thick tree cover in the deepest parts of the forest. But I don’t think you have to travel too far. But uh, I think there’s a reason why everyone in that town was a Moonshadow elf and there were no Sunfire elves or random humans just like, chilling and living there. I think only the most goth of kids would be able to live in the Silvergrove without going a little bit mad.

DEVON: I mean you only have to go as far as the adoraburr field which clearly still gets a significant amount of daylight.

IAIN: Yeah.

KUNO: And you said there’s not really like a leader. They do as a community, but is there anyone that like makes decisions, like is there anybody that like if they were to go to somebody, like if they have like village leadership decisions. And obviously, um, blanket statement that all this we assume is kind a little bit of headcanon so it doesn’t have to be like for gospel, but you know for purposes of writing stuff.

DEVON: Um the way I thought about it—well, to back up a tiny bit, there was actually a version of the story where there might have—this was super, super early on, we were thinking about how the story might play out and we talked about there being potentially another Moonshadow elf leader type character that they would meet who, you know, was the one who ultimately called for the Ghosting decision. But that didn’t really fit the sort of, like, very personal nature of the story we wanted to play out with Rayla specifically. Um but thinking about that and the way that we were, you know, trying to shape it—I would imagine that like the assassins are sort of like a specific group that live in the Silvergrove which is otherwise—it’s not all assassins, like, not everybody there is an assassin. And I think that means that like you know Runaan was the leader of the assassins so he might consult with the leader of the blacksmiths who may be someone over Ethari but maybe it’s him now who might consult with the other general leaders—I don’t know. Like I think it’s more of a counsel of different groups than one single authority. It just seems like that would be a better fit for Moonshadow elves than the sort of like very, very strong-army, structured, high-and-mighty feeling that the Sunfire elves have, so, does that make sense?

KUNO: That totally makes sense, a little bit like an oligarchy, I think I had the idea that like they sound like they like a counsel. Like it sounds like a elven conciliatory.

DEVON: Yeah I think like someone might say, like obviously something horrible has happened and Rayla is exactly the person we thought she was. I’m calling for a—a ghost vote. And then you know—

IAIN: With a cooler name than that.

DEVON: No I think it’s canonically, I’m sorry—

IAIN: Ghost vote?

DEVON: The canon is “ghost vote” now.

IAIN: Okay.

DEVON: But yeah, they would all sort of like weight in kind of like a town hall scenario about of like why this is obviously the correct call and they would all sort of like have to come to some sort of agreement about what to do versus the Sunfire queen just being like “mph, time for the light, light decides!”

IAIN: Yeah.

KUNO: Okay um the next question being almost a little on that, does Ethari regret, um, what does he—does Ethari regret doing the banishing spell now that he knows the truth about Rayla?

DEVON: Oh absolutely 100%. But I don’t think he would have the power to—to reverse it. Like I think he could do a quick charm to help reverse it in the moment just to speak with her but ultimately it would take a lot for him to undo it and I’m not—we haven’t talked about what he’ll get up to in the meantime, but I don’t know he would be able to pursue it so directly—I’d have to talk about it, I think it would be an interesting side thought to think about how he might pursue redeeming her in the eyes of her people knowing what he knows, but—

IAIN: Yeah I think given that we said it would take everyone to do it collectively and make an agreed decision it would similarly everyone would have to understand the truth and go back on it and ‘oh I saw her one time and she said she didn’t do anything wrong probably isn’t enough to overturn that. But yeah I think he probably felt some regret even at the moment, but you know he’s in some of the worst grief of his entire life and he’s not going to make perfect rational decisions. And I’ve seen you know some people were slightly upset that he got so angry with Rayla in the moment of seeing her but I think like when you first see the person that you’ve tried to convince yourself sort of took the most important person in your life away from you, you’re gonna feel a big mess of feelings and it will bring up some grief that maybe you thought you were just—just starting to get over, so ah. Yeah I think hopefully he can turn that around in the years to come but they’ve all had a rough time. They’re at war. It sucks (DEVON laughs). Don’t go to war, kids.

KUNO: Hailey did you want to ask the next one or did you want me to?

HAILEY: Sure I can ask it. Could you—so I mean—you mentioned a stuff—a couple things about their government system and whatnot, but is there anything else you could tell us about Moonshadow culture, like what their day to day is like, and what it means to be a Moonshadow elf?

DEVON: Um I do think that a lot of the fandom I’ve been pleased to see has picked up on this sort of idea of a fairly rigid culture and you know there’s a lot of importance placed on things like honor, loyalty, and the ability to commit to things. And um I think that could come off as pretty strict but I actually think it comes from the place of valuing a close knit community. And I think, like, to the idea that we said like they probably have some kind of counsel instead of some single authority kind of ruler. It’s—I think their day to day would be very much going about their business in ways that support each other you know? Like does that make sense? It’s—you go to the blacksmith and he does work for you and it’s friendly and conversational but it’s productive—it’s all very for the good of the community.

IAIN: Yeah I think early on in season 1 even Rayla says that you know they’re not really meant to show their feelings. So I think everyone kind of commits to doing their task for the good of the village and doesn’t gripe about their day to day until something bad happens as the entire series to this point has been driven by. But um yeah I think they uh—they’re just committed to having a good, small, close knit village life and all supporting each other the best they can. And then occasionally the dragon queen tells you to go kill someone and that’s your job so you better go do that without complaining about it.

DEVON: I think we use the words “reclusive yet intimate” in the article we put up about the two moon creatures, the moonstrider and the shadowpaw. And I liked that a lot because I think they’re reclusive in the sense that they’re a little bit shut off from the wider world and they’re um isolationist in their preservation of their own culture but they are very close to each other and that is something that they hold at such an—like a preciousness level but it’s also a bit extreme, like if you betray that in any capacity like obviously they take that very seriously. And so it’s a double edged sword if you will, to have a community that supportive and that close but also your ability to perform all of yourself for the good of that community can be your undoing so—

KUNO: No I actually kinda get that um ‘cause I’m Pacific Islander so I think we’d call that what you’d call a collectivist society where it’s like the needs of the group supercede needs of the individual so I kinda like I—it’s not the extreme I think that they are because they’re very like reclusive but um I kinda live like that in a little bit of way. It’s what I grew up with. So I actually totally get that which might be why I like that so much (multiple people laugh). Um so the next question would be how does the banishing spell work that, um, that was used on Rayla politically and magically? I think we’ve talked a little bit about politically already but magically is—I’m assuming it’s a collective decision or does each person, like, opt in? Like could Ethari have opted out of doing it or did we—did they all have to agree?

DEVON: I think everybody have to agree?

KUNO: And how is it broken?

DEVON: I don’t think you can opt out?

IAIN: Um I think ‘how is it broken’ is something we definitely want to save for—for the future uh we really hope that Rayla manages to undo that. In terms of I think that it’s just culturally ingrained that you wouldn’t opt out. Um I think they would probably just argue forever until they manage to come to an agreement. So I—yeah I don’t think there’s you know half the elves in that village who are seeing Rayla and were like “Oh hey Rayla how’s it going?” I think uh they all came to the collective decision. That’s kind of the political angle. Um sorry, what was the other part? Magically how it works?

KUNO: Yeah? How would you do it?

IAIN: I—again, you know if it’s not in the show it’s not canon, but I sort of inspired by how the entrance spell works where they do a dance and there’s a ritual and I imagine it’s kind of similar. Like I think there’s a lot of that kind of like ritualistic style of magic and it’s kind of like what you see when they put the flowers out onto the water as well. There’s you know a collective dance probably involving a lot more people, a lot more cool intricate runes that happen only with a much more somber mood than the fun, happy times of Callum and Rayla dancing around in the forest. Um so yeah it’s probably—I would imagine it’s probably tied to some whatever the saddest phase of the moon is and that’s when they all get together and really somberly and really sadly uh commit to never seeing this person again. At least that’s the part of the plan. An interesting question that I think could be something that fanfiction writers such as yourself could get into is has any one of these ever been broken before or have they all been pretty sure that they would never need to go back on it? Is that going to be something that Rayla is going to figure out for the first time ever or is there a precedent for this happening. And we don’t have an answer right now but I think that would be a cool story to think about and write.

DEVON: Oh man I love the saddest phase of the moon idea. Imagine if they do it at the new moon because it’s like the moon’s face is hidden forever. Whoo.

IAIN: Whoo.

DEVON: Sad.

KUNO: Maybe we’re birthing things while we’re doing this interview. I actually think it would be like Callum does the Historia Viventum thing and it would be so—cause now I’m just imagining this whole village doing this sad dance which is the Banish Rayla dance essentially. And like that would be so sad for Rayla to witness that just for the drama of seeing her entire village decide to just not see her ever again. And that’s like wow, I’m so sad now.

DEVON: I love sadness.

IAIN: Yeah Callum just crushing a series of Moon Opals to show such a clip show of all of Rayla’s saddest history moments (laughs).

DEVON: Oh god.

IAIN: That’d be great.

DEVON: Thanks Callum.

KUNO: Thanks Callum. Um, she’d love him anyway. But um okay so some of my favorite stuff, what was it like for Rayla when her parents had to leave her to live with Runaan and Ethari and what was that transition like for them all? How old was like Rayla too?

DEVON: This was one that we’ve had a couple different ideas about so this is another one that’s like heavy not quite canon bubble. Like if we actually end up doing a story that involves some of these details it’s likely to change and be slightly different but the versions that I’ve liked have involved her being pretty young. And because honor is such a you know key part of Moonshadow culture I think like overall it was something that she felt you know sad about because she knew that she wasn’t going to be directly seeing her parents very often anymore. And—but it was uh such a huge honor that she felt you know pride in what her parents were being selected to go do. You know, act as Dragonguard and serve as these sort of like honorific, um, warriors that left the collective of the Silvergrove to go represent Moonshadow elves in the service of the Dragon Queen. And I think she had—she grew up being told what an honor that was and how much pride she should have in her parents because that is such a special thing. And then I think like it speaks a lot to how proud she was when she believed that they ran away and abandoned that duty because you know, how could they? If that was their reason for leaving her when she was a child and then they ran away from that job, like, how important could it have really been? And then you know, I’m sure that makes her feel very, very small. It made her feel so hurt that she told Callum at first that they were dead so she took it pretty hard.

KUNO: Yeah.

DEVON: But I think the other thing about it that we’ve sort of kicked around is that like, Runaan and Ethari were Rayla’s parents’ close friends and I think she was familiar with them enough that she didn’t feel like she was being you know left with two strangers. It’s sort of just like, you’re going to be under the care of people who are already very, very close to you and care about you quite a bit.

IAIN: Yeah I think with like Moonshadow elves in general the thing I think about a lot is like the good and evil that comes from suppressing your true emotions to show a different face to the world and I think we see a lot of that in Rayla. Like I think she probably committed pretty hard to Ghosting her parents because she had this like big mess of like sadness that she’d left but at least the soft landing of Runaan and Ethari to live with and so on. But believing like this sadness is worth it because they’re doing something so noble and then the betrayal of that—it just came out in kind of a messy like toxic way, right, where now she’s committed to becoming an assassin at a really young age in a way Ethari doesn’t agree with and so on. But I mean on the other side I think having a strong handle on your emotions is often one of Rayla’s strengths right? Like we saw in episode 5 of this season after she’s going through a whole lot of stuff, both her family situation and this new development with Callum, she’s just able to like operate as a cool badass extremely cool assassin without letting any of that affect her. But you know I think there’s balance in how you handle your feelings and how you externalize them in a good way that people can learn from, but sometimes you gotta—you gotta work (laughs).

KUNO: That makes sense. Oh well yeah I always had this personal headcanon which I kind of like incorporated into my fanfictions where she felt abandoned by her parents so in a way it’s kinda like slightly—kinda like that except it was all those feelings that have been repressed from years and years basically came out when she felt like—like the abandonment came to like the head when she felt like they had left because they had ran away—they kind of like ran away like from her.

DEVON: Oh yeah, absolutely.

KUNO: In a way—their duty to—

DEVON: I think that validates the suppressed feeling, you know.

KUNO: Yeah, since their duty to the Dragonguard was in it’s own way more important and that’s something that was like okay because it was an honor but since they ran away it’s like obviously it was more important in a terrible way, if that makes any sense?

IAIN: Yeah I mean I think it’s like she did her best and she’s trying to be a grown up but it’s hard at a young age to accept that you know there are meant to be higher callings than a bond between parents and children, right? Like that’s hard for her to grasp and she probably didn’t express that openly ever really. But I think it really did help that she had two genuine loving father figures ready to accept her with open arms even if one of them did train her to become the best assassin of her generation, which again I wouldn’t advise to—to most parents out there.

DEVON: I do think like even that was considered, you know, honorable. It was you know, you’re going to—not only are you going to get to live with Runaan and Ethari, like Runaan is the leader of the assassins, or at least maybe at that point in time he wasn’t the leader but he was very up and coming. I don’t know, it could be either or, but that I think was probably something that she fully embraced and fully wanted, like you know, ‘this is my purpose in life, this is my calling, my parents have gone off to do their calling and it’s a great honor for them, and this is my path and what I’m going to do with myself’. And that didn’t end up being true but it was probably a comfort to her at the time.

IAIN: Yeah.

KUNO: That makes a lot of sense. Moving on, okay, this, we’re getting real indulgent now—do you know what Ethari and Runaan’s wedding was like and what are Moonshadow elf weddings are like in general?

DEVON: Um, I have a, so a lot of the dancing stuff is because I have an enormous soft spot for tropes involving cute dances, like, just a huge, huge soft spot. And the thing that comes to mind is, if you’ve seen the movie Prince of Egypt, which is such a weird reference—

KUNO: Yeah, I love that.

DEVON: —the scene where he and the girl, I forget her name, they do the thing—

KUNO: Tzipporah.

DEVON: —with the ribbon and they do the cute little dance with the ribbon. For some reason that’s what I think of when I imagine what a moment in their wedding would look like would be a dance with a ribbon that they sort of use to—you know, Moonshadow elves love ribbons, I guess, but this is a good ribbon! It’s a love ribbon. But anyway, that’s just my idea. I love that specific—that song that, “Through Heaven’s Eyes”, it’s during that sequence but that—

KUNO: Yeah.

DEVON: —would be my go-to inspiration for like, it’s like that and then you know, everybody dances with them because Moonshadow elves like to dance.

IAIN: Yeah, I kind of like the idea of the—there’s a lot of these symbols that are sometimes extremely sinister. I mean I think Ethari even kinda calls this out when he shoots the—the Shadowhawk arrow to inform the queen that her son is in fact alive. But like, Moonshadow elves believe that death and life are not good and evil, they’re mirrors of each other and an important part of the cycle. And you know, the moon has cycles and that’s an important part. So I think thinking about all the rituals and stuff that they have, which initially you’re introduced to as ‘let’s go murder someone party’, like if that was—there was a kind of inverse to that that was a big part of their wedding ceremony I think that would make a lot of sense to Moonshadow elves because this is two people binding their lives together forever. Binding for a shared purpose in a good way and not the grim ‘let’s go kill Prince Ezran’ kind of way.

KUNO: Yeah. Cause naturally this is involving like several ships so I’m like, I had to ask that. And on the piggyback of that, as detailed as possible, can you describe courtship customs for Moonshadow elves?

DEVON: Oh man.

KUNO: I mean like dating—dating customs, like a headcanon even if it’s just headcanons.

IAIN: Devon is deep in thought (laughs).

DEVON: I’ve never—like for some reason the—the headcanons that I’ve thought about are more specific to like, Runaan and Ethari than I’ve really sort of like branched out into thinking about how Moonshadow elves do this in general. So I imagine there’s intended—there’s some formality to it, I would imagine, in that like, because they’re so, you know, purposeful and thoughtful with how they express their feelings if at all, I think it would be, you know, exchange of gifts like small favors and making your purpose known in a way that starts small but has purpose. So I think like, there’s versions where Ethari would put extra detail into the work he was doing for Runaan which you know, could be perceived as a sign of affection or Runaan was coming to Ethari asking him to work on his weapons or metalcraft stuff a little bit more than was necessary and—stuff like that, where it’s a bit stiff and difficult but I think like once—once there is clear reciprocation I think there can be more of an open discussion about it, does that make sense? But I think Runaan probably struggled with this a whole lot, like, ‘cause he’s—did I, it might have been you who I responded to on Twitter but someone asked me something along these lines and I think Runaan had a really hard time even with this first sort of like simple offerings of affection because that’s just him. Like he sort of takes that aspect to an extreme. Like he has a hard time being like “here is the way I wish to express myself in a soft way and not with a—a sharp object. So I think Ethari had an easier time because he’s just more naturally soft (laughs).

IAIN: Yeah I sometimes think that Runaan is the most Moonshadow elf of all Moonshadow elves, but like, you know, it’s—

KUNO: I was gonna say that.

IAIN: Yeah, um, you know when they have such a hard time showing their feelings and they sometimes feel like they’re not supposed to and so on, and so Runaan is trying to pick up on the tiniest possible hints through professional exchanges and so on. And I think when it’s actually time to confess that there’s a feeling there you would, I think especially Runaan would have to be 100% sure and then do it entirely in private, the most private situation possible where there could be no possible spies who could see this if it was going to go wrong because that would just be the end of his entire life, obviously.

DEVON: Yeah he would bind himself to his own death (laughs).

IAIN: Yeah, that’s it. Gonna assassinate myself because I confessed love and it didn’t get reciprocated. That’s that.

DEVON: It’s over.

IAIN: So yeah, lot of—lots of awkward advances where they’re trying—trying to have the escape hatch of “Oh I didn’t really try to suggest that I liked you, this was just me asking you for a professional favor by let’s never speak again”.

DEVON: And then he comes back the next day (DEVON and IAIN laugh).

KUNO: Oh my goodness. Uh I felt—I—I kinda like headcanoning now that Ethari tells Rayla all this “how I met, you know, your surrogate dad” kind of stuff. Like, and that’s how she—she’s like, this is how you do love apparently.

DEVON: I do think that like, yeah, he had a much easier time and probably picked up on stuff. And to me there’s a side of Ethari that you don’t really get to see in the episode because he’s very sad. I think he’s a—he does have a playful side and I like to imagine that while Runaan was doing his, like, really just not-the-best attempts to display affection early on, like Ethari would pick up on them but not necessarily give the full signal back. And he played a little bit oblivious but he absolutely was—he’s just more emotionally in tune. So I think, “Oh hey, you’re back again, wow. I thought I did fantastic work on your blades last time. I cannot believe they’re already dull!” Like and he just sort of like, he knows—he knows there’s something there.

IAIN: I think like this kind of gets echoed in Rayla, like where Callum in an effort to pick her up and be honest about how he feels that she’s just an incredible person. Like to her that’s like, ‘person being entirely open with their feelings in a positive way? That’s a love connection!’ And then it goes wrong for one entire episode and then it turns out that Callum was also not fully aware of how he was feeling and so on. But I think like, yeah, I think that’s why she was like immediately “Wow, this is clearly meant to be romantic and this is—this is going exactly the way I want!” and then it didn’t. But then it did! So we’re all happy.

DEVON: Aww.

KUNO: I am! I’m certainly happy. Um—uh let’s see—the next one is—okay. What was Rayla like as a child growing up in a household she did—household? Um, she mentioned going to school and we’d love to know how baby Rayla fared as a student and just a child growing up in the Silvergrove and what that experience is like for a Moonshadow elf child?

DEVON: You want—you want me to do this one?

IAIN: Go for it.

DEVON: Yeah, um, I think Rayla was feisty (laughs) in a word. I think she—for some reason there’s a scene in the beginning of Korra where she’s already mastered like, three elements and she like comes out punching. I kind of think about that when I think about baby Rayla. She knows she’s—there’s that end credit scene where she’s got the two sticks and she’s posing with them and Runaan’s sort of lifting one of them up and I’m thinking like, okay so sheg’s like, from a tiny, tiny age thinking like, “I’m gonna be the coolest assassin the Moonshadow elves have ever seen!” and she’s like rambunctious about that almost, because you know, as a child you don’t really understand what the ramifications of that are but it’s considered like a highly, highly valued, honored position and so she’s obviously like, “Yeah I’m gonna do that and I’m going to be the best at it and there will never be any complications whatsoever!” In terms of Moonshadow elf childhood, I think with the way that I would think about it is—we talked about the sort of community aspect. I imagine Moonshadow elves have pretty, like, what’s the word, like, a lot of general education, sort of, like, “this is what weaponsmithing is like and this is gardening and raising crops and things to provide for the community” and so I think they would have a lot of ‘school’ that covers a lot of just like, life basics because you are expect to find a place that contributes to the collective whole. Does that like—?

IAIN: Yeah, I think like it’s also lucky for Rayla that a big part of Moonshadow elf culture is what we would call PE. Like I think she excelled at striving to be an assassin warrior and so on. Especially like, she’s trying to live up to her parents who at first were honored Dragonguard and you know, Runaan as well. I think in terms of like, more academic stuff like if there was Moonshadow elf history lessons and “let’s go out and understand the, you know, ecology of the Moonshadow forest” and stuff I think she was probably a bit kinda like, rambunctious and not super paying attention and running off and not really giving it her all and so on. Um, you kind of get that impression from early on where she knows what Primal sources are and she’ll explain that to Callum but like, when she’s talking about ‘how do you do that Moonshadow form thing’ she’s like “I don’t know, it just feels right”. Like I think that’s—she did everything very intuitively and focused on the things she cared about and understood and kinda did what she—did what she could on the other subjects, I guess, but didn’t care as much.

DEVON: Yeah I feel like if you imagine the kid that is going to grow up to be an artist is doing doodles on their math homework and just sort of like doing the math homework but—but you know, clearly the effort is being placed elsewhere. I think it’s that but she was excelling at PE and assassin training and therefore fell very, very easily into her supposed path.

KUNO: The—this isn’t on the thing, but did—did she ever—did she ever really have any friends? ‘Cause she doesn’t really mention—ever mention friends. I—maybe that has to do with the whole assassin thing where if she wasn’t learning being at school she would probably doing assassin stuff with Runaan or assassin training stuff—I guess not really assassinating. But um did she have really friends growing up?

IAIN: I think if she had friends they were not super close. And I think she valued her alone time. There’s a sweet moment early in—well end of season 1 where she like tries to cheer up Ezran by saying that fitting in is overated and I think she felt that a little bit. Um and you know I think there’s some amount of when you’re being trained in the art of an assassin like you’re probably somewhat taught to—to keep people at arm’s length a little bit, right? And I think she—she took that to heart. So I think that’s a big part of why when she was first traveling with Callum and Ezran there wasn’t that much trust between then and it was kinda like, it was Ezran honestly that bridged the gap being most empathetic number 1 child. And yeah, I think having a close friend is relatively new to her.

KUNO: Makes sense. Like just few, not the many. Um okay then next question before we get to Hailey’s batch of them are um, what are Runaan’s feelings toward Rayla as of right now and everything that’s happened since season 1? I understand he’s in a coin, he’s in a finacial crisis, he’s probably not thinking about it too hard—

DEVON: Oh my god (laughs).

KUNO: But you know, like he’s gotta be—you know he’s not doing anything right now, I’m assuming, so like what would be his feelings about her at the moment?

DEVON: I mean he’s got a lot of time to think, wherever he is. I think like—I got into this a little bit on Twitter in a self-indulgent rant at one point where I think he went through a lot very quietly during the first few episodes of the show where he very, very much wanted Rayla to succeed, even if he wasn’t necessarily like being the dad on the sideline of the soccer game, like, cheering for her. But he thought this was her moment, this was her time to prove that she really was more dedicated to you know, her cause and her people than her parents were because they had, you know, been the subject of such shame. And then ah, everything goes the way it does, I think he has a brief crisis of, “Is this my fault? Did I fail to train her well enough? Like, was Ethari right?” Because he always thought she had, you know, a softer heart. And I think like those are the types of things that he’s still stewing on, um like did—”did he overstep? Was it something—was he so eager to give her the opportunity to prove herself that he, you know, ultimately put her in a position where she could not succeed?” I think like, the other thing that I mentioned on Twitter was I think he took her off the mission both because he very, very much wanted to give himself and the others a chance to complete the mission even if it meant their deaths. But it also meant that Rayla had the chance to survive even if it was potentially going to be misinterpreted and she’d get slapped with the Ghosting, I think he believed that her alive was better than everybody being dead. So I think like, he’s got a lot—a lot to work through and I think like—I think he feels guilty. I think there’s the smallest part of him that he has the—again, a lot of time to potentially stew on and reflect on is he does feel like he put her in a position that was, you know, not fully taking into account the type of person she was and more projecting onto her the type of person he wanted her to be and gift he wanted to give her of redeeming herself in the eyes of her people for her parents. And I think he’s gonna have to work through that. Poor dude.

KUNO: That’s so sadly heartfelt. That’s so sadly heartfelt. Here I am thinking that he’d be, like, maybe a little angry with her, ‘cause obvious reason, but now it’s like, oh he feels guilty. Like, “Oh, okay, let’s just slap the angst on, okay”.

DEVON: I mean, I think like—

KUNO: Yeah, mm-hm.

DEVON: Sure he’d have some anger, like, “Awgh, I gave her everything. I gave her the exact opportunity she needed”. But I think like the guilt and the reflection leads to the “Maybe I—maybe it was me who stepped too far here”.

IAIN: Yeah, I mean another part of it is like, we don’t know what it’s like being trapped in the hell coin dimension, right?

DEVON: Oh I do. I—I mean—

IAIN: Oh you do?

DEVON: It sucks.

IAIN: Oh it sucks?

DEVON: When it happens to me on the reg (IAIN laughs).

IAIN: But you know, does it feel like an eternity is passing? Does it feel like no time has passed? Is he in eternal pain? Because if it’s like real bad—

KUNO: Oh my god.

IAIN: —in there I can imagine that like yeah there’s definitely some of those kind of anger feelings that you don’t want to feel in but you do sometimes, right? Like it’s like, if he has a snap moment of “I wouldn’t be in here if she hadn’t gone off and disobeyed our orders and, like, lied to me and so on”. So if he ever comes out uh don’t know what side of the emotional coin he’s gonna land on.

DEVON: Ohhh, please leave.

KUNO: Oh my god.

DEVON: Get out, oof, ouch.

IAIN: Finger guns.

DEVON: I do think like that sort of complex—

KUNO: It sounds—

DEVON: —emotion is just, I don’t want to give any time to that pun, we’re moving on. Like that sort of complexity of emotion and relationships is something that I really like in the show overall. Like you said earlier, you saw some people that were a little bit upset that Ethari was so willing to lash out at Rayla at first and I think like to me that was always part of the big, big thematic of the show, which is this sort of endless cycle of people being willing to hurt each other and not forgive each other and not, you know, accept that you can choose peace. It’s, you know, it’s—Runaan having that impulse to anger is a very natural thing and it doesn’t—I don’t think it necessarily makes him a bad person for feeling that. And I don’t necessarily think that Ethari having his moments of grief lead him to actions that are ultimately like, regretful, like I don’t think he would want that to define him in the long run. Like those are very human things but those are the things as we acknowledge them and as are—so long as we are capable of recognizing how flawed we are and how violent and…

KUNO: Messy.

DEVON: Messy! Thank you, that’s like, I was going to say like churning, messy is good. Like messy emotions can be and how they can like, dictate the way we treat each other, um, but forgiveness and patience and acceptance are ultimately just so much more powerful than those negative perpetuating lashing outs. That was an inelegant way of ending that screed, but yes.

KUNO: I actually really love that um ‘cause I from the beginning I’ve loved their father-daughter relationship so I love how complicated it is, ‘cause the truth is you know every parent-child relationship is a little complicated, except theirs is a little more complicated with assassination going on in the works, the family trade. So I love that it is this complicated ‘cause I know I remember in the beginning where people were like you know—you know she does have a dad. And it’s like I know she has a biological dad but until I am told otherwise that’s her father. I don’t care and I love their relationship so I love that that really reflects that. Another—the next question out of me before we get to, um, Hailey’s, which are all about different elves, is um, course I have to ask, my policy is one Rayllum question per interview. Um what are Runaan’s feelings—whah, no, whoop, how would Ruthari and Runaan react to Rayla’s relationship with Callum considering he’s not only a human but a human prince? ‘Cause as far as we know Runaan really hates, um, humans and I’d love to see that story later, both individually and as a couple. Because as far as I know, Ethari probably doesn’t know that their in a relationship unless he sensed it?

DEVON: Oh man, I—I think you should take this one, but I do want to say that I saw one comment on Tumblr at one point where someone said that they wished that Ethari had said something to Callum along the lines of like, “Take care of her”. And I want to travel back in time and pretend that was in the script ‘cause I think that would have been really, really nice. And I do think like, he picked up on the fact that Callum was important to her even if it—he didn’t necessarily read it as romantic right off the bat. I think he mostly was like, “Oh this guy is kind of like a cute—he’s a human but he’s, you know, a friend to someone I care about and that in and of itself is valuable and there’s something there”. So I think—pretend that was in the script. I wish I had thought about something like that but—

KUNO: I will (DEVON laughs).

IAIN: Yeah.

KUNO: That’s canon as far—as far as I’m concerned that’s canon.

IAIN: I think uh it would be best for everyone involved if they found out together, uh, because I think Runaan’s impulse would not be good immediately. I think like, when you spend so much time as an assassin and you drill into your head that the people that you’re meant to kill are not people, they’re the enemy right? Like I think that’s—sometimes that’s a thing he turns on to do the job and so on, but I do think that’s gonna bleed into his personality and it’s—you know, especially given his extremely recent history he’s not got the best feelings about humans. So I think it would inspire an immediate negative reaction in him that would not be pleasant for Callum and Rayla, but I think Ethari just has a much softer heart and that is where Rayla kind of got that side from. So I mean I’m not going to say that he would immediately—you know, they’ve been at war for hundreds and hundreds of years with humans and they’ve been told all through their history that humans committed the original sin of dark magic, et cetera et cetera, but like, I think it would take not that much time of seeing Rayla and Callum together for Ethari to see that there’s something there and then I think Ethari would have the ability to ah, to talk Runaan down pretty quick. But I also think that like, Runaan might not even show any of this, there might just be a kind of seething resentment that he’s not really talking about inside. Um unless it was like on the battlefield or something and he was like, “That’s a prince that I’m meant to kill” or something like that. But overall I think Ethari would sense that Runaan was not like—was not taking this well and they would be able to talk it through. At least that’s my gut.

DEVON: No, that sounds right (DEVON and IAIN laugh).

KUNO: I feel like poor Callum is just always on the edge of “Am I going to die tonight?” while he’s there, “Is this gonna be it?” Just gonna be like, “Oops sorry I had an accident—hey I had an accident in the middle of the night, you know, just a knife to the throat, that’s all”.

IAIN: I mean, he’s doing pretty well, like he said as they were about to meet Ethari and Rayla was like, “Remember Runaan?” He was like “Oh yeah, that guy who tried to kill me as soon as he met me? Cool guy”. Callum’s doing pretty well on the acceptance front these days.

DEVON: I do—

KUNO: Yeah.

DEVON: I do want to say that I think Ethari and Callum would get along really well because I think they both have sort of like a soft hearted friendliness to them that they would have a fun rapport. And that’s the sort of like “Trees to meet you” line is definitely supposed to be like—they’d you know, crack some goofy back and forths and I think that would soften Runaan too because he couldn’t ever hate someone that Ethari liked.

IAIN: Yeah, I think it’s a weird—

KUNO: Aww.

IAIN: —reversal where like Callum’s the one doing the dad jokes and Ethari’s like humoring them and Runaan’s like, “I don’t understand. Trees do not meet.”

DEVON: “Please stop saying ‘trees to meet you’.”

KUNO: Aw it never gets old. I love that. Um alright, Hailey, take it away. Your turn.

#The Dragon Prince #Hot Brown Morning Potion Podcast #HBMP Podcast #TDP #Ruthari #Moonfam #HBMP Podcast transcription #TDP interview transcription #my posts

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mirai227 · 3 years

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How to go from beginner to intermediate in a language!

Hi! I recently reached an intermediate level in French, and I am on my way to reaching an intermediate level in Spanish too, so I thought I would try to offer some tips and ideas about how you could reach an intermediate level in your target language as well.

What does an intermediate level feel like?

So from what I can gather, the beginner level (about A1/A2 on the CEFR scale for languages) is where you can communicate on a very basic level, and can only really understand beginner learners' content. Native material is kind of a no go (except maybe for children’s content). You can understand about 30% of what natives say at natural speed, and can struggle through some basic articles with key vocabulary, as long as you are already familiar with the subject and the key vocabulary. You can express yourself in quite a limited way, and can speak about familiar subjects, while being able to provide some simple explanations why. This self-assessment grid can tell you more about what you can and can’t do at these levels.

At the intermediate level (about B1/B2), native material is slowly but surely becoming more easy for you to understand. For me, it usually means that I can understand enough words and phrases when native speakers speak to piece together what they are discussing, though I can’t really provide specifics. You can understand about 50/60% of what natives are saying about a relatively wide range of everyday subjects (though specialised language for complex adult discussions on things like science and philosophy is usually too difficult at this stage). You can express yourself quite well on a wide range of subjects, though in an often clumsy and simplistic manner. At this level, you should be able to survive in a country where the language is spoken, and operate fairly well in a professional setting (if the language required is not too complex). You will definitely make a lot of mistakes, but not too many, so you should be understood by natives. This self-assessment grid can tell you more about what you can and can’t do at these levels.

What should your goals generally be here?

Greatly expand your vocabulary.

Improve your grammar to a passable conversational level (watch this video clip to understand what I mean).

Get comfortable speaking with native speakers.

Make sure that most of your study time is spent consuming or using your target language. Minimise contact with the languages you already know, except maybe for grammar.

Spend a minimum of around 1-2 hours a day on your target language.

How should you reach intermediate level?

Use a textbook for around that level. For me, I used the higher tier textbooks for GCSEs, which is about the level that I wanted to reach. I went through the whole textbook, learnt all the vocabulary that I came across, and did all the practice questions that I could find. This helped me immensely. Textbooks are usually organised to provide the base of what you need to reach an intermediate level. However, they should not be used alone.

Find a native speaker to talk to! Seriously, this helped me so so much. Before, I was not comfortable speaking to natives in French at all, but I started to speak with a friend of mine twice a week, and I was absolutely stunned by how much more smooth and confident my speaking became. I looked up words that I needed to know while I was speaking with her, and this really helped me fill in the gaps of my knowledge. I also learnt a lot of the nuances in French and and discovered some really cool and useful phrases. Try making a habit of speaking either with someone, or by yourself every day. If you don’t know something, then google translate is your friend! That way you can learn really cool set phrases. You can usually find someone to talk to on discord servers if you join some language learning ones, though be very careful about revealing any personal details or your face. Arrange a fixed time a few times a week and stick to it!

Study every day. Seriously, I really dropped the ball with my Spanish and because of this, my progress has been really slow. I could be at the intermediate level in Spanish already, but because I’ve been so slow, I’m not. Figure out what time of day you are most productive at (for me this is the early morning) and set a fixed time for studying your target language. It’s okay to experiment a little, and for it to take some time to figure out your schedule. With languages, at this stage, it is very easy to forget things, so going a long time without studying (longer than a month) is really going to hinder your progress. Still, you should always be your first priority, so if things are too busy for your studies at the moment, then it is fine to put your studies on hold for a while, or even stop them altogether. Just make peace with the fact that your progress will be a little slower than you might like.

Do lots of practice questions for grammar. It is all well and good to hear about the rules and write notes down, but if you cannot use it in practice, then frankly, you do not know the rule. Find a grammar workbook, like this one, or this one, and work through it. You can use HiNative to find corrections if you do not know the answer. Then, try making sure that you actually use it in your writing or speaking. Experiment, and learn from the corrections that people make.

Keep a journal in the language, and post it on websites like Journaly. Write about subjects that you already know about, and make sure that you use as many grammar rules that you know as you can. Try to elaborate on your reasons and opinions on things. It will be difficult at first, and you will make absolutely loads of mistakes, but as time goes on, you will gradually start to improve. Look up words that you don’t know, and write them down so that you can learn them later.

Try listening to intermediate content. Yes, it will be difficult, and you won’t be able to understand much, but as time goes on, you will slowly become more accustomed to the vocabulary you need to reach that level. Make sure whatever podcast you are listening to has a transcript, and highlight and learn the new vocabulary that you have discovered using Anki, or any flashcard app. Listen whenever you have time to kill, like on the train or when you are doing the dishwasher - it’ll really help!

Text natives on apps like Tandem or HelloTalk. It’ll get you used to forming the written language more quickly, and will let you practice more conversational phrases.

Make sure that you have the basics of grammar down, like all the essential tenses and basic particles, before moving onto harder things. Find a list of grammar, or a textbook that specifically covers intermediate level, and do lots of practice questions on each one.

Watch some native content on YouTube on subjects that you are familiar with and really like. Again, this will be difficult, but helpful! Make sure the videos have subtitles in the target language so that you can follow what it is about. Do NOT use english subtitles. It is vital that you get used to understanding the language without the crutch of the languages you already know. Look up the words that you do not know, and learn them using whatever vocabulary learning method that you like.

Read children’s (like, young children) stories and books to practice reading. It will be surprisingly difficult, because the grammar used in children’s books is usually for around a certain degree of fluency. Learn the vocabulary you don’t know, and try to practice when you can.

Learner’s material and articles are usually quite good for reading as well, as they are frequently quite challenging. You can find some in your textbook, or online if you google “[language] intermediate reading exercises”. You can probably also find reading comprehension books online if you try hard enough.

Learn vocabulary in context instead of memorising lists of vocabulary. Find the vocabulary you don’t know in all the content you are consuming, or look up words that you want to use yourself, and write them down with example sentences. Then, learn them using flashcard apps or websites like memrise, quizlet and anki.

For your pronunciation, shadow native speakers. Listen to how they say words, and imitate them. Personally, I use Easy Languages videos for this, along with random YouTube videos with subtitles in the target language. If a certain sound is difficult for you, then be proactive! Look up YouTube videos and articles on how to pronounce the word, and keep on practicing until you eventually get it.

Engaging with people on social media can be a fun easy way of practicing your TL. You can read or listen to posts and leave comments.

That’s it! That’s all the advice I can possibly think of. I hope you found this post helpful!

Here are some articles that I have found useful in the past:

How You Can Become Fluent in a Language - In Just One Year By Ramsay Lewis

9 points about language learning and how I’m learning 20+ of them By @ravenclawhard

Language learning tips for beginner & intermediate learners 🌍 By Lindie Botes/ @rinkodesu

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